CHAPTER XIII

THE PHOTOGRAPH

That same night Amber dined at the Residency, on the invitation of

Raikes, the local representative of Government, seconded by the

insistence of Colonel Farrell. It developed that Sophia's telegram had

somehow been lost in transit, and Farrell's surprise and pleasure at

sight of her were tempered only by his keen appreciation of Amber's

adventitious services, slight though they had been. He was urged to

stay the evening out, before proceeding to his designated quarters, and

the reluctance with which he acceded to this arrangement which worked

so happily with his desires, may be imagined.

Their arrival coincided with the dinner-hour; the meal was held half an

hour to permit them to dress. Raikes put a room at Amber's disposal,

and the Virginian contrived to bathe and get into his evening clothes

within less time than had been allowed him. Sophia, contrary to the

habit of her sex, was little tardier. At thirty minutes past eight they

sat down to dine, at a table in the garden of the Residency.

Ease of anxiety was more than food and drink to Amber; his feeling of

relief, to have convoyed Sophia to the company and protection of

Anglo-Saxons like himself, was intense. Yet he swallowed his

preliminary brandy-peg in a distinctly uncomfortable frame of mind,

strangely troubled by the reflection that round that lone white table

was gathered together the known white population of the State; a census

of which accounted for just five souls.

In the encompassing, exotic gloom of that blue Indian night--the kind

of night that never seems friendly to the Occidental but forever teems

with hints of tragic mystery--the cloth, lighted by shaded candles,

shone as immaculate and lustrous as an island of snow in a sea of

ink--as a good deed in a naughty world. Its punctilious array of

crystal and silver was no more foreign to the setting than were the men

who sat round it, stiff in that black-and-white armour of civilisation,

impregnable against the insidious ease of the East, in which your

expatriate Englishman nightly encases himself wherever he may be, as

loath to forego the ceremony of "dressing for dinner" as he would be to

dispense with letters from Home.

Raikes presided, a heavy man with the flaming red face of one who

constitutionally is unable to tan; of middle-age, good-natured, mellow,

adroit of manner. On his one hand sat Amber, over across from Sophia.

Next to Amber sat Farrell, tall and lean, sad of eye and slow of

speech, his sun-faded hair and moustache streaked with grey setting off

a dark complexion and thin, fine features. He wore the habit of

authority equally with the irascibility of one who temporizes with his

liver. Opposite him was a young, mild-eyed missionary, too new in the

land to have lost his illusions or have blunted the keen edge of his

enthusiasms; a colourless person with a finical way of handling his

knife and fork, who darted continually shy, sidelong glances at Sophia,

or interpolated eager, undigested comments, nervously into the

conversation.

The table-talk was inconsequent; Amber took a courteous and easy part

in it without feeling that any strain was being put upon his

intelligence. His attention was centred upon the woman who faced him,

flushed with gaiety and pleasure, not alone because she was once more

with her father, but also because she unexpectedly was looking her

best. If she had been well suited in her tidy pongee travelling

costume, she found her evening gown no less becoming. It was a black

affair, very simple and individual; her shoulders rose from it with

intensified purity of tone, like fair white ivory gleaming with a

suggestion of the sleek sheen of satin; their strong, clean lines

rounded bewitchingly into the fair, slender neck upholding the young

head with its deftly coiffed crown of bronze and gold....

Tall, well-trained, silent servants moved like white-robed wraiths

behind the guests; the dishes of the many courses disappeared and were

replaced in a twinkling, as if by slight of hand. They were over

plentiful; Amber was relieved when at length the meal was over, and

Miss Farrell having withdrawn in conformance with inviolable custom,

the cloth was deftly whisked away and cigars, cigarettes, liqueurs,

whiskey and soda were served.

Amber took unto himself a cigar and utilised an observation of the

Political's as a lever to swing the conversation to a plane more likely

to inform him. Farrell had grumbled about the exactions of his position

as particularly instanced by the necessity of his attending tedious and

tiresome native ceremonies in connection with the _tamasha_.

"What's, precisely, the nature of this _tamasha_, Colonel Farrell?"

"Why, my dear young man, I thought you knew. Isn't it what you came to

see?"

"No," Amber admitted cautiously; "I merely heard a rumour that there

was something uncommon afoot. Is it really anything worth while?"

"Rather," Raikes interjected drily; "the present ruler's abdicating in

favour of his son, a child of twelve. That puts the business in a class

by itself."

"There's been one precedent, hasn't there?" said the missionary,

pretending to be at ease with a cigarette. "The Holkar of Indore?"

