CHAMBERS'S LIFE AND WORKS OF BURNS.[2]

Beheld in his life-time as a singular example of the genius rising

from the humbler shades of life, Burns is now ranked as a classic

among the poets of his country. The interest originally felt in his

personal character and unhappy fate, has been deepened as the high

absolute rank of the poet became appreciated. These changes might be

said to call for a more searching inquiry into his life than was at

first deemed necessary; and the task was undertaken by one, of whom we

may at least be permitted to say, that he possessed the requisite zeal

and love of the subject. For obvious reasons, we are not to be

expected to say more, in commendation or discommendation, of the work

now under our attention; but we may be allowed to advert to its

peculiar plan, and some of the new details which it brings before the

world.

The leading feature of the work is the assumption on which it

proceeds--that the writings of Burns are in a great measure expressive

of his personal feelings, and descriptive of the scenery and

circumstances of his own existence, and therefore ought to be involved

in his biography. Each poem, song, and letter, known as his, has

therefore been assigned its chronological place in his memoirs, thus

at once lending its own biographical light to the general narrative,

and deriving thence some illustration in return. The consequence is,

that, with the help of much fresh biographical matter drawn from

authentic sources, the life of the bard, as he loved to call himself,

is now given comparatively in detail. We can trace him from day to

day, and see the ups and downs of his prospects and his feelings, his

strangely mingled scenes of happiness and misery. We obtain a much

closer and more distinct view of his domestic existence than we ever

had before. The real extent of his aberrations, such as they were, is

more exactly ascertained. Some unexpected particulars emerge; as, for

instance, that, notwithstanding his poverty, he occasionally

accommodated his friends with money and credit, and almost to the last

was able to be their host as well as their guest. But perhaps the most

important result is what we learn of the wonderful versatility of

Burns's feelings and emotions. He is found writing a pensive,

semi-religious letter one day, and the next indulging in some outburst

of extravagant merriment. One day, he indulges in a strain of

melancholy recollection regarding a deceased mistress, commemorating

her in an elegy which hardly any one has ever since been able to read

without tears; and within four-and-twenty hours, he is again strumming

on the comic lyre. A deep mortification falls upon him in the shape of

a censure from the Board of Excise, a pain in which we are peculiarly

disposed to sympathise; but let us not be too eager to suppose that

Burns was permanently affected by any such mark of moral bondage. A

week or two after, he is found keeping a couple of friends in drink

and merriment at his table for a whole night. It is eminently the

_poet_ that is thus brought before us--a being of keen sensibility,

but whose gusts of feeling are as quick in passing as they are violent

while they last.

Beyond these few sentences, limited to a description of the structure

of this work, we can only propose to give one or two extracts.

Burns, it clearly appears, while degraded by the humble office

assigned to him, did his best, by performing its duties well, to

elevate it. He acted humanely towards poor people, but was the

conscientious servant of the government in protecting the revenue in

essential matters. The editor has been fortunate enough to discover

some documents which set his character as a man of affairs in a

favourable light.

'The first is a petition of T. J., farmer at Mirecleugh, addressed to

the justices of peace for Dumfriesshire, reclaiming against a fine of

L.5 which Collector Mitchell had imposed on him for "making fifty-four

bushels of malt, without entry, notice, or licence." J. stated that he

had been in the habit of making malt for forty years without making

entry of his kiln or pond, which he deemed unnecessary, because the

malting was always effected at one operation, and not till notice had

been given to the proper officer. With respect to "notice" on this

occasion--having inquired of Mr Burns which was the best way of

sending it to him, he had been informed that a letter might be sent to

"John Kelloch's," in Thornhill, whence it might be forwarded by post.

He had brought Mrs Kelloch to swear that such a letter had been sent

to her by J.'s son for Mr Burns, but had been mislaid. He offered to

swear that he had sent the notice to Thornhill in good time, and had

had no intention to defraud the revenue. With respect to "licence," J.

averred that he had only been prevented from renewing it as usual this

year because Mr Mitchell, on his applying for it, had put him off to

another time, on the score of being too busy at the time to grant it

to him.

