CHAPTER XI

GARTH FINDS THE CROSS

The village church on the green was bathed in sunshine as Jane emerged

from the cool shade of the park. The clock proclaimed the hour

half-past eleven, and Jane did not hasten, knowing she was not expected

until twelve. The windows of the church were open, and the massive

oaken doors stood ajar.

Jane paused beneath the ivy-covered porch and stood listening. The

tones of the organ reached her as from an immense distance, and yet

with an all-pervading nearness. The sound was disassociated from hands

and feet. The organ seemed breathing, and its breath was music.

Jane pushed the heavy door further open, and even at that moment it

occurred to her that the freckled boy with a red head, and Garth's slim

proportions, had evidently passed easily through an aperture which

refused ingress to her more massive figure. She pushed the door further

open, and went in.

Instantly a stillness entered into her soul. The sense of unseen

presences, often so strongly felt on entering an empty church alone,

the impress left upon old walls and rafters by the worshipping minds of

centuries, hushed the insistent beating of her own perplexity, and for

a few moments she forgot the errand which brought her there, and bowed

her head in unison with the worship of ages.

Garth was playing the "Veni, Creator Spiritus" to Attwood's perfect

setting; and, as Jane walked noiselessly up to the chancel, he began to

sing the words of the second verse. He sang them softly, but his

beautifully modulated barytone carried well, and every syllable reached

her.

"Enable with perpetual light

The dulness of our blinded sight;

Anoint and cheer our soiled face

With the abundance of Thy grace;

Keep far our foes; give peace at home;

Where Thou art Guide, no ill can come."

Then the organ swelled into full power, pealing out the theme of the

last verse without its words, and allowing those he had sung to repeat

themselves over and over in Jane's mind: "Where Thou art Guide, no ill

can come." Had she not prayed for guidance? Then surely all would be

well.

She paused at the entrance to the chancel. Garth had returned to the

second verse, and was singing again, to a waldflute accompaniment,

"Enable with perpetual light--."

Jane seated herself in one of the old oak stalls and looked around her.

The brilliant sunshine from without entered through the stained-glass

windows, mellowed into golden beams of soft amber light, with here and

there a shaft of crimson. What a beautiful expression--perpetual light!

As Garth sang it, each syllable seemed to pierce the silence like a ray

of purest sunlight. "The dulness of--" Jane could just see the top of

his dark head over the heavy brocade of the organ curtain. She dreaded

the moment when he should turn, and those vivid eyes should catch sight

of her--"our blinded sight." How would he take what she must say? Would

she have strength to come through a long hard scene? Would he be

tragically heart-broken?--"Anoint and cheer our soiled face"--Would he

argue, and insist, and override her judgment?--"With the abundance of

Thy grace"--Could she oppose his fierce strength, if he chose to exert

it? Would they either of them come through so hard a time without

wounding each other terribly?--"Keep far our foes; give peace at

home"--Oh! what could she say? What would he say? How should she

answer? What reason could she give for her refusal which Garth would

ever take as final?--"Where Thou art Guide, no ill can come."

And then, after a few soft, impromptu chords; the theme changed.

Jane's heart stood still. Garth was playing "The Rosary." He did not

sing it; but the soft insistence of the organ pipes seemed to press the

words into the air, as no voice could have done. Memory's pearls, in

all the purity of their gleaming preciousness, were counted one by one

by the flute and dulciana; and the sadder tones of the waldflute

proclaimed the finding of the cross. It all held a new meaning for

Jane, who looked helplessly round, as if seeking some way of escape

from the sad sweetness of sound which filled the little church.

Suddenly it ceased. Garth stood up, turned, and saw her. The glory of a

great joy leaped into his face.

"All right, Jimmy," he said; "that will do for this morning. And here

is a bright sixpence, because you have managed the blowing so well.

Hullo! It's a shilling! Never mind. You shall have it because it is

such a glorious day. There never was such a day, Jimmy; and I want you

to be happy also. Now run off quickly, and shut the church door behind

you, my boy."

Ah! how his voice, with its ring of buoyant gladness, shook her soul.

The red-headed boy, rather grubby, with a whole pepper-pot of freckles,

but a beaming face of pleasure, came out from behind the organ,

clattered down a side aisle; dropped his shilling on the way and had to

find it; but at last went out, the heavy door closing behind him with a

resounding clang.

Garth had remained standing beside the organ, quite motionless, without

looking at Jane, and now that they were absolutely alone in the church,

he still stood and waited a few moments. To Jane those moments seemed

days, weeks, years, an eternity. Then he came out into the centre of

the chancel, his head erect, his eyes shining, his whole bearing that

of a conqueror sure of his victory. He walked down to the quaintly

carved oaken screen and, passing beneath it, stood at the step. Then he

signed to Jane to come and stand beside him.

"Here, dearest," he said; "let it be here."

Jane came to him, and for a moment they stood together, looking up the

chancel. It was darker than the rest of the church, being lighted only

by three narrow stained-glass windows, gems of colour and of

significance. The centre window, immediately over the communion table,

represented the Saviour of the world, dying upon the cross. They gazed

at it in reverent silence. Then Garth turned to Jane.

