RETURN TO AMERICA--SUNNYSIDE--THE MISSION TO MADRID

In 1831 Mr. Irving was thrown, by his diplomatic position, into the thick

of the political and social tumult, when the Reform Bill was pending and

war was expected in Europe. It is interesting to note that for a time he

laid aside his attitude of the dispassionate observer, and caught the

general excitement. He writes in March, expecting that the fate of the

cabinet will be determined in a week, looking daily for decisive news

from Paris, and fearing dismal tidings from Poland. "However," he goes

on to say in a vague way, "the great cause of all the world will go on.

What a stirring moment it is to live in! I never took such intense

interest in newspapers. It seems to me as if life were breaking out anew

with me, or that I were entering upon quite a new and almost unknown

career of existence, and I rejoice to find sensibilities, which were

waning as to many objects of past interest, reviving with all their

freshness and vivacity at the scenes and prospects opening around me."

He expects the breaking of the thraldom of falsehood woven over the human

mind; and, more definitely, hopes that the Reform Bill will prevail.

Yet he is oppressed by the gloom hanging over the booksellers' trade,

which he thinks will continue until reform and cholera have passed away.

During the last months of his residence in England, the author renewed

his impressions of Stratford (the grateful landlady of the Red Horse Inn

showed him a poker which was locked up among the treasures of her house,

on which she had caused to be engraved "Geoffrey Crayon's Sceptre"); spent

some time at Newstead Abbey; and had the sorrowful pleasure in London of

seeing Scott once more, and for the last time. The great novelist, in

the sad eclipse of his powers, was staying in the city, on his way to

Italy, and Mr. Lockhart asked Irving to dine with him. It was but a

melancholy repast. "Ah," said Scott, as Irving gave him his arm, after

dinner, "the times are changed, my good fellow, since we went over the

Eildon Hills together. It is all nonsense to tell a man that his mind is

not affected when his body is in this state."

Irving retired from the legation in September, 1831, to return home, the

longing to see his native land having become intense; but his arrival in

New York was delayed till May, 1832.

If he had any doubts of the sentiments of his countrymen toward him, his

reception in New York dissipated them. America greeted her most famous

literary man with a spontaneous outburst of love and admiration. The

public banquet in New York, that was long remembered for its brilliancy,

was followed by the tender of the same tribute in other cities, an honor

which his unconquerable shrinking from this kind of publicity compelled

him to decline.

The "Dutch Herodotus, Diedrich Knickerbocker," to use the phrase of a

toast, having come out of one such encounter with fair credit, did not

care to tempt Providence further. The thought of making a dinner-table

speech threw him into a sort of whimsical panic,--a noble infirmity,

which characterized also Hawthorne and Thackeray.

The enthusiasm manifested for the homesick author was equaled by his own

for the land and the people he supremely loved. Nor was his surprise at

the progress made during seventeen years less than his delight in it.

His native place had become a city of two hundred thousand inhabitants;

the accumulation of wealth and the activity of trade astonished him, and

the literary stir was scarcely less unexpected. The steamboat had come

to be used, so that he seemed to be transported from place to place by

magic; and on a near view the politics of America seemed not less

interesting than those of Europe. The nullification battle was set; the

currency conflict still raged; it was a time of inflation and land

speculation; the West, every day more explored and opened, was the land

of promise for capital and energy. Fortunes were made in a day by buying

lots in "paper towns." Into some of these speculations Irving put his

savings; the investments were as permanent as they were unremunerative.

Irving's first desire, however, on his recovery from the state of

astonishment into which these changes plunged him, was to make himself

thoroughly acquainted with the entire country and its development.

To this end he made an extended tour in the South and West, which passed

beyond the bounds of frontier settlement. The fruit of his excursion

into the Pawnee country, on the waters of the Arkansas, a region

untraversed by white men, except solitary trappers, was "A Tour on the

Prairies," a sort of romance of reality, which remains to-day as good a

description as we have of hunting adventure on the plains. It led also

to the composition of other books on the West, which were more or less

mere pieces of book-making for the market.

Our author was far from idle. Indeed, he could not afford to be.

Although he had received considerable sums from his books, and perhaps

enough for his own simple wants, the responsibility of the support of his

two brothers, Peter and Ebenezer, and several nieces, devolved upon him.

