One evening by some chance I found myself alone with the old lady

in the green room;--she had in her hand a piece of embroidery, for,

notwithstanding her sixty-eight years, she was never idle, being

desirous, as she said, to finish before her death a piece of furniture

on which she had been at work for a very long time. Feeling a little

tired she put aside her work and leaned back in her great easy-chair;

she looked at me very attentively and her gray eyes gleamed through

her spectacles with strange vivacity; two or three times she passed

her thin hand across her wrinkled forehead and seemed to be in deep

thought.--The memory of a time that was no more and which she regretted

gave to her face an expression of melancholy emotion.--I said nothing

for fear of disturbing her thoughts, and the silence lasted some

minutes; at last she broke it.

"They are Henri's eyes,--my dear Henri's,--the same bright, melting

glance, the same way of carrying the head, the same sweet, proud

face;--one would say it was he.--You cannot imagine how striking the

resemblance is, Monsieur Théodore;--when I see you, I can no longer

believe that Henri is dead; I think that he has been on a long journey

from which he has at last returned.--You have given me much pleasure

and much pain, Théodore!--pleasure by reminding me of my poor Henri,

pain by showing me how great a loss I have suffered; sometimes I have

taken you for his phantom.--I cannot get used to the idea that you are

going to leave us; it seems to me that I am losing my Henri once more."

I told her that if it were possible for me to remain longer I would

do it with pleasure, but that my stay had already been prolonged far

beyond what it should have been; that I looked forward to returning,

however, and that my memories of the chateau would be too pleasant to

allow me to forget it so quickly.

"Sorry as I am to have you leave us, Monsieur Théodore," she continued,

pursuing her thought, "there is some one here who will be more so than

I.--You understand whom I refer to, without my telling you. I don't

know what we shall do with Rosette when you have gone; but the old

chateau is a very dull place. Alcibiades is always hunting, and for a

young woman like her the society of a poor helpless old creature like

myself is not very entertaining."

"If any one should feel regret, madame, it is neither you nor Rosette,

but myself; you lose little, I lose much; you will readily find society

more agreeable than mine, but it is more than doubtful if I can ever

find any to replace yours and Rosette's."

"I have no wish to quarrel with your modesty, my dear monsieur, but

I know what I am saying, and I say what is true: it is probable that

we shall not see Madame Rosette in good humor for a long while, for

you are the one who makes rain or fair weather on her cheeks now.

Her period of mourning is drawing to an end and it would be truly a

deplorable thing that she should lay aside her cheerfulness with her

last black dress; that would be a very bad example and altogether

opposed to ordinary laws. It is something that you can prevent without

much trouble, and that you will prevent, I have no doubt," said the old

lady, dwelling on the last words.

"Most assuredly I will do my utmost to have your dear niece preserve

her cheerfulness, as you credit me with so much influence over her. But

I can hardly see how I am to set about it."

"Oh! really, you can hardly see! What are your bright eyes good for?--I

didn't know that you were so near-sighted. Rosette is free; she has

eighty thousand francs a year absolutely at her own disposal, and some

women twice as ugly as she are considered very pretty. You are young,

well-favored, and, so far as I know, unmarried; it seems to me the

simplest thing in the world, unless you have an insurmountable horror

for Rosette, which is difficult to believe."--

"And which is not and cannot be the fact; for her mind is as attractive

as her body, and she is one of those who might be ugly without any one

noticing it or wishing her otherwise."--

"She might be ugly with impunity and she is charming.--That is what I

call being right twice over; I do not doubt what you say, but she has

taken the wisest course.--So far as she is concerned, I can readily

assure you that there are a thousand people whom she hates worse than

you, and that, if she were to be asked the question several times, she

would finally confess perhaps that you are not exactly indifferent to

her. You have on your finger a ring that would fit her perfectly, for

your hand is almost as small as hers, and I am almost sure that she

would accept it with pleasure."

