The musings of this dreamer in a tree-top were interrupted by the
peremptory notes of a tin horn from the farmhouse below. The boy
recognized this not only as a signal of declining day and the withdrawal
of the sun behind the mountains, but as a personal and urgent
notification to him that a certain amount of disenchanting drudgery
called chores lay between him and supper and the lamp-illumined pages of
The Last of the Mohicans. It was difficult, even in his own estimation,
to continue to be a hero at the summons of a tin horn--a silver clarion
and castle walls would have been so different--and Phil slid swiftly down
from his perch, envying the squirrels who were under no such bondage of
duty.
Recalled to the world that now is, the lad hastily gathered a bouquet of
columbine and a bunch of the tender leaves and the red berries of the
wintergreen, called to "Turk," who had been all these hours watching a
woodchuck hole, and ran down the hill by leaps and circuits as fast as
his little legs could carry him, and, with every appearance of a lad who
puts duty before pleasure, arrived breathless at the kitchen door, where
Alice stood waiting for him. Alice, the somewhat feeble performer on the
horn, who had been watching for the boy with her hand shading her eyes,
called out upon his approach:
"Why, Phil, what in the world--"
"Oh, Alice!" cried the boy, eagerly, having in a moment changed in his
mind the destination of the flowers; "I've found a place where the
checker-berries are thick as spatter." And Phil put the flowers and the
berries in his cousin's hand. Alice looked very much pleased with this
simple tribute, but, as she admired it, unfortunately asked--women always
ask such questions:
"And you picked them for me?"
This was a cruel dilemma. Phil was more devoted to his sweet cousin than
to any one else in the world, and he didn't want to hurt her feelings,
and he hated to tell a lie. So he only looked a lie, out of his
affectionate, truthful eyes, and said:
"I love to bring you flowers. Has uncle come home yet?"
"Yes, long ago. He called and looked all around for you to unharness the
horse, and he wanted you to go an errand over the river to Gibson's.
I guess he was put out."
"Did he say anything?"
"He asked if you had weeded the beets. And he said that you were the
master boy to dream and moon around he ever saw." And she added, with a
confidential and mischievous smile: "I think you'd better brought a
switch along; it would save time."
Phil had a great respect for his uncle Maitland, but he feared him almost
more than he feared the remote God of Abraham and Isaac. Mr. Maitland
was not only the most prosperous man in all that region, but the man of
the finest appearance, and a bearing that was equity itself. He was the
first selectman of the town, and a deacon in the church, and however much
he prized mercy in the next world he did not intend to have that quality
interfere with justice in this world. Phil knew indeed that he was a man
of God, that fact was impressed upon him at least twice a day, but he
sometimes used to think it must be a severe God to have that sort of man.
And he didn't like the curt way he pronounced the holy name--he might as
well have called Job "job."
Alice was as unlike her father, except in certain race qualities of
integrity and common-sense, as if she were of different blood. She was
the youngest of five maiden sisters, and had arrived at the mature age of
eighteen. Slender in figure, with a grace that was half shyness, soft
brown hair, gray eyes that changed color and could as easily be sad as
merry, a face marked with a moving dimple that every one said was lovely,
retiring in manner and yet not lacking spirit nor a sly wit of her own.
Now and then, yes, very often, out of some paradise, no doubt, strays
into New England conditions of reticence and self-denial such a sweet
spirit, to diffuse a breath of heaven in its atmosphere, and to wither
like a rose ungathered. These are the New England nuns, not taking any
vows, not self-consciously virtuous, apparently untouched by the vanities
of the world. Marriage? It is not in any girl's nature not to think of
that, not to be in a flutter of pleasure or apprehension at the
attentions of the other sex. Who has been able truly to read the
thoughts of a shrinking maiden in the passing days of her youth and
beauty? In this harmonious and unselfish household, each with decided
individual character, no one ever intruded upon the inner life of the
other. No confidences were given in the deep matters of the heart, no
sign except a blush over a sly allusion to some one who had been
"attentive." If you had stolen a look into the workbasket or the secret
bureau-drawer, you might have found a treasured note, a bit of ribbon, a
rosebud, some token of tenderness or of friendship that was growing old
with the priestess who cherished it. Did they not love flowers, and
pets, and had they not a passion for children? Were there not moonlight
evenings when they sat silent and musing on the stone steps, watching the
shadows and the dancing gleams on the swift river, when the air was
fragrant with the pink and the lilac? Not melancholy this, nor
poignantly sad, but having in it nevertheless something of the pathos of
life unfulfilled. And was there not sometimes, not yet habitually,
coming upon these faces, faces plain and faces attractive, the shade of
renunciation?
Phil loved Alice devotedly. She was his confidante, his defender, but he
feared more the disapproval of her sweet eyes when he had done wrong than
the threatened punishment of his uncle.