'In respect of J.'s petition, the justices, Mr Fergusson of

Craigdarroch, and Captain Riddel, ordered the collector to stop

proceedings until they should have had an opportunity of inquiring

into the truth of what it set forth. Then came Burns's "Answers to the

Petition of T. J.:--

"1. Whether the petitioner has been in use formerly to malt all his

grain at one operation, is foreign to the purpose: this last season he

certainly malted his crop at four or five operations; but be that as

it may, Mr J. ought to have known that by express act of parliament no

malt, however small the quantity, can be legally manufactured until

previous entry be made in writing of all the ponds, barns, floors,

&c., so as to be used before the grain can be put to steep. In the

Excise entry-books for the division there is not a syllable of T. J.'s

name for a number of years bygone.

"2. True it is that Mr Burns, on his first ride, in answer to Mr J.'s

question anent the conveying of the notices, among other ways pointed

out the sending it by post as the most eligible method, but at the

same time added this express clause, and to which Mr Burns is willing

to make faith: 'At the same time, remember, Mr J., that the notice is

at your risk until it reach me.' Further, when Mr Burns came to the

petitioner's kiln, there was a servant belonging to Mr J. ploughing at

a very considerable distance from the kiln, who left his plough and

three horses without a driver, and came into the kiln, which Mr B.

thought was rather a suspicious circumstance, as there was nothing

extraordinary in an Excise-officer going into a legal malt-floor so as

to [induce a man to] leave three horses yoked to a plough in the

distant middle of a moor. This servant, on being repeatedly questioned

by Mr Burns, could not tell when the malt was put to steep, when it

was taken out, &c.--in short, was determined to be entirely ignorant

of the affair. By and by, Mr J.'s son came in, and on being questioned

as to the steeping, taking out of the grain, &c., Mr J., junior,

referred me to this said servant, this ploughman, who, he said, must

remember it best, as having been the principal actor in the business.

The lad _then_, having gotten his cue, circumstantially recollected

all about it.

"All this time, though I was telling the son and servant the nature of

the premunire they had incurred, though they pleaded for mercy keenly,

the affair of the notice having been sent never once occurred to them,

not even the son, who is said to have been the bearer. This was a

stroke reserved for, and worthy of the gentleman himself. As to Mrs

Kelloch's oath, it proves nothing. She did indeed depone to a line

being left for me at her house, which said line miscarried. It was a

sealed letter; she could not tell whether it was a malt-notice or not;

she could not even condescend on the month, nor so much as the season

of the year. The truth is, T. J. and his family being Seceders, and

consequently coming every Sunday to Thornhill Meeting-house, they were

a good conveyance for the several maltsters and traders in their

neighbourhood to transmit to post their notices, permits, &c.

"But why all this tergiversation? It was put to the petitioner in open

court, after a full investigation of the cause: 'Was he willing to

swear that he meant no fraud in the matter?' And the justices told him

that if he swore he would be assoilzied [absolved], otherwise he

should be fined; still the petitioner, after ten minutes'

consideration, found his conscience unequal to the task, and declined

the oath.

"Now, indeed, he says he is willing to swear: he has been exercising

his conscience in private, and will perhaps stretch a point. But the

fact to which he is to swear was equally and in all parts known to him

on that day when he refused to swear as to-day: nothing can give him

further light as to the intention of his mind, respecting his meaning

or not meaning a fraud in the affair. _No time can cast further light

on the present resolves of the mind; but time will reconcile, and has

reconciled many a man to that iniquity which he at first abhorred._"'

No one can fail to see, even in this piece of business, something of

the extraordinary mental energy of Burns.

The daily life of Burns, in his latter years at Dumfries, is described

in the following terms:--'He has daily duties in stamping leather,

gauging malt-vats, noting the manufacture of candles, and granting

licences for the transport of spirits. These duties he performs with

fidelity to the king and not too much rigour to the subject. As he

goes about them in the forenoon, in his respectable suit of dark

clothes, and with his little boy Robert perhaps holding by his hand

and conversing with him on his school-exercises, he is beheld by the

general public with respect, as a person in some authority, the head

of a family, and also as a man of literary note; and people are heard

addressing him deferentially as _Mr_ Burns--a form of his name which

is still prevalent in Dumfries. At a leisure hour before dinner, he

will call at some house where there is a piano--such as Mr Newall, the

writer's--and there have some young miss to touch over for him one or

two of his favourite Scotch airs, such as, the _Sutor's Daughter_, in

order that he may accommodate to it some stanzas that have been

humming through his brain for the last few days. For another half

hour, he will be seen standing at the head of some cross street with

two or three young fellows, bankers' clerks, or "writer-chiels"

