Farrell, staring now with a dread that obliterated every other emotion,

saw that a Presence was materializing at the fifth vertex. A vibrant

glow like the luminous vapor of a mercury arc was momentarily becoming

more dense and substantial. Lambent flames played about the brows of

the Initiates in the pentacle. A terrific tension pervaded the vault.

The bluish glow became deeper, and was shot with flashes of crimson

and yellowish green. Each drawn face was now a ghastly slate-gray: the

Presence at the fifth vertex was drawing the living essence from the

swaying, gesturing bodies of Hassan and his trio of Initiates.

The Presence took human form: a lordly, satanic visage and a

magnificently muscled body that quivered and throbbed to the droning

chant. Then, rich and clear as a god calling across the wastes of

space, the Presence began declaiming:

"_Al Asfarani! Al Asfarani! Al Asfarani!_ I come from the realm of fire

to command you! I have come out of the depths! Harken! Harken! Harken!

_Al Asfarani!_ Golden One! Step forth from your body and walk into the

darkness among those whose bread is dust! Walk among the lonely dead

and seek Shirkuh! Call him by his name and take him by the hand! Guide

him from the shadows and into the morning!"

[Illustration: "_A terrific tension pervaded the tumult. The Presence

took human form!_"]

The unconscious woman shuddered at the sound of that mighty voice. She

made a despairing gesture as if to resist the command that came from

the fifth vertex. Then she relaxed.

The Presence continued his prodigious chant. Even the brazen

reverberation of the gongs was drowned by his awful utterance.

A thin streamer, like the thread of smoke rising from an

almost-quenched altar flame, rose from Antoinette Delatour's

half-parted lips.

"_Cordieu!_" shouted the Marquis in Farrell's ear. "They're doing it!"

His gestures rather than his voice stirred Farrell to action. They

retreated, then charged crashing against the door. It resisted the

shock. Farrell drew his simitar and hacked at the tropical hardwood. A

carven panel splintered.

"Good God! Look!" he yelled in despair.

The Presence was now towering toward the ceiling. It was bending over

like a monstrous serpent in human form, arching and writhing, reaching

as though over some invisible wall, making passes and gestures over the

silver-white body of Antoinette.

The Initiates in the pentacle were paper-white. They swayed to the

cadence of that great voice whose concussion was now making the very

vault tremble.

The train of smoke-like vapor that emerged from Antoinette's lips was

becoming more dense, and hovered over her body like a veil.

"Quick!" shouted the Marquis, as they frantically hacked the stout

wood. "Hold them, while I exorcise the Presence!"

The door was reinforced with iron rods that bound it together. Their

blades were nicked and saw-toothed from the fierce assault.

"Again!" cried the Marquis as his simitar flashed home.

A chunk of the hardwood tore loose from its severed reinforcement. They

shouldered through, torn and cut by the splinters and the ragged ends

of the rods they had hacked.

A musician cried out and sprang to his feet. And then one of the

Initiates who sat beside the dais saw Farrell and the Marquis as they

dashed across the circular vault. He aroused his comrades from their

fascinated contemplation of the invocation of which they were now

accessories rather than principals. They started as from a deep sleep,

stared for an instant, then drew their simitars and charged to meet

the intruders, and to protect the left flank of the pentacle, from

which the Presence still leaned over the unconscious girl, intoning the

mighty commands that would send her across the Border.

Shoulder to shoulder, Farrell and the Marquis met the assault with

deliberate, deadly pistol fire. The attack was checked; but the enemy

stood fast and firm, protecting the pentacle. And despite the hail of

lead they had poured into the ranks of the Ismailians, Farrell and his

ally were still outnumbered ten to one.

The musicians were salvaging weapons.

There was not enough time to reload the pistols. The Ismailians had

recovered from the shock of their murderous reception, and seeing their

advantage, leaped forward, blades ready.

Then a clash of steel, and a red mill of slaughter. The Marquis

fought with vengeful desperation. He wove in and out, side-stepping

and parrying, shearing and slaying. And Farrell, keeping at his side,

carved a gory path into the enemy. He fought with a blind, unreasoning

fury, seeking to hack his way through the press and clear a road for

the Marquis who could cope with that monstrous Presence that was in

thunderous tones chanting the life and vital essence from Antoinette.

The enemy, sensing that the Marquis was the keystone of the arch,

concentrated their attack on him; and despite his exquisite

swordsmanship, he was being slashed to pieces by a desperation and

force that discounted his skill.

He sank once beneath a whirlwind of blades, and recovered under the

shelter of Farrell's blade; but he was coughing blood from a deep wound.

And Hassan and his trio had left the pentacle. The Presence, now

endowed with the power borrowed from all that the Initiates had

conjured from across the Border, was self-sustaining and no longer

needed its portion of human vitality.

