XXVI

Is justice done in this world only by a succession of injustices?

Is there any law that a wrong must right a wrong? Did it rebuke the

means by which the vast fortune of Henderson was accumulated, that it was

defeated of any good use by the fraud of his wife? Was her action

punished by the same unscrupulous tactics of the Street that originally

made the fortune? And Ault? Would a stronger pirate arise in time to

despoil him, and so act as the Nemesis of all violation of the law of

honest relations between men?

The comfort is, in all this struggle of the evil powers, masked as

justice, that the Almighty Ruler of the world does not forget his own,

and shows them a smiling face in the midst of disaster. There is no

mystery in this. For the noble part in man cannot be touched in its

integrity by such vulgar disasters as we are considering. In those days

when Evelyn saw dissolving about her the material splendors of her old

life, while the Golden House was being dismantled, and she was taking sad

leave of the scenes of her girlhood, so vivid with memory of affection

and of intellectual activity, they seemed only the shell, the casting-off

of which gave her freedom. The sun never shone brighter, there was never

such singing in her heart, as on the morning when she was free to go to

Mrs. Van Cortlandt's and throw herself into the arms of her dear

governess and talk of Philip.

Why not? Perhaps she had not that kind of maidenly shyness, sometimes

called conventional propriety, sometimes described as 'mauvaise honte'

which a woman of the world would have shown. The impulses of her heart

followed as direct lines as the reasoning of her brain. Was it due to

her peculiar education, education only in the noblest ideas of the race,

that she should be a sort of reversion, in our complicated life, to the

type of woman in the old societies (we like to believe there was such a

type as the poets love, the Nausicaas), who were single-minded, as frank

to avow affection as opinion?

"Have you seen him?" she asked.

"No, but he has written."

"And you think he--" the girl had her arms around her friend's neck

again, and concealed her blushing face don't make me say it, McDonald."

"Yes, dear, I am sure--I know he does."

There was a little quiver in her form, but it was not of agony; then she

put her hands on the shoulders of her governess, and, looking in her

eyes, said:

"When you did see him, how did he look--how did he look?--pretty sad?"

"How could he help it?"

"The dear! But was he well?"

"Splendidly, so he said. Like his old self."

"Tell me," said the girl.

And Miss McDonald went into delightful details, how he looked, how he

walked, how his voice sounded, how he talked, how melancholy he was, and

how full of determination he was, his eyes were so kindly, and his smile

was never so sweet as now when there was sadness in it.

"It is very long since," drearily murmured the girl. And then she

continued, partly to herself, partly to Miss McDonald: "He will come now,

can't he? Not to that house. Never would I wish him to set foot in it.

But he is not forbidden to come to the place where we are going. Soon,

you think? Perhaps you might hint--oh no, not from me--just your idea.

Wouldn't it be natural, after our misfortune? Perhaps mamma would feel

differently after what has happened. Oh, that Montague! that horrid

little man! I think--I think I shall receive him coolly at first, just

to see."

But it was not immediately that the chance for a guileless woman to show

her coolness to her lover was to occur. This postponement was not due to

the coolness or to the good sense of Philip. When the catastrophe came,

his first impulse was that of a fireman who plunges into a burning

building to rescue the imperiled inmates. He pictured in his mind a

certain nobility of action in going forward to the unfortunate family

with his sympathy, and appearing to them in the heroic attitude of a man

whose love has no alloy of self-interest. They should speedily

understand that it was not the heiress, but the woman, with whom he was

in love.

But Miss McDonald understood human nature better than that, at least the

nature of Mrs. Mavick. People of her temperament, humiliated and

enraged, are best left alone. The fierceness with which she would have

turned upon any of her society friends who should have presumed to offer

her condolence, however sweetly the condescension were concealed, would

have been vented without mercy upon the man whose presence would have

reminded her of her foolish rudeness to him, and of the bitter failure of

her schemes for her daughter. "Wait, wait," said the good counselor,

"until the turmoil has subsided, and the hard pressure of circumstances

compels her to look at things in their natural relations. She is too

sore now in--the wreck of all her hopes."

But, indeed, her hopes were not all surrendered in a moment. She had

more spirit than her husband in their calamity. She was, in fact, a born

gambler; she had the qualities of her temperament, and would not believe

that courage and luck could not retrieve, at least partially, their

fortune. It seemed incredible in the Street that the widow of Henderson

should have given over her property so completely to her second husband,

and it was a surprise to find that there was very little of value that

the assignment of Mavick did not carry with it. The Street did not know

the guilty secret between Mavick and his wife that made them cowards to

each other. Nor did it understand that Carmen was the more venturesome

gambler of the two, and that gradually, for the success of promising

schemes, she had thrown one thing after another into the common

speculation, until practically all the property stood in Mavick's name.

