blood was now fairly aflame, wanted to rally him for the final effort;
and, in response to the encouraging cries of the two behind him, he
gathered himself together for another burst of speed, and put forth his
collected strength with such tremendous energy and suddenness of
movement that the little deacon, who had risen, and was standing erect
in the sleigh, fell back into the arms of the parson, while the great
horse rushed over the line a winner by a clear length, amid such cheers
and roars of laughter as were never heard in that village before.
Nor was the horse any more the object of public interest and remark--we
may say favoring remark--than the parson, who suddenly found himself the
centre of a crowd of his own parishioners, many of whom would scarcely
be expected as participants of such a scene, but who, thawed out of
their iciness by the genial temper of the day, and vastly excited over
Jack's contest, thronged upon the good man, laughing as heartily as any
jolly sinner in the crowd.
So everybody shook hands with the parson and wished him a Happy New
Year, and the parson shook hands with everybody and wished them all many
happy returns; and everybody praised old Jack, and rallied the deacon on
his driving; and then everybody went home good-natured and happy,
laughing and talking about the wonderful race, and the change that had
come over Parson Whitney.
And as for Parson Whitney himself, the day and its fun had taken twenty
years from his age, and nothing would answer but the deacon must go home
and eat the New Year's pudding at the parsonage; and he did. And at the
table they laughed and talked over the funny incidents of the day, and
joked each other as merrily as two boys. Then Parson Whitney told some
reminiscences of his college days, and the scrapes he got into, and a
riot between town and gown, when he carried the "Bully's Club;" and the
deacon responded by narrating his experiences with a certain Deacon
Jones's watermelon patch when he was a boy, and over their tales and
their mulled cider they laughed till they cried, and roared so lustily
at the remembered frolics of their youthful days that the old parsonage
rang, the books on the library shelves rattled, and several of the
theological volumes actually gaped with horror.
But at last the stories were all told, the jokes all cracked, and the
laughter all laughed, and the little deacon wished the parson good-by,
and jogged happily homeward; but more than once he laughed to himself,
and said, "Bless my soul! I didn't know the parson had so much fun in
him." And long the parson sat by the glowing grate after the deacon had
left him, musing of other days, and the happy, pleasant things that were
in them; and many times he smiled, and once he laughed outright at some
remembered folly, for he said, "What a wild boy I was, and yet I meant
no wrong; and the dear old days were very happy."
Ay, ay! Parson Whitney, the dear old days were very happy, not only to
thee, but to all of us, who, following our sun, have fared westward so
long that the light of the morning shows dull through the dim haze of
memory. But happier than even the old days will be the young ones, I
ween, when, following still westward, we suddenly come to the gates of
the new east and the morning once more; and there, in the dawn of a day
which is cloudless and endless, we find our lost youth and its loves, to
lose them and it no more forever, thank God!
THE LEAF OF RED ROSE.
THE LEAF OF RED ROSE:
THE OLD TRAPPER'S STORY.
A story? Why, yes. If Henry, there, will translate it
And put it in verse and print as he promised
To do when it happened. Will he do it? I doubt.
He dislikes to dabble with rhyme and with measure.
Says that good honest prose is the best and the sweetest
If the words be well chosen, short, Saxon, and pithy.
And that making of verse is the business of women,
Of green boys at school, and of lovers when spooning.
But try him. It may be he will. For a lesson
Is in it, and that makes it worth telling.
The woods have their secrets and sorrows and struggles
As well as the cities. You can find in the woods
Many things, if you look, beside trees, rocks, and mountains.
Jack Whitcomb he said his name was, though I doubted.
For the name on his bosom, tattooed in purple,
Didn't point quite that way. But that doesn't matter.
One name in the woods is as good as another
If a man answers to it and it's easily spoken.
So we called him Jack Whitcomb and asked nothing further.
Brave? Why, of course he was brave. Men are not cowards.
Cowards don't come to the woods. They stay in the cities,
Where policemen are thick and the streets are all lighted.
In the woods men trail with their ears and eyes open,
And sleep when they sleep with their hands on their rifles.
Why? Well, panthers are plenty and cunning and quiet,
And a man is a fool that goes carelessly stumbling
Under trees where they crouch, under crags where they gather.
