CHAPTER XII

THE CULEBRA CUT.

Technically what is known as the Culebra Cut extends from Bas Obispo to

the locks at Pedro Miguel, a distance of nine miles. To the general

public understanding, however, the term applies only to the point of

greatest excavation between Gold Hill and Contractor’s Hill. But at Bas

Obispo the walls of the Canal for the first time rise above the water

level of Gatun Lake. At that point the cutting begins, the walls rising

higher and higher, the Canal pressing stubbornly onward at a dead level,

until the supreme height of the continental divide is attained at Gold

Hill. Thenceforward on the line toward Panama City the hills grow lower

until at the entrance to the locks at Pedro Miguel the banks sink

practically to the water level. Out of this nine mile stretch there had

been taken up to January 1, 1913, just 88,531,237 cubic yards of

material and it was then estimated that there then remained to be

excavated 5,351,419 cubic yards more. But the later estimate was

destined to be largely increased for, after the date at which it was

made, the number and extent of “slides” in the deepest part of the cut

increased to staggering proportions. Col. D. D. Gaillard, Member of the

Commission and Division Engineer in charge of the Culebra Cut, estimated

in 1912 that in all 115,000,000 cubic yards would have to be removed.

To the general public the slides seemed to menace the very existence and

practicability of the Canal, though the engineers knew that they began

even with the superficial excavating done by the French, and had

therefore made allowance for them in their estimates. Not sufficient

allowance however was made, and as month after month brought tidings of

new slides, with terrifying details of such incidents as whole forests

moving, vast cracks opening in the earth, large buildings in imminent

danger of being swept into the Cut, the bottom of the Canal mysteriously

rising ten to fifteen feet in the air, while smoke oozed from the pores

of the adjacent earth--when such direful reports filled the newspapers

the public became nervous, almost abandoning hope of the success of the

great enterprise.

[Illustration: WORKING ON THREE LEVELS]

This attitude of apprehension on the part of the public is scarcely

surprising. If the Capitol Park at Washington, with the National Capitol

cresting it, should suddenly begin to move down into Pennsylvania Avenue

at the rate of about three feet a day the authorities of the city would

naturally feel some degree of annoyance. And if the smooth and level

asphalt of that historic thoroughfare should, over night, rise up into

the air 18 feet in spots those responsible for traffic might not

unreasonably be somewhat worried.

Such a phenomenon would not be so startling in mere magnitude as the

slides which added so greatly to the work of the engineers on the Canal,

and made tourists, wise with the ripe fruits of five days’ observation,

wag their heads knowingly when Col. Goethals calmly repeated his

assertion that the water would be turned in by August. The Colonel,

however, had not withdrawn or even modified this prophecy so late as

June 10, 1913. Despite the almost daily news of increased activity of

the slides he clung with tenacity to his purpose of putting a ship

through in October.

[Illustration: _Courtesy of Scientific American_

THE ORIGINAL CULEBRA SLIDE

A Y. M. C. A. club had to be moved to escape this slide which in 1913

was still moving]

If these slides were an entirely new and unexpected development for

which no allowance of either time or money had been made in the

estimates of the Canal builders they would of course justify the

apprehension they have awakened in the non-professional mind. But the

slides were in fact anticipated. The first slide recorded during our

work on the Isthmus was in 1905; the others have only been bigger, and

have been bigger only because the Canal being dug deeper has weakened

the bases of even bigger hills along the banks. All the same, the

proportions of the slides are terrifying and the chief geologist

declared that they would not cease until the angle of the Canal bank

became so gentle that gravity would not pull the crest down.

The slides are of two sorts. The simpler is a mere swift rush of all the

loose surface dirt, sand, gravel and stone down the surface of the bank.

These gravity slides, mere dirt avalanches, though troublesome, present

no new problems. To stop them it is necessary only to carry the crest of

the bank further back so that the angle will be less steep. But the

great, troublesome slides are those caused by the pressure of the

hill-top on its undermined and weakened base. These originate at the top

of the hill, making their presence known by gaping fissures opening in

the earth and extending in lines roughly parallel to the Canal. Once

started the whole mass, acres in extent, moves slowly toward the cavity

of the Canal, three feet a day being its swiftest recorded progress. At

Culebra the slides compelled the moving of a large part of the town away

from the edge of the Cut, lest it be swept into the gorge. The Culebra

Y. M. C. A. clubhouse, the largest on the Zone had to be torn down to

escape this peril.

As the slide moves slowly downward, its colossal weight applied at

points where nature had made no provision for it, forces the earth

upward at the point where it can offer the least resistance, namely the

bed of the Canal. Sometimes this upheaval, so mysterious to the

non-technical mind, attains a height of eighteen feet. Again, the

friction of this huge mass of stone and gravel creates heat, which turns

into steam the rills of water that everywhere percolates through the

soil. The upheaval of the Canal bed, and the occasional outpourings of

steam have led at times to exaggerated and wholly unfounded reports in

the newspapers of volcanic action being one of the new problems with

which the Canal builders had to grapple.

The story told about the extent of the slides is sufficiently alarming,

but the calmness with which Col. Goethals and his lieutenants meet the

situation is reassuring. According to the official report there were

twenty-six slides and breaks in Culebra Cut to January 1, 1913 with a

total area of 225 acres. Since that date many others have occurred. It

is estimated that because of slides between 21,000,000 and 22,000,000

cubic yards of material in excess of the original estimate will have

been taken out of the Cut before completion. This is just about

one-fifth of the total amount of excavation, dry and wet, estimated

originally for the whole Canal. But the attitude of the engineers toward

this addition to their labors was merely one of calm acceptance of the

inevitable and a dogged determination to get the stuff out of the way.

The slides were an obstacle; so was the whole isthmus for that matter.

But all that was necessary was to keep the shovels working and the

slides would be removed and the isthmus pierced.

