There is no art in the temporal. You are not true workmen as slaves of

the time. Three-score-and-ten--that is but an evening camp in a vast

continental journey. Relate your seeming misfortunes not to the hour,

but to the greater distances, and the pangs of them are instantly gone.

Art--those who talk art in the temporal--have not begun to work. If they

only would look back at those masters whose work they follow, whose

lives they treasure, they would find that they revere men who lived

beyond mere manifestations in a name, and lifted themselves out of the

illusion of one life being all.

There is no philosophy in the temporal. That which we call reason and

science changes like the coats and ties of men. Material science talks

loud, its eyes empty, clutching at one restless comet and missing the

universe. That thing known as _psychology_ taught to-day in colleges

will become even for your generation a curio, sacred only for the

preservation of humour. No purpose that confines itself to matter can

become a constructive effect, for matter breaks down, is continually

changed into new forms.

Electric bulbs wear out and are changed, but the current does not

change. The current lights them one after another of different sizes, as

you put them on. The bulb is an instrument like the brain. You turn on

the power, and there is light. You would not rely upon the passing

machine, when you know the secret of its force. Matter is driven, flesh

is driven, all that answers to the pull of the ground is driven and

changed and broken down and reunited in ever refining forms. That in

your heart--that sleeping one--is dynamic with all that you have been.

Your brain knows only the one. Do not forget your native force, as an

immortal being. You may be workers in magic.

Do not become bewildered by what the world calls good. The world does

not know. Follow the world and in that hour when you have obeyed its

dictates and learned its wants--its taste will change and leave you

nothing. That which the many have chosen is of the many. The voice of

the many is not the voice of God--it is the voice of the temporal and

its destiny is swift mutation.

Nothing greater than the many can come from the ballot of the many; that

is so well learned that its few and startling exceptions but help us to

see the bleakness of the blind choice of the crowd, which conducts us

sometimes to war and invariably to commonness. The few great men who

have touched the seats of the mighty in this or any country--have walked

with God alone against the crowd--until they were given the power to

master their way into authority.

The choice of the many in a political leader is not different from its

choice of a book or a flower or a fabric. A low vibration is demanded.

26

THE ROSE CHAPTER

I remember the February day in Chapel when the winter first became

irksome. It had settled down in mid-November and been steady and

old-fashioned. The little girl opened the matter. Winter had become a

tiresome lid upon her beloved Nature--a white lid that had been on quite

long enough. She had not let us forget the open weather much, for her

talk and her essays had to do with growing days invariably.... The Abbot

began to talk of Spring. Spring had also appeared in his paper, though

outside there was two feet of steely frost in the ground.... Memories of

other Springs began to consume us that day. We talked of buds and bugs

and woodland places--of the gardens we would make presently.

"When roses began to come out for me the first time," said the old man,

"I sort of lost interest in the many flowers. I saw a rose-garden and

little beside--vines, of course. I know men who fall like this into the

iris, the dahlia, the gladiolus and the peony. There are folks who will

have salvia and petunias, and I know a man who has set out poppies in

his front yard with unvarying resolution--oh, for many years. He knows

just how to set them out, and abandonment is over for that place with

the first hard frost in the Fall. There is one good thing about poppies.

They do not lie to you. They are frankly bad--the single ones, dry and

thin with their savage burning, their breath from some deep-concealed

place of decay. The double poppies are more dreadful--born of evil

thoughts, blackness blent with their reds. Petunias try to appear

innocent, but the eye that regards them as the conclusion in decorative

effect, has very far to come. Every man has the flower that fits him,

and very often it is the badge of his place in human society.

"The morning-glory is sweeter natured and somewhat finer in colour than

the petunia, but very greedy still. It does not appreciate good care.

Plant it in rose soil and it will pour itself out in lush madness that

forgets to bloom--like a servant that one spoils by treating as a human.

