THE OVERTURE.

Constantinople; the month of August; the early days of the century. It

was the hour of the city's most perfect beauty. The sun was setting,

and flung a mellowing glow over the great golden domes and minarets

of the mosques, the bazaars glittering with trifles and precious with

elements of Oriental luxury, the tortuous thoroughfares with their

motley throng, the quiet streets with their latticed windows, and

their atmosphere heavy with silence and mystery, the palaces whose

cupolas and towers had watched over so many centuries of luxury and

intrigue, pleasure and crime, the pavilions, groves, gardens, kiosks

which swarmed with the luxuriance of tropical growth over the hills

and valleys of a city so vast and so beautiful that it tired the brain

and fatigued the senses. Scutari, purple and green and gold, blended

in the dying light into exquisite harmony of color; Stamboul gathered

deeper gloom under her overhanging balconies, behind which lay hidden

the loveliest of her women; and in the deserted gardens of the Old

Seraglio, beneath the heavy pall of the cypresses, memories of a

grand, terrible, barbarous, but most romantic Past crept forth and

whispered ruin and decay.

High up in Pera the gray walls of the English Embassy stood out

sharply defined against the gold-wrought sky. The windows were thrown

wide to invite the faint, capricious breeze which wandered through

the hot city; but the silken curtains were drawn in one of the smaller

reception-rooms. The room itself was a soft blaze of wax candles

against the dull richness of crimson and gold. Men and women were

idling about in that uneasy atmosphere which precedes the announcement

of dinner. Many of the men wore orders on their breasts, and the

uniforms of the countries they represented, and a number of Turks

gave a picturesque touch to the scene, with their jewelled turbans and

flowing robes. The women were as typical as their husbands; the wife

of the Russian Ambassador, with her pale hair and moonlight eyes, her

delicate shoulders and jewel-sewn robe; the Italian, with her lithe

grace and heavy brows, the Spanish beauty, with her almond,

dreamy eyes, her chiselled features and mantilla-draped head; the

Frenchwoman, with her bright, sallow, charming, unrestful face; the

Austrian, with her cold repose and latent devil. In addition were the

Secretaries of Legation, with their gaily-gowned young wives, and

one or two English residents; all assembled at the bidding of Sir

Dafyd-ap-Penrhyn, the famous diplomatist who represented England at

the court of the Sultan.

Sir Dafyd was standing between the windows and underneath one of the

heavy candelabra. He was a small but striking-looking man, with a

great deal of head above the ears, light blue eyes deeply set and far

apart, a delicate arched nose, and a certain expression of brutality

about the thin lips, so faint as to be little more than a shadow. He

was blandly apologizing for the absence of his wife. She had dressed

to meet her guests, but had been taken suddenly ill and obliged to

retire.

As he finished speaking he turned to a woman who sat on a low chair

at his right. She was young and very handsome. Her eyes were black

and brilliant, her mouth was pouting and petulant, her chin curved

slightly outward. Her features were very regular, but there was

neither softness nor repose in her face. She looked like a statue that

had been taken possession of by the Spirit of Discontent.

"I am sorry not to see Dartmouth," said the great minister, affably.

"Is he ill again? He must be careful; the fever is dangerous."

Mrs. Dartmouth drew her curved brows together with a frown which did

not soften her face. "He is writing," she said, shortly. "He is always

writing."

"O, but you know that is a Dartmouth failing--ambition," said Sir

Dafyd, with a smile. "They must be either in the study or dictating to

the King."

"Well, I wish my Fate had been a political Dartmouth. Lionel sits in

his study all day and writes poetry--which I detest. I shall bring up

my son to be a statesman."

"So that his wife may see more of him?" said Sir Dafyd, laughing. "You

are quite capable of making whatever you like of him, however, for you

are a clever woman--if you are not poetical. But it is hard that you

should be so much alone, Catherine. Why are not you and Sionèd more

together? There are so few of you here, you should try and amuse

each other. Diplomatists, like poets, see little of their wives, and

Sionèd, I have no doubt, is bored very often."

