XI

Amongst actors one finds some of the queerest people in the world. The

men of the modern school are very much like other people; but the old

stagers can still find some of their number who are as richly comical as

Mr. Vincent Crummies himself. They are like the dyer's hand, subdued

to what they work in. I was thrown a great deal into the society of one

elderly young gentleman whose speciality had for years been that sort

of high-flying rattling comedy of which Charles Mathews was the chief

exponent in my youth. He had the most suasive, genial, and gentlemanly

comedy manner conceivable, and was never for a minute away from the

footlights. At breakfast, at luncheon, at dinner, he played to the

public of the hotel coffee-room. In the street he played to his

fellow-promenaders. He played, and played hard, in the simplest private

conversation. He had no more sense of moral responsibility than a

butterfly. He was as admirable a stage liar, or nearly, as Mr. Hawtrey

is; and off the stage he was as free from the trammels of veracity as he

was when on it He could promise, explain, evade, as dexterously in

his own person as in the character of Lord Oldacre or Greythorne or

Hummingtop. The world to him was literally a stage, and all the men and

women merely players. Old age will teach him no sadness. He will play at

being old. Death will have none of its common terrors for him. He will

play at dying. When last I heard of him I was told that he was very,

very poor; but I am sure he suffers little. He is playing at making a

fortune or playing at having lost one: pluming himself on some visionary

splendour, or commiserating some picturesquely broken nobleman in his

own person.

I enjoyed the most astonishing adventure of my lifetime with this

gentleman's aid, and by his express invention. He had secured the right

to perform a play of mine through the Australasian colonies and through

India. Of course there were certain pecuniary obligations attached to

the matter, and, these being disregarded, I ventured into the theatre

with a request for a settlement My comedian was not in a position to

effect a settlement, or perhaps he did not care to do it. He found a way

out of the difficulty which I do not think would have occurred to one

man in a million. He got rid of his creditor by giving him into custody

for trespass; and I, being marched off by the police, had to find bail

until the case was heard next morning. The magistrate advised me that

I had a legal remedy; but my gentleman disbanded his company and betook

him to a neighbouring colony. I was incensed at the time, though the

business is laughable enough now, and I took out a writ against him, but

never succeeded in serving it When I had found my bail (a local editor

was kind enough to pledge his word to save me from durance), I had to

put in an appearance at the police station. There was a big policeman

on duty there, and he went through the essential technicalities with so

grave a face that the farce for a moment seemed quite real.

'What's your name?' asked the big policeman.

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