To my mind one of the finest evidences of the spirit animating the Canal

force was the fashion in which this problem of the slides has been

approached. It was at first disappointing, almost demoralizing, to find

over night the work of weeks undone and the day when “finis” could be

written to the volume put far over into the future. But the only effect

was a tighter grip on the pick and the shovel, a new determination to

force through the Canal. Culebra was approached as Grant approached

Vicksburg. To reduce it and to open the Canal to traffic, as Grant

opened the Mississippi to the steamboats of the nation, took more time

than was at first expected, but it had to be done. The dirt could not

always slide in faster than it could be carted out, for in time there

would be no dirt left to slide. And so, undismayed and intent upon

success, the whole force from Col. Goethals to the youngest engineer

moved on Culebra and the doom of that stubborn block to progress was

sealed.

[Illustration: SLIDE ON WEST BANK OF THE CANAL NEAR CULEBRA

Picture shows about 1,000,000 cubic yards of material moving toward the

cut at about three yards a day]

To the unscientific mind the slides are terrifying in their magnitude

and in the evidence they give of irresistible force. Man can no more

check their advance than he can that of a glacier which in a way they

resemble. When I was on the Isthmus the great Cucaracha slide was in

progress, and had been for that matter since 1907. It had a total area

of 47 acres and extended up the east bank of the Canal for about 1900

feet from the axis of the Canal. When it began its progress was

disconcertingly rapid. Its base, foot, or “toe”--these anatomical terms

in engineering are sometimes perplexing--moved across the canal bed at

the rate of 14 feet a day. All that stood in its path was buried, torn

to pieces or carried along with the resistless glacier of mud. Not

content with filling the Canal from one side to the other, the dirt rose

on the further side to a height of about 30 feet. Not only was the work

of months obliterated, but work was laid out for years to come. Indeed

in 1913 they were still digging at the Cucaracha slide and the end was

not in sight. This slide was wholly a gravity slide, caused by a mass of

earth slipping on the inclined surface of some smooth and slippery

material like clay on which it rests. The nature of the phenomenon is

clearly shown by the diagram printed on the next page in which the slide

marked C is of the type just described.

[Illustration: ATTACKING THE CUCARACHA SLIDE

This slide has filled the Cut from side to side. A partial Cut has been

dug through its center and the shovels are seen working on either side.

The tracks are moved nightly as the material is removed.]

On the west bank of the Canal occurred a slide of the second type caused

by the crushing and squeezing out of underlying layers of soft material

by the prodigious pressure of the high banks left untouched by the steam

shovels. This slide is usually accompanied by the uprising of the bed of

the Canal sometimes to a height of thirty feet. Col. Gaillard tells of

standing on the bed of the Canal, observing the working of a steam

shovel, when it gradually dawned upon him that he was no longer on the

level of the shovel. At first he thought that the shovel must have been

placed upon a bit of boggy land and was slowly sinking, but on

investigation he discovered that the point on which he was standing had

been slowly rising until within five minutes he had been lifted six feet

without jar and with no sensation of motion. A perfectly simple

illustration of the way in which this elevation of the bed of the Canal

is caused may be obtained by pressing the hand upon a pan of dough. The

dough will of course rise at the side of the hand. On the “big job” the

towering hills furnished the pressure, the bed of the Canal rose like

the dough. In the diagram already referred to, the slide to the right

marked “B” is of the type here described. To cope with it, the work of

the shovels and dirt trains in the Canal carrying the débris away is

supplemented by others above removing the crest of the slide and thus

lightening the pressure. In the diagram shovels are shown thus working

on two levels, but I have seen four terraces of the same slide bearing

steam shovels and rumbling dirt trains hurrying the débris away to where

it will no longer be a menace.

[Illustration: DIAGRAM OF CULEBRA CUT SLIDES

C. is a slide moving over a slippery surface; the mass B breaks on a

line of cleavage and crushes the underlying material, forcing it up at

A. The steam shovels are working to reduce pressure on B]

[Illustration: _Courtesy of Scientific American_

A ROCK SLIDE NEAR EMPIRE

About 400,000 cubic yards of rock broke away, half filling the cut and

opening it to the water of the Obispo Diversion Canal]

The Culebra slide possessed a certain remorselessness which was not

manifested by any of the others in quite so picturesque a way. For this

slide, with apparently human malice, attacked not only the work done on

the Canal proper, but like a well directed army moved on the

headquarters of its foe. Its first manifestation appeared in the form of

a wide crack in the earth at the crest of the hill on which sits the

town of Culebra, and directly in front of the building used by Col.

Gaillard as division headquarters for the engineers. Retreat was the

only course possible in the face of such an enemy and the building was

sacrificed. The Culebra Y. M. C. A. clubhouse too was a point of attack

for the remorseless foe. It stood on the very crest of the hill, a

beautiful building on a most beautiful site. The serpent of Culebra

Cut--the word “culebra” means snake--saw this pleasant place of rest and

marked it for his own. Nothing remained but to rally a force of men and

tear the building down for reërection at some other point. It was

probably the largest and most attractive clubhouse on the Zone, but

where it once stood there was a nearly sheer drop of about sixty feet,

when first I visited the scene of the slide. Before the spot, too, on

which the engineering headquarters had stood, there was a patch of lawn

that had slid some eighty feet down into the Cut. With it traveled along

a young eucalyptus tree waving its leaves defiantly in the face of the

enemy that was bearing it to irrevocable disaster. Whether the Culebra

slide had attained its fullest proportions in 1913 could not be told

with certainty though the belief was current that it had. While the

crest of the hill had not been fully reached, the top of the slide began

at the edge of a sort of jog or terrace that extended away from the Cut

some distance on a level before the ground began to slope upward again.

Should it extend further a very considerable and beautiful part of the

town would be destroyed, but as it is to be abandoned in any event on

the completion of the Canal, this phase of the matter does not give the

Commission much concern.