The good lady paused for a few seconds to see what effect her words

produced on me, and I cannot say whether she was likely to be satisfied

with the expression of my face.--I was cruelly embarrassed, and I

didn't know what to reply. From the beginning of the interview I had

seen whither all her hints were tending; and although I almost expected

what she had just said, I was surprised and dumfounded; I had no

choice but to refuse; but what plausible reasons could I give for such

a refusal? I had none except that I was a woman; that was an excellent

reason, I agree, but it was precisely the one that I did not choose to

give.

I could hardly throw the blame upon intractable, ridiculous relations;

all the relations in the world would have welcomed such a match with

delirious joy. Even if Rosette had not been what she was, sweet and

lovely, and of gentle birth, the eighty thousand francs a year would

have removed every obstacle.--To say that I did not love her would have

been neither true nor honorable, for I really loved her dearly, more

dearly than one woman loves another.

I was too young to pretend to be engaged to somebody else: the best

expedient I could invent was to give her to understand that, as I was a

younger son, family interests required that I should enter the Order of

Malta, and thus made it impossible for me to think of marriage: which

fact caused me the greatest sorrow imaginable since I had seen Rosette.

That answer was not worth the breath required to put it into words and

I was perfectly conscious of it. The old lady was not deceived by it

and did not look upon it as definitive; she thought that I had spoken

thus in order to have time to reflect and consult my relations.--In

truth, such a marriage was so advantageous and so far beyond my hopes

that it was not possible that I should refuse it, even if I had loved

Rosette only a little or none at all; it was an opportunity not to be

neglected.

I am unable to say whether the aunt opened the subject to me at her

niece's instigation, but I am inclined to think that Rosette was not

a party to it; she loved me too simple-mindedly and ardently to think

of anything else than immediate possession of me, and marriage would

certainly have been the last method she would have employed.--The

dowager, who had not failed to notice our intimacy, which she probably

believed to be much greater than it was, had arranged this plan in her

head, in order to keep me with her, and to replace, as far as possible,

her dear son Henri, killed in the army, to whom she discovered such

a striking resemblance in me. She had taken great pleasure in the

idea and had taken advantage of that brief tête-à-tête to come to an

understanding with me. I saw by her manner that she did not consider

herself defeated, and that she proposed to return soon to the charge,

which vexed me to the last degree.

Rosette, for her part, in the evening of that same day, took a

step which had such serious results, that I must tell you the

story by itself and not in this letter, which has already exceeded

all bounds.--You will see to what extraordinary adventures I am

predestined, and that Heaven plainly cut me out for a hero of romance;

upon my word, I don't know just what moral can be drawn from all

this,--but lives are not like fables, each chapter hasn't a rhymed

sentence for a tailpiece.--Very often the meaning of life is that it is

not death. Nothing more. Adieu, my dear, I kiss your lovely eyes. You

will soon receive the sequel of my triumphant biography.

XIII

Théodore--Rosalind--for I know not by what name to call you--I saw you

a moment ago and now I am writing to you.--How I wish I might know your

woman's name! it must be as sweet as honey and float about the lips

softer and more melodious than poetry! I should never have dared to

tell you that, and yet I should die not to tell you.--No one knows what

I have suffered, no one can know, I myself could give only a faint idea

of it; words do not express such agony; I should seem to have twisted

my phrases at will, to have made mighty efforts to say strange and

novel things and to indulge in the most extravagant exaggeration even

if I should describe my feelings in far from adequate terms.

O Rosalind, I love you, I adore you, would that there were a word

stronger than that! I have never loved, I have never adored any woman

but you;--I prostrate myself, I annihilate myself before you, and I

would like to compel all creation to bend the knee before my idol;

to me you are more than all nature, more than myself, more than

God;--indeed, it seems strange to me that God does not come down from

heaven to be your slave. Where you are not, everything is a desert,

everything is dead, everything is black; you alone people the world for

me; you are my life, my sun;--you are everything.--Your smile makes the

day, your sadness makes the night; the spheres follow the movements of

your body and the celestial harmonies govern themselves by you, O my

beloved queen! O my beautiful real dream! You are arrayed in splendor

and you swim always in a flood of radiant beams.