Furthermore, with the saints, now and then there are sinners
That live in the woods; and some half-breeds are wicked,
And know nothing of law unless taught by a bullet.
I've done what I could to teach knaves the commandments.
Yes. Jack Whitcomb was brave. Brave as the bravest.
His glance was as keen and his mouth was as silent
As a trailer's should be who looks and who listens
By day and by night, having no one to talk to.
His finger was quick when it handled the trigger,
And his eye loved the sights as lightning loves rivers.
I've seen him stand up when the odds were against him.
Stand up like a man who takes coolly the chances.
That proves he was brave as I understand it.
One day we were boating on far Mistassinni.
We were fetching the portage above the great rapids,
Where they whirled, roaring down, freshet full, at their whitest,
When we saw from a rock that stretched outward and over
The wild hissing water as it swept on in thunder,
A canoe coming down, rolling over and over,
With a little papoose clinging tight to the lashings;
And as it lanced by Jack went in like an otter.
How he did it God knows, but at the foot of the rapids,
Half a mile farther down racing onward, I found him
High and dry on the beach in a faint like a woman,
With the little papoose pulling away at his jacket.
And when he came to, he put child to his shoulder,
Nor stopped till it lay in the arms of its mother.
We were trailing, Henry and I, trailing and trapping
In the land to the north, where fur was the thickest,
And knaves were as plenty as mink or as otter.
We took turns at sleeping, and trailed our line double
To keep our own skins, if we didn't get others.
It was folly to stay where we were, and we knew it,
For the knaves they got thicker, and soon there was shooting
Going on pretty lively. But we held to the business
And scouted the line once a week like true trappers.
And no accident happened save some holes in our jackets,
And my powder-horn emptied by a vagabond's bullet.
So we mended our clothing and felt pretty lively.
But the signs pointed one way. Our enemies thickened
Around us each day, and we weren't quite decided
To stand in for a fight and settle the matter,
Or pull up our traps and get out of the country,
When it settled itself. And in this way it happened.
We were scouting the lake on the west shore one morning,
To find the knaves' camp and how many were in it,
When a short space ahead there came of a sudden
A crash as of thunder, and we knew that a dozen
Or twenty placed rifles had burst an ambushment.
And then in an instant there sounded another.
Two sharp, twin reports and the death yells that followed
Told us as we listened where the lead had been driven.
Knew who he was? Of course. The man was Jack Whitcomb.
Do you think men who live by trapping and shooting
Don't learn to distinguish the voice of their rifles?
Jack was trailing the lake to find our encampment,
For far away in the south there had come to his cabin
A rumor that we in the north land were holding
Our line and our furs with a good deal of shooting.
So he left his own traps and came by swift trailing
To give us the help of another good rifle.
That was just like Jack Whitcomb. If you were in trouble
He was there by your side. You could always count on him,
With finger on trigger and both barrels loaded.
So Henry and I both took to our covers
Right and left of the trail Jack must take in retreating.
We didn't wait long, for the boy knew his business,
And soon he came backward, loading and running,
Like a man who was busy but wouldn't be hurried
Beyond his own gait, if he stopped there forever.
As he passed our two covers I piped him a whistle;
And he stopped in his tracks, and with low, pleasant laughter,
Stood there in full view coolly capping the nipples.
I have shot on each Gulf, both Southern and Northern.
I have trailed the long trail between either ocean.
Brave men I have seen, both in good and in evil,
But never a braver than the man called Jack Whitcomb.
Well, why describe it? Call it scrimmage or battle,
It was done in a minute, or it may be a dozen.
It came like a whirlwind, and we three were in it
As men are in whirlwinds. It came like the thunder,
With a crash and a roar and a long running rumble
Dying down into silence. There were dead and some wounded,
And a few lucky knaves that fled wildly backward;
And Henry and I, when it passed, were left standing
By the body of him whose name was Jack Whitcomb,
Who lay as he fell, when headlong he tumbled,
His rifle still clinched and both barrels smoking.
I have seen in my life many wounds made by bullets,
And a good many gashes by spear-points and arrows.
I have learned in my trailing a good many simples
Which have power to keep men from crossing the river
Before the Lord calls with voice that is certain.
And the wound that we found on Jack Whitcomb's body,
Though ugly and deep, was not beyond curing.