Hassan, behind the line of the assault, directed his Initiates in the

attack.

"Cut him down, O sons of flat-nosed mothers!" he cried, as he saw the

Marquis recover and press forward.

But that magnificent last effort burned out. With a cry of mortal rage,

the Marquis lashed out with a final, devastating stroke, then collapsed

on a heap of slain.

"Finish!" despaired Farrell. He was doomed, and Antoinette also--even

though he could cut his way out. An adept was required to exorcise

that terrific Presence that was drawing her from her body.

But the enemy, instead of closing in to hew him to pieces, gaped

stupidly, then yelled in terror. They were staring at something at his

right, and to the rear. He glanced over his shoulder, compelled by the

consternation that stopped them where they stood.

* * * * *

Farrell lowered his own point, himself struck with awe. He recalled

what the Marquis had said about the denizens of that labyrinth of

passages.

A monstrous, amorphous thing had emerged from the circular pool

into which Hassan had ordered the dead _fedawi_ to be flung. It was

misshapen, and grotesque in its vague semblance to humanity. Its

bulbous head had a single, circular eye the size of a saucer. It

glittered glassily in the bluish, spectral light. The limbs were

shapeless and ponderous, and it lumbered, dripping wet, across the

tiles. Its feet fell with a metallic clank, and its breath hissed and

wheezed.

A second and similar creature was emerging from the water, even as the

first advanced with slow, laborious pace. The hand clutched a short

iron bar.

The bar rose in a sweeping arc and crunched down on the skull of an

Ismailian, spattering blood and brain in a shower. The second monster

clambered over the coping, unlimbered a bludgeon, and with gruesome

deliberation picked a victim and struck.

There was a moment of silence unbroken save for the wheezing breath

of the creatures from the pit. Then the Ismailians yelled in mortal

terror. They forgot Farrell with his dripping blade and bewildered

eyes; they forgot the Marquis, who stirred, and strove to lash out

once more with his red scimitar; they forgot the golden-haired girl,

and the malevolent Presence that, now silent, throbbed and pulsed, an

aggregate of quivering, electric-bluish cold fire.

They broke and fled toward the splintered door.

At the height of their panic, Farrell understood. The monsters were men

in diving-suits.

The Marquis was down. Farrell could not himself thwart that monster

that was drinking Antoinette's vital essence and taking her across

the Border beyond recall; but he could slay until he dropped from

wounds, or from weariness of slaughter. He hurdled the hedge of fallen

Ismailians and with a cry of rage and grief joined his allies to exact

vengeance.

A third diver was at that moment emerging from the pool and joining the

assault against the frenzied enemy, striking them down with remorseless

precision as they struggled to crowd through the splintered panel of

the door that had given Farrell admittance.

Farrell, however, was not the only one whose wits had recovered from

the terror inspired by the apparitions from the black pool.

"Back and face them, _ya mumineen_!" shouted Hassan. "They are men like

ourselves!"

But his attempt to rally his men was vain. Those who abandoned their

efforts to crowd through the jammed door, and circled around to escape

by way of the opposite entrance, were blocked by the arrival of a file

of _fedawi_ who, knives drawn, had come running from the assembly hall.

The dripping revolvers that the divers drew as they discarded their

grappling-irons crackled and flamed, pouring a deadly fire into the new

center of action.

Then Farrell conceived the desperate device of capturing Hassan

and forcing him to recall the elemental monster that was drinking

Antoinette's life. He leaped forward, cutting and slashing his way

through the few who interposed.

"We meet in Paradise, _ya mumineen_!" Hassan shouted, seeing that the

day was lost. And before Farrell could seize him, Hassan released the

trap-door before the dais and dropped into the vault below.

The last hope was gone. Pursuit through those subterranean mazes would

be futile. As Farrell turned from the yawning trap that had allowed the

arch-enemy to escape, the rage of slaughter left him. The crackle of

pistols died out. He saw that the circular chamber was cleared of all

but the dead and wounded Ismailians. The divers, handicapped by their

heavy suits, could not carry out an effective pursuit of the survivors

of their deadly fire.

Weary and despairing, Farrell nerved himself to confront the diabolical

creature that was drawing Antoinette across the border. He turned----

The Marquis des Islots was raising his hacked, bleeding body from a

heap of slain. He tottered, swayed, then advanced toward the lambent

flame-presence. Farrell stared in fascination as that gory wreck of

a man advanced, making ritual gestures with his faltering hands, and

muttering in a low voice.

