LETTER L.

A friend, in whose judgment I greatly trust, remonstrated sorrowfully

with me, the other day, on the desultory character of Fors; and pleaded

with me for the writing of an arranged book instead.

But he might as well plead with a birch-tree growing out of a crag, to

arrange its boughs beforehand. The winds and floods will arrange them

according to their wild liking; all that the tree has to do, or can do,

is to grow gaily, if it may be; sadly, if gaiety be impossible; and let

the black jags and scars rend the rose-white of its trunk where Fors

shall choose.

But I can well conceive how irritating it must be to any one chancing

to take special interest in any one part of my subject—the life of

Scott for instance,—to find me, or lose me, wandering away from it for

a year or two; and sending roots into new ground in every direction: or

(for my friend taxed me with this graver error also) needlessly

re-rooting myself in the old.

And, all the while, some kindly expectant people are waiting for

‘details of my plan.’ In the presentment of which, this main difficulty

still lets me; that, if I told them, or tried to help them definitely

to conceive, the ultimate things I aim at, they would at once throw the

book down as hopelessly Utopian; but if I tell them the immediate

things I aim at, they will refuse to do those instantly possible

things, because inconsistent with the present vile general system. For

instance—I take (see Letter V.) Wordsworth’s single line,

“We live by admiration, hope, and love,”

for my literal guide, in all education. My final object, with every

child born on St. George’s estates, will be to teach it what to admire,

what to hope for, and what to love: but how far do you suppose the

steps necessary to such an ultimate aim are immediately consistent with

what Messrs. Huxley and Co. call ‘Secular education’? Or with what

either the Bishop of Oxford, or Mr. Spurgeon, would call ‘Religious

education’?

What to admire, or wonder at! Do you expect a child to wonder at—being

taught that two and two make four—(though if only its masters had the

sense to teach that, honestly, it would be something)—or at the number

of copies of nasty novels and false news a steam-engine can print for

its reading?

What to hope? Yes, my secular friends—What? That it shall be the

richest shopman in the street; and be buried with black feathers enough

over its coffin?

What to love—Yes, my ecclesiastical friends, and who is its neighbour,

think you? Will you meet these three demands of mine with your three

Rs, or your catechism?

And how would I meet them myself? Simply by never, so far as I could

help it, letting a child read what is not worth reading, or see what is

not worth seeing; and by making it live a life which, whether it will

or no, shall enforce honourable hope of continuing long in the

land—whether of men or God.

And who is to say what is worth reading, or worth seeing? sneer the

Republican mob. Yes, gentlemen, you who never knew a good thing from a

bad, in all your lives, may well ask that!

Let us try, however, in such a simple thing as a child’s book.

Yesterday, in the course of my walk, I went into a shepherd-farmer’s

cottage, to wish whoever might be in the house a happy new year. His

wife was at home, of course; and his little daughter, Agnes, nine years

old; both as good as gold, in their way.

The cottage is nearly a model of those which I shall expect the tenants

of St. George’s Company, and its active members, to live in;—the entire

building, parlour, and kitchen, (in this case one, but not necessarily

so,) bedrooms and all, about the size of an average dining-room in

Grosvenor Place or Park Lane. The conversation naturally turning to

Christmas doings and havings,—and I, as an author, of course inquiring

whether Agnes had any new books, Agnes brought me her

library—consisting chiefly in a good pound’s weight of the literature

which cheap printing enables the pious to make Christmas presents of

for a penny. A full pound, or it might be, a pound and a half, of this

instruction, full of beautiful sentiments, woodcuts, and music. More

woodcuts in the first two ounces of it I took up, than I ever had. to

study in the first twelve years of my life. Splendid woodcuts, too, in

the best Kensington style, and rigidly on the principles of high, and

commercially remunerative, art, taught by Messrs. Redgrave, Cole, and

Company.

Somehow, none of these seem to have interested little Agnes, or been of

the least good to her. Her pound and a half of the best of the modern

pious and picturesque is (being of course originally boardless) now a

crumpled and variously doubled-up heap, brought down in a handful, or

lapful, rather; most of the former insides of the pamphlets being now

the outsides; and every form of dog’s ear, puppy’s ear, cat’s ear,

kitten’s ear, rat’s ear, and mouse’s ear, developed by the contortions

of weary fingers at the corners of their didactic and evangelically

sibylline leaves. I ask if I may borrow one to take home and read.

Agnes is delighted; but undergoes no such pang of care as a like

request would have inflicted on my boyish mind, and needed generous

stifling of;—nay, had I asked to borrow the whole heap, I am not sure

whether Agnes’s first tacit sensation would not have been one of

deliverance.