"I only meant to be gone just a little while," Phil went on to say.
"And you were away the whole afternoon. It is a pity the days are so
short. And you don't know what you lost."
"No great, I guess."
"Celia and her mother were here. They stayed all the afternoon."
"Celia Howard? Did she wonder where I was?"
"I don't know. She didn't say anything about it. What a dear little
thing she is!"
"And she can say pretty cutting things."
"Oh, can she? Perhaps you'd better run down to the village before dark
and take her these flowers."
"I'm not going. I'd rather you should have the flowers." And Phil spoke
the truth this time.
Celia, who was altogether too young to occupy seriously the mind of a lad
of twelve, had nevertheless gained an ascendancy over him because of her
willful, perverse, and sometimes scornful ways, and because she was
different from the other girls of the school. She had read many more
books than Phil, for she had access to a library, and she could tell him
much of a world that he only heard of through books and newspapers, which
latter he had no habit of reading. He liked, therefore, to be with
Celia, not withstanding her little airs of superiority, and if she
patronized him, as she certainly did, probably the simple-minded young
gentleman, who was unconsciously bred in the belief that he and his own
kin had no superiors anywhere, never noticed it. To be sure they
quarreled a good deal, but truth to say Phil was never more fascinated
with the little witch, whom he felt himself strong enough to protect,
than when she showed a pretty temper. He rather liked to be ordered
about by the little tyrant. And sometimes he wished that Murad Ault, the
big boy of the school, would be rude to the small damsel, so that he
could show her how a knight would act under such circumstances. Murad
Ault stood to Phil for the satanic element in his peaceful world. He was
not only big and strong of limb and broad of chest, but he was very
swarthy, and had closely curled black hair. He feared nothing, not even
the teacher, and was always doing some dare-devil thing to frighten the
children. And because he was dark, morose, and made no friends, and
wished none, but went solitary his own dark way, Phil fancied that he
must have Spanish blood in his veins, and would no doubt grow up to be a
pirate. No other boy in the winter could skate like Murad Ault, with
such strength and grace and recklessness--thin ice and thick ice were all
one to him, but he skated along, dashing in and out, and sweeping away up
and down the river in a whirl of vigor and daring, like a black marauder.
Yet he was best and most awesome in the swimming pond in summer--though
it was believed that he dared go in in the bitter winter, either by
breaking the ice or through an air-hole, and there was a story that he
had ventured under the ice as fearless as a cold fish. No one could dive
from such a height as he, or stay so long under water; he liked to stay
under long enough to scare the spectators, and then appear at a distance,
thrashing about in the water as if he were rescuing himself from
drowning, sputtering out at the same time the most diabolical noises
--curses, no doubt, for he had been heard to swear. But as he skated alone
he swam alone, appearing and disappearing at the swimming-place silently,
with never a salutation to any one. And he was as skillful a fisher as
he was a swimmer. No one knew much about him. He lived with his mother
in a little cabin up among the hills, that had about it scant patches of
potatoes and corn and beans, a garden fenced in by stumproots, as
ill-cared for as the shanty. Where they came from no one knew. How they
lived was a matter of conjecture, though the mother gathered herbs and
berries and bartered them at the village store, and Murad occasionally
took a hand in some neighbor's hay-field, or got a job of chopping wood
in the winter. The mother was old and small and withered, and they said
evil-eyed. Probably she was no more evil-eyed than any old woman who had
such a hard struggle for existence as she had. An old widow with an only
son who looked like a Spaniard and acted like an imp! Here was another
sort of exotic in the New England life.
Celia had been brought to Rivervale by her mother about a year before
this time, and the two occupied a neat little cottage in the village,
distinguished only by its neatness and a plot of syringas, and pinks, and
marigolds, and roses, and bachelor's-buttons, and boxes of the tough
little exotics, called "hen-and-chickens," in the door-yard, and a
vigorous fragrant honeysuckle over the front porch. She only dimly
remembered her father, who had been a merchant in a small way in the
city, and dying left to his widow and only child a very moderate fortune.
The girl showed early an active and ingenious mind, and an equal love for
books and for having her own way; but she was delicate, and Mrs. Howard
wisely judged that a few years in a country village would improve her
health and broaden her view of life beyond that of cockney provincialism.
For, though Mrs. Howard had more refinement than strength of mind, and
passed generally for a sweet and inoffensive little woman, she did not
lack a certain true perception of values, due doubtless to the fact that
she had been a New England girl, and, before her marriage and emigration
to the great city, had passed her life among unexciting realities, and
among people who had leisure to think out things in a slow way. But the
girl's energy and self-confidence had no doubt been acquired from her
father, who was cut off in mid-career of his struggle for place in the
metropolis, or from some remote ancestor. Before she was eleven years
old her mother had listened with some wonder and more apprehension to the
eager forecast of what this child intended to do when she became a woman,
and already shrank from a vision of Celia on a public platform, or the
leader of some metempsychosis club. Through her affections only was the
child manageable, but in opposition to her spirit her mother was
practically powerless. Indeed, this little sprout of the New Age always
spoke of her to Philip and to the Maitlands as "little mother."
