INTRODUCTION

_And you should if you please refuse

Till the conversion of the Jews._

The reader of John Evelyn's _History of Sabatai Sevi, The Pretended

Messiah of the Jewes_ or of the _History of the Three Late Famous

Impostors_ (1669) in which it is the most significant part, discovers a

fascinating, if unoriginal, addition to the work of the great diarist

and dilettante, the amateur student of engraving and trees--and smoke.

Evelyn's work was almost totally derived from the account of Sir Paul

Rycaut, who was from 1661 secretary (and later consul) for the Levant

mercantile company in Smyrna. Rycaut was in fact responsible for what

first-hand reporting there is in the _History_, and Evelyn's book

preceded by only eleven years Rycaut's _History of the Turkish Empire

1623-1677_, where the story first appeared under the author's own name.

What gives Evelyn's _Pretended Messiah_ its own interest is partly the

immediacy of the news of Sabatai Sevi, and partly the context in which

Evelyn places the story, a context to some extent indicated in the

title, _History of the Three Late Famous Impostors_. When the work was

published in 1669, Sevi was neither the amusing curiosity he is likely

to be for the modern reader, nor the impertinent confidence man

suggested by Evelyn's "impostor." Evelyn was reviewing for an English

audience one of the great crises in Jewish history, the career of the

man who has been called Judaism's "most notorious messianic

claimant."[1] That career was not entirely past history in 1669. Sevi

lived until 1675, and even after his humiliation and final banishment in

1673 he could write to his father-in-law in Salonica that men would see

in his lifetime the day of redemption and the return of the Jews to

Zion; "For God hath appointed me Lord of all Mizrayim."[2] Indeed, a

remnant of Judaeo-Turkish Shabbethaians called Doenmehs apparently

exists in Salonica to the present day.

Whatever the appeal of Sevi's story may be for modern readers--as a mode

of fiction, perhaps, or an instance of mass hysteria--Evelyn's discovery

of an exemplum for religious and political enthusiasts may seem forced

or reductive. In 1669, however, the interest of Englishmen in Jewish

affairs was by no means merely academic--or narrowly commercial. There

were, it is true, English sportsmen in 1666 who were actually betting on

the Sevi career--ten to one that the "Messiah of Ismir" would be crowned

King of Jerusalem within two years. And what was most disturbing about

Sevi to the English nation as a whole was perhaps the disruption of

trade, in which Sevi's father was intimately involved, as the agent of

an English mercantile house. At the height of the furor, Jewish

merchants were dissolving businesses as well as unroofing their houses

in preparation for the return to Jerusalem. But the prime significance

for Evelyn--perhaps more than for Rycaut--is revealed in the instinctive

mental connection between Jewish and Christian history, or ways of

thinking about history, on the one hand, and political realities in

England on the other. Only nine years had passed since the return of

Charles II and the displacement of the Protectorate, with its remarkable

Jewish elements. As for the return of the Christian Messiah and an

imminent reign of the saints, Sevi might well have reminded Evelyn of

the English "impostor," the Quaker Jacob Naylor, whose messianic claims

were publicly examined at Bristol in 1657. Far more important to

Englishmen of the period, however, was the episode involving the mission

of the Amsterdam rabbi Menasseh ben Israel to Cromwell's England in

1655, a year after Naylor's first appearance.

For two centuries after their expulsion from England by Edward I--that

is, until the seventeenth century--Jews either avoided England entirely

or lived there in deliberate obscurity. Some Spanish and Portuguese

Jewish refugees from the Inquisition did arrive in England; but

particularly after the execution for treason of Elizabeth's physician

Roderigo Lopez in 1594, they could remain only as "Crypto-Jews." It was

during the Puritan regime that the Jewish position in England really

improved, and the removal of the legal bar dates from the conference

summoned by Cromwell in response to the demands of Menasseh.[3] The

interest in Rabbinical literature displayed by learned men like Joseph

Scaliger, Johann Buxtorf, Hugo Grotius, and John Selden, together with a

general Old Testament emphasis in Protestant scriptural study, made

Judaism a more fashionable interest than it had been in previous years.

Cromwell's own encouragement of Menasseh is usually viewed as an

expression of his tolerationist principles and the hope that the return

of Jews to England would aid in extending trade with Spain and Portugal,

and even with the Levant. An additional facet of his general reception

of Menasseh is relevant to Evelyn's _Pretended Messiah_. A chief

argument in _The Humble Address of Menasseh ben Israel_ (November 5,

1655) was the Amsterdam rabbi's belief that since England was the only

country rejecting the Jews, their readmittance would be the signal for

the coming of the Messiah. Fifth-Monarchy enthusiasts recalled the

prophecies of _Daniel_ and _Revelations_ and linked them with the

relatively immediate experience of the Thirty Years' War; motives of

mercantile jealousy were to some extent offset by millenarian anxiety.

Indeed, the possibility of an imminent millennial reign of the saints

could be the strongest kind of argument for showing favor to the Jews.

Cromwell all but proselytized at the meetings of the conference;

ultimately, because of the opposition of commercial interests, he was

forced to dissolve it.

We can perhaps best understand Evelyn's account of Sabatai Sevi, "the

Messiah of Ismir," against this background of English Protestant

millennial thinking, admirably summarized in Michael Fixler's recent

study.[4] As Fixler suggests, it was possibly to discredit the

Fifth-Monarchy men that Rycaut first included the account in what was to

become his _History of the Turkish Empire_. At any rate, Sevi himself

was hardly the mere con-man Rycaut and Evelyn portray; the mask, indeed,

is _erepta_ only with the greatest of difficulty. Because Rycaut was

interested in trade and cultural _mores_, his (and consequently,

Evelyn's) account neglects features of the story which are of primary

interest to more psychologically inclined readers. We are told almost

nothing, for example, of the details of Sevi's solitary youth; his

physical attractiveness; his clear voice as well suited to lascivious

Spanish love-songs (interpreted mystically) as to Psalms; and his early

rejection of the Talmud for the practical Cabala, with its strenuous,

self-mortifying asceticism. One would gather from Evelyn that only the

deluded followers of the "impostor" and not Sevi himself imposed such

punishments as self-burial, and bathing in the sea, even in midwinter.

