CHAPTER XI

Days of new hope and gladness followed in the camp of Yellow Bird and

Slim Buck. It was as if McKay, after a long absence, had come back to

his own people. The tenderness of mother and sister lay warm in Yellow

Bird's breast. Slim Buck loved him as a brother. The wrinkled faces of

the old softened when he came near and spoke to them; little children

followed him, and at dusk and dawn Sun Cloud held up her mouth to be

kissed. For the first time in years McKay felt as if he had found home.

The northland Indian Summer held the world in its drowsy arms, and the

sun-filled days and the starry nights seemed overflowing with the

promise of all time. Each day he put off his going until tomorrow, and

each day Slim Buck urged him to remain with them always.

But in Yellow Bird's eyes was a strange, quiet mystery, and she did not

urge. Each day and night she was watching--and waiting.

And at last that for which she watched and waited came to pass.

It was night, a dark, still night with a creeping restlessness in it.

This restlessness was like the ghostly pulse of a great living body,

still for a time, then moving, hiding, whispering between the clouds in

the sky and the deeper shadowed earth below. A night of uneasiness, of

unseen forces chained and stifled, of impending doubt and oppressive

lifelessness.

There was no wind, yet under the stars gray masses of cloud sped as if

in flight.

There was no breeze in the treetops, yet they whispered and sighed.

In the strange spell of this midnight, heavy with its unrest, the

wilderness lay half asleep, half awake, with the mysterious stillness

of death enshrouding it.

At the edge of the white sands of Wollaston, whose broad water was like

oil tonight, stood the tepees of Yellow Bird's people. Smoke-blackened

and seasoned by wind and rain they were dark blotches sentineling the

shore of the big lake. Behind them, beyond the willows, were the Indian

dogs. From them came an occasional whine, a deep sigh, the snapping of

a jaw, and in the gloom their bodies moved restlessly. In the tepees

was the spell of this same unrest. Sleep was never quite sure of

itself. Men, women and little children twisted and rolled, or lay

awake, and weird and distorted shapes and fancies came in dreams.

In her tepee Yellow Bird lay with her eyes wide open, staring at the

gray blur of the smoke hole above. Her husband was asleep. Sun Cloud,

tossing on her blankets, had flung one of her long braids so that it

lay across her mother's breast. Yellow Bird's slim fingers played with

its silken strands as she looked straight up into nothingness. Wide

awake, she was thinking--thinking as Slim Buck--would never be able to

think, back to the days when a white woman had been her goddess, and

when a little white boy--the woman's son--had called Yellow Bird “my

fairy.”

In the gloom, with foreboding eating at her heart, Yellow Bird's red

lips parted in a smile as those days came back to her, for they were

pleasing days to think about. But after that the years sped swiftly in

her mind until the day when the little boy--a man grown--came to save

her tribe, and her own life, and the life of Sun Cloud, and of Slim

Buck her husband. Since then prosperity and happiness had been her lot.

The spirits had been good. They had not let her grow old, but had kept

her still beautiful. And Sun Cloud, her little daughter, was beautiful,

and Slim Buck was more than ever her god among men, and her people were

happy. And all this she owed to the man who was sleeping under the

gloom of the sky outside, the hunted man, the outlaw, “the little boy

grown up”--Jolly Roger McKay.

As she listened, and stared up at the smoke hole, strange spirits were

whispering to her, and Yellow Bird's blood ran a little faster and her

eyes grew bigger and brighter in the darkness. They seemed to be

accusing her. They told her it was because of her that Roger McKay had

come in that winter of starvation and death, and had robbed and almost

killed, that she and Slim Buck and little Sun Cloud might live. That

was the beginning, and the thrill of it had got into the blood of

Neekewa, her “little white brother grown up.” And now he was out there,

alone with his dog in the night--and the red-coated avengers of the law

were hunting him. They wanted him for many things, but chiefly for the

killing of a man.

Yellow Bird sat up, her little hands clenched about the thick braid of

Sun Cloud's hair. She had conjured with the spirits and had let the

soul go out of her body that she might learn the future for Neekewa,

her white brother. And they had told her that Roger McKay had done

right to think of killing.

Their voices had whispered to her that he would not suffer more than he

had already suffered--and that in the Country Beyond he would find Nada

the white girl, and happiness, and peace. Yellow Bird did not

disbelieve. Her faith was illimitable. The spirits would not lie. But

the unrest of the night was eating at her heart. She tried to lift

herself to the whisperings above the tepee top. But they were

unintelligible, like many voices mingling, and with them came a dull

fear into her soul.

She put out a hand, as if to rouse Slim Buck. Then she drew it back,

and placed Sun Cloud's braid away from her. She rose to her feet so

quietly that even in their restlessness they did not fully awake.

Through the tepee door she went, and stood up straight in the night, as

if now she might hear more clearly, and understand.