Dinner was announced at the moment, and Mrs. Dartmouth stood up and

looked her companion full in the eyes. "I do not like Sionèd," she

said, harshly. "She, too, is poetical."

For a moment there was a suspicion of color in Sir Dafyd's pale face,

and the shadow on his mouth seemed to take shape and form. Then he

bowed slightly, and crossing the room offered his arm to the wife of

the Russian Ambassador.

* * * * *

The sun sank lower, Constantinople's richer tints faded into soft opal

hues, and the muezzin called the people to prayer. From a window in a

wing of the Embassy furthest from the banqueting hall, and overlooking

the city, a woman watched the shifting panorama below. She was more

beautiful than any of her neglected guests, although her eyes were

heavy and her face was pale. Her hair was a rich, burnished brown, and

drawn up to the crown of her head in a loose mass of short curls, held

in place by a half-coronet of diamonds. In front the hair was parted

and curled, and the entire head was encircled by a band of diamond

stars which pressed the bronze ringlets low over the forehead. The

features were slightly aquiline; the head was oval and admirably

poised. But it was the individuality of the woman that made her

beauty, not features or coloring. The keen, intelligent eyes, with

their unmistakable power to soften, the spiritual brow, the strong,

sensuous chin, the tender mouth, the spirited head, each a poet's

delight, each an artist's study, all blended, a strange, strong,

passionate story in flesh and blood--a remarkable face. Her neck and

arms were bare, and she wore a short-waisted gown of yellow satin,

which fell in shining lines from belt to hem.

Pale as she was she assuredly did not look ill enough to justify her

desertion of her guests. As a matter of fact she had forgotten both

guests and excuse. When a woman has taken a resolution which flings

her suddenly up to the crisis of her destiny she is apt to forget

state dinners and whispered comment. To-morrow state dinners would

pass out of her life, and they would go unregretted. She turned

suddenly and picked up some loose sheets of manuscript which lay on a

table beside her--a poem which would immortalize the city her window

overlooked. A proud smile curved her mouth, then faded swiftly as she

pressed the pages passionately to her lips. She put them back on

the table and turning her head looked down the room with much of the

affection one gives a living thing. The room was as Oriental as any

carefully secluded chamber in the city below. The walls were hung

with heavy, soft Eastern stuffs, dusky and rich, which shut out all

suggestion of doors. The black marble floor was covered with a strange

assortment of wild beasts' skins, pale, tawny, sombre, ferocious.

There were deep, soft couches and great piles of cushions, a few rare

paintings stood on easels, and the air was heavy with jasmine. The

woman's lids fell over her eyes, and the blood mounted slowly, making

her temples throb. Then she threw back her head, a triumphant light

flashing in her eyes, and brought her open palm down sharply on the

table. "If I fall," she said, "I fall through strength, not

through weakness. If I sin, I do so wittingly, not in a moment of

overmastering passion."

She bent suddenly forward, her breath coming quickly. There were

footsteps at the end of the marble corridor without. For a moment she

trembled from head to foot. Remorse, regret, horror, fear, chased each

other across her face, her convulsed features reflecting the emotions

which for weeks past had oppressed heart and brain. Then, before the

footsteps reached the door, she was calm again and her head erect.

The glory of the sunset had faded, and behind her was the short grey

twilight of the Southern night; but in her face was that magic light

that never was on sea or land.

The heavy portière at the end of the room was thrust aside and a man

entered. He closed the door and pushed the hanging back into place,

then went swiftly forward and stood before her. She held out her hand

and he took it and drew her further within the room. The twilight had

gone from the window, the shadows had deepened, and the darkness of

night was about them.