And, besides, he had a longing to make himself a home, where he could

pursue his calling undisturbed, and indulge the sweets of domestic and

rural life, which of all things lay nearest his heart. And these two

undertakings compelled him to be diligent with his pen to the end of his

life. The spot he chose for his "Roost" was a little farm on the bank of

the river at Tarrytown, close to his old Sleepy Hollow haunt, one of the

loveliest, if not the most picturesque, situations on the Hudson.

At first he intended nothing more than a summer retreat, inexpensive and

simply furnished. But his experience was that of all who buy, and

renovate, and build. The farm had on it a small stone Dutch cottage,

built about a century before, and inhabited by one of the Van Tassels.

This was enlarged, still preserving the quaint Dutch characteristics;

it acquired a tower and a whimsical weather-cock, the delight of the

owner ("it was brought from Holland by Gill Davis, the King of Coney

Island, who says he got it from a windmill which they were demolishing at

the gate of Rotterdam, which windmill has been mentioned in

'Knickerbocker'"), and became one of the most snug and picturesque

residences on the river. When the slip of Melrose ivy, which was brought

over from Scotland by Mrs. Renwick and given to the author, had grown and

well overrun it, the house, in the midst of sheltering groves and

secluded walks, was as pretty a retreat as a poet could desire. But the

little nook proved to have an insatiable capacity for swallowing up

money, as the necessities of the author's establishment increased: there

was always something to be done to the grounds; some alterations in the

house; a greenhouse, a stable, a gardener's cottage, to be built,--and to

the very end the outlay continued. The cottage necessitated economy in

other personal expenses, and incessant employment of his pen.

But Sunnyside, as the place was named, became the dearest spot on earth

to him; it was his residence, from which he tore himself with reluctance,

and to which he returned with eager longing; and here, surround by

relatives whom he loved, he passed nearly all the remainder of his years,

in as happy conditions, I think, as a bachelor ever enjoyed. His

intellectual activity was unremitting, he had no lack of friends, there

was only now and then a discordant note in the general estimation of his

literary work, and he was the object of the most tender care from his

nieces. Already, he writes, in October, 1838, "my little cottage is well

stocked. I have Ebenezer's five girls, and himself also, whenever he can

be spared from town; sister Catherine and her daughter; Mr. Davis

occasionally, with casual visits from all the rest of our family

connection. The cottage, therefore, is never lonely." I like to dwell

in thought upon this happy home, a real haven of rest after many

wanderings; a seclusion broken only now and then by enforced absence,

like that in Madrid as minister, but enlivened by many welcome guests.

Perhaps the most notorious of these was a young Frenchman, a "somewhat

quiet guest," who, after several months' imprisonment on board a French

man-of-war, was set on shore at Norfolk, and spent a couple of months in

New York and its vicinity, in 1837. This visit was vividly recalled by

Irving in a letter to his sister, Mrs. Storrow, who was in Paris in 1853,

and had just been presented at court:

"Louis Napoleon and Eugenie Montijo, Emperor and Empress of France!

one of whom I have had a guest at my cottage on the Hudson; the

other, whom, when a child, I have had on my knee at Granada. It

seems to cap the climax of the strange dramas of which Paris has

been the theatre during my lifetime. I have repeatedly thought that

each grand coup de theatre would be the last that would occur in my

time; but each has been succeeded by another equally striking; and

what will be the next, who can conjecture?

"The last time I saw Eugenie Montijo she was one of the reigning

belles of Madrid; and she and her giddy circle had swept away my

charming young friend, the beautiful and accomplished--------,

into their career of fashionable dissipation. Now Eugenie is upon a

throne, and a voluntary recluse in a convent of one of the most

rigorous orders! Poor----! Perhaps, however, her fate may

ultimately be the happiest of the two. 'The storm' with her 'is

o'er, and she's at rest;' but the other is launched upon a

returnless shore, on a dangerous sea, infamous for its tremendous

shipwrecks. Am I to live to see the catastrophe of her career, and

the end of this suddenly conjured-up empire, which seems to 'be of

such stuff as dreams are made of'?"

As we have seen, the large sums Irving earned by his pen were not spent

in selfish indulgence. His habits and tastes were simple, and little

would have sufficed for his individual needs. He cared not much for

money, and seemed to want it only to increase the happiness of those who

were confided to his care. A man less warm-hearted and more selfish, in

his circumstances, would have settled down to a life of more ease and

less responsibility.