[Illustration: THE AUTHOR AT CULEBRA CUT]

[Illustration: CUTTING AT BASE OF CONTRACTORS HILL

This shows the point at which the Cut is deepest. The actual level of

canal bed was not reached at the time this photograph was taken]

A third slide, of lesser proportions which seriously complicated the

work of the engineers, occurred near Empire in August, 1912. Here about

400,000 cubic yards of rock slipped into the Cut, wrecking cars,

destroying tracks and machinery and flooding the Canal with water from

the Obispo diversion. It is not generally known that parallel to the

Canal at various points are dug smaller canals, or big ditches, for the

purpose of catching and carrying off the heavy annual rainfall on the

canal watershed. These diversion ditches cost much in time and labor.

One was constructed by the French. Another, 5¹⁄₄ miles long, known as

the Obispo diversion, cost $1,250,000 and was absolutely essential to

the construction of the Canal. The rock slide, above referred to, broke

down the barrier between the Canal cut and the diversion ditch and

filled the former with an untimely flood which it took time to stay and

pump out.

[Illustration: A ROCK SLIDE AT LAS CASCADES

A steam shovel was wholly demolished but its operators escaped. The

slides have seldom cost lives]

From all parts of the United States citizens interested in the progress

of the Canal--and only those at the work can tell how widespread and

patriotic that interest is--have sent suggestions for checking these

slides. Practically all have been impracticable--a few only indeed have

been thought worthy of being put to the test. One that for a time seemed

worth trying was the suggestion that the wall of the cut be plastered

with concrete, binding its surface together in a solid mass. But upon

that being done it was demonstrated that the slides were not superficial

but basic, and concrete face and all went down to one general

destruction when the movement began. One curious fact about the slides

is that they do not invariably slide _down_ throughout their entire

course. Occasionally they take a turn upward. One tree at Cucaracha was

pointed out to me which after moving majestically down for a space was

carried upward over a slope for 100 feet, and then having passed the

crest of the hill started down again.

[Illustration: _Photo by Underwood & Underwood_

SLICING OFF THE CHIEF ENGINEER’S OFFICE]

The slides are by no means wholly in the wet season despite the popular

impression to that effect, though it was in the height of that season

that the one at Cucaracha began. Yet I have seen a slide moving slowly

in January when the shovels digging fiercely at its base were enshrouded

in clouds of dust. Curiously enough though tracks have been torn up,

machinery engulfed and wrung into indistinguishable tangles of steel, no

man was caught in any of these avalanches prior to May, 1913, when three

were thus lost. The tax they have put upon time and labor however has

been heavy enough. Within the 8⁴⁄₅ miles of the Culebra Cut fully 200

miles of track have been covered up, destroyed or necessarily rebuilt

because of slides, and at one point tracks had to be maintained for

nearly two years on ground moving from three or four inches to several

feet a day. Of course this necessitated the constant work of repair

gangs and track layers. When the Canal is completed nearly 22% of the

excavation will have been of material put in the way by slides--a fact

which seems to give some belated support to the prophecy of the early

Spanish theologians that God would not permit the Isthmus to be pierced,

but would array new and unexpected forces against so blasphemous an

effort to interfere with His perfect work.

One feature of the slides which would surely have awed the pious

prophets of the Spanish day, and which did indeed considerably perplex

our more prosaic engineers, was the little wisps of smoke that arose

from the slowly moving soil. That this was volcanic few believed, except

some newspaper correspondents in eager search for sensations. The true

explanation that heat generated by friction working upon the water in

the earth caused the steam was all very well and complete as an

explanation of that particular phenomenon. But it left a certain

worried feeling in the minds of the men who spent their days in putting

hundreds of plugs of dynamite into holes drilled in the rock which the

scientists declared superheated. Dropping a dynamite cartridge into a

red-hot rock is apt to create a menace to the continued life and health

of the dropper which even the excellent sanitary brigade of Col. Gorgas

could scarcely control successfully. For a time there was a halt in the

blasting operations and indeed two blasts were fired prematurely by this

natural heat, but fortunately without loss of life. Finally the scheme

was devised of thrusting an iron pipe into the drill hole and leaving it

there a few minutes. If it was cool to the touch on withdrawal all was

well; if hot a stream of water was kept playing in the hole while the

charge was inserted and tamped down.

Dynamite has been man’s most useful slave in this great work, but like

all slaves it now and then rises in fierce and murderous revolt. “Though

during the past three and one-quarter years, in work under the writer’s

charge”, writes Col. Gaillard, “over 20,000,000 pounds of dynamite were

used in blasting, but eight men have been killed, three of whom failed

to go to a safe distance and were killed by flying stones, and two by

miscounting the number of shots which had gone off in a ‘dobe’ group,

and approaching the group before the last shot had exploded”.

[Illustration: _Photo by Underwood & Underwood_

HOW TOURISTS SEE THE CUT

The picture shows Vincent Astor’s party in the observation car]

Something like 12,000,000 pounds of dynamite a year was imported from

“the states” to keep the job going, over 6,000,000 pounds a year being

used in Culebra Cut alone, and many an unsuspecting passenger danced

over the tossing Atlantic waves with a cargo beneath him explosive

enough to blow him to the moon. On the Zone the stuff is handled with

all the care that long familiarity has shown to be necessary, but to the

uninitiated it looks careless enough. It is however a fact that the

accidents are continually lessening in number and in fatalities caused.

The greatest accident of all occurred December 12, 1908, when we had

been only four years on the job. It was at Bas Obispo, and in order to

throw over the face of a hill of rock that rose from the west bank of

the Canal at that point nearly 44,000 pounds of dynamite had been neatly

tamped away in the holes drilled for that purpose. Actually the last

hole of this prodigious battery was being tamped when it exploded and

set off all the others. A colossal concussion shook all the face of the

earth. The side of the hill vanished in a cloud of smoke and dust from

which flying rocks and trees rose into the air. When the roar of the

explosion died away cries of anguish rose on the trembling air. About

the scene of the explosion an army of men had been working, and of these

26 had been killed outright and a host more wounded. No such disaster

has ever occurred again though there have been several small ones, and

many narrow escapes from large ones.

