The pauses after "ill" express horror and weakness,--

[Illustration]

[17] (p. 29.) Holy Strong One, Holy God,

From the depth I pray to Thee.

Mercy, O my Judge, for me;

Spare me, Lord.

In the Proper for the season of Good Friday the passage which

suggested this reads, in Greek and Latin:

1st choir. Agios O Theos (O Holy God).

2d choir. Sanctus Deus (O Holy God).

1st choir. Agios Ischyros (O Holy Strong One).

2d choir. Sanctus Fortis (O Holy Strong One).

[18] (p. 30.) Death dissolves me.

[19] "_Rescue him, O Lord_," etc. The solemn chant again. Note

the difference in metre between this and the "Novissima hora est; and I

fain would sleep. The pain has wearied me." Note the ardor of the

Priest's "Proficiscere, anima Christiana," etc.

[20] (p. 32.) The final hour is here. "Into Thy hands." The whole of

this prayer for the dying is: "Into Thy hands, O Lord, I commend my

spirit. O Lord Jesus, receive my spirit. Holy Mary, pray for me. O

Mary, Mother of grace, Mother of mercy, do thou protect me from the

enemy and receive me at the hour of death."

[21] (p. 32.) "Go forth, O Christian soul, from this world." These

words begin the prayer of the priest, recited while the soul is

departing from the body. It is paraphrased in English by the

Cardinal.

[22] "_I went to sleep_," etc. The soul of Gerontius has left

the body:

[Illustration]

[23] (p. 35.) "Another marvel." According to the teaching of the

Catholic Church, each soul is given at its birth in charge of a

Guardian Angel. It is this angel that sings, "My work is done."

"Alleluia" is from two Hebrew words united by a hyphen. It means

"Praise the Lord." St. John in the Apocalypse says that he heard the

angels singing it in heaven. It occurs in the last five Psalms and in

Tobias.

[24]

"_My work is done_,

My task is o'er,"

is expressed with a joyous movement,--

[Illustration]

[25] Compare the thought in "Hamlet"--Act II, Scene II.--"What a

piece of work is man!"

[26] (p. 41.) When the soul has departed, the priest says the prayer

beginning "Subvenite, Sancti Dei; occurrite Angeli Domini," etc.

("Come to his assistance, ye saints of God," etc.).

[27] "_Low-born clods_," etc. The most marked change comes

here. The solemnity and sweetness of the soul and the angel's

music--their _leit-motif_--is easily discernible. Now come

dissonances and discords,--the rapidity of jangled cymbals struck in

scorn. The phrase "chucked down" has been censured as "inelegant."

Its meaning and sound accord exactly with the spirit of the demoniac

chorus.

[28] (p. 49.) "Extension," "the position of parts outside parts." See

p. 366, General Metaphysics, by John Rickaby, S.J., Manuals of

Catholic Philosophy.

[29] (p. 51.) St. Francis d'Assisi. In 1224, while on Mount Alvernus,

keeping a fast of forty days in honor of St. Michael, a seraph

appeared and marked the hands, feet, and right side of St. Francis

with the five wounds of Our Lord's Passion.

[30] "_Praise to the Holiest in the height._" A movement

associated by English readers with the hymn particularly:

[Illustration]

or

[Illustration]

[31] (p. 54.) "Dreed," from the old English verb "dreogan," to suffer.

[32] "_Angel of the Agony._" Note the solemn and pathetic

rhythm effect.

[33]

"_Take me away_, and in the lowest deep,

There let me be," etc.

The catalexis--pause--is finely used here:

[Illustration]

[34] (p. 64.) This appeal is paraphrased by the author from the

Psalms. The words at the end are translated from the Lesser Doxology:

"Gloria Patri et Filio et Spiritui Sancto. Sicut erat in principio

et nunc, et in sÊcula sÊculorum. Amen." The Greater Doxology begins:

"Gloria in excelsis Deo." "Doxology" is from two Greek words meaning

"praise" and a "discourse."

[35]

"_Softly and gently, dearly ransomed soul_,

In my most loving arms I now enfold thee," etc.

[Illustration]

[36] (p. 66.) In Dante's Vision of Purgatory (Canto I.) hell is spoken

of as a "cruel sea," and the water surrounding the Island of

Purgatory as the "better waves." The spirit of Gerontius is dropped

into these "better waves"--"miglior acqua."

"Per correr miglior acqua alza le vele

Omai la navicella del mio ingegno

Che lascia dietro a se _mar si crudele_."

"O'er better waves to speed her rapid course,

The light bark of my genius lifts her sail,

Well pleased to leave so cruel sea behind."

--_Cary's Translation._

[A][In compliance with a suggestion received by the Editor the full

text of Father Faber's "The Eternal Years," referred to on page 14,

is printed on the following pages.]

The Dream of Gerontius · 第 80 / 81 题