* * * * *

In the great banqueting-hall the stout mahogany table upheld its

weight of flashing gold and silver and sparkling crystal without a

groan, and solemn, turbaned Turks passed wine and viand. Around

the board the diplomatic colony forgot their exile in remote

Constantinople, and wit and anecdote, spicy but good-humored political

discussion, repartee and flirtation made a charming accompaniment

to the wonderful variety displayed in the faces and accents of the

guests. The stately, dignified ministers of the Sultan gazed at the

fair faces and jewel-laden shoulders of the women of the North, and

sighed as they thought of their dusky wives; and the women of the

North threw blue, smiling glances to the Turks and wondered if it were

romantic to live in a harem.

At the end of the second course Sir Dafyd raised a glass of wine to

his lips, and, as he glanced about the table, conversation ceased for

a moment.

"Will you drink to my wife's health?" he said. "It has caused me much

anxiety of late."

Every glass was simultaneously raised, and then Sir Dafyd pushed back

his chair and rose to his feet. "If you will pardon me," he said, "I

will go and see how she is."

He left the room, and the wife of the Spanish Ambassador turned to

her companion with a sigh. "So devot he is, no?" she murmured. "You

Eenglish, you have the fire undere the ice. He lover his wife very

moocho when he leaver the dinner. And she lover him too, no?"

"I don't know," said the Englishman to whom she spoke. "It never

struck me that Penrhyn was a particularly lovable fellow. He's so

deuced haughty; the Welsh are worse for that than we English. He's as

unapproachable as a stone. I don't fancy the Lady Sionèd worships the

ground he treads upon. But then, he's the biggest diplomate in Great

Britain; one can't have everything."

"I no liker all the Eenglish, though," pursued the pretty Spaniard.

"The Señora Dar-muth, I no care for her. She looker like she have the

tempere--how you call him?--the dev-vil, no? And she looker like she

have the fire ouside and the ice in."

"Oh, she's not so bad," said the Englishman, loyally. "She has

some admirable traits, and she's deuced clever, but she has an

ill-regulated sort of a nature, and is awfully obstinate and

prejudiced. It's a sort of vanity. She worries Dartmouth a good deal.

He's a born poet, if ever a man was, and she wants him to go into

politics. Wants a _salon_ and all that sort of thing. She ought to

have it, too. Political intrigue would just suit her; she's diplomatic

and secretive. But Dartmouth prefers his study."

The lady from Spain raised her sympathetic, pensive eyes to the

Englishman's. "And the Señor Dar-muth? How he is? He is nice fellow? I

no meeting hime?"

"The best fellow that ever lived, God bless him!" exclaimed the young

man, enthusiastically. "He has the temperament of genius, and he isn't

always there when you want him--I mean, he isn't always in the right

mood; but he's a splendid specimen of a man, and the most likeable

fellow I ever knew--poor fellow!"

"Why you say 'poor fel-low'? He is no happy, no?"

"Well, you see," said the young man, succumbing to those lovely,

pitying eyes, and not observing that they gazed with equal tenderness

at the crimson wine in the cup beside her plate--"you see, he and his

wife are none too congenial, as I said. It makes her wild to have him

write, not only because she wants to cut a figure in London, and he

will always live in some romantic place like this, but she's in love

with him, in her way, and she's jealous of his very desk. That makes

things unpleasant about the domestic hearthstone. And then she doesn't

believe a bit in his talent, and takes good care to let him know it.

So, you see, he's not the most enviable of mortals."

"Much better she have be careful," said the Spanish woman; "some day

he feel tire out and go to lover someone else. Please you geeve me

some more clarette?"

"Here comes Sir Dafyd," said the Englishman, as he filled her glass.

"It has taken him a long time to find out how she is."

The shadow had wholly disappeared from Sir Dafyd's mouth, a faint

smile hovering there instead. As he took his seat the Austrian

Ambassador leaned forward and inquired politely about the state of

Lady Sionèd's health.

"She is sleeping quietly," said Sir Dafyd.

What Dreams May Come · 第 4 / 29 题