"Yes," agreed Farrell; "a similar case, to be sure."

"But why should a prince hand over the reins of government to a child

of twelve? There must be some reason for it. Isn't it known?" asked

Amber.

"Who can fathom a Hindu's mind?" grunted Farrell. "I daresay there's

some scandalous native intrigue at the bottom of it. Eh, Raikes?"

The Resident shook his head. "Don't come to this shop for information

about what goes on in Khandawar. I doubt if there's another Resident in

India who knows as little of the underhand devilment in his State as I

do. His Majesty the Rana loves me as a cheetah loves his trainer. He's

an intractable rascal."

"They grease the wheels of the independent native States with

intrigue," Farrell explained. "I know from sore experience. And your

Rajput is the deepest of the lot. I don't envy Raikes, here."

"The man who can guess what a Rajput intends to do next is entitled to

give himself a deal of credit," commented the Resident, with a short

laugh.

"I've travelled a bit," continued Farrell, "and have seen something of

the courts of Europe, but I've yet to meet a diplomat who's peer to the

Rajput. You hear a great deal about the astuteness of the Russians and

the yellow races, and a Greek or Turk can lie with a fairly straight

face when he sees a profit in deception, but none of them is to be

classed with these people. If we English ever decide to let India rule

herself, her diplomatic corps will be recruited exclusively from the

flower of Rajputana's chivalry."

"I'll back Salig Singh against the field," said Raikes grimly; "he'll

be dean of the corps, when that time comes. He'd rather conspire than

fight, and the Rajputs--of course you know--are a warrior caste. I've a

notion"--the Resident leaned back and searched the shadows for an

eavesdropper--"I've a notion," he continued, lowering his voice, "that

the Rana has got himself in rather deep in some rascality or other, and

wants to get out before he's put out. There's bazaar gossip.... Hmm! Do

you speak French, Mr. Amber?"

"A little," said Amber in that tongue. "And I," nodded the missionary.

The talk continued in the language of diplomacy.

"Bazaar gossip----?" Farrell repeated enquiringly.

"There have been a number of deaths from cholera in the Palace lately,

the grand vizier's amongst them."

"White arsenic cholera?"

"That, and the hemp poison kind."

"Refractory vizier?" questioned Farrell. "The kind that wants to

retrench and institute reforms--railways and metalled roads and so

forth?"

"No; he was quite suited to his master. But the bazaar says Naraini

took a dislike to him for one reason or another."

"Naraini?" queried Amber.

"The genius of the place." Raikes nodded toward the Raj Mahal, shining

like a pearl through the darkness on the hill-side over against the

Residency. "She's Salig's head queen. At least that's about as near to

her status as one can get. She's not actually his queen, but some sort

of a heritage from the Rutton dynasty--I hardly know what or why. Salig

never married her, but she lives in the Palace, and for several

years--ever since she first began to be talked about--she's ruled from

behind the screen with a high hand and an out-stretched arm. So the

bazaar says."

"I've heard she was beautiful," Farrell observed.

"As beautiful as a peri, according to rumour. You never can tell; very

likely she's a withered old hag; nine out of ten native women are, by

the time they're thirty." Raikes jerked the glowing end of his cigar

into the shrubbery and reverted to English. "Shall we join Miss

Farrell?"

They arose and left the table to the servants, the Resident with Amber

following Farrell and young Clarkson.

"Old women we are, forever talking scandal," said Raikes, with a

chuckle. "Oh, well! it's shop with us, you know."

"Of course.... Then I understand that the _tamasha_ is the reason for

the encampment beyond the walls?"

"Yes; they've been coming in for a week. By to-morrow night, I daresay,

every rajah, prince, thakur, baron, fief, and lord in Rajputana, each

with his 'tail,' horse and foot, will be camped down before the walls

of Kuttarpur. You've chosen an interesting time for your visit. It'll

be a sight worth seeing, when they begin to make a show. My troubles

begin with a State banquet to-morrow that I'd give much to miss;

however, I'll have Farrell for company."

"I'm glad to be here," said Amber thoughtfully. Could it be possible

that the proposed abdication of Salig Singh in favour of his son were

merely a cloak to a conspiracy to restore to power the house of Rutton?

Or had the _tamasha_ been arranged in order to gather together all the

rulers in Rajputana without exciting suspicion, that they might agree

upon a concerted plan of mutiny against the Sirkar? This state affair

of surpassing importance had been arranged for the last day of grace

allotted the Prince of the house of Rutton. What had it to do with the

Gateway of Swords, the Voice, the Mind, the Eye, the Body, the Bell?

