A man who sacrificed his own conscience to the capricious will or freak

or fancy of a sovereign was accorded a low place in the estimate of the

Precepts. Such a one was despised as _nei-shin_, a cringeling, who

makes court by unscrupulous fawning or as _chô-shin_, a favorite who

steals his master’s affections by means of servile compliance; these two

species of subjects corresponding exactly to those which Iago

describes,—the one, a duteous and knee-crooking knave, doting on his

own obsequious bondage, wearing out his time much like his master’s ass;

the other trimm’d in forms and visages of duty, keeping yet his heart

attending on himself. When a subject differed from his master, the loyal

path for him to pursue was to use every available means to persuade him

of his error, as Kent did to King Lear. Failing in this, let the master

deal with him as he wills. In cases of this kind, it was quite a usual

course for the samurai to make the last appeal to the intelligence and

conscience of his lord by demonstrating the sincerity of his words with

the shedding of his own blood.

Life being regarded as the means whereby to serve his master, and its

ideal being set upon honor, the whole

EDUCATION AND TRAINING OF

A SAMURAI,

were conducted accordingly.

The first point to observe in knightly pedagogics was to build up

character, leaving in the shade the subtler faculties of prudence,

intelligence and dialectics. We have seen the important part æsthetic

accomplishments played in his education. Indispensable as they were to a

man of culture, they were accessories rather than essentials of samurai

training. Intellectual superiority was, of course, esteemed; but the

word _Chi_, which was employed to denote intellectuality, meant wisdom

in the first instance and placed knowledge only in a very subordinate

place. The tripod that supported the framework of Bushido was said to be

_Chi_, _Jin_, _Yu_, respectively Wisdom, Benevolence, and Courage. A

samurai was essentially a man of action. Science was without the pale of

his activity. He took advantage of it in so far as it concerned his

profession of arms. Religion and theology were relegated to the priests;

he concerned himself with them in so far as they helped to nourish

courage. Like an English poet the samurai believed “’tis not the creed

that saves the man; but it is the man that justifies the creed.”

Philosophy and literature formed the chief part of his intellectual

training; but even in the pursuit of these, it was not objective truth

that he strove after,—literature was pursued mainly as a pastime, and

philosophy as a practical aid in the formation of character, if not for

the exposition of some military or political problem.

From what has been said, it will not be surprising to note that the

curriculum of studies, according to the pedagogics of Bushido, consisted

mainly of the following,—fencing, archery, _jiujutsu_ or _yawara_,

horsemanship, the use of the spear, tactics, caligraphy, ethics,

literature and history. Of these, _jiujutsu_ and caligraphy may require

a few words of explanation. Great stress was laid on good writing,

probably because our logograms, partaking as they do of the nature of

pictures, possess artistic value, and also because chirography was

accepted as indicative of one’s personal character. _Jiujutsu_ may be

briefly defined as an application of anatomical knowledge to the purpose

of offense or defense. It differs from wrestling, in that it does not

depend upon muscular strength. It differs from other forms of attack in

that it uses no weapon. Its feat consists in clutching or striking such

part of the enemy’s body as will make him numb and incapable of

resistance. Its object is not to kill, but to incapacitate one for

action for the time being.

A subject of study which one would expect to find in military education

and which is rather conspicuous by its absence in the Bushido course of

instruction, is mathematics. This, however, can be readily explained in

part by the fact that feudal warfare was not carried on with scientific

precision. Not only that, but the whole training of the samurai was

unfavorable to fostering numerical notions.

Chivalry is uneconomical; it boasts of penury. It says with Ventidius

that “ambition, the soldier’s virtue, rather makes choice of loss, than

gain which darkens him.” Don Quixote takes more pride in his rusty spear

and skin-and-bone horse than in gold and lands, and a samurai is in

hearty sympathy with his exaggerated confrère of La Mancha. He disdains

money itself,—the art of making or hoarding it. It is to him veritably

filthy lucre. The hackneyed expression to describe the decadence of an

age is “that the civilians loved money and the soldiers feared death.”