The Presence was shrinking and dimming, and that shimmering exhalation

from Antoinette's lips was being retracted. The Marquis sustained

himself with will alone. He staggered, sank--Farrell's heart sank with

him--he recovered, stepped forward again, still gesticulating and

murmuring. The Presence leaned forward to confront him, and menaced him

with its remaining energy, seeking to outlive the dying adept.

The Marquis' bleeding, gashed face was drawn and white; his eyes

were fixed and staring. He achieved another pass; then he collected

himself, paused, and instead of murmuring, thundered a final phrase of

command.

The Presence vanished; and the last vestige of grayish, luminous haze

disappeared between Antoinette's lips.

Farrell leaped forward in time to catch the Marquis as he collapsed.

* * * * *

The divers, returning from the farther entrance at which the Ismailians

had made their last stand, lifted one another's domed helmets. Then,

grimy and exultant, Pierre d'Artois and the two members of the _Sûreté_

gathered about Farrell and the Marquis, who was regaining a little of

his strength.

"_Messieurs_," he said, as he gestured toward Antoinette, "she is safe.

She will presently awaken. It can not return. _Jamais!_... It was my

fault ... in the beginning ... but this infamy was not my intent.... I

loved her, but she rejected me ... persistently. And for revenge ...

and to break her spirit ... I administered without her knowledge a

compound ... of hypnotic drugs ... so that she and that Syrian girl

would each night exchange bodies ... then Hassan took a hand...."

He regarded d'Artois for a moment.

"You, _monsieur_, doubtless understand----" Then, to Farrell, "But this

last infamy ... was not mine--Shirkuh and Hassan--I tried to make ...

amends----"

For an instant Farrell regarded the dying man with revulsion. Then he

saw the remorse on the drawn, blood-splashed features, and thought

of the Marquis' last gallant stand, confronting and exorcising that

diabolical presence from beyond the Border.

"Stout fellow," he muttered, as he grasped the Marquis' hand.

"_C'est fini_," murmured d'Artois a moment later. "Magnificent in his

death as he was misguided in his life ... dying on his feet, he had the

will to conquer, and make restitution."

Then d'Artois rose and glanced about him.

"Do you know the way out of here?"

"Through that door," directed Farrell. "He told me, before we made our

rush."

"_Messieurs_," suggested d'Artois, "be ready with your pistols, should

any of these assassins be lingering. I will take charge of the young

lady, and you, my friend, lead the way. _Monsieur le Marquis_ perhaps

deserves greater courtesy, but we can not carry his body and take the

risk of being caught without weapons drawn and ready."

Farrell led the way. Without much difficulty, he found the passage

that opened into the vault where he had lain while regaining his

consciousness preliminary to submitting to Hassan's tests. And from

there they finally emerged in the heart of the citadel. A few moments

later Farrell and d'Artois, carrying Antoinette, met Raoul where he was

waiting at the wheel of the Renault.

_9. D'Artois Is Envious_

Antoinette, an hour later, was entirely herself.

"Oh, it's wonderful to be out of that awful garden," she said, and

curled herself up in the depth of a large, upholstered chair. "And now

that _Monsieur le Médicin_ admits that I'm as good as new, you might

satisfy my curiosity on a few points. How did you ever----"

She glanced up at Farrell, who had seated himself on the arm of her

chair. He was not yet through convincing himself that Satan's Garden

was a thing of the past, and insisted on keeping Antoinette within

arm's reach.

"Suppose you ask Pierre," he said.

D'Artois laughed.

"After all, _mon vieux_, you were responsible. We found two bodies

floating down the Nive. One of them wore--oh, very becomingly, I assure

you!--a knife in his stomach. The _Sûreté_ informed me. I identified

the knife. It was one of mine, which you had taken from my collection

to wear while disguised as Ibrahim the Afghan ruffian.

"'_Alors_,' said I, 'Ibrahim Khan has given good account of himself.

Perhaps, but God forbid, his own body will follow. I assure you that we

watched with anxiety. But no further signs. At low tide, however--you

know, the Nive rises and falls with the tide, since we're so close to

the sea--we found another body, mainly as the result of our continued

close watch for yours. This one was wedged near the central of the

seven bridges. We investigated, and found an uncharted drain of

considerable diameter.

"'_Mordieu_,' said I to _Monsieur_ the Prefect, 'if bodies came out,

bodies can also go in.' We got diving-suits. The tide in the meanwhile

rose, but we had the location well marked. We advanced up the drain

until we came to a dead end. Even before we left the water we heard the

clash and crackle of your skirmish----"

"Massacre, you mean," interpolated Farrell, grinning as much as his

bandages permitted. "Not a second too soon."