"By the way, Mr. Raikes," said the Virginian suddenly, "what do they

call the gate by which we entered the city--the southern gate?"

"The Gateway of Swords, I believe."

Farrell, on the point of entering the house, overheard and turned. "Is

that so? Why, I thought _that_ gateway was in Kathiapur."

"I've heard of a Gateway of Swords in Kathiapur," Raikes admitted.

"Never been there, myself."

"Kathiapur?"

"A dead city, Mr. Amber, not far away--originally the capital of

Khandawar. It's over there in the hills to the north, somewhere. Old

Rao Rutton, founder of the old dynasty, got tired of the place and

caused it to be depopulated, building Kuttarpur in its stead--I

believe, to commemorate some victory or other. That sort of thing used

to be quite the fashion in India, before we came." Raikes fell back,

giving Amber precedence as they entered the Residency. "By the way,

remind me, if you think of it, Colonel Farrell, to get after the

telegraph-clerk to-morrow. There's a new man in charge--a Bengali

babu--and I presume he's about as worthless as the run of his kind."

Amber made a careful note of this information; he was curious about

that babu.

In the drawing-room Raikes and Farrell impressed Clarkson for

three-handed Bridge. Sophia did not care to play and Amber was ignorant

of the game--a defect in his social education which he found no cause

to regret, since it left him in undisputed attendance upon the girl.

She had seated herself at a warped and discouraged piano, for which

Raikes had already apologised; it was, he said, a legacy from a former

Resident. For years its yellow keys had not known a woman's touch such

as that to which they now responded with thin, cracked voices; the

girl's fine, slender fingers wrung from them a plaintive, pathetic

parody of melody. Amber stood over her with his arms folded on the top

of the instrument, comfortably unconscious that his pose was copied

from any number of sentimental photogravures and "art photographs." His

temper was sentimental enough, for that matter; the woman was very

sweet and beautiful in his eyes as she sat with her white, round arms

flashing over the keyboard, her head bowed and her face a little

averted, the long lashes low upon her cheeks and tremulous with a

fathomless emotion. It was his thought that his time was momentarily

becoming shorter, and that just now, more than ever, she was very

distant from his arms, something inaccessible, too rare and delicate

and fine for the rude possession of him who sighed for his own

unworthiness.

Abruptly she brought both hands down upon the keys, educing a jangled,

startled crash from the tortured wires, and swinging round, glanced up

at Amber with quaint mirth trembling behind the veil of moisture in her

misty eyes.

"India!" she cried, with a broken laugh: "India epitomised: a homesick,

exiled woman trying to drag a song of Home from the broken heart of a

crippled piano! That is an Englishwoman's India: it's our life, ever to

strive and struggle and contrive to piece together out of makeshift

odds and ends the atmosphere of Home!... It's suffocating in here.

Come." She rose with a quick shrug of impatience, and led the way back

to the gardens.

The table had been removed together with the chairs and candles;

nothing remained to remind them of the hour just gone. The walks were

clear of servants. Their only light came from the high arch of stars

smitten to its zenith with pale, quivering waves of light from the moon

invisible behind the hills. Below them the city hummed like a disturbed

beehive. Somewhere afar a gentle hand was sweeping the strings of a

_zitar_, sounding weird, sad chords. The perfumed languor of the night

weighed heavily upon the senses, like the woven witchery of some

age-old enchantment....

Pensive, the girl trained her long skirts heedlessly over the

dew-drenched grasses, Amber at her side, himself speechless with an

intangible, ineluctable, unreasoning sense of expectancy. Never, he

told himself, had a lover's hour been more auspiciously timed or

staged; and this was his hour, altogether his!... If only he might find

the words of wooing to which his lips were strange! He dared not delay;

to-morrow it might be too late; in the womb of the morrow a world of

chances stirred--contingencies that might in a breath set them a world

apart.

They found seats in the shadow of a pepul.

"You must be tired, Mr. Amber," she said. "Why don't you smoke?"

"I hadn't thought of it, and hadn't asked permission."

"Please do. I like it."

He found his cigarette-case and struck a match, Sophia watching

intently his face in the rosy glow of the little, flickering flame.

"Are you in the habit of indulging in protracted silences?" she rallied

him gently. "Between friends of old standing they're permissible, I

believe, but----"

"A day's journey by tonga matures acquaintanceships wonderfully," he

observed abstrusely.

"Indeed?" She laughed.

"At least, I hope so."