To go back to the period of his return to America. He was now past

middle life, having returned to New York in his fiftieth year. But he

was in the full flow of literary productiveness. I have noted the dates

of his achievements, because his development was somewhat tardy compared

that of many of his contemporaries; but he had the "staying" qualities.

The first crop of his mind was of course the most original; time and

experience had toned down his exuberant humor; but the spring of his

fancy was as free, his vigor was not abated, and his art was more

refined. Some of his best work was yet to be done.

And it is worthy of passing mention, in regard to his later productions,

that his admirable sense of literary proportion, which is wanting in many

good writers, characterized his work to the end.

High as his position as a man of letters was at this time, the

consideration in which he was held was much broader than that,--it was

that of one of the first citizens of the Republic. His friends, readers,

and admirers were not merely the literary class and the general public,

but included nearly all the prominent statesmen of the time. Almost any

career in public life would have been open to him if he had lent an ear

to their solicitations. But political life was not to his taste, and it

would have been fatal to his sensitive spirit. It did not require much

self-denial, perhaps, to decline the candidacy for mayor of New York, or

the honor of standing for Congress; but he put aside also the distinction

of a seat in Mr. Van Buren's cabinet as Secretary of the Navy. His main

reason for declining it, aside from a diffidence in his own judgment in

public matters, was his dislike of the turmoil of political life in

Washington, and his sensitiveness to personal attacks which beset the

occupants of high offices. But also he had come to a political

divergence with Mr. Van Buren. He liked the man,--he liked almost

everybody,--and esteemed him as a friend, but he apprehended trouble from

the new direction of the party in power. Irving was almost devoid of

party prejudice, and he never seemed to have strongly marked political

opinions. Perhaps his nearest confession to a creed is contained in a

letter he wrote to a member of the House of Representatives, Gouverneur

Kemble, a little time before the offer of a position in the cabinet, in

which he said that he did not relish some points of Van Buren's policy,

nor believe in the honesty of some of his elbow counselors. I quote a

passage from it:

"As far as I know my own mind, I am thoroughly a republican, and

attached, from complete conviction, to the institutions of my

country; but I am a republican without gall, and have no bitterness

in my creed. I have no relish for Puritans, either in religion or

politics, who are for pushing principles to an extreme, and for

overturning everything that stands in the way of their own zealous

career . . . . Ours is a government of compromise. We have

several great and distinct interests bound up together, which, if

not separately consulted and severally accommodated, may harass and

impair each other . . . . I always distrust the soundness of

political councils that are accompanied by acrimonious and

disparaging attacks upon any great class of our fellow-citizens.

Such are those urged to the disadvantage of the great trading and

financial classes of our country."

During the ten years preceding his mission to Spain, Irving kept fagging

away at the pen, doing a good deal of miscellaneous and ephemeral work.

Among his other engagements was that of regular contributor to the

"Knickerbocker Magazine," for a salary of two thousand dollars. He wrote

the editor that he had observed that man, as he advances in life, is

subject to a plethora of the mind, occasioned by an accumulation of

wisdom upon the brain, and that he becomes fond of telling long stories

and doling out advice, to the annoyance of his friends. To avoid

becoming the bore of the domestic circle, he proposed to ease off this

surcharge of the intellect by inflicting his tediousness on the public

through the pages of the periodical. The arrangement brought reputation

to the magazine (which was published in the days when the honor of being

in print was supposed by the publisher to be ample compensation to the

scribe), but little profit to Mr. Irving. During this period he

interested himself in an international copyright, as a means of fostering

our young literature. He found that a work of merit, written by an

American who had not established a commanding name in the market, met

very cavalier treatment from our publishers, who frankly said that they

need not trouble themselves about native works, when they could pick up

every day successful books from the British press, for which they had to

pay no copyright. Irving's advocacy of the proposed law was entirely

unselfish, for his own market was secure.