For a space she breathed in the oppressive something that was in the

air, and her eyes went east and west for sign of storm. But there was

no threat of storm. The clouds were drifting slowly and softly, with

starlight breaking through their rifts, and there was no moan of

thunder or wail of wind far away. Her heart, for a little, seemed to

stop its beating, and her hands clasped tightly at her breast. She

began to understand, and a strange thrill crept into her. The spirits

had put a great burden upon the night so that it might drive sleep from

her eyes. They were warning her. They were telling her of danger,

approaching swiftly, almost impending. And it was peril for the white

man who was sleeping somewhere near.

Swiftly she began seeking for him, her naked little brown feet making

no sound in the soft white sands of Wollaston.

And as she sought, the clouds thinned out above, and the stars shone

through more clearly, as if to make easier for her the quest in the

gloom.

Where he had made his bed of blankets in the sand, close beside a flat

mass of water-washed sandstone, Jolly Roger lay half asleep. Peter was

wide awake. His eyes gleamed brightly and watchfully. His lank and bony

body was tense and alert. He did not whine or snap his jaws, though he

heard the Indian dogs occasionally doing so. The comradeship of a

fugitive, ever on the watch for his fellow men, had made him silent and

velvet-footed, and had sharpened his senses to the keenness of knives.

He, too, felt the impelling force of an approaching menace in this

night of stillness and mystery, and he watched closely the restless

movements of his master's body, and listened with burning eyes to the

name which he had spoken three times in the last five minutes of his

sleep.

It was Nada's name, and as Jolly Roger cried it out softly in the old

way, as if Nada was standing before them, he reached out, and his hands

struck the sandstone rock. His eyes opened, and slowly he sat up. The

sky had cleared of clouds, and there was starlight, and in that

starlight Jolly Roger saw a figure standing near him in the sand. At

first he thought it was Sun Cloud, for Peter stood with his head raised

to her. Then he saw it was Yellow Bird, with her beautiful eyes looking

at him steadily and strangely as he awakened.

He got upon his feet and went to her, and took one of her hands. It was

cold. He felt the shiver that ran through her slim body, and suddenly

her eyes swept from him out into the night.

“Listen, Neekewa!”

Her fingers tightened in his hand. For a space he could hear the

beating of her heart.

“Twice I have heard it,” she whispered then. “Neekewa, you must go!”

“Heard what?” he asked.

She shook her head.

“Something--I don't know what. But it tells me there is danger. And I

saw danger over the tepee top, and I have heard whisperings of it all

about me. It is coming. It is coming slowly and cautiously. It is very

near. Hark, Neekewa! Was that not a sound out on the water?”

“I think it was the wing of a duck, Yellow Bird.”

“And THAT!” she cried swiftly, her fingers tightening still more. “That

sound--as if wood strikes on wood!”

“The croak of a loon far up the shore, Yellow Bird.”

She drew her hand away.

“Neekewa, listen to me,” she importuned him in Cree. “The spirits have

made this night heavy with warning. I could not sleep. Sun Cloud

twitches and moans. Slim Buck whispers to himself. You were crying out

the name of Nada--Oo-Mee the Pigeon--when I came to you. I know. It is

danger. It is very near. And it is danger for you.”

“And only a short time ago you were confident happiness and peace were

coming to me, Yellow Bird,” reminded Jolly Roger. “The spirits, you

said, promised the law should never get me, and I would find Nada again

in that strange place you called the Country Beyond. Have the spirits

changed their message, because the night is heavy?”

Yellow Bird's eyes were staring into darkness.

“No, they have not changed,” she whispered. “They have spoken the

truth. They want to tell me more, but for some reason it is impossible.

They have tried to tell me where lies this place they call the Country

Beyond--where you will again find Oo-Mee the Pigeon. But a cloud always

comes between. And they are trying to tell me what the danger is off

there--in the darkness.” Suddenly she caught his arm. “Nee-kewa, DID

YOU HEAR?”

“A fish leaping in the still water, Yellow Bird.”

He heard a low whimper in Peter's throat, and looking down he saw

Peter's muzzle pointing toward the thick cloud of gloom over the lake.

“What is it, Pied-Bot?” he asked.

Peter whimpered again.

Jolly Roger touched the cold hand that rested on his arm.

“Go back to your bed, Yellow Bird. There is only one danger for me--the

red-coated police. And they do not travel in the dark hours of a night

like this.”

“They are coming,” she replied. “I cannot hear or see, but they are

coming!”

Her fingers tightened.

“And they are near,” she cried softly.

“You are nervous, Yellow Bird,” he said, thinking of the two days and

three nights of her conjuring, when she had neither slept nor taken

food, that she might more successfully commune with the spirits. “There

is no danger. The night is a hard one for sleep. It has frightened you.”