Niggardliness of gold and of life excites as much disapprobation as

their lavish use is panegyrized. “Less than all things,” says a current

precept, “men must grudge money: it is by riches that wisdom is

hindered.” Hence children were brought up with utter disregard of

economy. It was considered bad taste to speak of it, and ignorance of

the value of different coins was a token of good breeding. Knowledge of

numbers was indispensable in the mustering of forces as well, as in the

distribution of benefices and fiefs; but the counting of money was left

to meaner hands. In many feudatories, public finance was administered by

a lower kind of samurai or by priests. Every thinking bushi knew well

enough that money formed the sinews of war; but he did not think of

raising the appreciation of money to a virtue. It is true that thrift

was enjoined by Bushido, but not for economical reasons so much as for

the exercise of abstinence. Luxury was thought the greatest menace to

manhood, and severest simplicity was required of the warrior class,

sumptuary laws being enforced in many of the clans.

We read that in ancient Rome the farmers of revenue and other financial

agents were gradually raised to the rank of knights, the State thereby

showing its appreciation of their service and of the importance of money

itself. How closely this was connected with the luxury and avarice of

the Romans may be imagined. Not so with the Precepts of Knighthood.

These persisted in systematically regarding finance as something

low—low as compared with moral and intellectual vocations.

Money and the love of it being thus diligently ignored, Bushido itself

could long remain free from a thousand and one evils of which money is

the root. This is sufficient reason for the fact that our public men

have long been free from corruption; but, alas, how fast plutocracy is

making its way in our time and generation!

The mental discipline which would now-a-days be chiefly aided by the

study of mathematics, was supplied by literary exegesis and

deontological discussions. Very few abstract subjects troubled the mind

of the young, the chief aim of their education being, as I have said,

decision of character. People whose minds were simply stored with

information found no great admirers. Of the three services of studies

that Bacon gives,—for delight, ornament, and ability,—Bushido had

decided preference for the last, where their use was “in judgment and

the disposition of business.” Whether it was for the disposition of

public business or for the exercise of self-control, it was with a

practical end in view that education was conducted. “Learning without

thought,” said Confucius, “is labor lost: thought without learning is

perilous.”

When character and not intelligence, when the soul and not the head, is

chosen by a teacher for the material to work upon and to develop, his

vocation partakes of a sacred character. “It is the parent who has borne

me: it is the teacher who makes me man.” With this idea, therefore, the

esteem in which one’s preceptor was held was very high. A man to evoke

such confidence and respect from the young, must necessarily be endowed

with superior personality without lacking erudition. He was a father to

the fatherless, and an adviser to the erring. “Thy father and thy

mother”—so runs our maxim—“are like heaven and earth; thy teacher and

thy lord are like the sun and moon.”

The present system of paying for every sort of service was not in vogue

among the adherents of Bushido. It believed in a service which can be

rendered only without money and without price. Spiritual service, be it

of priest or teacher, was not to be repaid in gold or silver, not

because it was valueless but because it was invaluable. Here the

non-arithmetical honor-instinct of Bushido taught a truer lesson than

modern Political Economy; for wages and salaries can be paid only for

services whose results are definite, tangible, and measurable, whereas

the best service done in education,—namely, in soul development (and

this includes the services of a pastor), is not definite, tangible or

measurable. Being immeasurable, money, the ostensible measure of value,

is of inadequate use. Usage sanctioned that pupils brought to their

teachers money or goods at different seasons of the year; but these were

not payments but offerings, which indeed were welcome to the recipients

as they were usually men of stern calibre, boasting of honorable penury,

too dignified to work with their hands and too proud to beg. They were

grave personifications of high spirits undaunted by adversity. They were

an embodiment of what was considered as an end of all learning, and were

thus a living example of that discipline of disciplines,

SELF-CONTROL,

which was universally required of samurai.

The discipline of fortitude on the one hand, inculcating endurance

without a groan, and the teaching of politeness on the other, requiring

us not to mar the pleasure or serenity of another by manifestations of

our own sorrow or pain, combined to engender a stoical turn of mind, and

eventually to confirm it into a national trait of apparent stoicism. I

say apparent stoicism, because I do not believe that true stoicism can

ever become the characteristic of a whole nation, and also because some

of our national manners and customs may seem to a foreign observer

hard-hearted. Yet we are really as susceptible to tender emotion as any

race under the sky.

