He laughed, and candidly admitted that I was not the kind of looking

man he had expected to find from reading my books, and then he

entered the house in response to my invitation that he do so. I

ushered him into my library, and, after asking him to be seated,

inquired as to his business with me.

His answer was gratifying at least He replied that he had been a

reader of my writings for a number of years, and that for some time

past he had had a great desire, not to say curiosity, to meet me and

tell me how much he had enjoyed certain of my stories.

"I'm a great devourer of books, Mr. Thurlow," he said, "and I have

taken the keenest delight in reading your verses and humorous

sketches. I may go further, and say to you that you have helped me

over many a hard place in my life by your work. At times when I have

felt myself worn out with my business, or face to face with some

knotty problem in my career, I have found much relief in picking up

and reading your books at random. They have helped me to forget my

weariness or my knotty problems for the time being; and to-day,

finding myself in this town, I resolved to call upon you this

evening and thank you for all that you have done for me."

Thereupon we became involved in a general discussion of literary men

and their works, and I found that my visitor certainly did have a

pretty thorough knowledge of what has been produced by the writers

of to-day. I was quite won over to him by his simplicity, as well as

attracted to him by his kindly opinion of my own efforts, and I did

my best to entertain him, showing him a few of my little literary

treasures in the way of autograph letters, photographs, and

presentation copies of well-known books from the authors themselves.

From this we drifted naturally and easily into a talk on the methods

of work adopted by literary men. He asked me many questions as to my

own methods; and when I had in a measure outlined to him the manner

of life which I had adopted, telling him of my days at home, how

little detail office-work I had, he seemed much interested with the

picture--indeed, I painted the picture of my daily routine in almost

too perfect colors, for, when I had finished, he observed quietly

that I appeared to him to lead the ideal life, and added that he

supposed I knew very little unhappiness.

The remark recalled to me the dreadful reality, that through some

perversity of fate I was doomed to visitations of an uncanny order

which were practically destroying my usefulness in my profession and

my sole financial resource.

"Well," I replied, as my mind reverted to the unpleasant predicament

in which I found myself, "I can't say that I know little

unhappiness. As a matter of fact, I know a great deal of that

undesirable thing. At the present moment I am very much embarrassed

through my absolute inability to fulfil a contract into which I have

entered, and which should have been filled this morning. I was due

to-day with a Christmas story. The presses are waiting for it, and I

am utterly unable to write it."

He appeared deeply concerned at the confession. I had hoped, indeed,

that he might be sufficiently concerned to take his departure, that

I might make one more effort to write the promised story. His

solicitude, however, showed itself in another way. Instead of

leaving me, he ventured the hope that he might aid me.

"What kind of a story is it to be?" he asked.

"Oh, the usual ghostly tale," I said, "with a dash of the Christmas

flavor thrown in here and there to make it suitable to the season."

"Ah," he observed. "And you find your vein worked out?"

It was a direct and perhaps an impertinent question; but I thought

it best to answer it, and to answer it as well without giving him

any clew as to the real facts. I could not very well take an entire

stranger into my confidence, and describe to him the extraordinary

encounters I was having with an uncanny other self. He would not

have believed the truth, hence I told him an untruth, and assented

to his proposition.

"Yes," I replied, "the vein is worked out. I have written ghost

stories for years now, serious and comic, and I am to-day at the end

of my tether--compelled to move forward and yet held back."

"That accounts for it," he said, simply. "When I first saw you to

-night at the door I could not believe that the author who had

provided me with so much merriment could be so pale and worn and

seemingly mirthless. Pardon me, Mr. Thurlow, for my lack of

consideration when I told you that you did not appear as I had

expected to find you."

I smiled my forgiveness, and he continued:

"It may be," he said, with a show of hesitation--"it may be that I

have come not altogether inopportunely. Perhaps I can help you."

I smiled again. "I should be most grateful if you could," I said.

"But you doubt my ability to do so?" he put in. "Oh--well--yes--of

course you do; and why shouldn't you? Nevertheless, I have noticed

this: At times when I have been baffled in my work a mere hint from

another, from one who knew nothing of my work, has carried me on to

a solution of my problem. I have read most of your writings, and I

have thought over some of them many a time, and I have even had

ideas for stories, which, in my own conceit, I have imagined were

good enough for you, and I have wished that I possessed your

facility with the pen that I might make of them myself what I

thought you would make of them had they been ideas of your own."