"My beloved," he said, "it is a sacred Presence and a sacred place. But

no place could be too sacred for that which we have to say to each

other, and the Holy Presence, in which we both believe, is here to

bless and ratify it. I am waiting for your answer."

Jane cleared her throat and put her trembling hands into the large

pockets of her tweed coat.

"Dal," she said; "my answer is a question. How old are you?"

She felt his start of intense surprise. She saw the light of expectant

joy fade from his face. But he replied, after only a momentary

hesitation: "I thought you knew, dearest. I am twenty-seven."

"Well," said Jane slowly and deliberately, "I am thirty; and I look

thirty-five, and feel forty. You are twenty-seven, Dal, and you look

nineteen, and often feel nine. I have been thinking it over, and--you

know--I cannot marry a mere boy."

Silence--absolute.

In sheer terror Jane forced herself to look at him. He was white to the

lips. His face was very stern and calm--a strange, stony calmness.

There was not much youth in it just then. "ANOINT AND CHEER OUR SOILED

FACE"--The silent church seemed to wail the words in bewildered agony.

At last he spoke. "I had not thought of myself," he said slowly. "I

cannot explain how it comes to pass, but I have not thought of myself

at all, since my mind has been full of you. Therefore I had not

realised how little there is in me that you could care for. I believed

you had felt as I did, that we were--just each other's." For a moment

he put out his hand as if he would have touched her. Then it dropped

heavily to his side. "You are quite right," he said. "You could not

marry any one whom you consider a mere boy."

He turned from her and faced up the chancel. For the space of a long

silent minute he looked at the window over the holy table, where hung

the suffering Christ. Then he bowed his head. "I accept the cross," he

said, and, turning, walked quietly down the aisle. The church door

opened, closed behind him with a heavy clang, and Jane was alone.

She stumbled back to the seat she had left, and fell upon her knees.

"O, my God," she cried, "send him back to me, oh, send him back! ...

Oh, Garth! It is I who am plain and unattractive and unworthy, not you.

Oh, Garth--come back! come back! come back! ... I will trust and not

be afraid ... Oh, my own Dear--come back!"

She listened, with straining ears. She waited, until every nerve of her

body ached with suspense. She decided what she would say when the heavy

door reopened and she saw Garth standing in a shaft of sunlight. She

tried to remember the VENI, but the hollow clang of the door had

silenced even memory's echo of that haunting music. So she waited

silently, and as she waited the silence grew and seemed to enclose her

within cruel, relentless walls which opened only to allow her glimpses

into the vista of future lonely years. Just once more she broke that

silence. "Oh, darling, come back! I WILL RISK IT," she said. But no

step drew near, and, kneeling with her face buried in her clasped

hands, Jane suddenly realised that Garth Dalmain had accepted her

decision as final and irrevocable, and would not return.

How long she knelt there after realising this, she never knew. But at

last comfort came to her. She felt she had done right. A few hours of

present anguish were better than years of future disillusion. Her own

life would be sadly empty, and losing this newly found joy was costing

her more than she had expected; but she honestly believed "she had done

rightly towards him, and what did her own pain matter?" Thus comfort

came to Jane.

At last she rose and passed out of the silent church into the breezy

sunshine.

Near the park gates a little knot of excited boys were preparing to fly

a kite. Jimmy, the hero of the hour, the centre of attraction, proved

to be the proud possessor of this new kite. Jimmy was finding the day

glorious indeed, and was being happy. "Happy ALSO," Garth had said. And

Jane's eyes filled with tears, as she remembered the word and the tone

in which it was spoken.

"There goes my poor boy's shilling," she said to herself sadly, as the

kite mounted and soared above the common; "but, alas, where is his joy?"

As she passed up the avenue a dog-cart was driven swiftly down it.

Garth Dalmain drove it; behind him a groom and a portmanteau. He lifted

his hat as he passed her, but looked straight before him. In a moment

he was gone. Had Jane wanted to stop him she could not have done so.

But she did not want to stop him. She felt absolutely satisfied that

she had done the right thing, and done it at greater cost to herself

than to him. He would eventually--ah, perhaps before so very long--find

another to be to him all, and more than all, he had believed she could

be. But she? The dull ache at her bosom reminded her of her own words

the night before, whispered in the secret of her chamber to him who,

alas, was not there to hear: "Whatever the future brings for you and

me, no other face will ever be hidden here." And, in this first hour of

the coming lonely years, she knew them to be true.

In the hall she met Pauline Lister.

"Is that you, Miss Champion?" said Pauline. "Well now, have you heard

of Mr. Dalmain? He has had to go to town unexpectedly, on the 1.15

train; and aunt has dropped her false teeth on her marble wash-stand

and must get to the dentist right away. So we go to town on the 2.30.

It's an uncertain world. It complicates one's plans, when they have to

depend on other people's teeth. But I would sooner break false teeth

than true hearts, any day. One can get the former mended, but I guess

no one can mend the latter. We are lunching early in our rooms; so I

wish you good-by, Miss Champion."

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