We cleansed and we stanched it and fought a brave battle
With death, for his life, and we won. For Jack mended.
We made a canoe and we bore him far southward.
A hundred good miles down the river we boated,
Till we came to his house of huge logs, strongly builded,
Beneath the big pines on the bank of a rapid,
Which under it flowed its soft rush of brown water.
'Twas a place to bring peace to a heart that was troubled,
If peace might be found this side of the silence
Which brings peace to all that know sorrow in living.
Yes, we boated him down to his home by the rapids.
His home? No, rather his house let us call it.
For how can a house be a home with naught in it?
In house that is home must be love, warm and human,
A voice that is sweet, a heart that is gentle,
A soul that is true, and beside these a cradle
That prattles and coos; and the quick-falling patter
Of little white feet that run hither and thither.
To his house, and not to his home, then, we brought him,
For certainly nothing and no one was in it,
Save himself and a dog, a bed and a table,
Some chairs, a few books, and a--Picture.
And this was the story that he told us in dying.
The man might have lived, beyond doubt, had he cared to.
But he didn't. No motive, he said. And he had none,
As we felt later on, when he told us his story.
So he died without word or sign. And in silence
We stood and saw him go forth on his journey
Without speaking a word, without a hand lifted
To hold or to stop him, for we did not feel certain
What was wisdom for one who went forth in such fashion.
Perhaps it was best he should go and be over
With pain, loss and trouble for ever and ever.
Henry says, it were well we should all of us go
When life has no aim and no hope; and no doing
Remains to be done; and days are but eating
And drinking and breathing, only these and no more.
But before he went forth he gave me a message.
"I loved her," so his story began. Henry,
You remember the look on his face as he said it,
As he lay with his eyes fixed fast on the Picture?
"She was strong, and she drew me as life draws the young
And as death draws the old. I could not resist her.
She was vital with force, to attract and to hold.
She raced me a race for my life, and she won it.
I was man, not a boy, and I loved as man loves
When the forces of life are in him full-flooded
As rivers in meadows, when they flow to the sedges.
Did she love me? Perhaps. Who can tell? She was woman,
And hence she was dark as the night, and as hidden!
Who could find her? Who the depth of her nature
Might measure? I tried but could not. Then boldly
I spake--spake as man speaks but once unto woman.
True and straight did I say it man fashion.
But she drew back offended; she shrank from my praying,
And with coldness of tone and suspicion dismissed me.
Had a man shown a tithe of that look in his eye,
On his face, he or I would have died on the instant.
But what can a man do, when scorned by a woman?
So I left her.
I need not say more. My life it was ended.
It wasn't worth living;--I am made in that fashion.
So I came to the woods. Where else when in trouble
Can man go and find what he needs, consolation?
Go you down to her house, in the city, John Norton,
To the house where she lives, and give her this message.
Word for word let her hear it,--say where you left me.
There's gold in that box to pay your expenses.
Word for word as I tell you, nor say a word further."
Then he bade us good-by, and marched away bravely,
As a man on a trail that is somewhat uncertain.
And under the pines on the bank of the rapids
We buried the man whom the woods called--Jack Whitcomb,
And the picture he loved we placed on his bosom.
* * * * *
I went down to her house in the city. A cabin
Of stone, brown as tamarack bark, trimmed with olive.
It was high as a pine that stands on a mountain.
The door was as wide as the mouth of a cavern.
At the door stood a man rigged up like a soldier;
His face was as solemn as judgment to sinners;
He looked at me some, and I looked him all over,
Then he suddenly bowed like a half-breed with manners,
And told me to enter, and he would call Madame.
The room was as large as a town house where settlers
Hold meetings to vote themselves office and wages.
The walls were like caves in far Arizona.
All covered with pictures of houses and battles;
Of ships blown onward by gales in mid-ocean;
Of children with wings, pretty queer-looking creatures;
Of men and of women, and some were half-naked.
But the floor was of oak, which gleamed like a polish;
And with mats thick as moss, and with skins it was covered,
So I felt quite at home, as there I stood looking,
And noting the size and signs of the cabin.
Then, all of a sudden, there came a soft rustle,
Like the rustle of leaves when the wind blows in autumn.
And down the wide stairway across the great hall,
To the door of the room in which I was standing,
Stately and swift, came a woman and entered.