I am inclined to think that in one sense we have to feel more than

others—yes, doubly more—since the very attempt to restrain natural

promptings entails suffering. Imagine boys—and girls too—brought up

not to resort to the shedding of a tear or the uttering of a groan for

the relief of their feelings,—and there is a physiological problem

whether such effort steels their nerves or makes them more sensitive.

It was considered unmanly for a samurai to betray his emotions on his

face. “He shows no sign of joy or anger,” was a phrase used in

describing a strong character. The most natural affections were kept

under control. A father could embrace his son only at the expense of his

dignity; a husband would not kiss his wife,—no, not in the presence of

other people, whatever he might do in private! There may be some truth

in the remark of a witty youth when he said, “American husbands kiss

their wives in public and beat them in private; Japanese husbands beat

theirs in public and kiss them in private.”

Calmness of behavior, composure of mind, should not be disturbed by

passion of any kind. I remember when, during the late war with China, a

regiment left a certain town, a large concourse of people flocked to the

station to bid farewell to the general and his army. On this occasion

an American resident resorted to the place, expecting to witness loud

demonstrations, as the nation itself was highly excited and there were

fathers, mothers, and sweethearts of the soldiers in the crowd. The

American was strangely disappointed; for as the whistle blew and the

train began to move, the hats of thousands of people were silently taken

off and their heads bowed in reverential farewell; no waving of

handkerchiefs, no word uttered, but deep silence in which only an

attentive ear could catch a few broken sobs. In domestic life, too, I

know of a father who spent whole nights listening to the breathing of a

sick child, standing behind the door that he might not be caught in such

an act of parental weakness! I know of a mother who, in her last

moments, refrained from sending for her son, that he might not be

disturbed in his studies. Our history and everyday life are replete with

examples of heroic matrons who can well bear comparison with some of the

most touching pages of Plutarch. Among our peasantry an Ian Maclaren

would be sure to find many a Marget Howe.

It is the same discipline of self-restraint which is accountable for the

absence of more frequent revivals in the Christian churches of Japan.

When a man or woman feels his or her soul stirred, the first instinct is

to quietly suppress any indication of it. In rare instances is the

tongue set free by an irresistible spirit, when we have eloquence of

sincerity and fervor. It is putting a premium upon a breach of the third

commandment to encourage speaking lightly of spiritual experience. It is

truly jarring to Japanese ears to hear the most sacred words, the most

secret heart experiences, thrown out in promiscuous audiences. “Dost

thou feel the soil of thy soul stirred with tender thoughts? It is time

for seeds to sprout. Disturb it not with speech; but let it work alone

in quietness and secrecy,”—writes a young samurai in his diary.

To give in so many articulate words one’s inmost thoughts and

feelings—notably the religious—is taken among us as an unmistakable

sign that they are neither very profound nor very sincere. “Only a

pomegranate is he”—so runs a popular saying—“who, when he gapes his

mouth, displays the contents of his heart.”

It is not altogether perverseness of oriental minds that the instant our

emotions are moved we try to guard our lips in order to hide them.

Speech is very often with us, as the Frenchman defined it, “the art of

concealing thought.”

Call upon a Japanese friend in time of deepest affliction and he will

invariably receive you laughing, with red eyes or moist cheeks. At first

you may think him hysterical. Press him for explanation and you will get

a few broken commonplaces—“Human life has sorrow;” “They who meet must

part;” “He that is born must die;” “It is foolish to count the years of

a child that is gone, but a woman’s heart will indulge in follies;” and

the like. So the noble words of a noble Hohenzollern—“Lerne zu leiden

ohne Klagen”—had found many responsive minds among us, long before they

were uttered.

Indeed, the Japanese have recourse to risibility whenever the frailties

of human nature are put to severest test. I think we possess a better

reason than Democritus himself for our Abderian tendency; for laughter

with us oftenest veils an effort to regain balance of temper, when

disturbed by any untoward circumstance. It is a counterpoise of sorrow

or rage.