Each flower tells its story as does a human face. One needs only to see

deeply enough. The expression of inner fineness makes for beauty."

Which remarks were accepted without comment.

"Again," the old man added, "some of the accepted things are not so far

along in beauty. Tulips are supposed to be such rejoicers. I can't see

it They are little circles, a bit unpleasant and conceited. If one were

to explain on paper what a flower is like, to a man who had never seen

anything but trees, he would draw a tulip. They are unevolved. There is

raw green in the tulip yellows; the reds are like a fresh wound, and the

whites are either leaden or clayey.... Violets are almost spiritual in

their enticements. They have colour, texture, form, habit, and an

exhalation that is like a love-potion--earthy things that ask so little,

do so well apart and low among the shadows. They have come far like the

bees and the martins. Lilacs are old in soul, too, and their fragrance

is loved untellably by many mystics, though the green of their foliage

is questionable. Nothing that is old within is complacent. Complacency

goes with little orbits in men and all creatures."

"Cats are complacent," said the Abbot.

"Nasturtiums are really wonderful the more one lives with them," the

voice of the Chapel went on. "They are not so old, but very pure. Their

odour, in delicacy and earth-purity, is something that one cannot

express his gratitude for--like the mignonette. Their colouring and form

warms us unto dearer feelings. They seem fairer and brighter each

year--not among the great things yet, but so tenderly and purely on the

way. Then I may betray a weakness of my own--and I am glad to--but I

love the honeysuckle vine. Its green is good, its service eager, the

white of its young blossoms very pure and magically made. The yellow of

its maturer flowers is faintly touched with a durable and winning brown

like the Hillingdon rose, and its fragrance to me though very sweet has

never cloyed through long association. Yet clover scent and many of the

lilies and hyacinths and plants that flower in winter from tubers, can

only be endured in my case from a distance."

"Soon he will get to his roses," said the little girl.

"Yes, I am just to that now. It has been an object of curiosity to me

that people raise so many _just roses_. Here is a world by itself. There

is a rose for every station in society. There are roses for beast and

saint; roses for passion and renunciation; roses for temple and

sanctuary, and roses to wear for one going down into Egypt. There are

roses that grow as readily as morning-glories, and roses that are

delicate as children of the Holy Spirit, requiring the love of the human

heart to thrive upon, before sunlight and water. There is a rose for

Laura, a rose for Beatrice, a rose for Francesca.... Do you know that

one of the saddest things in the world, is that we have to hark back so

far for the great romances? Here am I recalling the names of three women

of long ago whose kisses made immortals of their mates, as thousands of

other writers have done who seek to gather a background out of the past

against which to measure their romances.

"You will say that the romances of to-day are not told; that a man and

woman of to-day keep the romance apart of their life from the world--of

all things most sacred. You may discuss this point with eloquence and at

length, but you are not on solid ground. A great romance cannot be

veiled from the world, because of all properties that the world waits

for, this is the most crying need. Great lovers must be first of all

great men and women; and lofty love invariably finds expression, since

greatness, both acknowledged and intrinsic, comes to be through

expression. A great romance will out--through a child or a book or some

mighty heroism. Its existence changes all things in its environment. One

looks about the place of it and finds the reporters there. The highest

deeds and utterances and works have come to man through the love of

woman; their origins can be traced to a woman's house, to a woman's

arms. A woman is the mother of a man's children, but the father of his

actions in the world. He is but the instrument of bearing; it is her

energy that quickens his conceiving....

"Roses--how strangely they have had their part in the loves of men and

women. Do you think that our Clovelly roses have come to be of

themselves? Do you think that the actual _hurt_ of their beauty--the

restless, nameless quest that comes spurring to our hearts from their

silent leaning over the rim of a vase--is nothing more than a product of

soil and sun? Has their great giving to human romances been dead as

moonlight? Have roses taken nothing in return?... I would not insist

before the world that the form and fragrance and texture of the rose has

come to be from the magnetisms of lovers, but we of the Chapel may think

as we will. That liberty is our first law. We may believe, if we like,

that the swans of Bruges have taken something in return for their mystic

influence upon the Belgian lovers at evening--something that makes a

flock of flying swans one of the most thrilling spectacles in Nature.