His chief works in these ten years were, "A Tour on the Prairies,"

"Recollections of Abbotsford and Newstead Abbey," "The Legends of the

Conquest of Spain," "Astoria" (the heavy part of the work of it was done

by his nephew Pierre), "Captain Bonneville," and a number of graceful

occasional papers, collected afterwards under the title of "Wolfert's

Roost." Two other books may properly be mentioned here, although they

did not appear until after his return from his absence of four years and

a half at the court of Madrid; these are the "Biography of Goldsmith" and

"Mahomet and his Successors." At the age of sixty-six he laid aside the

"Life of Washington," on which he was engaged, and rapidly threw off

these two books. The "Goldsmith" was enlarged from a sketch he had made

twenty-five years before. It is an exquisite, sympathetic piece of work,

without pretension or any subtle verbal analysis, but on the whole an

excellent interpretation of the character. Author and subject had much

in common: Irving had at least a kindly sympathy for the vagabondish

inclinations of his predecessor, and with his humorous and cheerful

regard of the world; perhaps it is significant of a deeper unity in

character that both, at times, fancied they could please an intolerant

world by attempting to play the flute. The "Mahomet" is a popular

narrative, which throws no new light on the subject; it is pervaded by

the author's charm of style and equity of judgment, but it lacks the

virility of Gibbon's masterly picture of the Arabian prophet and the

Saracenic onset.

We need not dwell longer upon this period. One incident of it, however,

cannot be passed in silence--that was the abandonment of his lifelong

project of writing the History of the Conquest of Mexico to Mr. William

H. Prescott. It had been a scheme of his boyhood; he had made

collections of materials for it during his first residence in Spain;

and he was actually and absorbedly engaged in the composition of the

first chapters, when he was sounded by Mr. Cogswell, of the Astor

Library, in behalf of Mr. Prescott. Some conversation showed that

Mr. Prescott was contemplating the subject upon which Mr. Irving was

engaged, and the latter instantly authorized Mr. Cogswell to say that he

abandoned it. Although our author was somewhat far advanced, and Mr.

Prescott had not yet collected his materials, Irving renounced the

glorious theme in such a manner that Prescott never suspected the pain

and loss it cost him, nor the full extent of his own obligation. Some

years afterwards Irving wrote to his nephew that in giving it up he in a

manner gave up his bread, as he had no other subject to supply its place:

"I was," he wrote, "dismounted from my cheval de bataille, and have never

been completely mounted since." But he added that he was not sorry for

the warm impulse that induced him to abandon the subject, and that Mr.

Prescott's treatment of it had justified his opinion of him.

Notwithstanding Prescott's very brilliant work, we cannot but feel some

regret that Irving did not write a Conquest of Mexico. His method, as he

outlined it, would have been the natural one. Instead of partially

satisfying the reader's curiosity in a preliminary essay, in which the

Aztec civilization was exposed, Irving would have begun with the entry of

the conquerors, and carried his reader step by step onward, letting him

share all the excitement and surprise of discovery which the invaders

experienced, and learn of the wonders of the country in the manner most

likely to impress both the imagination and the memory; and with his

artistic sense of the value of the picturesque he would have brought into

strong relief the dramatis personae of the story.

In 1842 Irving was tendered the honor of the mission to Madrid. It was an

entire surprise to himself and to his friends. He came to look upon this

as the "crowning honor of his life," and yet when the news first reached

him, he paced up and down his room, excited and astonished, revolving in

his mind the separation from home and friends, and was heard murmuring,

half to himself and half to his nephew: "It is hard,--very hard; yet I

must try to bear it. God tempers the wind to the shorn lamb." His

acceptance of the position was doubtless influenced by the intended honor

to his profession, by the gratifying manner in which it came to him, by

his desire to please his friends, and the belief, which was a delusion,

that diplomatic life in Madrid would offer no serious interruption to his

"Life of Washington," in which he had just become engaged. The

nomination, the suggestion of Daniel Webster, Tyler's Secretary of State,

was cordially approved by the President and cabinet, and confirmed almost

by acclamation in the Senate. "Ah," said Mr. Clay, who was opposing

nearly all the President's appointments, "this is a nomination everybody

will concur in!" "If a person of more merit and higher qualification,"

wrote Mr. Webster in his official notification, "had presented himself,

great as is my personal regard for you, I should have yielded it to

higher considerations."

No other appointment could have been made so complimentary to Spain, and

it remains to this day one of the most honorable to his own country.