The suppression of feelings being thus steadily insisted upon, they find

their safety-valve in poetical aphorism. A poet of the tenth century

writes, “In Japan and China as well, humanity, when moved by sorrow,

tells its bitter grief in verse.” A mother who tries to console her

broken heart by fancying her departed child absent on his wonted chase

after the dragon-fly, hums,

“How far to-day in chase, I wonder,

Has gone my hunter of the dragon-fly!”

I refrain from quoting other examples, for I know I could do only scant

justice to the pearly gems of our literature, were I to render into a

foreign tongue the thoughts which were wrung drop by drop from bleeding

hearts and threaded into beads of rarest value. I hope I have in a

measure shown that inner working of our minds which often presents an

appearance of callousness or of an hysterical mixture of laughter and

dejection, and whose sanity is sometimes called in question.

It has also been suggested that our endurance of pain and indifference

to death are due to less sensitive nerves. This is plausible as far as

it goes. The next question is,—Why are our nerves less tightly strung?

It may be our climate is not so stimulating as the American. It may be

our monarchical form of government does not excite us as much as the

Republic does the Frenchman. It may be that we do not read _Sartor

Resartus_ as zealously as the Englishman. Personally, I believe it was

our very excitability and sensitiveness which made it a necessity to

recognize and enforce constant self-repression; but whatever may be the

explanation, without taking into account long years of discipline in

self-control, none can be correct.

Discipline in self-control can easily go too far. It can well repress

the genial current of the soul. It can force pliant natures into

distortions and monstrosities. It can beget bigotry, breed hypocrisy or

hebetate affections. Be a virtue never so noble, it has its counterpart

and counterfeit. We must recognize in each virtue its own positive

excellence and follow its positive ideal, and the ideal of

self-restraint is to keep our mind _level_—as our expression is—or, to

borrow a Greek term, attain the state of _euthymia_, which Democritus

called the highest good.

The acme of self-control is reached and best illustrated in the first of

the two institutions which we shall now bring to view; namely,

THE INSTITUTIONS OF SUICIDE

AND REDRESS,

of which (the former known as _hara-kiri_ and the latter as

_kataki-uchi_) many foreign writers have treated more or less fully.

To begin with suicide, let me state that I confine my observations only

to _seppuku_ or _kappuku_, popularly known as _hara-kiri_—which means

self-immolation by disembowelment. “Ripping the abdomen? How

absurd!”—so cry those to whom the name is new. Absurdly odd as it may

sound at first to foreign ears, it can not be so very foreign to

students of Shakespeare, who puts these words in Brutus’ mouth—“Thy

(Cæsar’s) spirit walks abroad and turns our swords into our proper

entrails.” Listen to a modern English poet, who in his _Light of Asia_,

speaks of a sword piercing the bowels of a queen:—none blames him for

bad English or breach of modesty. Or, to take still another example,

look at Guercino’s painting of Cato’s death, in the Palazzo Rossa in

Genoa. Whoever has read the swan-song which Addison makes Cato sing,

will not jeer at the sword half-buried in his abdomen. In our minds this

mode of death is associated with instances of noblest deeds and of most

touching pathos, so that nothing repugnant, much less ludicrous, mars

our conception of it. So wonderful is the transforming power of virtue,

of greatness, of tenderness, that the vilest form of death assumes a

sublimity and becomes a symbol of new life, or else—the sign which

Constantine beheld would not conquer the world!