“It has warned me,” she persisted, standing as motionless as a statue

at his side. “Neekewa, the spirits do not forget. They have not

forgotten that winter when you came, and my people were dying of famine

and sickness--when I dreaded to see little Sun Cloud close her eyes

even in sleep, fearing she would never open them again. They have not

forgotten how all that winter you robbed the white people over on the

Des Chenes, that we might live. If they remember those things, and lie,

I would not be afraid to curse them. But they do not lie.”

Jolly Roger McKay did not answer. Deep down in him that strange

something was at work again, compelling him to believe Yellow Bird. She

did not look at him, but in her low Cree voice, soft as the mellow

notes of a bird, she was saying:

“You will be going very soon, Neekewa, and I shall not see you again

for a long time. Do not forget what I have told you. And you must

believe. Somewhere there is this place called the Country Beyond. The

spirits have said so. And it is there you will find your Oo-Mee the

Pigeon--and happiness. But if you go back to the place where you left

The Pigeon when you fled from the red-coated men of the law, you will

find only blackness and desolation. Believe, and you shall be guided.

If you disbelieve--”

She stopped.

“You heard that, Neekewa? It was not the wing of a duck, nor was it the

croak of a loon far up the shore, or a fish leaping in the still water.

IT WAS A PADDLE!”

In the star-gloom Jolly Roger McKay bowed his head, and listened.

“Yes, a paddle,” he said, and his voice sounded strange to him.

“Probably it is one of your people returning to camp, Yellow Bird.”

She turned toward him, and stood very near. Her hands reached out to

him. Her hair and eyes were filled with the velvety glow of the stars,

and for an instant he saw the tremble of her parted lips.

“Goodby, Neekewa,” she whispered.

And then, without letting her hands touch him, she was gone. Swiftly

she ran to Slim Buck's tepee, and entered, and very soon she came out

again with Slim Buck beside her. Jolly Roger did not move, but watched

as Yellow Bird and her husband went down to the edge of the lake, and

stood there, waiting for the strange canoe to pass--or come in. It was

approaching. Slowly it came up, an indistinct shadow at first, but

growing clearer, until at last he could see the silhouette of it

against the star-silvered water beyond. There were two people in it.

Before the canoe reached the shore Slim Buck stood out knee-deep in the

water and hailed it.

A voice answered. And at the sound of that voice McKay dropped like a

shot beside Peter, and Peter's lips curled up, and he snarled. His

master's hand warned him, and together they slipped back into the

shadows, and from under a piece of canvas Jolly Roger dragged forth his

pack, and quietly strapped it over his shoulders while he waited and

listened.

And then, as he heard the voice again, he grinned, and chuckled softly.

“It's Cassidy, Pied-Bot! We can't lose that redheaded fox, can we?”

A good humored deviltry lay in his eyes, and Peter--looking up--thought

for a moment his master was laughing. Then Jolly Roger made a megaphone

of his hands, and called very clearly out into the night.

“Ho, Cassidy! Is that you, Cassidy?”

Peter's heart was choking him as he listened. He sensed a terrific

danger. There was no sound at the edge of the lake. There was no sound

anywhere. For a few moments a death-like stillness followed Jolly

Roger's words.

Then a voice came in answer, each word cutting the gloom with the

decisive clearness of a bullet coming from a gun.

“Yes, this is Cassidy--Corporal Terence Cassidy, of 'M' Division, Royal

Northwest Mounted Police. Is that you, McKay?”

“Yes, it's me,” replied Jolly Roger. “Does the wager still hold,

Cassidy?”

“It holds.”

There was a shadowy movement on the beach. The voice came again.

“Watch yourself, McKay. If I see you I shall fire!”

With drawn gun Cassidy rushed toward the spot where Jolly Roger and

Peter had stood. It was empty now, except for the bit of old canvas.

Cassidy's Indian came up and stood behind him, and for many minutes

they listened for the crackling of brush. Slim Buck joined them, and

last came Yellow Bird, her dark eyes glowing like pools of fire in

their excitement. Cassidy looked at her, marveling at her beauty, and

suspicious of something that was in her face. He went back to the

beach. There he caught himself short, astonishment bringing a sharp

exclamation from his lips.

His canoe and outfit were gone!

Out of the star-gloom behind him floated a soft ripple of laughter as

Yellow Bird ran to her tepee.

And from the mist of water--far out--came a voice, the voice of Jolly

Roger McKay.

“Goodby, Cassidy!”

With it mingled the defiant bark of a dog.

In her tepee, a moment later, Yellow Bird drew Sun Cloud's glossy head

close against her warm breast, and turned her radiant face up

thankfully to the smoke hole in the tepee top, through which the

spirits had whispered their warning to her. Indistinctly, and still

farther away, her straining ears heard again the cry,

“Goodby, Cassidy!”

The Country Beyond: A Romance of the Wilderness(#4743) · 第 11 / 23 章