Was she a fool in this, as so many women are about their separate

property, or was she cheated?

The palace on Fifth Avenue was not even in her name. When she realized

that, there was a scene--but this is not a history of the quarrels of

Carmen and her husband after the break-down.

The reader would not be interested--the public of the time were not--in

the adjustment of Mavick and his wife to their new conditions.

The broken-down, defeated bankrupt is no novelty in Wall Street, the man

struggling to keep his foothold in the business of the Street, and

descending lower and lower in the scale. The shrewd curbstone broker may

climb to a seat in the Stock Exchange; quite as often a lord of the

Board, a commander of millions, may be reduced to the seedy watcher of

the bulletin-board in a bucket-shop.

At first, in the excitement and the confusion, amid the debris of so much

possible wealth, Mavick kept a sort of position, and did not immediately

feel the pinch of vulgar poverty. But the day came when all illusion

vanished, and it was a question of providing from day to day for the

small requirements of the house in Irving Place.

It was not a cheerful household; reproaches are hard to bear when

physical energy is wanting to resist them. Mavick had visibly aged

during the year. It was only in his office that he maintained anything

of the spruce appearance and 'sang froid' which had distinguished the

diplomatist and the young adventurer. At home he had fallen into the

slovenliness that marks a disappointed old age. Was Mrs. Mavick peevish

and unreasonable? Very likely. And had she not reason to be? Was she,

as a woman, any more likely to be reconciled to her fate when her mirror

told her, with pitiless reflection, that she was an old woman?

Philip waited. Under the circumstances would not both Philip and Evelyn

have been justified in disregarding the prohibition that forbade their

meeting or even writing to each other? It may be a nice question, but it

did not seem so to these two, who did not juggle with their consciences.

Philip had given his word. Evelyn would tolerate no concealments; she

was just that simple-minded in her filial notions.

The girl, however, had one comfort, and that was the knowledge of Philip

through Miss McDonald, whom she saw frequently, and to whom even Mrs.

Mavick was in a manner reconciled. She was often in the little house in

Irving Place. There was nothing in her manner to remind Mrs. Mavick that

she had done her a great wrong, and her cheerfulness and good sense made

her presence and talk a relief from the monotony of the defeated woman's

life.

It came about, therefore, that one day Philip made his way down into the

city to seek an interview with Mr. Mavick. He found him, after some

inquiry, in a barren little office, occupying one of the rented desks

with three or four habitues of the Street, one of them an old man like

himself, the others mere lads who did not intend to remain long in such

cramped quarters.

Mr. Mavick arose when his visitor stood at his desk, buttoned up his

frock-coat, and extended his hand with a show of business cordiality, and

motioned him to a chair. Philip was greatly shocked at the change in Mr.

Mavick's appearance.

"I beg your pardon," he said, "for disturbing you in business hours."

"No disturbance," he answered, with something of the old cynical smile on

his lips.

"Long ago I called to see you on the errand I have now, but you were not

in town. It was, Mr. Mavick," and Philip hesitated and looked down, "in

regard to your daughter."

"Ah, I did not hear of it."

"No? Well, Mr. Mavick, I was pretty presumptuous, for I had no foothold

in the city, except a law clerkship."

"I remember--Hunt, Sharp & Tweedle; why didn't you keep it?"

"I wasn't fitted for the law."

"Oh, literature? Does literature pay?"

"Not in itself, not for many," and Philip forced a laugh. "But it led to

a situation in a first-rate publishing house--an apprenticeship that has

now given me a position that seems to be permanent, with prospects

beyond, and a very fair salary. It would not seem much to you,

Mr. Mavick," and Philip tried to laugh again.

"I don't know," replied Mr. Mavick. "If a fellow has any sort of salary

these times, I should advise him to hold on to it. By-the-way,

Mr. Burnett, Hunt's a Republican, isn't he?"

"He was," replied Philip, "the last I knew."

"Do you happen to know whether he knows Bilbrick, the present Collector?"

"Mr. Bilbrick used to be a client of his."

"Just so. I think I'll see Hunt. A salary isn't a bad thing for a--for

a man who has retired pretty much from business. But you were saying,

Mr. Burnett?"