Not for extraneous associations only does _seppuku_ lose in our mind any

taint of absurdity; for the choice of this particular part of the body

to operate upon, was based on an old anatomical belief as to the seat of

the soul and of the affections. When Moses wrote of Joseph’s “bowels

yearning upon his brother,” or David prayed the Lord not to forget his

bowels, or when Isaiah, Jeremiah and other inspired men of old spoke of

the “sounding” or the “troubling” of bowels, they all and each endorsed

the belief prevalent among the Japanese that in the abdomen was

enshrined the soul. The Semites habitually spoke of the liver and

kidneys and surrounding fat as the seat of emotion and of life. The term

_hara_ was more comprehensive than the Greek _phren_ or _thumos_ and

the Japanese and Hellenese alike thought the spirit of man to dwell

somewhere in that region. Such a notion is by no means confined to the

peoples of antiquity. The French, in spite of the theory propounded by

one of their most distinguished philosophers, Descartes, that the soul

is located in the pineal gland, still insist in using the term _ventre_

in a sense, which, if anatomically too vague, is nevertheless

physiologically significant. Similarly _entrailles_ stands in their

language for affection and compassion. Nor is such belief mere

superstition, being more scientific than the general idea of making the

heart the centre of the feelings. Without asking a friar, the Japanese

knew better than Romeo “in what vile part of this anatomy one’s name did

lodge.” Modern neurologists speak of the abdominal and pelvic brains,

denoting thereby sympathetic nerve-centres in those parts which are

strongly affected by any psychical action. This view of mental

physiology once admitted, the syllogism of _seppuku_ is easy to

construct. “I will open the seat of my soul and show you how it fares

with it. See for yourself whether it is polluted or clean.”

I do not wish to be understood as asserting religious or even moral

justification of suicide, but the high estimate placed upon honor was

ample excuse with many for taking one’s own life. How many acquiesced in

the sentiment expressed by Garth,

“When honor’s lost, ’tis a relief to die;

Death’s but a sure retreat from infamy,”

and have smilingly surrendered their souls to oblivion! Death when honor

was involved, was accepted in Bushido as a key to the solution of many

complex problems, so that to an ambitious samurai a natural departure

from life seemed a rather tame affair and a consummation not devoutly to

be wished for. I dare say that many good Christians, if only they are

honest enough, will confess the fascination of, if not positive

admiration for, the sublime composure with which Cato, Brutus, Petronius

and a host of other ancient worthies, terminated their own earthly

existence. Is it too bold to hint that the death of the first of the

philosophers was partly suicidal? When we are told so minutely by his

pupils how their master willingly submitted to the mandate of the

state—which he knew was morally mistaken—in spite of the possibilities

of escape, and how he took up the cup of hemlock in his own hand, even

offering libation from its deadly contents, do we not discern in his

whole proceeding and demeanor, an act of self-immolation? No physical

compulsion here, as in ordinary cases of execution. True the verdict of

the judges was compulsory: it said, “Thou shalt die,—and that by thy

own hand.” If suicide meant no more than dying by one’s own hand,

Socrates was a clear case of suicide. But nobody would charge him with

the crime; Plato, who was averse to it, would not call his master a

suicide.

Now my readers will understand that _seppuku_ was not a mere suicidal

process. It was an institution, legal and ceremonial. An invention of

the middle ages, it was a process by which warriors could expiate their

crimes, apologize for errors, escape from disgrace, redeem their

friends, or prove their sincerity. When enforced as a legal punishment,

it was practiced with due ceremony. It was a refinement of

self-destruction, and none could perform it without the utmost coolness

of temper and composure of demeanor, and for these reasons it was

particularly befitting the profession of bushi.

Antiquarian curiosity, if nothing else, would tempt me to give here a

description of this obsolete ceremonial; but seeing that such a

description was made by a far abler writer, whose book is not much read

now-a-days, I am tempted to make a somewhat lengthy quotation. Mitford,

in his “Tales of Old Japan,” after giving a translation of a treatise on

_seppuku_ from a rare Japanese manuscript, goes on to describe an

instance of such an execution of which he was an eye-witness:—

“We (seven foreign representatives) were invited to follow the Japanese

witness into the _hondo_ or main hall of the temple, where the ceremony

was to be performed. It was an imposing scene. A large hall with a high

roof supported by dark pillars of wood. From the ceiling hung a

profusion of those huge gilt lamps and ornaments peculiar to Buddhist

temples. In front of the high altar, where the floor, covered with

beautiful white mats, is raised some three or four inches from the

ground, was laid a rug of scarlet felt. Tall candles placed at regular

intervals gave out a dim mysterious light, just sufficient to let all

the proceedings be seen. The seven Japanese took their places on the

left of the raised floor, the seven foreigners on the right. No other

person was present.

Bushido, the Soul of Japan · 第 4 / 8 段