In reading Irving's letters written during his third visit abroad, you

are conscious that the glamour of life is gone for him, though not his

kindliness towards the world, and that he is subject to few illusions;

the show and pageantry no longer enchant,--they only weary. The novelty

was gone, and he was no longer curious to see great sights and great

people. He had declined a public dinner in New York, and he put aside

the same hospitality offered by Liverpool and by Glasgow. In London he

attended the Queen's grand fancy ball, which surpassed anything he had

seen in splendor and picturesque effect. "The personage," he writes,

"who appeared least to enjoy the scene seemed to me to be the little

Queen herself. She was flushed and heated, and evidently fatigued and

oppressed with the state she had to keep up and the regal robes in which

she was arrayed, and especially by a crown of gold, which weighed heavy

on her brow, and to which she was continually raising her hand to move it

slightly when it pressed. I hope and trust her real crown sits easier."

The bearing of Prince Albert he found prepossessing, and he adds, "He

speaks English very well;" as if that were a useful accomplishment for an

English Prince Consort. His reception at court and by the ministers and

diplomatic corps was very kind, and he greatly enjoyed meeting his old

friends, Leslie, Rogers, and Moore. At Paris, in an informal

presentation to the royal family, he experienced a very cordial welcome

from the King and Queen and Madame Adelaide, each of whom took occasion

to say something complimentary about his writings; but he escaped as soon

as possible from social engagements. "Amidst all the splendors of London

and Paris, I find my imagination refuses to take fire, and my heart still

yearns after dear little Sunnyside." Of an anxious friend in Paris, who

thought Irving was ruining his prospects by neglecting to leave his card

with this or that duchess who had sought his acquaintance, he writes:

"He attributes all this to very excessive modesty, not dreaming that the

empty intercourse of saloons with people of rank and fashion could be a

bore to one who has run the rounds of society for the greater part of

half a century, and who likes to consult his own humor and pursuits."

When Irving reached Madrid, the affairs of the kingdom had assumed a

powerful dramatic interest, wanting in none of the romantic elements that

characterize the whole history of the peninsula. "The future career [he

writes of this gallant soldier, Espartero, whose merits and services have

placed him at the head of the government, and the future fortunes of

these isolated little princesses, the Queen and her sister], have an

uncertainty hanging about them worthy of the fifth act in a melodrama."

The drama continued, with constant shifting of scene, as long as Irving

remained in Spain, and gave to his diplomatic life intense interest, and

at times perilous excitement. His letters are full of animated pictures

of the changing progress of the play; and although they belong rather to

the gossip of history than to literary biography, they cannot be

altogether omitted. The duties which the minister had to perform were

unusual, delicate, and difficult; but I believe he acquitted himself of

them with the skill of a born diplomatist. When he went to Spain before,

in 1826, Ferdinand VII. was, by aid of French troops, on the throne, the

liberties of the kingdom were crushed, and her most enlightened men were

in exile. While he still resided there, in 1829, Ferdinand married, for

his fourth wife, Maria Christina, sister of the King of Naples, and niece

of the Queen of Louis Philippe. By her he had two daughters, his only

children. In order that his own progeny might succeed him, he set aside

the Salique law (which had been imposed by France) just before his death,

in 1833, and revived the old Spanish law of succession. His eldest

daughter, then three years old, was proclaimed Queen by the name of

Isabella II, and her mother guardian during her minority, which would end

at the age of fourteen. Don Carlos, the king's eldest brother,

immediately set up the standard of rebellion, supported by the absolutist

aristocracy, the monks, and a great part of the clergy. The liberals

rallied to the Queen. The Queen Regent did not, however, act in good

faith with the popular party she resisted all salutary reform, would not

restore the Constitution of 1812 until compelled to by a popular

uprising, and disgraced herself by a scandalous connection with one

Munos, one of the royal bodyguards. She enriched this favorite and

amassed a vast fortune for herself, which she sent out of the country.