Tall as the tallest. Made firmly, knit firmly
Both in form and in limb, but full and well rounded;
Dark of eye, dark of face, with hair like a raven,
Like the girls of Nevada, where live the old races,
Whose blood is as fire, and whose skin is of olive,
Whose mouths are as sweet as a fig when it ripens.
Arms bare to the shoulders. Neck and bosom uncovered.
Her gown of white satin gleamed and flowed downward
And round her in folds of soft, creamy whiteness.
No ring on her hand, nor in ear. Not a circle
Of gold round her throat. One armlet of silver,
And one at her wrist loosely clasped, small and slender.
So she entered and stood, and looked me all over.
Then slowly she spake. "Your name, sir, and business?"
"Madame," I said, "in the woods men call me John Norton;
John Norton, the Trapper." Then I stopped mighty sudden,
For her face it grew white to the lips and the chin,
And she swayed as a tree to the stroke of the chopper
When he sinks his axe in to the heart and it totters
And quivers. So I stopped, stopped quick and stood looking.
Then her dark face it lighted, and she said, speaking quickly:
"John Norton, I know you. I know you are honest.
You live in the woods. You are good. I can trust you.
All men, I have heard, come to you in their trouble.
Have you seen in the North, have you met in the woods,
Has there come to your cabin a man, tall as you,
Brave as you and as tender? A man like to this?"
And out of her gown, from the folds on her bosom,
She lifted a locket of pearl-colored velvet,
Touched a spring, and I saw, as the lid of it opened,
The face of the man I and Henry had buried!
"John Norton," she cried, and her eyes burned like fever.
Her hand shook and trembled, her face was as marble,
"Have you seen in the woods man like to this picture?
Speak quick and speak true as to woman in trouble.
For I did him great wrong, I thought he held lightly
My fair name and fame; held lightly my honor.
I thought he meant evil, and my heart, filled with anger,
Dismissed him in scorn; but I learned, I learned later,
He was true, and spake truth and loved me as heaven."
Then I stood and I looked and held my face steady,
So it gave her no sign of what I was thinking.
I saw she was honest, and I wished then to spare her,
But my word it was pledged, pledged to him in dying,
To stand as I stood, face to face with this woman,
In her house, in that room, and give her his message.
Beside, not to know is far worse than the knowing
At times. So I rallied and told her the message,
Word for word, as he charged, the night he lay dying
In his house on the bank above the swift rapids.
"Madame," I said, "I have seen man like that picture,
Face and form. He was brave as you say. He was tender.
He was true unto death, and he loved you as heaven.
And these are the words that he sent you in dying.
I, a man of the woods, bring you this as last message,
From one who now sleeps on the bank of the rapids
Of that northern river which pours its brown water
To the Lake of St. John from far Mistassinni.
'Tell her, John Norton, I loved her. Loved her in living,
With a love that was true, and with same love in dying.
Loved her like a man, like a saint, like a sinner,
For time now and time ever. That the one picture
She gave me I kept;--living, dying, and after.
That it lies on the breast of the man that you buried;
On the breast of the man who living did love her,
And that there it will lie until it shall crumble,
With heart underneath it, to dust. So tell her.
And in proof that I tell her the truth, and did tell it
The night when we met, and I told her I loved her,
Give her this, the watch that I wore on the evening
We met, and the evening we parted. Let her open
And see. With her eyes let her see that I loved her.
So say and no more."
Thus I spake. Word for word as he told me I spake.
I gave her the watch, and I said no word further.
I had done as I pledged, I had said as he charged me,
So I stopped and stood waiting for word of dismissal.
But she said not a word, nor made she a sign.
The watch she took from me, touched the spring and it opened,
And there, 'twixt the glass and the gold, withered and faded,
Lay a leaf of Red Rose. One leaf, and--no more.
For a moment she stood; stood, and gazed at the leaf,
Her face grew as white as her gown, and she trembled
And shook like a white swan in dying, then she cried,
"My God, I have killed him, my lover!"
And down on the floor, on the skins at her feet
She dropped as one stricken by bullet or lightning.
It was only last month that we two, in trailing,
Trailed a hundred good miles across to the rapids.
For we wanted to see before going northward
If evil had come to the grave of our comrade.