The old gentleman's pallid face reddened as he said this, and while

I was hopeless as to anything of value resulting from his ideas, I

could not resist the temptation to hear what he had to say further,

his manner was so deliciously simple, and his desire to aid me so

manifest. He rattled on with suggestions for a half-hour. Some of

them were good, but none were new. Some were irresistibly funny, and

did me good because they made me laugh, and I hadn't laughed

naturally for a period so long that it made me shudder to think of

it, fearing lest I should forget how to be mirthful. Finally I grew

tired of his persistence, and, with a very ill-concealed impatience,

told him plainly that I could do nothing with his suggestions,

thanking him, however, for the spirit of kindliness which had

prompted him to offer them. He appeared somewhat hurt, but

immediately desisted, and when nine o'clock came he rose up to go.

As he walked to the door he seemed to be undergoing some mental

struggle, to which, with a sudden resolve, he finally succumbed,

for, after having picked up his hat and stick and donned his

overcoat, he turned to me and said:

"Mr. Thurlow, I don't want to offend you. On the contrary, it is my

dearest wish to assist you. You have helped me, as I have told you.

Why may I not help you?"

[Illustration: "HE RATTLED ON FOR HALF AN HOUR"]

"I assure you, sir--" I began, when he interrupted me.

"One moment, please," he said, putting his hand into the inside

pocket of his black coat and extracting from it an envelope

addressed to me. "Let me finish: it is the whim of one who has an

affection for you. For ten years I have secretly been at work myself

on a story. It is a short one, but it has seemed good to me. I had a

double object in seeking you out to-night. I wanted not only to see

you, but to read my story to you. No one knows that I have written

it; I had intended it as a surprise to my--to my friends. I had

hoped to have it published somewhere, and I had come here to seek

your advice in the matter. It is a story which I have written and

rewritten and rewritten time and time again in my leisure moments

during the ten years past, as I have told you. It is not likely that

I shall ever write another. I am proud of having done it, but I

should be prouder yet if it--if it could in some way help you. I

leave it with you, sir, to print or to destroy; and if you print it,

to see it in type will be enough for me; to see your name signed to

it will be a matter of pride to me. No one will ever be the wiser,

for, as I say, no one knows I have written it, and I promise you

that no one shall know of it if you decide to do as I not only

suggest but ask you to do. No one would believe me after it has

appeared as _yours,_ even if I should forget my promise and claim it

as my own. Take it. It is yours. You are entitled to it as a slight

measure of repayment for the debt of gratitude I owe you."

He pressed the manuscript into my hands, and before I could reply

had opened the door and disappeared into the darkness of the street.

I rushed to the sidewalk and shouted out to him to return, but I

might as well have saved my breath and spared the neighborhood, for

there was no answer. Holding his story in my hand, I re-entered the

house and walked back into my library, where, sitting and reflecting

upon the curious interview, I realized for the first time that I was

in entire ignorance as to my visitor's name and address.

[Illustration: "THE DEMON VANISHED"]

I opened the envelope hoping to find them, but they were not there.

The envelope contained merely a finely written manuscript of thirty

odd pages, unsigned.

And then I read the story. When I began it was with a half-smile

upon my lips, and with a feeling that I was wasting my time. The

smile soon faded, however; after reading the first paragraph there

was no question of wasted time. The story was a masterpiece. It is

needless to say to you that I am not a man of enthusiasms. It is

difficult to arouse that emotion in my breast, but upon this

occasion I yielded to a force too great for me to resist. I have

read the tales of Hoffmann and of Poe, the wondrous romances of De

La Motte Fouque, the unfortunately little-known tales of the

lamented Fitz-James O'Brien, the weird tales of writers of all

tongues have been thoroughly sifted by me in the course of my

reading, and I say to you now that in the whole of my life I never

read one story, one paragraph, one line, that could approach in

vivid delineation, in weirdness of conception, in anything, in any

quality which goes to make up the truly great story, that story

which came into my hands as I have told you. I read it once and was

amazed. I read it a second time and was--tempted. It was mine. The

writer himself had authorized me to treat it as if it were my own;