It is hardly three months that I have known you, but I have loved you

a long, long time.--Before I ever saw you, I was languishing with love

of you; I called you, I sought you, and I was in despair at not meeting

you on my road, for I knew that I could never love another woman.--How

many times you have appeared to me--at the window of the mysterious

chateau, leaning in melancholy mood on the balcony and throwing to the

wind the petals of some flower, or galloping through the dark paths of

the forest, an impetuous Amazon, on your Turkish horse, whiter than the

snow!--There were your proud yet gentle eyes, your transparent hands,

your lovely, waving hair and your adorably disdainful half-smile.--But

you were less beautiful, for the most ardent, unbridled imagination,

the imagination of painter or poet, could not attain the sublime

poesy of the original. There is within you an inexhaustible spring of

charms, an ever-gushing fountain of irresistible seductions; you are a

casket, always open, of the most precious pearls, and in your slightest

movements, in your most careless gestures, in your most unstudied

poses, you scatter to right and left inestimable treasures of beauty,

with royal profusion. If the graceful undulations of a contour, the

fleeting outlines of an attitude, could be fixed and preserved in a

mirror, the mirrors before which you pass would cause the divinest

canvases of Raphael to be despised and looked upon as tavern signs.

[Illustration: Chapter XIII--_How many times you have appeared to me--at

the window of the mysterious château, leaning in melancholy mood on the

balcony and throwing to the wind the petals of some flower. * * * There

were your proud yet gentle eyes, your transparent hands, your lovely,

waving hair and your adorably disdainful half smile._]

Every gesture, every motion of the head, every different aspect of your

beauty, was engraved on the mirror of my mind with a diamond-point, and

nothing in the world could efface its deep impression; I know where

the shadow was and where the light, the flat surface illumined by the

sunbeam, and the spot where the wandering reflection blended with the

softer tints of the neck and cheek.--I could draw you absent; your

image is always posing before me.

When I was a child, I stood for whole hours before the pictures of the

old masters and gazed eagerly into their dark depths.--I scanned the

lovely faces of saints and goddesses whose flesh, of the whiteness of

ivory or wax, stood out so marvellously against the dark backgrounds,

blackened by the decomposition of the colors; I admired the simplicity

and magnificence of their carriage, the strange grace of their

hands and feet, the nobility and beauty of their features, at once

so delicate and so strong; the magnificence of the draperies which

enveloped their divine forms, and whose purple folds seemed to thrust

themselves forward like lips to kiss those lovely bodies.--By dint of

persistently plunging my eyes beneath the veil of haze thickened by

centuries, my sight would become confused, the outlines of objects

would lose their precision, and a sort of motionless, inanimate life

would seem to inspire all those pale phantoms of vanished beauties; I

always ended by discovering that the faces bore a vague resemblance

to the fair stranger whom I adored with all my heart; I sighed as I

thought that she whom I was destined to love was perhaps one of them

and had been dead three hundred years. That thought often affected

me so deeply as to make me shed tears, and I would fly into a fierce

passion against myself for not having been born in the sixteenth

century, when all those beauties lived. I considered that it was

unpardonable stupidity and folly on my part.

When I grew older, the pleasing phantom possessed me even more

completely. I saw it always between me and the women I had for

mistresses, smiling ironically and mocking at their human beauty with

all the perfection of its divine beauty. It made women who were really

charming seem ugly to me--women well adapted to make any man happy who

was not in love with the adorable shadow, whose body I did not believe

to be in existence, but which was only the premonition of your beauty.

O Rosalind! how wretched I have been because of you before I knew you!

O Théodore! what wretchedness I have endured because of you since I

have known you!--If you wish, you can throw open to me the paradise of

my dreams. You are standing on the threshold, like a guardian angel

enveloped in her wings, and you hold the golden key in your fair

hands.--Tell me, Rosalind, tell me, will you do it?