In 1839, when Don Carlos was driven out of the country by the patriot

soldier Espartero, she endeavored to gain him over to her side, but

failed. Espartero became Regent, and Maria Christina repaired to Paris,

where she was received with great distinction by Louis Philippe, and

Paris became the focus of all sorts of machinations against the

constitutional government of Spain, and of plots for its overthrow. One

of these had just been defeated at the time of Irving's arrival. It was

a desperate attempt of a band of soldiers of the rebel army to carry off

the little Queen and her sister, which was frustrated only by the gallant

resistance of the halberdiers in the palace. The little princesses had

scarcely recovered from the horror of this night attack when our minister

presented his credentials to the Queen through the Regent, thus breaking

a diplomatic deadlock, in which he was followed by all the other

embassies except the French. I take some passages from the author's

description of his first audience at the royal palace:

"We passed through the spacious court, up the noble staircase, and

through the long suites of apartments of this splendid edifice, most of

them silent and vacant, the casements closed to keep out the heat, so

that a twilight reigned throughout the mighty pile, not a little

emblematical of the dubious fortunes of its inmates. It seemed more like

traversing a convent than a palace. I ought to have mentioned that in

ascending the grand staircase we found the portal at the head of it,

opening into the royal suite of apartments, still bearing the marks of

the midnight attack upon the palace in October last, when an attempt was

made to get possession of the persons of the little Queen and her sister,

to carry them off . . . . The marble casements of the doors had been

shattered in several places, and the double doors themselves pierced all

over with bullet holes, from the musketry that played upon them from the

staircase during that eventful night. What must have been the feelings

of those poor children, on listening, from their apartment, to the horrid

tumult, the outcries of a furious multitude, and the reports of firearms

echoing and reverberating through the vaulted halls and spacious courts

of this immense edifice, and dubious whether their own lives were not the

object of the assault!

"After passing through various chambers of the palace, now silent and

sombre, but which I had traversed in former days, on grand court

occasions in the time of Ferdinand VII, when they were glittering with

all the splendor of a court, we paused in a great saloon, with

high-vaulted ceiling incrusted with florid devices in porcelain, and hung

with silken tapestry, but all in dim twilight, like the rest of the

palace. At one end of the saloon the door opened to an almost

interminable range of other chambers, through which, at a distance, we

had a glimpse of some indistinct figures in black. They glided into the

saloon slowly, and with noiseless steps. It was the little Queen, with

her governess, Madame Mina, widow of the general of that name, and her

guardian, the excellent Arguelles, all in deep mourning for the Duke of

Orleans. The little Queen advanced some steps within the saloon and then

paused. Madame Mina took her station a little distance behind her. The

Count Almodovar then introduced me to the Queen in my official capacity,

and she received me with a grave and quiet welcome, expressed in a very

low voice. She is nearly twelve years of age, and is sufficiently well

grown for her years. She had a somewhat fair complexion, quite pale,

with bluish or light gray eyes; a grave demeanor, but a graceful

deportment. I could not but regard her with deep interest, knowing what

important concerns depended upon the life of this fragile little being,

and to what a stormy and precarious career she might be destined. Her

solitary position, also, separated from all her kindred except her little

sister, a mere effigy of royalty in the hands of statesmen, and

surrounded by the formalities and ceremonials of state, which spread

sterility around the occupant of a throne."

I have quoted this passage, not more on account of its intrinsic

interest, than as a specimen of the author's consummate art of conveying

an impression by what I may call the tone of his style; and this appears

in all his correspondence relating to this picturesque and eventful

period. During the four years of his residence the country was in a

constant state of excitement and often of panic. Armies were marching

over the kingdom. Madrid was in a state of siege, expecting an assault

at one time; confusion reigned amid the changing adherents about the

person of the child-queen. The duties of a minister were perplexing

enough, when the Spanish government was changing its character and its

personnel with the rapidity of shifting scenes in a pantomime. "This

consumption of ministers," wrote Irving to Mr. Webster, "is appalling.

To carry on a negotiation with such transient functionaries is like

bargaining at the window of a railroad-car: before you can get a reply to

a proposition the other party is out of sight."