Once a steam shovel taking its accustomed bite of four or five cubic

yards of dirt, engulfed at the same time about a bushel of dynamite left

from the French days. Again the teeth of a shovel bit upon the fulminate

cap of a forgotten charge. In both these cases the miraculous happened

and no explosion occurred. When one reads in the Official Handbook

issued by the Commission that a pound of dynamite has been used to about

every two cubic yards of material blasted, and compares it with the

total excavation of about 200,000,000 cubic yards one thinks that even

the undoubted sins of the Isthmus during its riotous days are expiated

by such a vigorous blowing up.

[Illustration: JAMAICANS OPERATING A COMPRESSED AIR DRILL]

One day at Matachin an engineer with whom I was talking called a

Spaniard and sent him off on an errand. I noticed the man walked queerly

and commented on it. “It’s a wonder that fellow walks at all”, said my

friend with a laugh. “He was sitting on a ledge once when a blast below

went off prematurely and Miguel, with three or four other men, and a few

tons of rock, dirt and other débris went up into the air. He was

literally blown at least 80 feet high. The other men were killed, but we

found signs of life in him and shipped him to the hospital where he

stayed nearly eight months. I’d hesitate to tell you how many bones were

broken, but I think the spine was the only one not fractured and that

was dislocated. His job is safe for the rest of his life. He loves to

tell about it. Wait ’till he gets back and I’ll ask him”.

[Illustration: HANDLING ROCK IN ANCON QUARRY]

Presently Miguel returned, sideways like a crab, but with agility all

the same. “Tell the gentleman how it feels to be blown up”, said the

engineer.

“Caramba! I seet on ze aidge of ze cut, smoke my pipe, watch ze work

when--Boom! I fly up in air, up, up! I stop. It seem I stop long time. I

see ozzair sings fly up past me. I start down--I breathe smoke, sand.

Bang! I hit ground. When I wake I in bed at hospital. Can’t move. Same

as dead”!

“Miguel never fails to lay stress on the time he stopped before

beginning his descent”, comments my friend, “and on the calmness with

which he viewed the prospect, particularly the other things going up.

His chief sorrow is that no moving picture man took the incident”.

Incidents of heroic self-sacrifice are not unknown among the dynamite

handlers. Here is the story of Angel Alvarez, an humble worker on the

Big Job. He was getting ready a surface blast of dynamite and all around

him men were working in calm assurance that he would notify them before

the explosion. Happening to glance up he saw a great boulder just

starting to slip down the cut into the pit where he stood with two open

boxes of dynamite. He knew that disaster impended. He could have jumped

from the pit and run, saving himself but sacrificing his comrades.

Instead he shouted a frantic warning, and seizing the two boxes of

dynamite thrust them aside out of the way of the falling boulder. There

was no hope for him. The rock would have crushed him in any event. But

one stick of dynamite fell from one of the boxes and was

exploded--though the colossal explosion that might have occurred was

averted. They thought that Alvarez was broken to bits when they gathered

him up, but the surgeons patched him up, and made a kind of a man out of

him. Not very shapely or vigorous is Angel Alvarez now but in a sense he

carries the lives of twenty men he saved in that moment of swift

decision.

The visitor to the Cut during the period of construction found two types

of drills, the tripod and the well, busily preparing the chambers for

the reception of the dynamite. Of the former there were 221 in use, of

the latter 156. With this battery over 90 miles of holes have been

excavated in a month, each hole being about 27 feet deep. The drills are

operated by compressed air supplied from a main running the length of

the Cut and are in batteries of three to eight manned by Jamaica negroes

who look as if the business of standing by and watching the drill

automatically eat its way into the rock heartily agreed with their

conception of the right sort of work.

[Illustration: IN THE CUCARACHA SLIDE]

He who did not see the Culebra Cut during the mighty work of excavation

missed one of the great spectacles of the ages--a sight that at no other

time, or place was, or will be, given to man to see. How it was best

seen many visits left me unable to determine. From its crest on a

working day you looked down upon a mighty rift in the earth’s crust, at

the base of which pigmy engines and ant-like forms were rushing to and

fro without seeming plan or reason. Through the murky atmosphere strange

sounds rose up and smote the ear of the onlooker with resounding clamor.

He heard the strident clink, clink of the drills eating their way into

the rock; the shrill whistles of the locomotives giving warning of some

small blast, for the great charges were set off out of working hours

when the Cut was empty; the constant and uninterrupted rumble that told

of the dirt trains ever plying over the crowded tracks; the heavy crash

that accompanied the dumping of a six-ton boulder onto a flat car; the

clanking of chains and the creaking of machinery as the arms of the

steam shovels swung around looking for another load; the cries of men,

and the booming of blasts. Collectively the sounds were harsh,

deafening, brutal such as we might fancy would arise from hell were the

lid of that place of fire and torment to be lifted.

But individually each sound betokened useful work and service in the

cause of man and progress as truly as could the musical tinkle of cow

bells, the murmur of water over a village millwheel, or the rude melody

of the sailors’ songs as they trim the yards for the voyage to the

distant isles of spice. The hum of industry that the poets have loved to

tell about loses nothing of its significance when from a hum it rises to

a roar. Only not all the poets can catch the meaning of its new note.