"I was going to say, Mr. Mavick, that there was a little something more

than my salary that I can count on pretty regularly now from the

magazines, and I have had another story, a novel, accepted, and--you

won't think me vain--the publisher says it will go; if it doesn't have a

big sale he will--"

"Make it up to you?"

"Not exactly," and Philip laughed; "he will be greatly mistaken."

"I suppose it is a kind of lottery, like most things. The publishers

have to take risks. The only harm I wish them is that they were

compelled to read all the stuff they try to make us read. Ah, well. Mr.

Burnett, I hope you have made a hit. It is pretty much the same thing in

our business. The publisher bulls his own book and bears the other

fellow's. Is it a New York story?"

"Partly; things come to a focus here, you know."

"I could give you points. It's a devil of a place. I guess the

novelists are too near to see the romance of it. When I was in Rome I

amused myself by diving into the mediaeval records. Steel and poison

were the weapons then. We have a different method now, but it comes to

the same thing, and we say we are more civilized. I think our way is

more devilishly dramatic than the old brute fashion. Yes, I could give

you points."

"I should be greatly obliged," said Philip, seeing the way to bring the

conversation back to its starting point; "your wide experience of life

--if you had leisure at home some time."

"Oh," replied Mavick, with more good-humor in his laugh than he had shown

before, "you needn't beat about the bush. Have you seen Evelyn?"

"No, not since that dinner at the Van Cortlandts'."

"Huh! for myself, I should be pleased to see you any time, Mr. Burnett.

Mrs. Mavick hasn't felt like seeing anybody lately. But I'll see, I'll

see."

The two men rose and shook hands, as men shake hands when they have an

understanding.

"I'm glad you are doing well," Mr. Mavick added; "your life is before

you, mine is behind me; that makes a heap of difference."

Within a few days Philip received a note from Mrs. Mavick--not an

effusive note, not an explanatory note, not an apologetic note, simply a

note as if nothing unusual had happened--if Mr. Burnett had leisure,

would he drop in at five o'clock in Irving Place for a cup of tea?

Not one minute by his watch after the hour named, Philip rang the bell

and was shown into a little parlor at the front. There was only one

person in the room, a lady in exquisite toilet, who rose rather languidly

to meet him, exactly as if the visitor were accustomed to drop in to tea

at that hour.

Philip hesitated a moment near the door, embarrassed by a mortifying

recollection of his last interview with Mrs. Mavick, and in that moment

he saw her face. Heavens, what a change! And yet it was a smiling face.

There is a portrait of Carmen by a foreign artist, who was years ago the

temporary fashion in New York, painted the year after her second marriage

and her return from Rome, which excited much comment at the time. Philip

had seen it in more than one portrait exhibition.

Its technical excellence was considerable. The artist had evidently

intended to represent a woman piquant and fascinating, if not strictly

beautiful. Many persons said it was lovely. Other critics said that,

whether the artist intended it or not, he had revealed the real character

of the subject. There was something sinister in its beauty. One artist,

who was out of fashion as an idealist, said, of course privately, that

the more he looked at it the more hideous it became to him--like one of

Blake's objective portraits of a "soul"--the naked soul of an evil woman

showing through the mask of all her feminine fascinations--the possible

hell, so he put it, under a woman's charm.

It was this in the portrait that Philip saw in the face smiling a

welcome--like an old, sweetly smiling Lalage--from which had passed away

youth and the sustaining consciousness of wealth and of a place in the

great world. The smile was no longer sweet, though the words from the

lips were honeyed.

"It is very good of you to drop in in this way, Mr. Burnett," she said,

as she gave him her hand. "It is very quiet down here."

"It is to me the pleasantest part of the city."

"You think so now. I thought so once," and there was a note of sadness

in her voice. "But it isn't New York. It is a place for the people who

are left."

"But it has associations."

"Yes, I know. We pretend that it is more aristocratic. That means the

rents are lower. It is a place for youth to begin and for age to end.

We seem to go round in a circle. Mr. Mavick began in the service of the

government, now he has entered it again--ah, you did not know?--a place

in the Custom-House. He says it is easier to collect other people's

revenues than your own. Do you know, Mr. Burnett, I do not see much

use in collecting revenues anyway--so far as New York is concerned

the people get little good of them. Look out there at that cloud of dust

in the street."

Mrs. Mavick rambled on in the whimsical, cynical fashion of old ladies

when they cease to have any active responsibility in life and become

spectators of it. Their remaining enjoyment is the indulgence of frank

speech.

