CHAPTER V.

THE GLASS EYE

Dr. Baumgartner produced a seasoned meerschaum, carved in the likeness

of a most ferocious face, and put a pinch of dark tobacco through the

turban into the bowl. “You see,” said he, “I must have my smoke like

you! I can’t do without it either, though what is your misfortune is my

own fault. So you are also a photographer!” he added, as the fumes of a

mixture containing latakia spiced the morning air.

“I am only a beginner,” responded Pocket, “but a very keen one.”

“You don’t merely press the button and let them do the rest?”

suggested the doctor, smiling less coldly under the influence of his

pipe.

“Rather not! I develop, print, tone, and all the rest of it; that’s

half the fun.”

“Plates or films?” inquired Baumgartner, with an approving nod.

“Only plates, I’m afraid; you see, the apparatus is an old one of my

father’s.”

And honest Pocket was beginning to blush for it, when the other made a

gesture more eloquent and far more foreign than his speech.

“It’s none the worse for that,” said he. “So far we have much in

common, for I always use plates myself. But what we put upon our

plates, there’s the difference, eh?”

“I should imagine so,” said Pocket, smiling.

Dr. Baumgartner was smiling too, and still less coldly than before, but

yet darkly to himself, and at the boy rather than with him.

“You take portraits of your friends, perhaps?”

“Yes; often.”

“In the body, I presume?”

Pocket looked nonplussed.

“You only take them in the flesh?”

“Of course.”

“Exactly! I take the spirit,” said the doctor; “that’s the difference.”

Pocket watched the now wonderfully genial countenance of Baumgartner

follow the brutal features of the meerschaum Turk through a melting

cloud of smoke. The boy had been taken aback. But his bewilderment was

of briefer duration than might have been the case with a less ardent

photographer; for he took a technical interest in his hobby, and read

the photographic year-books, nearly as ravenously as _Wisden’s

Almanacke_.

“I see,” he said, lukewarmly. “You go in for psychic photography.”

“Psychic,” said Baumgartner; for the public schoolboy, one regrets to

report, had pronounced the word to rhyme with sly-chick. The doctor

added, with more disdain: “And you don’t believe in it?”

“I didn’t say so.”

“But you looked and sounded it!”

“I don’t set myself up as a believer or unbeliever,” said the boy,

always at his ease on a subject that attracted him. “But I do say I

don’t believe in the sort of thing I read somewhere last holidays. It

was in a review of a book on that sort of photography. The chap seemed

to have said you could get a negative of a spirit without exposing the

plate at all; hide away your plate, never mind your lens, only conjure

up your spirit and see what happens. I’ll swear nothing ever happened

like that! There may be ghosts, you may see them, and so may the

camera, but not without focusing and exposing like you’ve got to do

with ordinary flesh and blood!”

The youth had gone further and flown higher than he meant, under the

stimulus of an encouragement impossible to have foreseen. And the

doctor had come to his feet, waving eloquently with his pipe; his grey

face beamed warmly; his eyes were lances tipped with fire.

“Well said, my young fellow!” cried he. “I agree with every syllable

you have spoken.”

“It’s a question of photography, not of spiritualism,” concluded

Pocket, rounding off his argument in high excitement.

“I agree, I agree! All that is rubbish, pure moonshine; and you see it

even at your age! But there’s much more in it than that; you must see

the rest as well, since you see so far so clearly.” The boy blushed

with pleasure, determined to see as far as anybody. “You admit there

may be such things as ghosts, as you call them?” he was asked as by an

equal.

“Certainly, sir.”

“Visible shapes, in the likeness of man? As visible and yet as tangible

as that sunbeam?”

“Rather!”

“You allow that the camera can see them if we can?”

Pocket allowed it like the man he was being made to feel; the

concession gave him a generous glow. Promotion had come to him by giant

leaps. He felt five years older in fewer minutes.

“Then,” cried the doctor, with further flattery in his air of triumph,

“then you admit everything! You may not see these images, but I may. I

may not see them, but my lens may! Think how much that glass eye throws

already upon the retina of a sensitised film that our living lenses

fail to throw upon ours; think of all that escapes the eye but the

camera catches. Take two crystal vases, fill one with one acid and the

other with another; one comes out like water as we see it; the other,

though not less limpid in our sight, like ink. The eye sees through it,

but not the lens. The eye sees emptiness as though the acid itself were

pure crystal; the lens flings an inky image on the plate. The trouble

is that, while you can procure that acid at the nearest chemist’s, no

money and no power on earth can summon or procure at will the spirit

which once was man.”