More surprising, perhaps, is the almost total neglect of Sarah, Sevi's

third wife, mentioned in the _Pretended Messiah_ only as the "Ligornese

Lady" whom Sevi acquired after freeing himself "from the Incumbrances of

a Family." In fact, the beautiful and engaging Sarah seems to have

become an integral part of the movement, a movement which in its early

stages was all-male. A prostitute notorious in her own right, primarily

for her claims to be the destined bride of the Messiah, Sarah apparently

escaped miraculously from a Christian convent after being cared for as

an orphan of the savage Chmielnicki massacres in Poland. As he was later

to do with a more formidable rival to his exclusive claims (Nehemiah

ha-Kohen, who ultimately exposed him as a fraud) Sevi called Sarah to

Cairo in 1664, claiming to have dreamed of her as _his_ future bride.

Eventually, after his "conversion," she followed him even into the

Turkish seraglio where he bore the title Mahmed Effendi.

Other details are missing from Evelyn's _Pretended Messiah_; the

interested reader may pursue the strange tale in Graetz's _History of

the Jews_ or the partly fictionalized biography by Joseph Kastein, _The

Messiah of Ismir_.[5] We may note in passing one additional incident.

After his first banishment from Smyrna (as a result of pronouncing the

sacred tetragrammaton in Hebrew), Sevi met the mystic Abraham ha-Yakini,

who subsequently forged in archaic characters and style a document

entitled "The Great Wisdom of Solomon"--a document accepted by Sevi as

an authentic "archeological" revelation. The event was shortly followed

by a bizarre celebration of Sevi's marriage as the Son of God ("En Sof")

with the Torah, and may have provided climactic metaphysical

confirmation of Sevi's hopes. In the manner of the old apocalypses, it

pronounced Sevi the "saviour of My people, Israel," one who in time

"shall overthrow the great dragon and kill the serpent."[6]

Good as Evelyn's _Pretended Messiah_ may have been for contemporaries

as a review of recent "news," and we must not underestimate this

function, to the modern reader it seems closer to fiction, of a

peculiarly propagandistic and ironic kind. Aside from omissions from the

story--partly a matter of ignorance or failure in perception, and partly

deliberate exclusion of inconvenient material--Evelyn's enthusiastic

acceptance of his source's frequent theatrical metaphors is one measure

of the distance from history of the _Pretended Messiah_. When Evelyn's

Sevi is grave, it is a "formal and pharisaical gravitie" which is

"starcht on." His motives in general seem highly conscious, even

deliberate; and despite a certain doubleness in the point of view of the

_Pretended Messiah_, the reason for Sevi's comic simplicity is not

difficult to discover. Sir Paul Rycaut, as I have suggested, seems

primarily interested in the effects of the movement on trade. The most

vehement thinking of the book, though ascribed to an unnamed opponent of

Sevi, could well be that of Rycaut himself:

[The opponent observed] in what a wilde manner the whole People

of the Jewes was transported, with the groundless beliefe of a

_Messiah_, leaving not onely their Trade, and course of living,

but publishing Prophesies of a speedy Kingdome, of rescue from

the Tyranny of the Turk, and leading the Grand Signior himself

Captive in Chaines; matters so dangerous and obnoxious to the

State wherein they lived, as might justly convict them of

Treason and Rebellion, and leave them to the Mercy of that

Justice, which on the least jealousie and suspicion of Matters

of this nature uses to extirpate Families, and subvert the

Mansion-houses of their own People, much rather of the Jewes, on

whom the Turkes would gladly take occasion to dispoile them of

their Estates, and condemn the whole Nation to perpetual

slavery.

(pp. 78-79)

Evelyn retains this and similar material, apparently never suspecting

that the Turks may well have been hesitant from real fear; but the

burden of his emphasis is more overtly political and religious. Evelyn

is less than ingenuous, perhaps, in associating Sevi with Peter Serini's

fake brother, or even with Mahomed Bei--another of the "late famous

impostors." But the connection does have the effect of putting Sevi in

an imaginary world where all masks will be discovered and the truth

known. Ultimately, Evelyn's Jews, like Dryden's and Milton's, are

English--"_our_ modern Enthusiasts and other prodigious Sects amongst

us, who Dreame of the like Carnal Expectations, and a Temporal Monarchy"

(sig. A8; italics mine). One hardly needs to fill out the reading. With

a traditional reminder that "the Time is not yet Accomplished," Evelyn

warns English sectarians to beware of misleading fictions--"to weigh how

nearly their Characters approach the Style and Design of those deluded

wretches."

Evelyn's words here suggest something of the wider interest of the

_Pretended Messiah_. For in threatening the modern enthusiasts, as it

were, with the status of comic fiction, he also hinted at the literal

immediacy of such explicitly imaginative works as _Absalom and

Achitophel_, _Paradise Regained_, and _Samson Agonistes_. What Evelyn's

_Pretended Messiah_ helps to reveal, then, is not only the potential

metaphoric value of news itself, but also the peculiar proximity of

poetry to "history" in a period when historical thought was inseparable

from apocalyptic myth.[7]

University of California,

Los Angeles

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