Apart from politics, Irving's residence was full of half-melancholy

recollections and associations. In a letter to his old comrade, Prince

Polgorouki, then Russian Minister at Naples, he recalls the days of their

delightful intercourse at the D'Oubrils':

"Time dispels charms and illusions. You remember how much I was

struck with a beautiful young woman (I will not mention names) who

appeared in a tableau as Murillo's Virgin of the Assumption? She

was young, recently married, fresh and unhackneyed in society, and

my imagination decked her out with everything that was pure, lovely,

innocent, and angelic in womanhood. She was pointed out to me in

the theatre shortly after my arrival in Madrid. I turned with

eagerness to the original of the picture that had ever remained hung

up in sanctity in my mind. I found her still handsome, though

somewhat matronly in appearance, seated, with her daughters, in the

box of a fashionable nobleman, younger than herself, rich in purse

but poor in intellect, and who was openly and notoriously her

cavalier servante. The charm was broken, the picture fell from the

wall. She may have the customs of a depraved country and licentious

state of society to excuse her; but I can never think of her again

in the halo of feminine purity and loveliness that surrounded the

Virgin of Murillo."

During Irving's ministry he was twice absent, briefly in Paris and

London, and was called to the latter place for consultation in regard to

the Oregon boundary dispute, in the settlement of which he rendered

valuable service. Space is not given me for further quotations from

Irving's brilliant descriptions of court, characters, and society in that

revolutionary time, nor of his half-melancholy pilgrimage to the southern

scenes of his former reveries. But I will take a page from a letter to

his sister, Mrs. Paris, describing his voyage from Barcelona to

Marseilles, which exhibits the lively susceptibility of the author and

diplomat who was then in his sixty-first year:

"While I am writing at a table in the cabin, I am sensible of the

power of a pair of splendid Spanish eyes which are occasionally

flashing upon me, and which almost seem to throw a light upon the

paper. Since I cannot break the spell, I will describe the owner of

them. She is a young married lady, about four or five and twenty,

middle sized, finely modeled, a Grecian outline of face, a

complexion sallow yet healthful, raven black hair, eyes dark, large,

and beaming, softened by long eyelashes, lips full and rosy red, yet

finely chiseled, and teeth of dazzling whiteness. She is dressed in

black, as if in mourning; on one hand is a black glove; the other

hand, ungloved, is small, exquisitely formed, with taper fingers and

blue veins. She has just put it up to adjust her clustering black

locks. I never saw female hand more exquisite. Really, if I were a

young man, I should not be able to draw the portrait of this

beautiful creature so calmly.

"I was interrupted in my letter writing, by an observation of the

lady whom I was describing. She had caught my eye occasionally, as

it glanced from my letter toward her. 'Really, Senor,' said she, at

length, with a smile, I one would think you were a painter taking my

likeness.' I could not resist the impulse. 'Indeed,' said I, 'I am

taking it; I am writing to a friend the other side of the world,

discussing things that are passing before me, and I could not help

noting down one of the best specimens of the country that I had met

with: A little bantering took place between the young lady, her

husband, and myself, which ended in my reading off, as well as I

could into Spanish, the description I had just written down.

It occasioned a world of merriment, and was taken in excellent part.

The lady's cheek, for once, mantled with the rose. She laughed,

shook her head, and said I was a very fanciful portrait painter;

and the husband declared that, if I would stop at St. Filian, all

the ladies in the place would crowd to have their portraits taken,

--my pictures were so flattering. I have just parted with them. The

steamship stopped in the open sea, just in front of the little bay

of St. Filian; boats came off from shore for the party. I helped

the beautiful original of the portrait into the boat, and promised

her and her husband if ever I should come to St. Filian I would pay

them a visit. The last I noticed of her was a Spanish farewell wave

of her beautiful white hand, and the gleam of her dazzling teeth as

she smiled adieu. So there 's a very tolerable touch of romance for

a gentleman of my years."

When Irving announced his recall from the court of Madrid, the young

Queen said to him in reply: "You may take with you into private life the

intimate conviction that your frank and loyal conduct has contributed to

draw closer the amicable relations which exist between North America and

the Spanish nation, and that your distinguished personal merits have

gained in my heart the appreciation which you merit by more than one

title." The author was anxious to return. From the midst of court life

in April, 1845, he had written: "I long to be once more back at dear

little Sunnyside, while I have yet strength and good spirits to enjoy the

simple pleasures of the country, and to rally a happy family group once

more about me. I grudge every year of absence that rolls by. To-morrow

is my birthday. I shall then be sixty-two years old. The evening of

life is fast drawing over me; still I hope to get back among my friends

while there is a little sunshine left."

It was the 19th of September, 1846, says his biographer, "when the

impatient longing of his heart was gratified, and he found himself

restored to his home for the thirteen years of happy life still remaining

to him."

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