[Illustration: BROW OF GOLD HILL, CULEBRA CUT]

So much for the sounds of the Culebra Cut on a work day. The sights are

yet more wonderful. One who has looked upon the Grand Canyon of the

Colorado will find in this man-made gash in the hills something of the

riot of color that characterizes that greatest of natural wonders, but

he who has had no such preparation will stand amazed before the barbaric

wealth of hues which blaze forth from these precipitous walls. Reds

predominate--red of as deep a crimson as though Mother Earth’s bosom

thus cruelly slashed and scarred was giving up its very life’s blood;

red shading into orange, tropical, hot, riotous, pulsing like the life

of the old Isthmus that is being carved away to make place for the new;

red, pale, pinkish, shading down almost to rose color as delicate as the

hue on a maiden’s cheek, typifying perhaps the first blush of the bride

in the wedding of the Atlantic to the Pacific. Yellow too from the

brightest orange to the palest ochre, and blue from the shade of indigo

which Columbus hoped to bring across this very Isthmus from the bazaars

of Cathay; purple as royal as Ferdinand and Isabella ever wore, or the

paler shades of the tropic sky are there. As you look upon the dazzling

array strung out before you for miles you may reflect that imbedded in

those parti-colored rocks and clays are semi-precious stones of varied

shades and sorts--beryls, moss agates, bloodstones, moonstones which the

workmen pick up and sell to rude lapidaries who cut and sell them to

tourists. But in all this colossal tearing up of the earth’s surface

there has been found none of the gold for which the first white men

lusted, nor any precious stone or useful mineral whatsoever.

[Illustration: _Photo by Underwood & Underwood_

A DIRT-SPREADER AT WORK]

[Illustration: “EVERY BITE RECORDED AT HEADQUARTERS”]

Again I looked on the Cut from above one morning before the breeze that

blows across the Isthmus from nine o’clock in the morning until sundown,

had driven out of it the mists of early dawn. From unseen depths filled

with billowy vapor rose the clatter of strenuous toil by men and

machines, softened somewhat by the fleecy material through which they

penetrated. Of the workers no sign appeared until the growing heat of

the sun and the freshening breeze began to sweep the Cut clear in its

higher reaches, and there on the topmost terrace of Gold Hill, half a

mile across the abyss from where I stood, was revealed a monster steam

shovel digging away at the crest of the hill to lighten the weight that

was crowding acres upon acres of broken soil into the canal below. It

seemed like a mechanical device on some gigantic stage, as with

noiseless ferocity it burrowed into the hillside, then shaking and

trembling with the effort swung back its long arm and disgorged its huge

mouthful on the waiting flat cars. The curtain of mist was slowly

disappearing. From my lofty eyrie on an outjutting point of Contractor’s

Hill it seemed as if the stage was being displayed, not by the lifting

of a curtain, but rather by the withdrawal of a shield downward so that

the higher scenery became first visible. One by one the terraces cut

into the lofty hillsides were exposed to view, each with its line of

tugging steam shovels and its rows of motionless empty cars, or rolling

filled ones rumbling away to the distant dump. Now and again a sudden

eruption of stones and dirt above the shield of fog followed in a few

seconds by a dull boom told of some blast. So dense was the mist that

one marvelled how in that narrow lane below, filled with railroad

tracks, and with busy trains rushing back and forth men could work save

at imminent danger of disaster. Death lurked there at all times and the

gray covering of fog was more than once in the truest sense a pall for

some poor mutilated human frame.

[Illustration: _Photo by Underwood & Underwood_

A LIDGERWOOD UNLOADER AT WORK]

Perhaps the most impressive view of the Cut in the days of its activity

was that from above. It was the one which gave the broadest general

sense of the prodigious proportions of the work. But a more terrifying

one, as well as a more precise comprehension of the infinity of detail

coupled with the magnitude of scope of the work was to be obtained by

plodding on foot through the five miles where the battle of Culebra was

being most fiercely fought. The powers that be--or that were--did not

encourage this method of observation. They preferred to send visitors

through this Death’s Lane, this confusing network of busy tracks, in an

observation car built for the purpose, or in one of the trim little

motor cars built to run on the railroad tracks for the use of officials.

From the fact that one of the latter bore the somewhat significant

nickname “The Yellow Peril” and from stories of accidents which had

occurred to occupants of these little scouts among the mighty engines of

war, I am inclined to think that the journey on foot, if more wearisome,

was not more perilous.

[Illustration: THE TRACK SHIFTER IN ACTION]

Put on then a suit of khaki with stout shoes and take the train for

Culebra. That will be as good a spot as any to descend into the Cut, and

we will find there some airy rows of perpendicular ladders connecting

the various levels up and down which an agile monkey, or Col. Gaillard

or any of his assistants, can run with ease, but which we descend with

infinite caution and some measure of nervous apprehension. Probably the

first sound that will greet your ears above the general clatter, when

you have attained the floor of the Canal will be a stentorian cry of

“Look out, there! Look out”! You will hear that warning hail many a time

and oft in the forenoon’s walk we are about to take. I don’t know of any

spot where Edward Everett Hale’s motto, “Look Out and Not In; Look Up

and Not Down; Look Forward and Not Back” needs editing more than at

Culebra. The wise man looked all those ways and then some. For trains

are bearing down upon you from all directions and so close are the

tracks and so numerous the switches that it is impossible to tell the

zone of safety except by observing the trains themselves. If your gaze

is too intently fixed on one point a warning cry may call your attention

to the arm of a steam shovel above your head with a five-ton boulder

insecurely balanced, or a big, black Jamaican a few yards ahead

perfunctorily waving a red flag in token that a “dobe” blast is to be

fired. A “dobe” blast is regarded with contempt by the fellows who

explode a few tons of dynamite at a time and demolish a whole hillside,

but the “dobes” throw fifty to one hundred pound stones about in a

reckless way that compels unprofessional respect. They tell a story on

the Zone of a negro who, not thinking himself in range, was sitting on a

box of dynamite calmly smoking a cigarette. A heavy stone dropped

squarely on his head killing him instantly, but was sufficiently

deflected by the hardness of the Ethiopian skull to miss the box on

which the victim sat. Had it been otherwise the neighboring landscape

and its population would have been materially changed.