had voluntarily sacrificed his own claim to its authorship that he

might relieve me of my very pressing embarrassment. Not only this;

he had almost intimated that in putting my name to his work I should

be doing him a favor. Why not do so, then, I asked myself; and

immediately my better self rejected the idea as impossible. How

could I put out as my own another man's work and retain my self

-respect? I resolved on another and better course--to send you the

story in lieu of my own with a full statement of the circumstances

under which it had come into my possession, when that demon rose up

out of the floor at my side, this time more evil of aspect than

before, more commanding in its manner. With a groan I shrank back

into the cushions of my chair, and by passing my hands over my eyes

tried to obliterate forever the offending sight; but it was useless.

The uncanny thing approached me, and as truly as I write sat upon

the edge of my couch, where for the first time it addressed me.

"Fool!" it said, "how can you hesitate? Here is your position: you

have made a contract which must be filled; you are already behind,

and in a hopeless mental state. Even granting that between this and

to-morrow morning you could put together the necessary number of

words to fill the space allotted to you, what kind of a thing do you

think that story would make? It would be a mere raving like that

other precious effort of August. The public, if by some odd chance

it ever reached them, would think your mind was utterly gone; your

reputation would go with that verdict. On the other hand, if you do

not have the story ready by to-morrow, your hold on the _Idler_ will

be destroyed. They have their announcements printed, and your name

and portrait appear among those of the prominent contributors. Do

you suppose the editor and publisher will look leniently upon your

failure?"

"Considering my past record, yes," I replied. "I have never yet

broken a promise to them."

"Which is precisely the reason why they will be severe with you.

You, who have been regarded as one of the few men who can do almost

any kind of literary work at will--you, of whom it is said that your

'brains are on tap'--will they be lenient with _you?_ Bah! Can't you

see that the very fact of your invariable readiness heretofore is

going to make your present unreadiness a thing incomprehensible?"

"Then what shall I do?" I asked. "If I can't, I can't, that is all."

"You can. There is the story in your hands. Think what it will do

for you. It is one of the immortal stories--"

"You have read it, then?" I asked.

"Haven't you?"

"Yes--but--"

"It is the same," it said, with a leer and a contemptuous shrug.

"You and I are inseparable. Aren't you glad?" it added, with a laugh

that grated on every fibre of my being. I was too overwhelmed to

reply, and it resumed: "It is one of the immortal stories. We agree

to that. Published over your name, your name will live. The stuff

you write yourself will give you present glory; but when you have

been dead ten years people won't remember your name even--unless I

get control of you, and in that case there is a very pretty though

hardly a literary record in store for you."

Again it laughed harshly, and I buried my face in the pillows of my

couch, hoping to find relief there from this dreadful vision.

"Curious," it said. "What you call your decent self doesn't dare

look me in the eye! What a mistake people make who say that the man

who won't look you in the eye is not to be trusted! As if mere

brazenness were a sign of honesty; really, the theory of decency is

the most amusing thing in the world. But come, time is growing

short. Take that story. The writer gave it to you. Begged you to use

it as your own. It is yours. It will make your reputation, and save

you with your publishers. How can you hesitate?"

"I shall not use it!" I cried, desperately.

"You must--consider your children. Suppose you lose your connection

with these publishers of yours?"

"But it would be a crime."

"Not a bit of it. Whom do you rob? A man who voluntarily came to

you, and gave you that of which you rob him. Think of it as it is--

and act, only act quickly. It is now midnight."

The tempter rose up and walked to the other end of the room, whence,

while he pretended to be looking over a few of my books and

pictures, I was aware he was eyeing me closely, and gradually

compelling me by sheer force of will to do a thing which I abhorred.

And I--I struggled weakly against the temptation, but gradually,

little by little, I yielded, and finally succumbed altogether.

Springing to my feet, I rushed to the table, seized my pen, and

signed my name to the story.

"There!" I said. "It is done. I have saved my position and made my

reputation, and am now a thief!"

[Illustration: "DOESN'T DARE TO LOOK ME IN THE EYE"]

"As well as a fool," said the other, calmly. "You don't mean to say

you are going to send that manuscript in as it is?"

"Good Lord!" I cried. "What under heaven have you been trying to

make me do for the last half hour?"