The epithet seemed peculiarly tender to Philip, who had lost his father
before he was six years old, and he was more attracted to the timid and
gentle little widow than to his equable but more robust Aunt Eusebia,
Mrs. Maitland, his father's elder sister, whom Philip fancied not a bit
like his father except in sincerity, a quality common to the Maitlands
and Burnetts. Yet there was a family likeness between his aunt and a
portrait of his father, painted by a Boston artist of some celebrity,
which his mother, who survived her husband only three years, had saved
for her boy. His father was a farmer, but a man of considerable
cultivation, though not college-bred--his last request on his death-bed
was that Phil should be sent to college--a man who made experiments in
improving agriculture and the breed of cattle and horses, read papers now
and then on topics of social and political reform, and was the only
farmer in all the hill towns who had what might be called a library.
It was all scattered at the time of the winding up of the farm estate,
and the only jetsam that Philip inherited out of it was an annotated copy
of Adam Smith's Wealth of Nations, Young's Travels in France, a copy of
The Newcomes, and the first American edition of Childe Harold. Probably
these odd volumes had not been considered worth any considerable bid at
the auction. From his mother, who was fond of books, and had on more
than one occasion, of the failure of teachers, taught in the village
school in her native town before her marriage, Philip inherited his love
of poetry, and he well remembered how she used to try to inspire him with
patriotism by reading the orations of Daniel Webster (she was very fond
of orations), and telling him war stories about Grant and Sherman and
Sheridan and Farragut and Lincoln. He distinctly remembered also
standing at her knees and trying, at intervals, to commit to memory the
Rime of the Ancient Mariner. He had learned it all since, because he
thought it would please his mother, and because there was something in it
that appealed to his coming sense of the mystery of life. When he
repeated it to Celia, who had never heard of it, and remarked that it was
all made up, and that she never tried to learn a long thing like that
that wasn't so, Philip could see that her respect for him increased a
little. He did not know that the child got it out of the library the
next day and never rested till she knew it by heart. Philip could repeat
also the books of the Bible in order, just as glibly as the
multiplication-table, and the little minx, who could not brook that a
country boy should be superior to her in anything, had surprised her
mother by rattling them all off to her one Sunday evening, just as if she
had been born in New England instead of in New York. As to the other
fine things his mother read him, out of Ruskin and the like; Philip
chiefly remembered what a pretty glow there was in his mother's face when
she read them, and that recollection was a valuable part of the boy's
education.
Another valuable part of his education was the gracious influence in his
aunt's household, the spirit of candor, of affection, and the sane
common-sense with which life was regarded, the simplicity of its faith
and the patience with which trials were borne. The lessons he learned in
it had more practical influence in his life than all the books he read.
Nor were his opportunities for the study of character so meagre as the
limit of one family would imply. As often happens in New England
households, individualities were very marked, and from his stern uncle
and his placid aunt down to the sweet and nimble-witted Alice, the family
had developed traits and even eccentricities enough to make it a sort of
microcosm of life. There, for instance, was Patience, the maiden aunt,
his father's sister, the news-monger of the fireside, whose powers of
ratiocination first gave Philip the Greek idea and method of reasoning to
a point and arriving at truth by the process of exclusion. It did not
excite his wonder at the time, but afterwards it appeared to him as one
of the New England eccentricities of which the novelists make so much.
Patience was a home-keeping body and rarely left the premises except to
go to church on Sunday, although her cheerfulness and social helpfulness
were tinged by nothing morbid. The story was--Philip learned it long
afterwards--that in her very young and frisky days Patience had one
evening remained out at some merry-making very late, and in fact had been
escorted home in the moonlight by a young gentleman when the tall,
awful-faced clock, whose face her mother was watching, was on the
dreadful stroke of eleven. For this delinquency her mother had reproved
her, the girl thought unreasonably, and she had quickly replied, "Mother,
I will never go out again." And she never did. It was in fact a
renunciation of the world, made apparently without rage, and adhered to
with cheerful obstinacy.
But although for many years Patience rarely left her home, until the
habit of seclusion had become as fixed as that of a nun who had taken the
vows, no one knew so well as she the news and gossip of the neighborhood,
and her power of learning or divining it seemed to increase with her
years. She had a habit of sitting, when her household duties permitted,
at a front window, which commanded a long view of the river road, and
gathering the news by a process peculiar to herself. From this peep-hole
she studied the character and destination of all the passers-by that came
within range of her vision, and made her comments and deductions, partly
to herself, but for the benefit of those who might be listening.