[Illustration: ONE OF THE COLONEL’S TROUBLES

This shovel was overwhelmed by a slide. The accident is not uncommon]

[Illustration: _Photo by Underwood & Underwood_

THE SLICED-OFF HILL AT ANCON]

It is no wonder that we have trains to dodge during the course of our

stroll. There are at the moment of our visit 115 locomotives and 2000

cars in service in the Cut. About 160 loaded trains go out daily, and,

of course about 160 return empty. Three hundred and twenty trains in the

eight-hour day, with two hours’ intermission at noon, means almost one

train a minute speeding through a right of way 300 feet wide and much

cluttered up with shovels, drills and other machinery. In March, 1911,

the record month, these trains handled 1,728,748 cubic yards of

material, carrying all to the dumps which average 12 miles distant, the

farthest one being 33 miles. The lay mind does not at first think of

it, but it is a fact that it was no easy task to select spots for all

this refuse in a territory only 436 square miles in area, of which 164

square miles is covered by Gatun Lake and much of the rest is higher

than the Cut and therefore unsuited for dumps. The amount of material

disposed of would create new land worth untold millions could it have

been dumped along the lake front of Chicago, or in the Hackensack

meadows near New York.

[Illustration: _Photo by S. H. Elliott_

A LOCK-CHAMBER FROM ABOVE]

To load these busy trains there were in the Cut in its busiest days 43

steam shovels mainly of the type that would take five cubic yards of

material at a bite. One load for each of these shovels weighed 8.7 tons

of rock, 6.7 tons of earth, or 8.03 tons of the “run of the Cut”--the

mixed candy of the Culebra shop. March 11, 1911, was the record day for

work on the Central Division of which the Cut is the largest component

part. That day 333 loaded trains were run out and as many in, and 51

steam shovels and 2 cranes with orange peel buckets excavated 127,742

tons of material. It was no day for nervous tourists to go sightseeing

in the Cut.

[Illustration: WHEN THE OBISPO BROKE IN]

Let us watch one of the steam shovels at work. You will notice first

that it requires two railroad tracks for its operation--the one on which

it stands and one by the side on which are the flat cars it is to load.

If the material in which it is to work is clay or sand, the shovel track

is run close to the side of the hill to be cut away; otherwise the

blasters will have preceded it and a great pile of broken rock lies by

the side of the track or covering it before the shovel. Perched on a

seat which revolves with the swinging arm a man guides the great steel

jaws to the point of excavation. A tug at one lever and the jaws begin

to bite into the clay, or root around in the rock pile until the toothed

scoops have filled the great shovel that, closed, is rather bigger than

a boarding house hall bedroom. A tug at another lever and they close. A

third lever causes the arm to swing until it comes to a stop above the

flat car, then with a roar and a clatter the whole load is dumped.

Perhaps then the trouble is just beginning. Once in a while a boulder of

irregular shape rolls about threatening to fall to the ground. With

almost human intelligence the great rigid arm of the shovel follows it,

checking it as it approaches the edge of the car, pushing it back,

buttressing it with other stones, so that when the train gets under way

it may by no chance fall off. Sometimes you see all this done from a

point at which the directing man is invisible and the effect is uncanny.

[Illustration: _Photo by Underwood & Underwood_

UNGAINLY MONSTERS OF STEEL WORKING WITH HUMAN SKILL]

[Illustration: COPYRIGHT, 1913, BY F. E. WRIGHT

THE CULEBRA CUT

Dazzling colors combined with its colossal proportions make this

man-made gash in nature’s eternal hills a magnificent spectacle. Its

fullest glory will soon be dimmed, for the tropic jungle will cover its

brilliant hues with a robe of green.]

Travelers in Burmah are fond of telling how the trained elephants pile

teak lumber, pushing with tusk and pulling with trunk until the beams

lie level and parallel to an inch. But marvelous as is the delicacy with

which the unwieldy animals perform their work, it is outdone by the

miraculous ingenuity with which the inventive mind of man has adapted

these monsters of steel to their appointed task. We shall see on the

Zone many mechanical marvels, but to my mind the sight of a man, seated

placidly in a comfortable chair, and with a touch on levers making a

twenty foot steel arm, with a pair of scoops each as big as a hogshead

at the end, feel up and down a bit of land until it comes upon a boulder

weighing five tons, then pick it up, deposit it on a flat car, and block

it around with smaller stones to hold it firm--this spectacle I think

will rank with any as an illustration of mechanical genius. It is a pity

old Archimedes, who professed himself able to move the world with a

lever if he could only find a place for his fulcrum, could not sit a

while in the chair of an Isthmian steam shoveler. These men earn from

$210 to $240 a month and are the aristocracy of the mechanical force in

a society where everybody is frankly graded according to his earnings.

They say their work is exceedingly hard upon the nerves, a statement

which I can readily credit after watching them at it. Once in a great

while they deposit the six-ton load of a shovel on top of some laborer’s

head. Incidents of this sort are wearing on their nerves and also upon

the physique of the individual upon whom the burden has been laid. On

several occasions I timed steam shovels working in the Cut on various

sorts of material and found the period occupied in getting a load,

depositing it on the car and getting back into position for another bite

to be a fraction less than two minutes. According to my observations

from five to eight shovel loads filled a car. The car once filled, a big

negro wig-wagged the tidings to the engineer who pulled the train ahead

the length of one car. The Jamaica negro wig-wagging is always a

pleasing spectacle. He seems to enjoy a job as flagman which gives from

five to fifteen minutes of calm reflection to each one minute of

wagging. Far be it from me to question the industry of these sable

Britons by whom the Canal is being built. Their worth in any place,

except that of waiters at the Tivoli Hotel, must be conceded. But their

specialty is undoubtedly wig-wagging.