I await only a word from you to live or die;--will you say it?

Are you Apollo driven forth from heaven, or the fair Aphrodite coming

from the bosom of the sea? Where did you leave your chariot of precious

stones drawn by four fiery steeds? what have you done with your shell

of mother-of-pearl, and your dolphins with the sky-blue tails?--what

amorous nymph has blended her body with yours in the midst of a kiss,

O thou comely youth, more charming than Cyparissus or Adonis, more

adorable than all women in the world?

But you are a woman; we are no longer living in the days of the

Metamorphoses;--Adonis and Hermaphroditus are dead,--and such a degree

of beauty cannot now be attained by a man;--for, since heroes and gods

are no more, women alone retain in their marble bodies, as in a Grecian

temple, the priceless gift of shape anathematized by Christ, and

prove that earth has no reason to envy heaven; you worthily represent

the first divinity in the world, the purest symbol of the eternal

essence--beauty.

As soon as I saw you, something was torn away within me, a veil fell, a

door opened, I felt that I was flooded inwardly with waves of light; I

realized that my life was before me, and that I had finally reached the

decisive crossroads.--The obscure, lost portions of the half-radiant

face I was seeking to distinguish in the shadow were suddenly

illuminated; the dark tints in which the background of the picture

was enveloped were flooded with a soft light; a delicate rosy flush

stole over the ultramarine, slightly tinged with green, of the middle

distances; the trees, which formed only confused silhouettes, began

to stand out more clearly; the dew-laden flowers made bright spots on

the dull green of the turf. I saw the scarlet-breasted bullfinch at

the end of an elder branch; the little white rabbit, pink-eyed and

with ears erect, putting out his head between two wisps of wild thyme

and passing his paw over his nose, and the timid stag coming to drink

at the spring and gaze at his branching antlers in the water.--On the

morning when the sun of love rose upon my life, everything was changed;

where shapes barely outlined and rendered terrible or unnatural by

their uncertainty, once vacillated before my eyes, were now graceful

groups of trees in blossom, hillsides forming charming amphitheatres,

silver palaces, with their terraces covered with urns and statues,

bathing their feet in the azure lakes and apparently swimming between

two skies; the shape that I took in the obscurity for a gigantic dragon

with wings armed with talons, crawling on the darkness with his scaly

paws, was simply a felucca with silken sails and oars painted and

gilded, filled with women and musicians; and the horrible crab which I

fancied that I saw waving his claws and nippers over my head was only

a fan-shaped palm whose long, narrow leaves moved gently in the night

wind.--My chimeras and my errors have vanished:--I love.

Despairing of ever finding you, I accused my dream of falsehood, and

reviled fate bitterly;--I said to myself that I was very foolish to

seek such a type, or that nature was very unfruitful and the Creator

very unskilful, not to be able to realize the simple thought of

my heart.--Prometheus had the noble aspiration to make a man and

enter into rivalry with God; I had created a woman, and I believed

that, to punish me for my audacity, a longing always unsatisfied

would gnaw at my liver like another vulture; I expected to be bound

with diamond chains upon a hoary rock on the shore of the wild

ocean,--but the lovely sea-nymphs with long green hair, lifting their

snow-white, swelling breasts above the waves and showing the sun

their mother-of-pearl bodies all dripping with the tears of the sea,

would not have come and reclined upon the bank to converse with me and

comfort me in my agony, as they do in old Æschylus's play.

It did not turn out so.

You came and I was fain to reproach my imagination with its

impotence.--I have not suffered the torture that I dreaded, of being

chained forever upon a sterile rock, the victim of an idea; but I have

suffered none the less. I had seen that you did, in fact, exist; that

my presentiments had not lied to me in that respect; but you appeared

to me with the ambiguous, and terrifying beauty of the sphinx. Like

Isis, the mysterious goddess, you were enveloped in a veil which I

dared not raise for fear of falling dead.