"Act like a sane being," said the demon. "If you send that

manuscript to Currier he'll know in a minute it isn't yours. He

knows you haven't an amanuensis, and that handwriting isn't yours.

Copy it."

"True!" I answered. "I haven't much of a mind for details to-night.

I will do as you say."

I did so. I got out my pad and pen and ink, and for three hours

diligently applied myself to the task of copying the story. When it

was finished I went over it carefully, made a few minor corrections,

signed it, put it in an envelope, addressed it to you, stamped it,

and went out to the mail-box on the corner, where I dropped it into

the slot, and returned home. When I had returned to my library my

visitor was still there.

"Well," it said, "I wish you'd hurry and complete this affair. I am

tired, and wish to go."

"You can't go too soon to please me," said I, gathering up the

original manuscripts of the story and preparing to put them away in

my desk.

"Probably not," it sneered. "I'll be glad to go too, but I can't go

until that manuscript is destroyed. As long as it exists there is

evidence of your having appropriated the work of another. Why, can't

you see that? Burn it!"

"I can't see my way clear in crime!" I retorted. "It is not in my

line."

Nevertheless, realizing the value of his advice, I thrust the pages

one by one into the blazing log fire, and watched them as they

flared and flamed and grew to ashes. As the last page disappeared in

the embers the demon vanished. I was alone, and throwing myself down

for a moment's reflection upon my couch, was soon lost in sleep.

It was noon when I again opened my eyes, and, ten minutes after I

awakened, your telegraphic summons reached me.

"Come down at once," was what you said, and I went; and then came

the terrible _dénouement,_ and yet a _dénouement_ which was pleasing

to me since it relieved my conscience. You handed me the envelope

containing the story.

"Did you send that?" was your question.

"I did--last night, or rather early this morning. I mailed it about

three o'clock," I replied.

"I demand an explanation of your conduct," said you.

"Of what?" I asked.

"Look at your so-called story and see. If this is a practical joke,

Thurlow, it's a damned poor one."

I opened the envelope and took from it the sheets I had sent you--

twenty-four of them.

_They were every one of them as blank as when they left the paper

-mill!_

You know the rest. You know that I tried to speak; that my utterance

failed me; and that, finding myself unable at the time to control my

emotions, I turned and rushed madly from the office, leaving the

mystery unexplained. You know that you wrote demanding a

satisfactory explanation of the situation or my resignation from

your staff.

This, Currier, is my explanation. It is all I have. It is absolute

truth. I beg you to believe it, for if you do not, then is my

condition a hopeless one. You will ask me perhaps for a _résumé_ of

the story which I thought I had sent you.

It is my crowning misfortune that upon that point my mind is an

absolute blank. I cannot remember it in form or in substance. I have

racked my brains for some recollection of some small portion of it

to help to make my explanation more credible, but, alas! it will not

come back to me. If I were dishonest I might fake up a story to suit

the purpose, but I am not dishonest. I came near to doing an

unworthy act; I did do an unworthy thing, but by some mysterious

provision of fate my conscience is cleared of that.

Be sympathetic Currier, or, if you cannot, be lenient with me this

time. _Believe, believe, believe_, I implore you. Pray let me hear

from you at once.

(Signed) HENRY THURLOW.

[Illustration: "'LOOK AT YOUR SO CALLED STORY AND SEE'"]

II

(_Being a Note from George Currier, Editor of the "Idler" to Henry

Thurlow, Author_.)

Your explanation has come to hand. As an explanation it isn't worth

the paper it is written on, but we are all agreed here that it is

probably the best bit of fiction you ever wrote. It is accepted for

the Christmas issue. Enclosed please find check for one hundred

dollars.

Dawson suggests that you take another month up in the Adirondacks.

You might put in your time writing up some account of that dream

-life you are leading while you are there. It seems to me there are

possibilities in the idea. The concern will pay all expenses. What

do you say?