"But I thought," Philip interrupted, "that this part of the town was

specially New York."

"New York!" cried Carmen, with animation. "The New York of the

newspapers, of the country imagination; the New York as it is known in

Paris is in Wall Street and in the palaces up-town. Who are the kings of

Wall Street, and who build the palaces up-town? They say that there are

no Athenians in Athens, and no Romans in Rome. How many New-Yorkers are

there in New York? Do New-Yorkers control the capital, rule the

politics, build the palaces, direct the newspapers, furnish the

entertainment, manufacture the literature, set the pace in society? Even

the socialists and mobocrats are not native. Successive invaders, as in

Rome, overrun and occupy the town.

"No, Mr. Burnett, I have left the existing New York. How queer it is to

think about it. My first husband was from New Hampshire. My second

husband was from Illinois. And there is your Murad Ault. The Lord knows

where he came from.

"Talk about the barbarians occupying Rome! Look at that Ault in a

palace! Who was that emperor--Caligula?--I am like the young lady from a

finishing-school who said she never could remember which came first in

history, Greece or Rome--who stabled his horses with stalls and mangers

of gold? The Aults stable themselves that way. Ah, me! Let me give you

a cup of tea. Even that is English."

"It's an innocent pastime," she continued, as Philip stirred his tea, in

perplexity as to how he should begin to say what he had to say--"you

won't object if I light a cigarette? One ought to retain at least one

bad habit to keep from spiritual pride. Tea is an excuse for this. I

don't think it a bad habit, though some people say that civilization is

only exchanging one bad habit for another. Everything changes."

"I don't think I have changed, Mrs. Mavick," said Philip, with

earnestness.

"No? But you will. I have known lots of people who said they never

would change. They all did. No, you need not protest. I believe in you

now, or I should not be drinking tea with you. But you must be

tired of an old woman's gossip. Evelyn has gone out for a walk; she

didn't know. I expect her any minute. Ah, I think that is her ring. I

will let her in. There is nothing so hateful as a surprise."

She turned and gave Philip her hand, and perhaps she was sincere--she had

a habit of being so when it suited her interests--when she said, "There

are no bygones, my friend."

Philip waited, his heart beating a hundred to the minute. He heard

greetings and whisperings in the passage-way, and then--time seemed to

stand still--the door opened and Evelyn stood on the threshold, radiant

from her walk, her face flushed, the dainty little figure poised in timid

expectation, in maidenly hesitation, and then she stepped forward to meet

his advance, with welcome in her great eyes, and gave him her hand in the

old-fashioned frankness.

"I am so glad to see you."

Philip murmured something in reply and they were seated.

That was all. It was so different from the meeting as Philip had a

hundred times imagined it.

"It has been very long," said Philip, who was devouring the girl with his

eyes very long to me."

"I thought you had been very busy," she replied, demurely. Her composure

was very irritating.

"If you thought about it at all, Miss Mavick."

"That is not like you, Mr. Burnett," Evelyn replied, looking up suddenly

with troubled eyes.

"I didn't mean that," said Philip, moving uneasily in his chair,

"I--so many things have happened. You know a person can be busy and not

happy."

"I know that. I was not always happy," said the girl, with the air of

making a confession. "But I liked to hear from time to time of the

success of my friends," she added, ingenuously. And then, quite

inconsequently, "I suppose you have news from Rivervale?"

Yes, Philip heard often from Alice, and he told the news as well as he

could, and the talk drifted along--how strange it seemed!--about things

in which neither of them felt any interest at the moment.

Was there no way to break the barrier that the little brown girl had

thrown around herself? Were all women, then, alike in parrying and

fencing? The talk went on, friendly enough at last, about a thousand

things. It might have been any afternoon call on a dear friend. And at

length Philip rose to go.

"I hope I may see you again, soon."

"Of course," said Evelyn, cheerfully. "I am sure father will be

delighted to see you. He enjoys so little now."

He had taken both her hands to say good-by, and was looking hungrily into

her eyes.

"I can't go so. Evelyn, you know, you must know, I love you."

And before the girl comprehended him he had drawn her to him and pressed

his lips upon hers.

The girl started back as if stung, and looked at him with flashing eyes.

"What have you done, what have you done to me?"

Her eyes were clouded, and she put her hands to her face, trembling, and

then with a cry, as of a soul born into the world, threw herself upon

him, her arms around his neck--

"Philip, Philip, my Philip!"

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