He felt that he must be making progress; thus far he had been no less

inane than any average lover of the stage or fiction. And he wondered:

was she laughing at him, softly, there in the shadows?

"You see," she said, amused at his relapse into reverie, "you're

incurable and ungrateful. I'm trying my best to be attractive and

interesting, and you won't pay me any attention whatever. There must be

something on your mind. Is it this mysterious errand that brings you so

unexpectedly to India--to Kuttarpur, Mr. Amber?"

"Yes," he answered truthfully.

"And you won't tell me?"

"I think I must," he said, bending forward.

There sounded a stealthy rustling in the shrubbery. The girl drew away

and rose with a startled exclamation. With a bound, a man in native

dress sped from the shadows and paused before them, panting.

Amber jumped up, overturning his chair, and instinctively feeling for

the pistol that was with his travelling things, upstairs in the

Residency.

The native reassured him with a swift, obsequious gesture. "Pardon,

sahib, and yours, sahiba, if I have alarmed you, but I am come on an

errand of haste, seeking him who is known as the Sahib David Amber."

"I am he. What do you want with me?"

"It is only this, that I have been commissioned to bear to you, sahib."

The man fumbled hurriedly in the folds of his surtout, darting quick

glances of apprehension round the garden. Amber looked him over as

closely as he could in the dim light, but found him wholly a

stranger--merely a low-caste Hindu, counterpart of a million others to

be encountered daily in the highways and bazaars of India. The

Virginian's rising hope that he might prove to be Labertouche failed

for want of encouragement; the intruder was of a stature the Englishman

could by no means have counterfeited.

"From whom come you?" he demanded in the vernacular.

"Nay, a name that is unspoken harms none, sahib." The native produced a

small, thin, flat package and thrust it into Amber's hands. "With

permission, I go, sahib; it were unwise to linger----"

"There is no answer?"

"None, sahib." The man salaamed and strode away, seeming to melt

soundlessly into the foliage.

For a minute Amber remained astare. The girl's voice alone roused him.

"I think you are a very interesting person, Mr. Amber," she said,

resuming her chair.

"Well!... _I_ begin to think this a most uncommonly interesting

country." He laughed uncertainly, turning the package over and over.

"Upon my word----! I haven't the least notion what this can be!"

"Why not bring it to the light, and find out?"

He assented meekly, having been perfectly candid in his assertion that

he had no suspicion of what the packet might contain, and a moment

later they stood beneath the window of the Residency, from which a

broad shaft of light streamed out like vaporised gold.

Amber held the packet to the light; it was oblong, thin, stiff, covered

with common paper, guiltless of superscription, and sealed with

mucilage. He tore the covering, withdrew the enclosure, and heard the

girl gasp with surprise. For himself, he was transfixed with

consternation. His look wavered in dismay between the girl and the

photograph in his hand--_her_ photograph, which had been stolen from

him aboard the _Poonah_.

She extended her hand imperiously. "Give that to me, please, Mr.

Amber," she insisted. He surrendered it without a word. "Mr. Amber!"

she cried in a voice that quivered with wonder and resentment.

He faced her with a hang-dog air, feeling that now indeed had his case

been made hopeless by this contretemps. "Confound Labertouche!" he

cried in his ungrateful heart. "Confound his meddling mystery-mongering

and hokus-pokus!"

"Well?" enquired the girl sharply.

"Yes, Miss Farrell." He could invent nothing else to say.

"You--you are going to explain, I presume."

He shook his head in despair. "No-o...."

"What!"

"I've no explanation whatever to make--that'd be adequate, I mean."

He saw that she was shaken by impatience. "I think," said she

evenly--"I think you will find it best to let me judge of that. This is

my photograph. How do you come to have it? What right have you to it?"

"I ... ah...." He stammered and paused, acutely conscious of the voices

of the Englishmen, Farrell, Raikes, and young Clarkson, drifting out

through the open window of the drawing-room. "If you'll be kind enough

to return to our chairs," he said, "I'll try to make a satisfactory

explanation. I'd rather not be overheard."

The girl doubted, was strongly inclined to refuse him; then, perhaps

moved to compassion by his abject attitude, she relented and agreed.

"Very well," she said, and retaining the picture moved swiftly before

him into the shadowed garden. He lagged after her, inventing a hundred

impracticable yarns. She found her chair and sat down with a manner of

hauteur moderated by expectancy. He took his place beside her.

"Who sent you this photograph of me?" she began to cross-examine him.

"A friend."

"His name?"

"I'm sorry I can't tell you just now."

"Oh!... Why did he send it?"

