THE FIGURE IN THE CARPET

I

I had done a few things and earned a few pence--I had perhaps even

had time to begin to think I was finer than was perceived by the

patronising; but when I take the little measure of my course (a fidgety

habit, for it’s none of the longest yet) I count my real start from

the evening George Corvick, breathless and worried, came in to ask me a

service. He had done more things than I, and earned more pence, though

there were chances for cleverness I thought he sometimes missed. I could

only however that evening declare to him that he never missed one for

kindness. There was almost rapture in hearing it proposed to me to

prepare for _The Middle_, the organ of our lucubrations, so called

from the position in the week of its day of appearance, an article for

which he had made himself responsible and of which, tied up with a

stout string, he laid on my table the subject. I pounced upon my

opportunity--that is on the first volume of it--and paid scant attention

to my friend’s explanation of his appeal. What explanation could be more

to the point than my obvious fitness for the task? I had written on Hugh

Vereker, but never a word in _The Middle_, where my dealings were mainly

with the ladies and the minor poets. This was his new novel, an advance

copy, and whatever much or little it should do for his reputation I

was clear on the spot as to what it should do for mine. Moreover, if I

always read him as soon as I could get hold of him, I had a particular

reason for wishing to read him now: I had accepted an invitation to

Bridges for the following Sunday, and it had been mentioned in Lady

Jane’s note that Mr. Vereker was to be there. I was young enough to have

an emotion about meeting a man of his renown, and innocent enough to

believe the occasion would demand the display of an acquaintance with

his “last.”

Corvick, who had promised a review of it, had not even had time to

read it; he had gone to pieces in consequence of news requiring--as on

precipitate reflection he judged--that he should catch the night-mail to

Paris. He had had a telegram from Gwendolen Erme in answer to his letter

offering to fly to her aid. I knew already about Gwendolen Erme; I had

never seen her, but I had my ideas, which were mainly to the effect that

Corvick would marry her if her mother would only die. That lady seemed

now in a fair way to oblige him; after some dreadful mistake about some

climate or some waters, she had suddenly collapsed on the return from

abroad. Her daughter, unsupported and alarmed, desiring to make a

rush for home but hesitating at the risk, had accepted our friend’s

assistance, and it was my secret belief that at the sight of him Mrs.

Erme would pull round. His own belief was scarcely to be called

secret; it discernibly at any rate differed from mine. He had showed me

Gwendolen’s photograph with the remark that she wasn’t pretty but was

awfully interesting; she had published at the age of nineteen a novel

in three volumes, “Deep Down,” about which, in _The Middle_, he had been

really splendid. He appreciated my present eagerness and undertook that

the periodical in question should do no less; then at the last, with

his hand on the door, he said to me: “Of course you’ll be all right,

you know.” Seeing I was a trifle vague he added: “I mean you won’t be

silly.”

“Silly--about Vereker! Why, what do I ever find him but awfully clever?”

“Well, what’s that but silly? What on earth does ‘awfully clever’

mean? For God’s sake try to get _at_ him. Don’t let him suffer by our

arrangement. Speak of him, you know, if you can, as should have spoken

of him.”

I wondered an instant. “You mean as far and away the biggest of the

lot--that sort of thing?”

Corvick almost groaned. “Oh, you know, I don’t put them back to back

that way; it’s the infancy of art! But he gives me a pleasure so rare;

the sense of “--he mused a little--“something or other.”

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