(Signed) Yours ever, G. C. THE DAMPMERE MYSTERY

Dawson wished to be alone; he had a tremendous bit of writing to do,

which could not be done in New York, where his friends were

constantly interrupting him, and that is why he had taken the little

cottage at Dampmere for the early spring months. The cottage just

suited him. It was remote from the village of Dampmere, and the

rental was suspiciously reasonable; he could have had a ninety-nine

years' lease of it for nothing, had he chosen to ask for it, and

would promise to keep the premises in repair; but he was not aware

of that fact when he made his arrangements with the agent. Indeed,

there was a great deal that Dawson was not aware of when he took the

place. If there hadn't been he never would have thought of going

there, and this story would not have been written.

It was late in March when, with his Chinese servant and his mastiff,

he entered into possession and began the writing of the story he had

in mind. It was to be the effort of his life. People reading it

would forget Thackeray and everybody else, and would, furthermore,

never wish to see another book. It was to be the literature of all

time--past and present and future; in it all previous work was to be

forgotten, all future work was to be rendered unnecessary.

For three weeks everything went smoothly enough, and the work upon

the great story progressed to the author's satisfaction; but as

Easter approached something queer seemed to develop in the Dampmere

cottage. It was undefinable, intangible, invisible, but it was

there. Dawson's hair would not stay down. When he rose up in the

morning he would find every single hair on his head standing erect,

and plaster it as he would with his brushes dipped in water, it

could not be induced to lie down again. More inconvenient than this,

his silken mustache was affected in the same way, so that instead of

drooping in a soft fascinating curl over his lip, it also rose up

like a row of bayonets and lay flat against either side of his nose;

and with this singular hirsute affliction there came into Dawson's

heart a feeling of apprehension over something, he knew not what,

that speedily developed into an uncontrollable terror that pervaded

his whole being, and more thoroughly destroyed his ability to work

upon his immortal story than ten inconsiderate New York friends

dropping in on him in his busy hours could possibly have done.

"What the dickens is the matter with me?" he said to himself, as for

the sixteenth time he brushed his rebellious locks. "What has come

over my hair? And what under the sun am I afraid of? The idea of a

man of my size looking under the bed every night for--for something--

burglar, spook, or what I don't know. Waking at midnight shivering

with fear, walking in the broad light of day filled with terror; by

Jove! I almost wish I was Chung Lee down in the kitchen, who goes

about his business undisturbed."

[Illustration: "IT WAS TO BE THE EFFORT OF HIS LIFE"]

Having said this, Dawson looked about him nervously. If he had

expected a dagger to be plunged into his back by an unseen foe he

could not have looked around more anxiously; and then he fled,

actually fled in terror into the kitchen, where Chung Lee was

preparing his dinner. Chung was only a Chinaman, but he was a living

creature, and Dawson was afraid to be alone.

"Well, Chung," he said, as affably as he could, "this is a pleasant

change from New York, eh?"

"Plutty good," replied Chung, with a vacant stare at the pantry

door. "Me likes Noo Lork allee same. Dampeemere kind of flunny,

Mister Dawson."

"Funny, Chung?" queried Dawson, observing for the first time that

the Chinaman's queue stood up as straight as a garden stake, and

almost scraped the ceiling as its owner moved about. "Funny?"

"Yeppee, flunny," returned Chung, with a shiver. "Me no likee. Me

flightened."

"Oh, come!" said Dawson, with an affected lightness. "What are you

afraid of?"

"Slumting," said Chung. "Do' know what. Go to bled; no sleepee;

pigtail no stay down; heart go thump allee night."

"By Jove !" thought Dawson; "he's got it too!"

"Evlyting flunny here," resumed Chung.

"Jack he no likee too."

Jack was the mastiff.

"What's the matter with Jack?" queried Dawson. "You don't mean to

say Jack's afraid?"

"Do' know if he 'flaid," said Chung, "He growl most time."

Clearly there was no comfort for Dawson here. To rid him of his

fears it was evident that Chung could be of no assistance, and

Chung's feeling that even Jack was affected by the uncanny something

was by no means reassuring. Dawson went out into the yard and

whistled for the dog, and in a moment the magnificent animal came

bounding up. Dawson patted him on the back, but Jack, instead of

rejoicing as was his wont over this token of his master's affection,

gave a yelp of pain, which was quite in accord with Dawson's own

feelings, for gentle though the pat was, his hand after it felt as

though he had pressed it upon a bunch of needles.

"What's the matter, old fellow?" said Dawson, ruefully rubbing the

palm of his hand. "Did I hurt you?"

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