[Illustration: BUILDING AN UPPER TIER OF LOCKS]

[Illustration: TRAVELING CRANES THAT BEAR THE BRUNT OF BURDEN CARRYING]

[Illustration: _Photo by Brown Bros._

THE FLOOR OF A LOCK]

If we climb upon one of the empty flat cars we will see that upon the

floor of the whole train, usually made up of about 20 cars, is stretched

a stout cable attached to a heavy iron wedge like a snow plow which,

while the train is loading, is on the end car. Hinged sheets of steel

fall into place between the cars, making the train floor continuous from

end to end. If we should accompany the train to the dump--say at the

great fill at Balboa about twelve miles from the Cut--we shall find that

when it has reached its assigned position a curious looking car on which

is an engine which revolves a huge drum, or bull wheel, is attached in

place of the locomotive. The end of the steel cable buried under

hundreds of tons of rock and dirt is fastened to the bull wheel, the

latter begins to revolve and the steel plow begins to travel along the

train thrusting the load off to one side. One side of the flat cars is

built up and the plow is so constructed that the load is thrown to the

other side only. It takes from 7 to 15 minutes to unload a train by this

device which is known as the Lidgerwood Unloader.

[Illustration: EXCAVATING WITH A MONITOR AS CALIFORNIANS DIG GOLD]

Now it is apparent that after a certain number of trains have thus been

unloaded the side of the track on which the load falls, unless it be a

very deep ravine, will presently be so filled up that no more loads can

be dumped there. To smooth out this mound of dirt along the track

another type of snow plow is used, one stretching out a rigid steel arm

ten or twelve feet from the side of the locomotive which pushes it into

the mass of débris. This is called a spreader and as may well be

imagined requires prodigious power. The dump heap thus spread, and

somewhat leveled by hand labor, becomes a base for another track.

In the early days of the work this business of shifting tracks required

the services of hundreds of men. But it grew so steadily under the needs

of the service--they say the Panama Railway runs sideways as well as

lengthwise--that the mechanical genius of American engineers was called

into play to meet the situation. Wherefore behold the track-shifter, an

engine operating a long crane which picks up the track, ties, rails and

all, and swings it to one side three feet or more according to the

elasticity of the track. It takes nine men to operate a track shifter,

and it does the work which took 500 men pursuing the old method of

pulling spikes, shifting ties and rails separately and spiking the rails

down again. It is estimated that by this device the government was saved

several million dollars, to say nothing of an enormous amount of time.

While the Panama Railroad is only 47 miles long it has laid almost 450

miles of rails, and these are continually being taken up and shifted,

particularly those laid on the bed of the Canal in Culebra Cut. It is

perfectly clear that to keep the steam shovels within reaching distance

of the walls they are to dig away, the track on which they operate and

the track on which their attendant dirt trains run must be shifted

laterally every two or three days.

[Illustration: _Photo by Underwood & Underwood_

A STEAM SHOVEL IN OPERATION]

Looking up from the floor of the Canal one had in those days of rushing

construction a prospect at once gigantic, brilliant and awe inspiring.

Between Gold Hill and Contractors Hill the space open to the sky is half

a mile wide and the two peaks tower toward the sky 534 feet to the one

side and 410 on the other. We see again dimly through the smoke of the

struggling locomotives and the fumes of exploding dynamite the prismatic

color of the stripped sides of the hill, though on the higher altitudes

untouched by recent work and unscarred by slides the tropical green has

already covered all traces of man’s mutilations. In time, of course,

all this coloring will disappear and the ships will steam along betwixt

two towering walls of living green.

[Illustration: BIRD’S EYE VIEW OF THE MIRAFLORES LOCKS]

One’s attention, however, when in the Cut is held mainly by its

industrial rather than by its scenic features. For the latter the view

from above, already described, is incalculably the better. But down here

in the depths your mind is gripped by the signs of human activity on

every side. Everything that a machine can do is being done by machinery,

yet there are 6000 men working in this narrow way, men white and black

and of every intermediate and indeterminate shade. Men who talk in

Spanish, French, the gibberish of the Jamaican, in Hindoo, in Chinese.

One thinks it a pity that Col. Goethals and his chief lieutenants could

not have been at the Tower of Babel, for in that event that aspiring

enterprise would never have been halted by so commonplace an obstacle as

the confusion of tongues.

To us as we plod along all seems to be conducted with terrific energy,

but without any recognizable plan. As a matter of fact all is being

directed in accordance with an iron-clad system. That train, the last

cars of which are being loaded, on the second level must be out of the

Cut and on the main line at a fixed hour or there will be a tie-up of

the empties coming back from the distant dumps. That row of holes must

be drilled by five o’clock, for the blast must be fired as soon as the

Cut is emptied of workers. The very tourists on the observation car

going through the Cut must be chary of their questions, for that track

is needed now for a train of material. If they are puzzled by something

they see, it will all be explained to them later by the guide in his

lecture illustrated by the working model at the Tivoli Hotel.

[Illustration: THE ROCK-BREAK THAT ADMITTED THE BAS OBISPO]

So trudging through the Cut we pass under a slender foot bridge

suspended across the Canal from towers of steel framework. The bridge

was erected by the French and will have to come down when the procession

of ships begins the passage of the Canal. Originally its towers were of

wood, but a man idly ascending one thought it sounded hollow beneath his

tread and, on examination, found the interior had been hollowed out by

termite ants leaving a mere shell which might give way under any

unaccustomed strain. This is a pleasant habit of these insects and

sometimes produces rather ludicrous results when a heavy individual

encounters a chair that has engaged their attention.

[Illustration: _Photo by H. Pittier. Courtesy National Geographic

Magazine_

AN ANT’S NEST ON THE SAVANNA]

The activity and industry of the ant are of course proverbial in every

clime, but it seems to me that in the Isthmus particularly he appears to

put the sluggard to shame. As you make your way through the jungle you

will now and again come upon miniature roads, only about four inches

wide it is true, but vastly smoother and better cleaned of vegetation

than the paths which the Panamanians dignify with the name of roads.

