THE LONELY FARMHOUSE

The winter evenings of the farmer-boy in New England used not to be

so gay as to tire him of the pleasures of life before he became of

age. A remote farmhouse, standing a little off the road, banked up

with sawdust and earth to keep the frost out of the cellar, blockaded

with snow, and flying a blue flag of smoke from its chimney, looks

like a besieged fort. On cold and stormy winter nights, to the

traveler wearily dragging along in his creaking sleigh, the light

from its windows suggests a house of refuge and the cheer of a

blazing fire. But it is no less a fort, into which the family retire

when the New England winter on the hills really sets in.

The boy is an important part of the garrison. He is not only one of

the best means of communicating with the outer world, but he

furnishes half the entertainment and takes two thirds of the scolding

of the family circle. A farm would come to grief without a boy-on

it, but it is impossible to think of a farmhouse without a boy in it.

"That boy" brings life into the house; his tracks are to be seen

everywhere; he leaves all the doors open; he has n't half filled the

wood-box; he makes noise enough to wake the dead; or he is in a

brown-study by the fire and cannot be stirred, or he has fastened a

grip into some Crusoe book which cannot easily be shaken off. I

suppose that the farmer-boy's evenings are not now what they used to

be; that he has more books, and less to do, and is not half so good a

boy as formerly, when he used to think the almanac was pretty lively

reading, and the comic almanac, if he could get hold of that, was a

supreme delight.

Of course he had the evenings to himself, after he had done the

"chores" at the barn, brought in the wood and piled it high in the

box, ready to be heaped upon the great open fire. It was nearly dark

when he came from school (with its continuation of snowballing and

sliding), and he always had an agreeable time stumbling and fumbling

around in barn and wood-house, in the waning light.

John used to say that he supposed nobody would do his "chores" if he

did not get home till midnight; and he was never contradicted.

Whatever happened to him, and whatever length of days or sort of

weather was produced by the almanac, the cardinal rule was that he

should be at home before dark.

John used to imagine what people did in the dark ages, and wonder

sometimes whether he was n't still in them.

Of course, John had nothing to do all the evening, after his

"chores,"--except little things. While he drew his chair up to the

table in order to get the full radiance of the tallow candle on his

slate or his book, the women of the house also sat by the table

knitting and sewing. The head of the house sat in his chair, tipped

back against the chimney; the hired man was in danger of burning his

boots in the fire. John might be deep in the excitement of a bear

story, or be hard at writing a "composition" on his greasy slate; but

whatever he was doing, he was the only one who could always be

interrupted. It was he who must snuff the candles, and put on a

stick of wood, and toast the cheese, and turn the apples, and crack

the nuts. He knew where the fox-and-geese board was, and he could

find the twelve-men-Morris. Considering that he was expected to go

to bed at eight o'clock, one would say that the opportunity for study

was not great, and that his reading was rather interrupted. There

seemed to be always something for him to do, even when all the rest

of the family came as near being idle as is ever possible in a New

England household.

No wonder that John was not sleepy at eight o'clock; he had been

flying about while the others had been yawning before the fire. He

would like to sit up just to see how much more solemn and stupid it

would become as the night went on; he wanted to tinker his skates, to

mend his sled, to finish that chapter. Why should he go away from

that bright blaze, and the company that sat in its radiance, to the

cold and solitude of his chamber? Why did n't the people who were

sleepy go to bed?

How lonesome the old house was; how cold it was, away from that great

central fire in the heart of it; how its timbers creaked as if in the

contracting pinch of the frost; what a rattling there was of windows,

what a concerted attack upon the clapboards; how the floors squeaked,

and what gusts from round corners came to snatch the feeble flame of

the candle from the boy's hand. How he shivered, as he paused at the

staircase window to look out upon the great fields of snow, upon the

stripped forest, through which he could hear the wind raving in a

kind of fury, and up at the black flying clouds, amid which the young

moon was dashing and driven on like a frail shallop at sea. And his

teeth chattered more than ever when he got into the icy sheets, and

drew himself up into a ball in his flannel nightgown, like a fox in

his hole.

For a little time he could hear the noises downstairs, and an

occasional laugh; he could guess that now they were having cider, and

now apples were going round; and he could feel the wind tugging at

the house, even sometimes shaking the bed. But this did not last

long. He soon went away into a country he always delighted to be in:

a calm place where the wind never blew, and no one dictated the time

of going to bed to any one else. I like to think of him sleeping

there, in such rude surroundings, ingenious, innocent, mischievous,

with no thought of the buffeting he is to get from a world that has a

good many worse places for a boy than the hearth of an old farmhouse,

and the sweet, though undemonstrative, affection of its family life.

But there were other evenings in the boy's life, that were different

from these at home, and one of them he will never forget. It opened

a new world to John, and set him into a great flutter. It produced a

revolution in his mind in regard to neckties; it made him wonder if

greased boots were quite the thing compared with blacked boots; and

he wished he had a long looking-glass, so that he could see, as he

walked away from it, what was the effect of round patches on the

portion of his trousers he could not see, except in a mirror; and if

patches were quite stylish, even on everyday trousers. And he began

to be very much troubled about the parting of his hair, and how to

find out on which side was the natural part.

The evening to which I refer was that of John's first party. He knew

the girls at school, and he was interested in some of them with a

different interest from that he took in the boys. He never wanted to

"take it out" with one of them, for an insult, in a stand-up fight,

and he instinctively softened a boy's natural rudeness when he was

with them. He would help a timid little girl to stand erect and

slide; he would draw her on his sled, till his hands were stiff with

cold, without a murmur; he would generously give her red apples into

which he longed to set his own sharp teeth; and he would cut in two

his lead-pencil for a girl, when he would not for a boy. Had he not

some of the beautiful auburn tresses of Cynthia Rudd in his skate,

spruce-gum, and wintergreen box at home? And yet the grand sentiment

of life was little awakened in John. He liked best to be with boys,

and their rough play suited him better than the amusements of the

shrinking, fluttering, timid, and sensitive little girls. John had

not learned then that a spider-web is stronger than a cable; or that

a pretty little girl could turn him round her finger a great deal

easier than a big bully of a boy could make him cry "enough."

John had indeed been at spelling-schools, and had accomplished the

feat of "going home with a girl" afterwards; and he had been growing

into the habit of looking around in meeting on Sunday, and noticing

how Cynthia was dressed, and not enjoying the service quite as much

if Cynthia was absent as when she was present. But there was very

little sentiment in all this, and nothing whatever to make John blush

at hearing her name.

But now John was invited to a regular party. There was the

invitation, in a three-cornered billet, sealed with a transparent

wafer: "Miss C. Rudd requests the pleasure of the company of," etc.,

all in blue ink, and the finest kind of pin-scratching writing. What

a precious document it was to John! It even exhaled a faint sort of

perfume, whether of lavender or caraway-seed he could not tell. He

read it over a hundred times, and showed it confidentially to his

favorite cousin, who had beaux of her own and had even "sat up" with

them in the parlor. And from this sympathetic cousin John got advice

as to what he should wear and how he should conduct himself at the

party.

The Complete Project Gutenberg Writings of Charles Dudley Warner · 第 233 / 509 题