that remain in the memory with any sharpness in 1922, except The Faith
Healer, founded on the play by William Vaughn Moody, the poet, with much
of the directing and scenario by Mrs. William Vaughn Moody, and a more
talked-of commercial film, The Miracle Man. But not until the religious
film is taken out of the commercial field, and allowed to develop
unhampered under the Church and the Art Museum, will the splendid
religious and ritualistic opportunity be realized.