THE HEART OF THE MOUNTAIN

Floating upon the clear waters of Chocorua Lake in the latter part of a

warm July afternoon, and looking northward, I see the coolness of night

beginning to grow in the heart of the mountain. At first there is but a

slender dark line marking a deep ravine, through which a brook flows;

then the shadow widens until a great hollow in the mountain’s side is

filled with shade. As the sun sinks the shadow reaches higher and higher

upon the wooded flanks of the two spurs which hold the hollow between

them, until at last only the vast rock of the peak, resting upon its

forest-clad shoulders, is left warm in the sun’s rays. The point where

the shadow begins to form is more than a thousand feet above the level

of the lake. From it, reaching upwards, two folds in the forest drapery

extend towards the foot of the peak. One marks a brook coming from the

upper part of the right-hand ridge, the other a brook which rises at the

very head of the left-hand, or west ridge. The heart of the mountain is

the wild ravine where these two streams mingle in perpetual coolness and

shadow. No path leads to it and few are the feet which have found a way

to its beauties. There is a peculiar charm in a spot unknown to the

many. Its loneliness endears it to the mind, and gives its associations

a rarer flavor. If besides being unfrequented it is singularly beautiful

in itself, it becomes a shrine, a place sacred to one’s best thoughts.

To me the heart of Chocorua is a shrine, all the more valued because of

the weariness of flesh required to attain to it.

Early on the morning of July 10, I set out across the pastures for the

foot of the mountain. The sun was hot, the air hazy, and not a breath of

a breeze made the aspens quiver. In the shaded hollows something of the

night’s chill still lingered, and from them floated the psalm of the

hermit and the gypsy music of the veery. Now and then the clear, cool

phœbe-note of the chickadee reached the ear, in contrast to the trill of

the field sparrows which came from the warmest parts of the grass-land.

On the hill to the westward young crows with high-pitched voices

clamored for food, and quarreled with each other on their shady perch in

the beeches.

The flowers which bloomed by the path were children of heat, types of

midsummer. Buds were large on the goldenrod, the St. John’s-wort was in

full bloom, and so, too, were the diurnal evening-primrose, the fleabane

and dogbane, both worthy of sweeter names; the yarrow, as disagreeable

among flowers as a cynic is among men; the tall potentilla, yellow

clover, and, representing the purple flowers, the brunella. In many

places thick beds of checkerberry, decked with brilliant berries, were

made gayer by many heads of the brunella growing through them. The

brunella is shaped somewhat like the conventional chess castle, but the

castle is never quite complete while blossoming, owing to the lack of

harmony among the many little flowers which unite to form its head. Low,

running blackberry dotted the banks with uninteresting white blossoms,

and the stiff spikes of the spiræa were abundant. The daisy, stigmatized

as whiteweed by the indignant farmers, still displayed a few battered

blossoms, which kept company with heads of red and of white clover.

After passing these flowers of summer, it seemed strange, on descending

into a deep cup-shaped basin where a small pond fed by springs is shaded

by lofty oaks and birches, to find the houstonia still in full glory,

and the dwarf cornel blooming in dark and mossy nooks. Animate nature

takes solid comfort in a hot day. As I stole softly downward to the

shore of the little pond, scores of tadpoles shot away from the edge of

the water into its green depths. Painted tortoises, which had been

baking on logs and stones in the full glare of the sun, dropped off

unwillingly into the water. Countless dragonflies skimmed the surface of

the pond, devouring smaller insects, and from a dead limb overlooking

the shore, a crow, whose plumage gleamed with iridescent lights, flapped

sluggishly out of sight among the trees. Snakes love to lie coiled in

the hottest sunlight; squirrels stretch themselves contentedly on

horizontal limbs and bask by the hour; the fox, woodchuck, and weasel,

and even toads and newts, and those so-called birds of darkness the

barred owls, seek the broadest glare of the midsummer sun and absorb

comfort from its scorching rays.

Taking tribute from the pond-basin by a deep drink of ice-cold water at

a spring in its bank, I crossed another strip of open pasture—where the

tinkle-tankle of the cow-bells sounded with each bite the cows took of

the grass—and gained the edge of the forest and the foot of the

mountain. There was something akin to coolness in the shade of the

birches, poplars, and beeches. New flowers bloomed here and new birds

called. The dependent bells of the white pyrola, of the small green

pyrola, and of the quaint pipsissewa were found beneath the brakes.

Here, too, was the Indian pipe, looking as though formed from sheets of

colorless wax, and its tawny sister the pine sap (_Monotropa

hypopitys_). The wintergreens are strong, positive herbs with rich

pungent flavor, but the pale parasitic plants are mere negations. They

are the “poor relations” among flowers, content to draw their sustenance

from others, while showing no color, giving out no perfume, attracting

no butterflies, and not even daring to face the blue sky until they are

dead.