His voice was vibrant and earnest as it had been when Pocket heard it

first an hour earlier in the Park. It was even as passionate, but this

was the passion of enthusiastic endeavour. If the man had a heart at

all, it was in this wild question without a doubt. Even the schoolboy

perceived this dimly. There was something else which had become clearer

to him with each of these later remarks. Striking as they seemed to

him, they were not wholly unfamiliar. The ring of novelty was wanting

to his ear.

Suddenly he exclaimed, “I knew I knew your name!”

“You do know it, do you?”

Baumgartner spoke ungraciously, as though the announcement was

discounted by the interruption it entailed.

“It was in connection with the very book I mentioned. I knew I had come

across it somewhere.”

“You read the correspondence that followed the review?”

“Some of it.”

“My letter among others?”

“Yes! I remember every word of it now.”

“Then you recall my view as to the alleged necessity of a medium’s

co-operation in these spirit-photographs?”

“You said it wasn’t necessary, if I remember,” replied Pocket somewhat

tentatively, despite his boast.

“It was the pith and point of my contention! I mentioned the two

moments at which I hold that a man’s soul may be caught apart, may be

cut off from his body by no other medium than a good sound lens in a

light-tight camera. You cannot have forgotten them if you read my

letter.”

“One,” said the boy, “was the moment of death.”

“The moment of dissolution,” the doctor corrected him. “But there is a

far commoner moment than that, one that occurs constantly to us all,

whereas dissolution comes but once.”

Pocket believed he remembered the other instance too, but was not sure

about it, the fact being that the whole momentous letter had struck him

as too fantastic for serious consideration. That, however, he could not

and dared not say; and he was not the less frightened of making a

mistake with those inspired eyes burning fanatically into his.

“The other moment,” the doctor said at last, with a pitying smile, “is

when the soul returns to its prison after one of those flights which

men call dreams. You know that theory of the dream?” Baumgartner asked

abruptly. The answer was a nod as hasty, but the doctor seemed

unconvinced, for he went on didactically: “You visit far countries in

your dreams; your soul is the traveller. You speak to the absent or the

dead; it is your soul again; and we dismiss the miracle as a dream! I

fix the moment as that of the soul’s return because its departure on

these errands is imperceptible, but with its return we awake. The

theory is that in the moment of waking the whole experience happens

like the flash of an electric spark.”

The boy murmured very earnestly that he saw; but he was more troubled

than enlightened, and what he did see was that he had picked up a very

eccentric acquaintance indeed. He was not a little scared by the man’s

hard face and molten eyes; but there was a fascination also that could

not be lost upon an impressionable temperament, besides that force of

will or character which had dominated the young mind from the first. He

began to wish the interview at an end—to be able to talk about it as

the extraordinary sequel of an extraordinary adventure—yet he would not

have cut it short at this point if he could.

“I grant you,” continued the doctor, “that the final flight of soul

from body is infinitely the more precious from my point of view. But

how is one to be in a position to intercept that? When beloved spirits

pass it would be cold-blooded desecration; and public opinion has still

to be educated up to psychical vivisection! I have myself tried in vain

to initiate such education. I have applied for perfectly private

admission to hospital deathbeds, even to the execution-shed in prisons.

My applications have been peremptorily refused.”

Pocket’s thoughts went off at a gruesome tangent.

“You could see a man hanged!” he shuddered, and himself saw the little

old effigy on the model drop in Marylebone Road.

“Why not?” asked the other in wide wonder. “But as I am not allowed,”

he continued in lighter key, “I have to do the best I can. If I cannot

be in at the death, I may still by luck be in at a dream or two! And

now you may guess why I wander with my camera where men come in to

sleep in broad daylight. I prowl among them; a word awakens them; and

then I take my chance.”

“They’re not all like that man this morning, then,” remarked Pocket,

looking back on the inanimate clod reclining in the dew.

The doctor deliberated with half-shut eyes that seemed to burn the

brighter for their partial eclipse.

“This morning,” he rejoined, “was like no other. I owe you some

confidence in the matter. I had the chance of a lifetime this

morning—thanks to you!”

“Thanks to me?” repeated Pocket. A flash enlightened him. “Do you mean

to say I—you took me—walking——?”

“You shall see my meaning,” replied Baumgartner, rising. “Wait one

minute.”

He was not gone longer. Pocket heard him on the other side of double

doors in an alcove; but he had gone out into the passage to get there.