Being very fond of pretty little girls, (not, by any means, excluding

pretty—tall ones,) I choose, for my own reading, a pamphlet [5] which

has a picture of a beautiful little girl with long hair, lying very ill

in bed, with her mother putting up her forefinger at her brother, who

is crying, with a large tear on the side of his nose; and a legend

beneath: ‘Harry told his mother the whole story.’ The pamphlet has been

doubled up by Agnes right through the middle of the beautiful little

girl’s face, and no less remorselessly through the very middle of the

body of the ‘Duckling Astray,’ charmingly drawn by Mr. Harrison Weir on

the opposite leaf. But my little Agnes knows so much more about real

ducklings than the artist does, that her severity in this case is not

to be wondered at.

I carry my Children’s Prize penny’s-worth home to Brantwood, full of

curiosity to know “the whole story.” I find that this religious work is

edited by a Master of Arts—no less—and that two more woodcuts of the

most finished order are given to Harry’s story,—representing Harry and

the pretty little girl, (I suppose so, at least; but, alas, now with

her back turned to me,—the cuts came cheaper so,) dressed in the

extreme of fashion, down to her boots,—first running with Harry, in

snow, after a carriage, and then reclining against Harry’s shoulder in

a snowstorm.

I arrange my candles for small print, and proceed to read this richly

illustrated story.

Harry and his sister were at school together, it appears, at Salisbury;

and their father’s carriage was sent, in a snowy day, to bring them

home for the holidays. They are to be at home by five; and their mother

has invited a children’s party at seven. Harry is enjoined by his

father, in the letter which conveys this information, to remain inside

the carriage, and not to go on the box.

Harry is a good boy, and does as he is bid; but nothing whatever is

said in the letter about not getting out of the carriage to walk up

hills. And at ‘two-mile hill’ Harry thinks it will be clever to get out

and walk up it, without calling to, or stopping, John on the box. Once

out himself, he gets Mary out;—the children begin snowballing each

other; the carriage leaves them so far behind that they can’t catch it;

a snowstorm comes on, etc., etc.; they are pathetically frozen within a

breath of their lives; found by a benevolent carter, just in time;

warmed by a benevolent farmer, the carter’s friend; restored to their

alarmed father and mother; and Mary has a rheumatic fever, “and for a

whole week it was not known whether she would live or die,” which is

the Providential punishment of Harry’s sin in getting out of the

carriage.

Admitting the perfect appositeness and justice of this Providential

punishment; I am, parenthetically, desirous to know of my Evangelical

friends, first, whether from the corruption of Harry’s nature they

could have expected anything better than his stealthily getting out of

the carriage to walk up the hill?—and, secondly, whether the merits of

Christ, which are enough to save any murderer or swindler from all the

disagreeable consequences of murder and swindling, in the next world,

are not enough in this world, if properly relied upon, to save a wicked

little boy’s sister from rheumatic fever? This, I say, I only ask

parenthetically, for my own information; my immediate business being to

ask what effect this story is intended to produce on my shepherd’s

little daughter Agnes?

Intended to produce, I say: what effect it does produce, I can easily

ascertain; but what do the writer and the learned editor expect of it?

Or rather, to touch the very beginning of the inquiry, for what class

of child do they intend it? ‘For all classes,’ the enlightened editor

and liberal publisher doubtless reply. ‘Classes, indeed! In the

glorious liberty of the Future, there shall be none!’

Well, be it so; but in the inglorious slavery of the Past, it has

happened that my little Agnes’s father has not kept a carriage; that

Agnes herself has not often seen one, is not likely often to be in one,

and has seen a great deal too much snow, and had a great deal too much

walking in it, to be tempted out,—if she ever has the chance of being

driven in a carriage to a children’s party at seven,—to walk up a hill

on the road. Such is our benighted life in Westmoreland. In the future,

do my pious and liberal friends suppose that all little Agneses are to

drive in carriages? That is their Utopia. Mine, so much abused for its

impossibility, is only that a good many little Agneses who at present

drive in carriages, shall have none.

Nay, but perhaps, the learned editor did not intend the story for

children ‘quite in Agnes’s position.’ For what sort did he intend it,

then? For the class of children whose fathers keep carriages, and whose

mothers dress their girls by the Paris modes, at three years old? Very

good; then, in families which keep carriages and footmen, the children

are supposed to think a book is a prize, which costs a penny? Be that

also so, in the Republican cheap world; but might not the cheapeners

print, when they are about it, prize poetry for their penny? Here is

the ‘Christmas Carol,’ set to music, accompanying this moral story of

the Snow.

“Hark, hark, the merry pealing,

List to the Christmas chime,

Every breath and every feeling

Hails the good old time;

Brothers, sisters, homeward speed,

All is mirth and play;

Hark, hark, the merry pealing,—

Welcome Christmas Day.

Sing, sing, around we gather,

Each with something new,

Cheering mother, cheering father,

From the Bible true;

Bring the holly, spread the feast,

Every heart to cheer,

Sing, sing, a merry Christmas,

A happy, bright New Year.”