The oven-bird stepped primly about upon her neat carpet of dry leaves,

the red-eyed vireo preached his perpetual homily from the treetops, a

young Cooper’s hawk screamed shrilly in the distance, and two

inquisitive red-capped sapsuckers hitched up and down tree-trunks near

me, while I hooted at them after the manner of my barred owls. A grouse

had been wallowing among the leaves, and had left a round hollow in the

dust with five discarded feathers and the prints of her feet to show

that she had been there. _Rana sylvatica_, the wood-frog, betrayed

himself by leaping over the dry beech leaves. I followed him quickly as

he sought to elude me. Not only were his leaps long, but his skill in

doubling was something marvelous. His second jump was generally at right

angles with the first, and thrice he no sooner struck the ground than he

turned and rebounded upon his tracks, so that he passed over or between

my feet. When he was weary I caught him and, laying him on my knee,

stroked the nape of his neck, his back and sides. He soon ceased to

struggle and sat motionless. I laid him gently on his back and stroked

him beneath. His throat throbbed and his eyes blinked, but he made no

effort to escape. Then I restored him to his proper position, and

extended one leg after another. He was as pliable and nerveless as a

rubber frog. Finally I let him alone, wondering how soon he would hop

away; but he showed a willingness to spend the day on my knee, and not

until I placed him on the leaves did he seem to awaken to life and the

advantages of freedom.

A few rods beyond, a toad hopped from me and I followed him to see what

method of escape he would adopt. As soon as he saw that he was pursued

he increased his speed and by a series of rapid hops reached a cavern

under the arched root of a stump and plunged out of sight in its depths.

Our toads, although of but a single species, vary in color from black to

the paleness of a dry beech leaf. This one, living in the midst of pale

browns and yellows, was nearly as light in tone as the light-footed

_Rana sylvatica_.

The color of the dry beech leaves as they lie upon the ground is

sometimes curiously bewitched by the spots of sunlight which dapple the

woodland carpet. Walking with the sun behind me, the sunlight,

especially where it fell in small round spots on the beech leaves before

me, was of an unmistakably amethystine hue. Several years ago when I

first noticed this, I supposed it to be due to temporary causes, but I

am now convinced that the color will always be distinguishable when the

conditions named are favorable.

The loveliest July flower in the woods fringing Chocorua is the

mitchella, named by Linnæus for Dr. John Mitchell of Virginia. In their

small round leaves of dark glossy green, their creeping stems, their

modest, delicate-tinted and highly-perfumed blossoms, the flower of

Linnæus and the flower of Mitchell are much alike. The partridge-berry,

as the mitchella is commonly called, begins to bloom just as the linnæa

bells cease to swing. It is an evergreen, and all through the winter its

bright green leaves and red berries are one of the pledges of returning

life after snow and ice have vanished. The flower is small and faces the

sky. It is white with a delicate rosy blush tinging its corolla, chiefly

on its outer side. The four pointed petals open wide and curve back,

exposing the whole interior of the flower to view. Each petal is covered

on its inner surface with a thick velvety nap which is the

distinguishing characteristic of the blossom. The perfume of this flower

is both powerful and pleasant. When freshly picked it suggests the scent

of the water-lily, coupled with something as spicy and enduring as the

heavier perfume of heliotrope.

[Illustration: WATER-LILIES IN CHOCORUA LAKE]

Fifteen or twenty minutes’ walking over the beech leaves brought me

within hearing of the torrent which flows from the heart of the

mountain. Presently I came to the edge of its cutting and saw far below

me, through the trees which filled the gorge, the flash of its waters

and the vivid green of mosses. Walking upstream along the face of the

bank, yet neither climbing nor descending, I struck the level of the

water at a point not many rods distant. I had not gone down to the

brook; it had come up to me. The whole ravine was filled with its music,

and following down with its eager flow was a current of cold air. Above,

in the woods, quiet and heat had prevailed. Here noise and coolness

ruled with absolute sway. The sound came in waves as did the water and

the breeze, but no human senses could measure the intervals between the

beats. The sound seemed threefold,—a splash, a murmur, and a deeper

roar. The roar reached me even if I pressed my hands tightly over my

ears; while, if I made ear-trumpets of my hands, the splashing thus

intensified drowned the heavier sounds. The rhythm of the water was most

prettily shown on a boulder faced with thick moss. When the high water

came it poured over the top of the rock, and the moss was filled with

white shining drops coursing downward through it; but, on the reaction,

it instantly became vivid green. The same pulsation showed in each

cascade, which was greater then less, greater then less, in each second

of time. As I bent over a pool, taking now and then a sip of the icy

water, a small trout suddenly jumped near the foot of the fall below. He

was intensely busy working about in the edge of the falling water, where

rising bubbles and whirling foam half concealed him. In color he looked

not unlike a beech leaf, and he moved so constantly that only an

attentive eye could distinguish him from the waste of the stream whirled

about in the eddies. I cast him some moss and mould, and he darted

hither and thither in the water clouded by it, snapping up bits of food

or specks which he mistook for food. His eagerness and restlessness

seemed born of the restlessness of the stream and the keen temperature

of the water in which he lived.