"... I was speaking of how curious it is that so many people who have

reached roses--have ended their quest on the borders, at least that they

linger so long. They raise red roses; they bring forth spicy June roses.

In truth, the quest never ends. We do not stop at the Clovelly, which

has so strangely gladdened our past summer. We pass from the red to the

white to the pink roses--and then enter the garden of yellow roses, the

search ever more passionate--until we begin to discover that which our

hearts are searching for--not upon any plant but in ideal.

"The instant that we conceive the picture, earth and sun have set about

producing the flower--as action invariably follows to fill the matrix of

the thought. At least we think so--as the universe is evolving to

fulfil at last the full thought of God....

"The quest never ends. From one plant to another the orchid-lover goes,

until he hears at last of the queen of all orchids, named of the Holy

Spirit, which has the image of a white dove set in a corolla as chaste

as the morning star. An old Spanish priest of saintly piety tells him,

and he sets out for the farthest continent to search. It was his

listening, his search for the lesser beauty that brought him to the news

of the higher. It is always so. We find our greater task in the

performance of the lesser ones.... But roses--so many by-paths, because

roses are the last and highest words in flowers, and the story they tell

is so significant with meanings vital to ourselves and all Nature.

"First I want to divulge a theory of colour, beginning with the greens

which are at the bottom. There are good greens--the green of young elms

and birches and beeches. Green may be evil too, as the lower shades of

yellow may be--and certain blends of green and yellow are baleful. The

greens are first to appear. They are Nature's nearest emerging--the

water-colours--the green of the water-courses and the lowlands. Nature

brings forth first the green and then the sun does his part. Between the

rose-gold and the green of a lichen, there seems to be something like

ninety degrees of evolution--the full quarter of the circle that is

similarly expressed between the prone spine of the serpent and the erect

spine of man.

"Reds are complementary to the greens and appear next, refining more or

less in accord with the refinement of the texture upon which they are

laid; a third refinement taking place, too, that of form. These

improvements of value are not exactly concurrent. There are roses, for

instance, to represent all stages--roses that are specialising in their

present growth, one might say, in form _or_ colour _or_ texture; but in

the longer line of growth, the refinement is general. We look from our

window at the Other Shore and a similar analogy is there. From this

distance it seems but one grand sweep to the point of the breakers, but

when we walk along the beach, we are often lost to the main curve in

little indentations, which correspond to the minor specialisations of

evolving things. It is the same in man's case. We first build a body,

then a mind, then a soul--and growth in the dimension of soul unifies

and beautifies the entire fabric. All Nature reveals to those who

see--that the plan is one....

"The first roses were doubtless of a watery red. Their colour evolved

according to association of the particular plants, some into the deeper

reds, others paling to the white. It was the latter that fell into the

path of truer progress. Reaching white, with a greatly refined texture,

the sun began to paint a new beauty upon them--not the pink that is a

diluted red, but the colouring of sunlight upon the lustre of a pearl.

The first reds were built upon the greens; this new pink was laid upon a

white base.

"The story is the same through all evolving things. Growth is a spiral.

We return to the same point but upon a higher level. Our ascent is

steadily upward--always over hills and valleys, so to speak, but our

valleys always higher above the level of the sea. So that the white is a

transition--an erasure of the old to prepare for the finer colouring.

"And now comes the blend of the maiden pink and the sunlight gold. The

greens and the reds are gone entirely. Mother Earth brings up the rose

with its virgin purity of tint, and the sun plays its gold upon it.