Now, putting aside for the moment all questions touching the grounds of

the conviction of the young people for whom these verses are intended

of the truth of the Bible; or touching the propriety of their cheering

their fathers and mothers by quotations from it; or touching the

difficultly reconcileable merits of old times and new things; I call

these verses bad, primarily, because they are not rhythmical. I

consider good rhythm a moral quality. I consider the rhythm in these

stanzas demoralized, and demoralizing. I quote, in opposition to them,

one of the rhymes by which my own ear and mind were educated in early

youth, as being more distinctly, and literally ‘moral,’ than that

Christmas carol.

“Dame Wiggins of Lee

Was a worthy old soul,

As e’er threaded a nee-

Dle, or washed in a bowl.

She held mice and rats

In such antipa-thy,

That Seven good Cats

Kept Dame Wiggins of Lee.”

Putting aside also, in our criticism of these verses, the very

debateable question, whether Dame Wiggins kept the Seven Cats, or the

Seven Cats Dame Wiggins; and giving no judgment as to the propriety of

the license taken in pronunciation, by the accent on the last syllable

of ‘antipathy,’ or as to the evident plagiarism of the first couplet

from the classical ballad of King Cole, I aver these rhymes to possess

the primary virtue of rhyme,—that is to say, to be rhythmical, in a

pleasant and exemplary degree. And I believe, and will venture also to

assert my belief, that the matter contained in them, though of an

imaginative character, is better food for a child’s mind than either

the subject or sentiment of the above quoted Christmas Carol.

The mind of little Agnes, at all events, receives from story, pictures,

and carol, altogether, no very traceable impression; but, I am happy to

say, certainly no harm. She lives fifteen miles from the nearest

manufacturing district,—sees no vice, except perhaps sometimes in the

village on Sunday afternoons;—hears, from week’s end to week’s end, the

sheep bleat, and the wind whistle,—but neither human blasphemy, nor

human cruelty of command. Her shepherd father, out on the hills all

day, is thankful at evening to return to his fireside, and to have his

little daughter to look at, instead of a lamb. She suffers no more from

schooling than serves to make her enjoy her home;—knows already the

mysteries of butter-making and poultry-keeping;—curtsies to me without

alarm when I pass her door, if she is outside of it;—and, on the whole,

sees no enemy but winter and rough weather.

But what effect this modern Christmas carol would have had on her mind,

if she had had the full advantage of modern education in an advanced

and prosperous town,—the following well written letter,—happily sent me

by Fors at the necessary moment,—enables me at once to exhibit:—

“10th January, 1874.

Dear Mr. Ruskin,

Your appendix to the Fors this month contains a chapter on what some

will assert is very exceptional ——shire brutality. After nine years’

residence in a ——shire village, I am compelled to believe that the

vileness which horrified Judge Mellor is everywhere ingrained where

factory and colliery rule prevails.

Could you but hear the blasphemous and filthy language our rosy village

bairns use as soon as they are out of the parson’s earshot, even when

leaving the Sabbath School!

Yet we have a rural dean as incumbent, an excellent schoolmaster, and

model school. The Government Inspector is highly satisfied, and there

are the usual edifying tea parties, prize-givings, and newspaper puffs,

yearly.

I know that the children are well taught six days a week, yet there is

little fruit of good behaviour among them, and an indecency of speech

which is amazing in rural children. On Christmas morn a party of these

children, boys and girls, singing carols, encountered my young daughter

going alone to the church service. The opportunity was tempting, and as

if moved by one vile spirit, they screamed at her a blast of the most

obscene and profane epithets that vicious malice could devise. She knew

none of them; had never harmed them in her life. She came home with her

kind, tender heart all aghast. ‘Why do they hate me so?’ she asked.

Yet a short time after the same children came into the yard, and began,

with the full shrill powers of their young lungs,

‘Why do I love Jesus?’

the refrain,

‘Because He died for me,’

with especial gusto. My husband, ignorant of their previous conduct,

gave them a bright shilling, which evoked three more hymns of similar

character. What does all this mean?

Our Bishop says that we have a model parish, a model school, and a

model parson—yet we have children like this. Our parson knows it, and

says to me that he can do nothing to prevent it.

More than this. It is almost incredible; but my own horrified ears have

borne witness of it. Young boys will threaten girls of their own age,

in the vilest terms, with outrage like that at Burnley. I have heard it

again and again. Had Judge Mellor had nine years’ experience of ——shire

life, he would not have been surprised at the utter brutality of mind

exhibited.

Yet we are not criminal compared with other districts. Bastardy and

drunkenness are at present the darkest shades we can show; but there is

perhaps some better influence at work from the vicinage of two great

squires which secures us pure air and wide fields.

I am glad to read that you purpose vexing yourself less with the sins

of the times during the coming summer. It is too great a burthen for a

human mind to bear the world’s sins in spirit, as you do. If you mean

to preserve yourself for the many thousands whose inner heart’s

bitterness your voice has relieved, you must vex yourself less about

this age’s madness.

Fors Clavigera (Volume 5 of 8) Letters to the workmen and labourers of Great Britain · 第 8 / 56 题