There was something of the impressiveness of the sea in this mountain

brook. The sea rolls its waves upon the shore by night and by day all

through the endless years, and this brook rolls down its tons upon tons

of water by night and by day forever. It seems impossible that this and

all the other streams which flow down rocky mountain-sides can be

nourished simply by the softly falling rain and snow.

Much of the fascination of the sea is in its voice, so seldom hushed, so

often roused to anger. The torrent by which I stood had something of the

same weird power. For the moment, all outside those narrow wooded

steeps, between which the splash, murmur, and roar of the stream

pervaded everything and overwhelmed everything, all beyond that

controlling sound was forgotten, barred out, lost. All within the power

of the stream was under a spell, cooling, soothing, comforting.

To reach the heart of the mountain nearly a mile of brook bed had to be

traveled, so I climbed upward rock by rock, past falls and pools,

clusters of nodding ferns, bridges of ancient trees now hung with

mosses, and sloping ledges faced with moss, down which the water rolled

in glistening sheets. At one point the brook, years ago, had cut through

a ledge which crossed its path diagonally. One great shoulder of rock

remained, protruding from the western bank and hanging over the water,

which poured into a black cavern beneath, making a whirlpool in the

darkness. The temperature under this ledge was nearly forty degrees

lower than on the top of the bank a few yards above. Standing by the

ledge, I counted nine distinct cascades varying from three to six feet

in height. One of them was an ideally symmetrical fall, for the whole

body of water, gathered between two rocky faces, fell into a deep round

pool just at its centre. Another fall showed clearly why the water under

a cascade looks white. The water poured into a very broad, deep basin at

its upper corner, leaving most of the surface undisturbed; and between

the limpid falling water and the flat face of rock behind it air was

caught and sucked downward by the flow. It was carried to the very

bottom of the pool, where, breaking into small round bubbles, it

struggled to the surface. Strings and masses of snow-white bubbles

filled the area in front and at each side of the fall, while some were

drawn some distance down-stream by the escaping water. These bubbles,

when under water, produced the whiteness of the pool, and, on reaching

the surface, burst and made a large part of its foam and spray. In this

pool, as in many others, small trout hovered about the edge of the

rising bubbles, seizing upon everything which looked like food. They

rose with charming promptness to anything resembling a fly which I

tossed upon the surface of the foam.

As I neared the heart of the mountain I saw, towering above twin

cascades which fell into a single pool at its feet, the rough likeness

of a sphinx. It was a huge boulder, dividing the torrent by its

lichen-covered mass, and lifting its frost-hewn face towards the narrow

strip of sky left between the trees overarching the ravine.

Close above the sphinx a spring in the eastern bank filled a hollow in

the hill with cold, fern-decked mud. A flower I never should have sought

in this lofty nook had taken possession of the spot and raised hundreds

of its white spikes towards the sky. It was a white orchis, _Habenaria

dilatata_. In a space six feet by ten, I counted seventy-five of its

plants, each in full bloom. On the edges of this miniature swamp the

leaves of the mayflower mingled with those of the linnæa. The blossoms

of the mayflowers were dry and brown; those of the linnæa, with one

fragrant exception, had fallen. Close by, the open-eyed flowers of the

oxalis smiled from their beds of clover-shaped leaves.

A few rods farther up the stream, the land grew steeper and the walls of

the ravine drew more closely together. Taller trees presided over the

torrent, and the water struggled downward between larger boulders. A

stream, tumbling down its narrow bed, came from the high eastern ledges

and met that which poured from the heights on the west. Here, in the

perpetual music of falling drops, where one or another of the great

walls of the gorge always casts a deep shadow upon the ferns, is the

heart of the mountain, the birthplace of the twilight.

Early in the afternoon I followed the western stream to its source,

where, in a dark hollow at the head of the west ridge, hidden wholly

from view by the forest, lies a small mountain lake. Perhaps it would be

more truthful to call it a large pool, fed as it is mainly by melting

snow or the streams of rain-water poured into it from the crags of

Chocorua. Beneath its shallow water the maroon and dark green sphagnum

formed a submerged carpet of intense colors. The growing tops of the

moss, star-shaped and erect, glowed with the tint of life. The borders

of the pool were fringed with dense growths of yellow-green _Osmunda

regalis_ which were swayed by a sweet wind. Through the soft foliage of

the deciduous trees surrounding the pool, lance-shaped spruces and

balsams pierced a way for themselves towards the sky. No fish were

visible in the pool, and its only living tenants seemed to be some

tadpoles about the size of squash-seeds. Now that the noises of the

brook no longer overwhelmed every other sound, the songs of birds could

be heard. Red-eyed and solitary vireos, oven-birds, a black-throated

blue warbler, a hermit thrush, and another thrush which was neither

hermit nor veery, were singing either in the woods close by or among the

small spruces which crowned the adjoining ledges. I climbed to the top

of the nearest ledge in search of the thrush, and gained not only the

full benefit of his song, but a view of many a mile of the fair lake

country, the Bearcamp valley, and the rugged peaks of the Sandwich

range. The air was full of quivering heat and hazy midsummer softness.