There are pink and yellow roses to show all the processes of this

particular scope of progress; some still too much pink, other roses have

fallen by the way into lemon and ochre and sienna; there are roses that

have reverted to the reds again; roses that have been caught in a sort

of fleshly lust and have piled on petals upon petals as the Holland

maidens pile on petticoats, losing themselves to form and texture and

colour, for the gross illusion of size. We see whole races of men lost

in the same illusion....

"There are roses that have accomplished all but perfection, save for a

few spots of red on the outer petals--like the persistent adhering

taint of ancient sins.... But you have seen the Clovellys--they are the

best we have found. They have made us deeper and wiser for their beauty.

Like some saintly lives--they seem to have come all but the last of the

ninety degrees between the green of the level water-courses and the

flashing gold of the meridian sun.... The Mother has borne them, and in

due time (as men must do, or revert to the ground again) they have

turned to the light of the Father.... The fragrance of these golden teas

is the sublimate of all Nature. Man, in the same way, is inclusive of

all beneath. He contains earth, air, water, fire and all their products.

In the tea-rose is embodied all the forces of plant-nature, since they

are the highest manifestation.... The June roses have lost the way in

their own spice; so many flowers are sunk in the stupors from their own

heavy sweetness. The mignonette has sacrificed all for perfume, and the

Old Mother has given her something not elsewhere to be found; the

nasturtium has progressed so purely as to have touched the cork of the

inner vial, but the golden teas have brought the _fragrance itself_ to

our nostrils. Those who are ready can sense the whole story. It is the

fragrance of the Old Mother's being. You can sense it without the rose,

on the wings of a South Wind that crosses water or meadows after a

rain."

27

LETTERS

Outside, as I have said, it was cracking cold. We talked thirstily by

the big fire, discussed the perfect yellows in Nature--symbols of purest

aspiration--and the honest browns that come to the sunlight-gold from

service and wear--the yellow-brown of clustered honey bees, of the

Sannysin robe, of the purple martin's breast. We were thirsting for

Spring before the fire. The heart of man swells and buds like a tree. He

waits for Spring like all living things. The first months of winter are

full of zest and joy, but the last becomes intolerable. The little girl

had not let us forget at all, and so we were yearning a full month too

soon.

"I know a bit of woods," said the Abbot. "It is only two miles away. A

creek runs through it, and there are hills all 'round--lots of hickory

and elm and beech. There's one beech woods off by itself. Maples and

chestnuts are there, too, and many little cedars. There is a log house

in the centre, and right near it a Spring----"

He was talking like an old saint would talk of the Promised Land.

"You are breaking our hearts," I said.

"The hills are dry, so you can go early," he went on. "The cattle have

been there in season, as long as I can remember, so there are little

open meadows like lawns. The creek is never dry, and the Spring near the

log house never runs dry. I could go there now----"

"So could I," said the little girl.

They almost trapped me. I stirred in the chair, and remembered there was

but an hour or two of daylight left in the afternoon.... Besides there

was a desk covered with letters.... People ask problems of their own,

having fancied perhaps that they met a parallel somewhere in the

writings from this Study. I used to answer these perfunctorily, never

descending to a form but accepting it as a part of the labour of the

work. I shudder now at the obtuseness of that. I have met people who

said, "I have written you several letters, but never mailed them."

"Why?" I would ask.

Answers to this question summed into the reason that they found

themselves saying such personal things that they were afraid I would

smile or be bored.... Letters are regarded as a shining profit now, a

fine part of the real fruits. The teaching-relation with young minds has

shown me the wonderful values of direct contact. The class of letters

that supplies sources of human value are from men and women who are too

fine ever to lose the sense of proportion. The letters that are hardest

to answer, and which remain the longest unanswered, are from people who

have merely intellectual views; those who are holding things in their

minds with such force that their real message is obstructed. I dislike

aggressive mentality; it may be my weakness, but much-educated persons

disorder this atmosphere. They want things; they want to discuss. A man

is not free to give nor to receive when his hand or brain is occupied

with holding. I have had the choicest relations with honest criticism,

the criticism that is constructive because the spirit of it is not

criticism. Letters, however, critical or otherwise, that are heady, do

not bring the beauty that we seem to need, nor do they draw the answers

they were designed for. The pure human impulse is unmistakable.