"_Eh bien_, we shut our exhaust air-valves and thus rose to the

surface. Our grappling-irons snagged to the coping helped us unaided

over the top. Then we sliced our airlines and lifelines, opened our

exhausts and----"

"Scared them out of a week's growth!" added Farrell as d'Artois paused

to light a cigarette. "But that damnable thing all of quivering

fire--good Lord!"

"That," submitted d'Artois, "is something that I can explain but

vaguely, if at all. I called it some more mummery, and decided, rather

hastily, perhaps, that you and the Marquis needed help first of all.

On reflection, and in view of some of your remarks since we left, I am

of the opinion that it was either an elemental conjured up by those

devil-mongering adepts, or else a wandering and malignant astral that

was energized by the vital essence of the adepts, or perhaps by the

vibration concentration of their ritual. _Monsieur le Marquis_, God

rest his erring soul, could doubtless explain what it was, since he

used his last spark of will to combat it and thwart its attempt to

convert Mademoiselle Antoinette into--what did you tell me?--a courier

to call Shirkuh from the hell in which he now must be roasting.

"I would very much relish," continued d'Artois, "questioning Hassan,

who devised all that deviltry. But alas! he escaped. And while you,

both of you, were causing the good doctor a certain amount of concern,

I heard that the _Sûreté_ and a handful of _gendarmes_ cleaned out the

entire nest. Unhappily, two were taken alive of that crew of assassins.

And of course, those lovely ladies of the garden."

Farrell sighed from weariness and contentment, then grimaced from the

ache of his wounds.

"The Marquis," he observed, "didn't have time to explain how that

hypnotic drug enabled him to project Antoinette's _self_ into the

body of the Syrian bride of the garden--Lord, it's impossible to

imagine how a brave fellow like him could have let his resentment and

disappointment carry him to such lengths! Having her scourged by proxy,

so to speak."

"Too much occultism and devil-mongering upset his brilliant mind,"

replied d'Artois. "Somber, gloomy, and drunk with his talents. And

translating Antoinette into the body of a bride of the garden, whom he

could flog at will, was his warped expression of denied affection. As

to just how he accomplished it, we can but surmise. Strange drugs are

compounded in the Orient. When I complete the analysis of the pastries

they offered us that night at the château, I may further enlighten you."

"But the stripes and welts that appeared on Antoinette's body?"

wondered Farrell.

"For once you ask me something simple," retorted d'Artois. "Did you

know that if a hypnotic is touched with a pencil, for example, and

offered the suggestion that it is a red-hot iron, he will develop a

blister, and all the symptoms of a burn at the spot touched? Moll and

others concede that point with very little argument. It has often been

experimentally demonstrated.

"_Alors_, the body of the Syrian girl was scourged. Antoinette's

_self_, though in a borrowed body, retained what we can roughly call

an astral connection with her own body; otherwise she could not have

returned to it at the end of each ordeal. And through this connection,

the body of Antoinette developed the same welts that were raised on

the skin of the Syrian girl; just as, by rough analogy, the hypnotic

subject through suggestion shows all outward signs of a burn. And the

marks of the heavy anklets the Syrian bride of the garden wore were

similarly branded on Antoinette's ankles.

"The Marquis during his unsuccessful courtship of Antoinette had ample

opportunities to administer the hypnotic drug at which he hinted, so

that his influence could have been gained without her knowledge. This,

together with the objective symptoms, convinces me that if it was not

the conventional hypnosis we know, it was at least a quasi-hypnosis.

And as you know, there are vegetable compounds which, if properly

administered, will effect a partial release of the astral counterpart

of a body, or its spiritual essence. To pursue it to its origin would

lead you to a study of Egyptian magic, and the nine traditional

elements of every living human body.

"I will leave all this to you, _mon vieux_, to study, this matter of

stigmata resulting from suggestion and other psychic influences. Me, I

am no lecturer.

"And as to Antoinette's Arabic remarks in her sleep: the bride of the

garden, dispossessed of her body for the time, sought Antoinette's. And

by that astral connection which she retained with her own, she felt the

scourgings administered in the garden, and expressed herself, through

Antoinette's lips, as you heard."

D'Artois emerged from his chair and bowed with formal precision.

"I will therefore leave you here, my blundering Afghan, to have your

wounds properly nursed while I go about doing all that an old man

can do under the circumstances: envy you, and write a monograph on

_Messieurs les Assassins_, and Satan's Garden, from which you so

happily emerged."

With a peremptory gesture, he cut short Antoinette's insistence upon

his pausing for at least a moment. Then, halting at the door, he

concluded as he glanced at Farrell, "_Mordieu_, and to think that you

enjoyed all that fine sword-play, while I, Pierre d'Artois, had to

wear a diving-suit to find a fight, and then had to use a crowbar! In

_several_ ways I envy you."

THE END

Satan's garden · 第 5 / 5 段