Running water and the chink of porcelain were specially audible in his

absence, but the boy was thinking of another sound. The doctor before

leaving had discarded a black alpaca jacket, light as a pocket

handkerchief, which had fallen so softly as to recall by contrast the

noise made by the revolver in the pocket of the cloak. The lad was

promptly seized with a strong desire to recover his property; he was

within an ace of doing so, the cloak containing it being actually in

his hands and only dropped as Baumgartner returned to announce that all

was ready.

Sharp to the left, at the end of the passage, was a door which would

simply have been a second way into the drawing-room had the double

doors within been is use; these being shut, the space behind made a

separate chamber which again reminded the schoolboy of his study, that

smallest of small rooms. This one was as narrow, only twice the length.

One end was monopolised by the door that admitted them, the other by a

window from floor to ceiling. And this window was in two great sheets

of ruby glass, so that Pocket looked down red-hot iron steps into a

crimson garden, and therefrom to his companion dyed from head to foot

like Mephistopheles.

“This is something like a dark-room!” exclaimed the lad as the door was

shut and locked behind him. The folding doors were permanently barred

by shelves and lockers; opposite was a long porcelain trough, pink as

the doctor’s shirt-sleeves in the strong red light; racks of negatives

and stoppered bottles glimmered over brass taps stained to an angry

copper.

Everything was perfection from a photographer’s standpoint; the boy

felt instantaneously spoilt for his darkened study and his jugs of

water. All he had ever sighed for in the prosecution of his hobby was

here in this little paradise of order and equipment. The actual work,

he felt, would be a secondary consideration in such a workshop; the

mere manipulation of such stoppered bottles as his host was handling

now, the choice of graduated phials, the wealth of trays and dishes,

would have been joy enough for him. He watched the favoured operator

with a watering mouth. A crimson blind had been lowered to reduce the

light; the doctor had turned up his shirt-cuffs; his wrists were

muscular and furry, as it now seemed with a fiery fur, yet they

trembled with excitement as he produced his plate. And Pocket

remembered how extravagant an image was expected on that plain pink

surface.

He did not know whether to expect it or not himself. It was difficult

to believe in that sort of thing, difficult to disbelieve in this sort

of man, who entertained no shadow of doubt himself, whose excitement

and suspense were as infectious as everything else about him. Pocket

had come into the dark-room wheezing almost as much as ever; he was not

to be heard breathing as the plate was rocked to and fro as in

raspberry-juice, and gradually the sky showed sharp and black. But the

sky it was that puzzled Pocket first. It was broken by perpendicular

objects like white torpedoes. He was photographer enough to know what

these were almost at once; they were those poplars in the park. But how

could Baumgartner have photographed Pocket with those poplars behind

him when they had been behind Baumgartner all the time?

Pocket said to himself, “Where am I, by the way?” and bent lower to

see. His ear touched the doctor’s; it heard the doctor breathing as

though he were the asthmatic; and now a human shape was visible, but

not walking in its sleep, lying in it like the man in the wet grass.

“When did you get me?” asked Pocket aloud. But the tense crimson face

paid no attention; in the ruby light it was glistening as though with

beads of blood.

“There! there! there!” croaked a voice, husky and yet staccato. Pocket

could scarcely believe it was the voice of his host—the one gentle

thing about him. “You saw the figure? Surely you saw something else,

hovering over it? I did, I swear I did! But now we shall have to wait.”

The plate had blackened all over, as though the uncanny thing had

choked out its life. It was meticulously held under a tap, between

fingers that most distinctly trembled now. Then he plunged it in the

hyposulphite, and pulled up the blind. The sun shone again through the

tall window, blood-red as before; grass and sky were as richly

incarnadined. Baumgartner babbled while he waited for the fixing-bath

to clear the plate. The chance of his life, he still pronounced it.

“And I owe it to you, my young fellow!” This he said again and again,

aloud but chiefly to himself. He picked up the plate at last and held

it to the flaming window. He cried out in German to himself, a cry the

schoolboy never forgot.

“Open the window!” he ordered. “It opens like a door.”

Pocket did as he was told. The pure white sunlight struck him

momentarily blind. Baumgartner had the plate under the tap again.

Pocket thought him careless with it, thought the tap on too full; it

was held up an instant to the naked sun, and then dashed to a hundred

fragments in the porcelain trough.

Pocket knew better than to ask a question. He followed his leader back

into the drawing-room, and watched him pick up his coat. It might have

been a minute before their eyes met again; the doctor’s were calm and

cold and critical as in the earlier morning. It was another failure, he

said, and nothing more. Breakfast would be ready soon; they would go

upstairs; and if his young fellow felt equal to a warm bath, he thought

as a physician it might do him good.

The Camera Fiend · 第 5 / 22 章