"Because...." In his desperation it occurred to him to tell the

truth--as much of it, at least, as his word to Rutton would permit.

"Because it's mine. My friend knew I had lost it."

"How could it have been yours? It was taken in London a year ago. I

sent copies only to personal friends who, I know, would not give them

away." She thought it over and added: "The Quains had no copy; it's

quite impossible that one should have got to America."

"None the less," he maintained stubbornly, "it's mine, and I got it in

America."

"I can hardly be expected to believe that."

"I'm sorry."

"You persist in saying that you got it in America?"

"I must."

"When?"

"After you left the Quains."

"How?" she propounded triumphantly.

"I can't tell you, except vaguely. If you'll be content with the

substance of the story, lacking details, for the present----"

"For the present? You mean you'll tell me the whole truth--?"

"Sometime, yes. But now, I may not.... A dear friend of mine owned the

photograph. He gave it me at my request. I came to India, and on the

steamer lost it; in spite of my offer of a reward, I was obliged to

leave the boat without it, when we got to Calcutta. My friend here knew

how highly I valued it----"

"Why?"

"Because I'd told him."

"I don't mean that. Why do you value it so highly?"

"Because of its original." He took heart of despair and plunged boldly.

She looked him over calmly. "Do you mean me to understand that you told

this friend you had followed me to India because you were in love with

me?"

"Precisely.... Thank you."

She laughed a little, mockingly. "Are you, Mr. Amber?"

"In love with you?... Yes."

"Oh!" She maintained her impartial and judicial attitude admirably.

"But even were I inclined to believe that, your whole story is

discredited by the simple fact that through no combination of

circumstances could this picture have come into your possession in

America."

"I give you my word of honor, Miss Farrell."

"I wish you wouldn't. If you are perfectly sincere in asserting that,

you force me to think you----"

"Mad? I'm not, really," he argued earnestly. "It's quite true."

"No." She shook her head positively. "You say you obtained it from a

man, which can't be so. There were only a dozen prints made; four I

gave to women friends in England and seven I sent to people out here.

The other one I have."

"I can only repeat what I have already told you. There are gaps in the

story, I know--incredible gaps; they can't be bridged, just now. I beg

you to believe me."

"And how soon will you be free to tell me the whole truth?"

"Only after ... we're married."

She laughed adorably. "Mr. Amber," she protested, "you are

dangerous--you are delightful! Do you really believe I shall ever marry

you?"

"I hope so. I came to India to ask you--to use every means in my power

to make you marry me. You see, I love you."

"And ... and when is this to happen, please--in the name of impudence?"

"As soon as I can persuade you--to-night, if you will."

"Oh!"

He was obliged to laugh with her at the absurdity of the suggestion.

"Or to-morrow morning, at the very latest," he amended seriously. "I

don't think we dare wait longer."

"Why is that?"

"Delays are perilous. There might be another chap."

"How can you be sure there isn't already?"

He fell sober enough at this. "But there isn't, is there, really?"

She delayed her reply provokingly. At length, "I don't see why I should

say," she observed, "but I don't mind telling you--no, there

isn't--yet." And as she spoke, Farrell called "Sophia?" from the window

of the drawing-room. She stood up, answering clearly with the assurance

that she was coming, and began deliberately to move toward the house.

Amber followed, deeply anxious. "I've not offended you?"

"No," she told him gravely, "but you have both puzzled and mystified

me. I shall have to sleep on this before I can make up my mind whether

or not to be offended."

"And ... will you marry me?"

"Oh, dear! How do I know?" she laughed.

"You won't give me a hint as to the complexion of my chances?"

She paused, turning. "The chances, Mr. Amber," she said without

affection or coquetry, "are all in your favour ... _if_ you can prove

your case. I do like you very much, and you have been successful in

rousing my interest in you to an astonishing degree.... But I shall

have to think it over; you must allow me at least twelve hours' grace."

"You'll let me know to-morrow morning?"

"Yes."

"Early?"

"You've already been bidden to breakfast by Mr. Raikes."

"Meanwhile, may I have my photograph?"

"Mine, if you please!... I think not; if my decision is favourable, you

shall have it back--after breakfast."

"Thank you," he said meekly. And as they were entering the Residency he

hung back. "I'm going now," he said; "it's good-night. Will you

remember you've not refused me the privilege of hoping?"

"I've told you I like you, Mr. Amber." Impulsively she extended her

hand. "Good-night."

He bowed and put his lips to it; and she did not resist.

The Bronze Bell · 第 13 / 21 章