I said I'd always thought so, but why?

"Doc said this morning that I ought not to move any more stars," the

kid said. "He says I ought to concentrate instead on learning how to

walk again so I can go to Michigan and find Charlie."

For a minute I was mad enough to brain Doc Shull if he'd been handy.

Anybody that would pull a gag like that on a crippled, helpless

kid....

"Doc says that if I can do what I've been doing to the stars then it

ought to be easy to move my own feet," Joey said. "And he's right,

Roy. So I'm not going to move any more stars. I'm going to move my

feet."

He looked up at me with his small, solemn smile. "It took me a whole

day to learn how to move that first star, Roy, but I could do this

after only a couple of hours. Look...."

And he wiggled the toes on both feet.

It's a pity things don't happen in life like they do in books, because

a first-class story could be made out of Joey Pond's knack for moving

things by looking at them. In a book Joey might have saved the world

or destroyed it, depending on which line would interest the most

readers and bring the writer the fattest check, but of course it

didn't really turn out either way. It ended in what Doc Shull called

an anticlimax, leaving everybody happy enough except a few astronomers

who like mysteries anyway or they wouldn't be astronomers in the first

place.

The stars that had been moved stayed where they were, but the pattern

they had started was never finished. That unfinished pattern won't

ever go away, in case you've wondered about it--it's up there in the

sky where you can see it any clear night--but it will never be

finished because Joey Pond lost interest in it when he learned to walk

again.

Walking was a slow business with Joey at first because his legs had

got thin and weak--partially atrophied muscles, Doc said--and it took

time to make them round and strong again. But in a couple of weeks he

was stumping around on crutches and after that he never went near his

wheelchair again.

Ethel sent him to school at Sarasota by bus and before summer vacation

time came around he was playing softball and fishing in the Gulf with

a gang of other kids on Sundays.

School opened up a whole new world to Joey and he fitted himself into

the routine as neat as if he'd been doing it all his life. He learned

a lot there and he forgot a lot that he'd learned for himself by being

alone. Before we realized what was happening he was just like any

other ten-year-old, full of curiosity and the devil, with no more

power to move things by staring at them than anybody else had.

I think he actually forgot about those stars along with other things

that had meant so much to him when he was tied to his wheelchair and

couldn't do anything but wait and think.

For instance, a scrubby little terrier followed him home from Twin

Palms one day and Ethel let him keep it. He fed the pup and washed it

and named it Dugan, and after that he never said anything more about

going to Michigan to find Charlie. It was only natural, of course,

because kids--normal kids--forget their pain quickly. It's a sort of

defense mechanism, Doc says, against the disappointments of this life.

When school opened again in the fall Ethel sold her trailer and got a

job in Tampa where Joey could walk to school instead of going by bus.

When they were gone the Twin Palms trailer court was so lonesome and

dead that Doc and I pulled out and went down to the Lake Okechobee

country for the sugar cane season. We never heard from Ethel and Joey

again.

We've moved several times since; we're out in the San Joaquin Valley

just now, with the celery croppers. But everywhere we go we're

reminded of them. Every time we look up at a clear night sky we see

what Doc calls the Joey Pond Stellar Monument, which is nothing but a

funny sort of pattern roughed in with a hundred or so stars of all

sizes and colors.

The body of it is so sketchy that you'd never make out what it's

supposed to be unless you knew already what you were looking for. To

us the head of a dog is fairly plain. If you know enough to fill in

the gaps you can see it was meant to be a big shaggy dog with only one

eye.

Doc says that footloose migratories like him and me forget old

associations as quick as kids do--and for the same good reason--so I'm

not especially interested now in where Ethel and Joey Pond are or how

they're doing. But there's one thing I'll always wonder about, now

that there's no way of ever knowing for sure.

I wish I'd asked Joey or Ethel, before they moved away, how Charlie

lost that other eye.

* * * * *

To Remember Charlie By · 第 6 / 6 题