Over the shoulder of the Ossipees, south of Bearcamp Water, sparkled

Squam Lake and Winnepesaukee. The hayfields of Sandwich were baking

under the sun’s fierce heat. North of them began the mountains,—Black

Mountain in the edge of Campton, Whiteface, Passaconaway, and, nearer at

hand, Paugus, towards which all the western ridges of Chocorua were

tending. The sun being over and beyond these wooded mountains, they were

very dark, lacking in detail, but clearly outlined against one another.

Northward and just above me the cliffs of the Chocorua horn hung in the

sky. The lichens on the crag were dry and very black. Towering into the

air, ledge upon ledge, and cliff over cliff, the peak was like a huge

citadel defying attack. I had climbed upon the shoulders of the

mountain, but its proud head, held high, was still out of reach.

The thrush was one which is common upon the upper slopes of the

mountains, wholly replacing the veery there and probably outnumbering

the hermit. Its song, while pleasing, is not as musically beautiful as

that of the hermit, nor yet as unique as the veery’s. The hermit has

three distinct phrases, the veery one, and Swainson’s several which are

not distinct, but rather jumbling reproductions of the same notes. If

this bird had learned his song for himself, I should surmise that he had

listened closely to a veery and a thrasher, and then tried to model a

combination of their notes upon the lines of the hermit’s exquisite

song. Perhaps it was the heat and the glare of light on the ledges, or

perhaps it was a certain dullness in the Swainson’s song, at all events

I wearied of it and sought a higher ledge beyond the pool.

On this higher ledge, lambkill (_Kalmia angustifolia_) was blooming in

great abundance. It is a handsome flower, and it goes a little way to

console us for not having mountain laurel. Between two great patches of

lambkill and flowering diervilla was a level strip of gravel. It bore

printed on its face an interesting history. Beginning near the edge of a

thicket and extending to the edge of the cliff, where a view of miles of

surrounding country could be obtained, was a line of sharp hoof-marks. A

deer had walked slowly to the verge of the ledge, presumably to survey

the landscape. The track had been made since the rain of the day before,

and, for all that I could see, might have been made within an hour.

While studying it I heard an unfamiliar bird-song reminding me slightly

of the Maryland yellow-throat’s. The bird was in the thicket. I crept

towards him, but he retreated, singing at intervals. After following for

some time, I tried working on his sympathies, and “squeaked” like a bird

in distress. Instantly a flash of vivid yellow came through the trees

and a magnificent male magnolia or black and yellow warbler appeared in

search of the supposed sufferer. His mate soon joined him, as did a

junco and two white-throated sparrows. The coloring of the magnolias is

certainly gay. It includes blue-gray on the head, black on the back,

canary-yellow beneath and on the rump, with white and dark bars,

stripes, and spots enough on various parts of his body to make him as

variegated as a harlequin.

While the magnolia warblers are members of the Canadian fauna, and

seldom seen in the breeding season south of the White Mountains, the

bird which I next heard singing was even more interesting. It was a male

blackpoll warbler, perched upon the highest plume of a spruce and

pouring out his unmusical _ze-ze-ze-ze-ze_ with all a lover’s

earnestness. He clearly considered two thousand feet rise on Chocorua

equivalent to several hundred miles’ flight towards Labrador. In this

the flowers sustained him, for growing near by was the charming

_Arenaria grœnlandica_, with its cluster of delicate white flowers

springing from the sand, and the _Potentilla tridentata_ blooming

freely. Apparently dissenting from this boreal majority was a bunch of

goldenrod in full bloom. It was a mountain species which comes into

flower a fortnight or more earlier than its lowland relatives.

My homeward path followed the crest of the great eastern ridge of

Chocorua as it descends towards the basin of Chocorua ponds. The ridge

is narrow and mainly open, save for a few stunted spruces. In every

direction far-reaching and beautiful views charmed me and tempted me to

linger. From the last of the open ledges, the top of what is called Bald

Mountain, I saw the sun set just behind the peak. Then with quickened

pace I entered the forest and ran through the gathering gloom down the

rough path to the pastures a mile below.

At the North of Bearcamp Water Chronicles of a Stroller in New England from July to December · 第 6 / 25 题