But the grave lay untouched, by beast or by human.
The grass on the mound was well rooted and growthful.
At the foot of the grave the rose-tree I planted
Was as high as my head. And the leaves of the roses
Lay as thick as red snow-flakes on the mound that was under.
And we knew that on breast, as he slept, was her picture.
So we felt, as we gazed, it was well with Jack Whitcomb.
But often at night, when alone in my cabin,
I hear the low murmur of far northern rapids.
And often I see the great house and its splendor,
And wonder if death has helped the proud woman
To lay off her grief and escape from her sorrow.
And blazed a line through the dark Valley of Shadow,
And brought her in peace to the edge of the clearing,
Where I know she would see Jack Whitcomb stand, waiting.
So I say it again, and I say it with knowledge,
That the woods have their sorrows as well as the cities.
And he knows but little of this great northern forest
Who thinks there's naught in it save trees, lakes, and mountains.
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* * * * *
NEW EDITIONS OF W. H. H. MURRAY'S FAMOUS BOOKS.
=DAYLIGHT LAND.= The experiences, incidents, and adventures, humorous and
otherwise, which befell Judge John Doe, Tourist, of San Francisco; Mr.
Cephas Pepperell, Capitalist, of Boston; Colonel Goffe, the man from New
Hampshire, and divers others, in their Parlor-Car Excursion over Prairie
and Mountain; as recorded and set forth by W. H. H. MURRAY. Superbly
illustrated with 150 cuts in various colors by the best artists. 8vo,
350 pages. Unique paper covers, $2.50; cloth, $3.50; cloth, extra gilt,
$4.00.
_The New York Herald_; says,
Impossible to find a handsomer book on outdoor life than this. The
author's peculiar faculty for describing days in the woods and rambles
with good company has long been known. "Daylight Land" is longer than
the book in which the same author made the Adirondacks seem some other
place to men whose eyes were not as wide-open as his own, and the style
is even breezier, if that is possible. Seldom does a book appear which
is so entirely creditable to author, artist, and publisher.
=HOW DEACON TUBMAN AND PARSON WHITNEY KEPT NEW YEAR'S, and Other Stories.=
By W. H. H. MURRAY, author of "Adirondack Tales," etc. 12mo.
Illustrated. $1.25.
Deacon Tubman, a jolly, fat, good-natured man, is presented with a
woollen night-cap on New Year's morning by his housekeeper, "a typical
spinster not overburdened with fat." This so rejoices the Deacon that he
is possessed to make others happy, goes to call upon his pastor, and
makes him leave his books and spend the day skating, sleighing, and
driving with his parishioners.
* * * * *
=STORY THE KEG TOLD ME, AND THE STORY OF THE MAN WHO DIDN'T KNOW MUCH.= By
W. H. H. MURRAY, author of "Daylight Land," "Adirondack Adventures,"
etc. 12mo. Cloth, $1.50.
"Two admirable stories by W. H. H. Murray, in both which appears John
Norton, the trapper, a character that promises to become as much of a
favorite as is the hero of the Leather Stocking novels. These stories
have a bracing outdoor freshness and a delightfully crisp realism: are
vigorous in tone, and strong and picturesque in the relation. Taken
altogether, they may be pronounced in the most artistic of Mr. Murray's
excursions into the realms of fiction, and fascinating generally."
--_Saturday Evening Gazette._
=DEACONS.= By W. H. H. MURRAY. 16mo. Paper, 50 cts. Cloth, 75 cts.
"Mr. Murray is an expert in the art of character drawing; he can
manipulate humor and pathos with equal facility. No one will gainsay
their freshness and individuality."--_N. Y. Commercial Advertiser._
=ADIRONDACK ADVENTURES.= "In the Wilderness; or, Camp Life in the
Adirondacks." By W. H. H. MURRAY, 12mo. Illustrated. Paper, 50 cts.
Cloth, $1.25.
"In the 'Adventures in the Wilderness' W. H. H. Murray strikes the happy
hunting ground, which long ago earned for him the popular title,
'Adirondack Murray,' and here, as in his other books, he fairly revels
in stirring incident, lively and faithful conception of character, and
the powerful but delightful description of natural scenery which have
already given his work an enviable and lasting place in American
literature."--_Nashville American._