There are letters from people who want things. Some people want things

so terribly, that the crush of it is upon their pages. I do not mean

autographs. Those who have a penchant for such matters have learned to

make reply very easy; nor do I mean those who have _habits_. There seems

to be a class of men and women who want to "do" literature for money,

and who ask such questions as, "What is the best way to approach a

publisher?" "What should a writer expect to make from his first novel?"

"Do you sell outright or on royalty, and how much should one ask on a

first book, if the arrangement is made this or that way?"

I think of such as the eighty-thousand-the-year folk. The detail of

producing the novel is second to the marketing. The world is so full of

meaning to the effect that fine work is not produced this way; and yet,

again and again, this class of writers have gotten what they want. Much

money has been made out of books by those who wrote for that. People, in

fact, who have failed at many things, have settled down in mid-life and

written books that brought much money.

But such are only incidents. They are not of consequence compared to the

driving impulse which one man or woman in a hundred follows, to write to

one who has said something that quickens the heart.... There was a

letter on the desk that day from a young woman in one of the big

finishing schools. The message of it was that she was unbearably

restless, that her room-mate was restless. They were either out of all

truth and reason, or else the school was, and their life at home as

well. They had been brought up to take their place in that shattered

world called Society--winter for accomplishments, summers for mountain

and shore. They were very miserable and they seemed to sense the

existence of a different world.... Was there such a world? Was there

work for women to do? Was it all an un-mattered ideal that such a world

existed? This letter achieved an absolute free-hearted sincerity in the

final page or two--that most winning quality of the younger generation.

... Then, many people are whole-heartedly in love around the world.

Letters often bring in this reality, many calling for a wisdom that is

not of our dispensation.... It was from personal letters first of all

that I learned of the powerful corrective force, which is being

established against American materialism along the Western coast. There

is to-day an increasingly finer surface for the spiritual things of art

and life, the farther westward one travels across the States. It is a

conviction here that the vital magic of America's ideal, promulgated in

the small eastern colonies, will be saved, if at all, by the final stand

of its defenders with their backs to the Pacific.

All our East has suffered from the decadent touch of Europe. Matter is

becoming dense and unescapable in the East. Chicago, a centre of

tremendous vitalities of truth, is making a splendid fight against the

entrenchments of the temporal mania; but in the larger sense, all that

is _living spirit_ is being driven westward before gross Matter--westward

as light tends, as the progress of civilisation and extinction tends.

The gleam is in the West, but it faces the East. It is rising. In

California, if anywhere in the world, the next Alexandria is to be

builded. Many strong men are holding to this hope, with steady and

splendid idealisation.

But there is black activity there, too. Always where the white becomes

lustrous the black deepens. On the desk before me on that same winter

day, was a communication from San Francisco--the last to me of several

documents from a newly-formed society for applying psychology. The

documents were very carefully done, beautifully typed and composed. They

reckoned with the new dimension which is in the world, which is above

flesh and above brain; which is, in fact, the unifying force of the

brain faculties, called here Intuition. The founders of this society

reckoned, too, with the fact that psychology as it has been taught from

a material basis in schools and colleges is a blight. One can't, as a

purely physical being, relate himself to mental processes; nor can one

approach the super-mental area by the force of mentality alone.

But I found _the turning_ in these documents with alarm; that the

purpose divulged was to master matter for material ends. This is black

business--known to be black before the old Alexandria, known to be black

before the Christ came. They had asked for comment, even for criticism.

I recalled that psychology is the science of the soul, and wrote this

letter:

Child and Country: A Book of the Younger Generation · 第 14 / 17 段