Along these highways trudges an endless army of ants, those going

homeward bearing burdens of leaves which, when buried in their

subterranean homes, produce fungi on which the insects live. Out on the

savanna you will occasionally find a curious mound of hard dirt,

sometimes standing taller than a man and rising abruptly from the plain.

It is an ant’s nest built about a shrub or small tree, which usually

dies off so that no branches protrude in any direction. A large one

represents long years of the work of the tiny insects. Col. Goethals has

made a great working machine of the Canal organization but he can teach

the ants nothing so far as patient and continuous industry is concerned.

[Illustration: A TERMITE ANT’S NEST

The ants’ work kills the tree]

We come in due time to the upper entrance of the Pedro Miguel lock. Here

the precipitous sides of the Canal have vanished, and the walls of the

lock have in fact to be built up above the adjacent land. This is the

end of the Central Division--the end of the Culebra Cut. The 8.8 miles

we have left behind us have been the scene, perhaps, of the most

wonderful exercise of human ingenuity, skill and determination ever

manifested in any equal space in the world--and I won’t even except Wall

Street, where ingenuity and skill in cutting things down are matter of

daily observation. But nowhere else has man locked with nature in so

desperate a combat. More spectacular engineering is perhaps to be seen

on some of the railroads through our own Sierras or on the trans-Andean

lines. Such dams as the Roosevelt or the Shoshone of our irrigation

service are more impressive than the squat, immovable ridge at Gatun.

But the engineers who planned the campaign against the Cordilleras at

Culebra had to meet and overcome more novel obstacles, had to wrestle

with a problem more appalling in magnitude than any that ever confronted

men of their profession in any other land or time.

[Illustration: DEEP SEA-DREDGE AT BALBOA]

As no link in a chain is of less importance than any other link, so the

Pacific Division of the Panama Canal is of equal importance with the

other two. It has not, however, equally spectacular features. Its locks

at Pedro Miguel and at Miraflores are merely replicas of the Gatun locks

with different drops, and separated into one step of two parallel locks

at the former point, and two steps, with four locks in pairs at

Miraflores. Between the two locks is an artificial lake about 54²⁄₃

feet above sea level and about a mile and a half long. The lake is

artificial, supplied partly by small rivers that flow into it and partly

by the water that comes down from the operation of the locks above. In

fact it was created largely for the purpose of taking care of this

water, though it also served to reduce somewhat the amount of dry

excavation on the Canal. One advantage which both the Gatun and

Miraflores lakes have for the sailor, that does not at first occur to

the landsman, is that being filled with fresh water, as also is the main

body of the Canal, they will cleanse the bottoms of the ships passing

through of barnacles and other marine growths. This is a notable benefit

to ships engaged in tropical trade, for in those latitudes their bottoms

become befouled in a way that seriously interferes with their steaming

capacity.

[Illustration: PROPORTIONS OF THE LOCKS

A six story building would stand in the lock-chamber. Size of conduits

indicated by small sketches of wagon and locomotive.]

The name Pedro Miguel is given to this lock because the French began

operations there on the feast day of St. Peter Michael, whose name in

Spanish is applied to the spot. An omniscient gentleman on the train

once assured me that the name came from a Spanish hermit who long lived

on the spot in the odor of sanctity--and divers other odors if the

haunts of the hermits I have visited elsewhere were any criterion.

Errors of fact, however, are common on the zone. They still laugh about

a congressman who, on Gatun dam, struck an attitude and exclaimed with

feeling--“At last then I stand in the far-famed Culebra Cut”! which spot

was a trifle more than thirty miles away.

From the lower lock at Miraflores the canal describes a practically

straight course to the Pacific Ocean at Balboa, about 4¹⁄₂ miles. The

channel is continued out to sea about four miles further. All the

conditions of the Pacific and Oriental trade give assurance that at

Balboa will grow the greatest of all purely tropical ports. To it the

commerce of the whole Pacific coast of North America, and of South

America as far south at least as Lima, will irresistibly flow. To it

will also come the trade of Japan, Northern China and the Philippines,

seeking the shortest route to Europe or to our own Atlantic coast. It is

true that much of this trade will pass by, but the ships will enter the

Canal after long voyages in need of coal and in many cases of refitting.

The government has anticipated this need by providing for a monster dry

dock, able to accommodate the 1000 foot ships yet to be built, and

establishing repair shops fit to build ships as well as to repair them.

In 1913, however, when this trip through the Canal under construction

was made, little sign of this coming greatness was apparent. The old

dock of the Pacific Mail and a terminal pier of the Panama Railroad

afforded sufficient dockage for the steamships of which eight or ten a

week cleared or arrived. The chief signs of the grandeur yet to come

were the never-ceasing dirt trains rumbling down from Culebra Cut and

discharging their loads into the sea in a great fan shaped “fill” that

will afford building sites for all the edifices of the future Balboa,

however great it may become. Looking oceanward you see the three conical

islands on which the United States is already erecting its

fortifications.

[Illustration: THE GREAT FILL AT BALBOA WHERE THE CULEBRA SPOIL IS

DUMPED]

Here then the Canal ends. Begun in the ooze of Colon it is finished in

the basaltic rock of Balboa. To carry it through its fifty miles the

greatest forces of nature have been utilized when possible; fought and

overcome when not. It has enlisted genius, devotion and sacrifice, and

has inflicted sickness, wounds and death. We can figure the work in

millions of dollars, or of cubic yards, but to estimate the cost in life

and health from the time the French began until the day the Americans

ended is a task for the future historian, not the present-day

chronicler.

Panama and the Canal in Picture and Prose · 第 12 / 20 章