"Why, there goes Thomas Henry," she would say (she always called people
by their first and middle names). "Now, wherever can he be going this
morning in the very midst of getting in his hay? He can't be going to
the Browns' for vegetables, for they set great store by their own raising
this year; and they don't get their provisions up this way either,
because Mary Ellen quarreled with Simmons's people last year. No!" she
would exclaim, rising to a climax of certainty on this point, "I'll be
bound he is not going after anything in the eating line!"
Meantime Thomas Henry's wagon would be disappearing slowly up the sandy
road, giving Patience a chance to get all she could out of it, by
eliminating all the errands Thomas Henry could not possibly be going to
do in order to arrive at the one he must certainly be bound on.
"They do say he's courting Eliza Merritt," she continued, "but Eliza
never was a girl to make any man leave his haying. No, he's never going
to see Eliza, and if it isn't provisions or love it's nothing short of
sickness. Now, whoever is sick down there? It can't be Mary Ellen,
because she takes after her father's family and they are all hearty. It
must be Mary Ellen's little girls, and the measles are going the rounds.
It must be they've all got the measles."
If the listeners suggested that possibly one of the little girls might
have escaped, the suggestion was decisively put aside.
"No; if one of them had been well, Mary Ellen would have sent her for the
doctor."
Presently Thomas Henry's cart was heard rumbling back, and sure enough he
was returning with the doctor, and Patience hailed him from the gate and
demanded news of Mary Ellen.
"Why, all her little girls have the measles," replied Thomas Henry, "and
I had to leave my haying to fetch the doctor."
"I want to know," said Patience.
Being the eldest born, Patience had appropriated to herself two rooms in
the rambling old farmhouse before her brother's marriage, from which
later comers had never dislodged her, and with that innate respect for
the rights and peculiarities of others which was common in the household,
she was left to express her secluded life in her own way. As the habit
of retirement grew upon her she created a world of her own, almost as
curious and more individually striking than the museum of Cluny. There
was not a square foot in her tiny apartment that did not exhibit her
handiwork. She was very fond of reading, and had a passion for the
little prints and engravings of "foreign views," which she wove into her
realm of natural history. There was no flower or leaf or fruit that she
had seen that she could not imitate exactly in wax or paper. All over
the walls hung the little prints and engravings, framed in wreaths of
moss and artificial flowers, or in elaborate square frames made of
pasteboard. The pasteboard was cut out to fit the picture, and the
margins, daubed with paste, were then strewn with seeds of corn and
acorns and hazelnuts, and then the whole was gilded so that the effect
was almost as rich as it was novel. All about the rooms, in nooks and on
tables, stood baskets and dishes of fruit-apples and plums and peaches
and grapes-set in proper foliage of most natural appearance, like enough
to deceive a bird or the Sunday-school scholars, when on rare occasions
they were admitted into this holy of holies. Out of boxes, apparently
filled with earth in the corners of the rooms, grew what seemed to be
vines trained to run all about the cornices and to festoon the pictures,
but which were really strings, colored in imitation of the real vine, and
spreading out into paper foliage. To complete the naturalistic character
of these everlasting vines, which no scale-bugs could assail, there were
bunches of wonderful grapes depending here and there to excite the
cupidity of both bird and child. There was no cruelty in the nature of
Patience, and she made prisoners of neither birds nor squirrels, but
cunning cages here and there held most lifelike counterfeits of their
willing captives. There was nothing in the room that was alive, except
the dainty owner, but it seemed to be a museum of natural history. The
rugs on the floor were of her own devising and sewing together, and
rivaled in color and ingenuity those of Bokhara.
But Patience was a student of the heavens as well as of the earth, and it
was upon the ceiling that her imagination expanded. There one could see
in their order the constellations of the heavens, represented by
paper-gilt stars, of all magnitudes, most wonderful to behold. This part
of her decorations was the most difficult of all. The constellations were
not made from any geography of the heavens, but from actual nightly
observation of the positions of the heavenly bodies. Patience confessed
that the getting exactly right of the Great Dipper had caused her most
trouble. On the night that was constructed she sat up till three o'clock
in the morning, going out and studying it and coming in and putting up
one star at a time. How could she reach the high ceiling? Oh, she took a
bean-pole, stuck the gilt star on the end of it, having paste on the
reverse side, and fixed it in its place. That was easy, only it was
difficult to remember when she came into the house the correct positions
of the stars in the heavens. What the astronomer and the botanist and the
naturalist would have said of this little kingdom is unknown, but
Patience herself lived among the glories of the heavens and the beauties
of the earth which she had created. Probably she may have had a humorous
conception of this, for she was not lacking in a sense of humor. The
stone step that led to her private door she had skillfully painted with
faint brown spots, so that when visitors made their exit from this part
of the house they would say, "Why, it rains!" but Patience would laugh
and say, "I guess it is over by now."