commencing business, whom he is regaling with sallies of his bright

but not always innocent wit--indulging there, indeed, in a strain of

conversation so different from what had passed in the respectable

elderly writer's mansion, that, though he were not the same man, it

could not have been more different. Later in the day, he takes a

solitary walk along the Dock Green by the river side, or to Lincluden,

and composes the most part of a new song; or he spends a couple of

hours at his folding-down desk, between the fire and window in his

parlour, transcribing in his bold round hand the remarks which occur

to him on Mr Thomson's last letter, together with some of his own

recently composed songs. As a possible variation upon this routine, he

has been seen passing along the old bridge of Devorgilla Balliol,

about three o'clock, with his sword-cane in his hand, and his black

beard unusually well shaven, being on his way to dine with John Syme

at Ryedale, where young Mr Oswald of Auchincruive is to be of the

party--or maybe in the opposite direction, to partake of the luxuries

of John Bushby, at Tinwald Downs. But we presume a day when no such

attraction invades. The evening is passing quietly at home, and

pleasant-natured Jean has made herself neat, and come in at six

o'clock to give him his tea--a meal he always takes. At this period,

however, there is something remarkably exciting in the proceedings of

the French army under Pichegru; or Fox, Adam, or Sheridan, is expected

to make an onslaught upon the ministry in the House of Commons. The

post comes into Dumfries at eight o'clock at night. There is always a

group of gentlemen on the street, eager to hear the news. Burns

saunters out to the High Street, and waits amongst the rest. The

intelligence of the evening is very interesting. The Convention has

decreed the annexation of the Netherlands--or the new treason-bill has

passed the House of Lords, with only the feeble protest of Bedford,

Derby, and Lauderdale. These things merit some discussion. The

trades-lads go off to strong ale in the closes; the gentlemen slide in

little groups into the King's Arms Hotel or the George. As for Burns,

he will just have a single glass and a half-hour's chat beside John

Hyslop's fire, and then go quietly home. So he is quickly absorbed in

the little narrow close where that vintner maintains his state. There,

however, one or two friends have already established themselves, all

with precisely the same virtuous intent. They heartily greet the bard.

Meg or John bustles about to give him his accustomed place, which no

one ever disputes. And, somehow, the debate on the news of the evening

leads on to other chat of an interesting kind. Then Burns becomes

brilliant, and his friends give him the applause of their laughter.

One jug succeeds another--mirth abounds--and it is not till Mrs Hyslop

has declared that they are going beyond all bounds, and she positively

will not give them another drop of hot water, that our bard at length

bethinks him of returning home, where Bonnie Jean has been lost in

peaceful slumber for three hours, after vainly wondering "what can be

keeping Robert out so late the nicht." Burns gets to bed a little

excited and worn out, but not in a state to provoke much remark from

his amiable partner, in whom nothing can abate the veneration with

which she has all along regarded him. And though he beds at a latish

hour, most likely he is up next morning between seven and eight, to

hear little Robert his day's lesson in _Cæsar_, or, if the season

invites, to take a half-hour's stroll before breakfast along the

favourite Dock Green.'

Whenever a female of any rank secured the goodwill of Burns, he was

sure to compliment her in verse, and it was always by putting her into

the light of an adored mistress. In his latter days, when declining in

health, an amiable young girl, sister of one of his brother officers,

obtained his friendly regard by endeavouring to lighten the labours of

housekeeping to his wife, then also in a delicate state. The lady, who

still lives, 'relates that, one morning she had a call from the poet,

when he offered, if she would play him any tune of which she was fond,

and for which she desired new verses, to gratify her in her wish to

the best of his ability. She placed herself at the pianoforte, and

played over several times the air of an old song beginning with the

words--

The robin cam to the wren's nest,

And keekit in, and keekit in:

O weel's me on your auld pow!

Wad ye be in, wad ye be in?

Ye'se ne'er get leave to lie without,

And I within, and I within,

As lang's I hae an auld clout,

To row ye in, to row ye in.

'As soon as his ear got accustomed to the melody, Burns sat down, and

in a very few minutes he produced the beautiful song:

Chambers's Edinburgh Journal, No. 458 Volume 18, New Series, October 9, 1852 · 第 6 / 20 题