If you knew with what panting, anxious scrutiny, under my apparent

indifference, I watched you and followed your slightest movements!

Nothing escaped me; how earnestly I gazed at the little flesh that

appeared at your neck or your wrists, trying to determine your sex!

Your hands were the subject of profound study on my part, and I can

fairly say that I know every detail of their shape, every imperceptible

vein, and the tiniest dimple; you might be enveloped from head to

foot in the most impenetrable domino, and I would recognize you simply

by looking at one of your fingers. I analyzed the undulations of your

gait, the way in which you put your foot to the ground, your manner

of pushing back your hair; I tried to surprise your secret in the

management of your body.--I watched you particularly in your hours

of relaxation when the bones seem to be removed from the body, and

when the limbs relax and bend as if they were unstrung, to see if the

feminine lines would declare themselves more boldly in that careless,

forgetful attitude. No one was ever the object of such ardent scrutiny

as you.

I forgot myself in contemplating you for hours at a time. Withdrawing

to some corner of the salon, with a book that I did not read in my

hand, or crouching behind the curtains in my bedroom, when you were in

yours and the blinds at your window were raised,--at such times, deeply

penetrated by the marvellous beauty that emanates from you and creates

a luminous atmosphere about you, I said to myself: "Surely it is a

woman;"--then suddenly an abrupt, decided gesture, a virile tone, or

some cavalierish action would destroy in a moment my frail edifice of

probabilities, and throw me back into my former irresolution.

I would be sailing before the wind over the boundless ocean of amorous

reverie, and you would come to ask me to fence or to play tennis with

you; the young woman, transformed into a young gallant, would deal me

terrific truncheon-like blows and send the foil flying out of my hands

as deftly and quickly as the most expert bravo in the trade; every

minute in the day I had some such disappointment.

I would be on the point of approaching you, to say: "My dear lady,

I adore you," and I would see you lean over and whisper tenderly to

some fair dame, and blow madrigals and compliments through her hair

in puffs.--Judge of my position.--Or else some woman, whom, in my

mad jealousy, I would have flayed alive with the greatest pleasure

on earth, would hang upon your arm, would lead you aside to confide

her paltry secrets to you, and detain you for whole hours in a window

recess.

It made me furious to see women speak to you, for that forced me to

believe that you were a man, and, even if you had been, I could not

have endured it without intense suffering.--When the men approached

you and addressed you freely and familiarly, I was even more jealous,

because I thought this--that you were a woman, and perhaps they

suspected it as I did; I was tortured by the most contrary passions,

and I did not know what to believe.

I became angry with myself, I reproached myself most bitterly for being

so tormented by such a love, and for not having the strength to tear

from my heart the noxious plant that had sprung up there in one night

like a poisonous mushroom; I cursed you, I called you my evil genius; I

believed for an instant that you were Beelzebub in person, for I could

not explain the sensation to which I was a prey when in your presence.

When I was thoroughly convinced that you were in reality nothing else

than a woman in disguise, the improbability of the motives with which I

sought to justify such a whim plunged me into my uncertainty once more,

and I began anew to deplore that the figure I had dreamed of for the

love of my soul, should prove to belong to a person of the same sex as

myself;--I blamed the chance that had arrayed a man in such a charming

exterior, and, to my everlasting misery, had thrown him in my way when

I had ceased to hope for the realization of the ideal of pure beauty

which I cherished so long in my heart.

But now, Rosalind, I am profoundly certain that you are the loveliest

of women; I have seen you in the costume of your sex, I have seen your

pure, perfectly-rounded shoulders and arms. The upper part of your

breast, which your neckerchief disclosed, can belong only to a young

woman; neither Meleager, the beautiful huntsman, nor the effeminate

Bacchus, with their uncertain figures, had such purity of outline or

such fineness of skin, although they were both made of Parian marble

and polished by the amorous kisses of twenty centuries.--I am no longer

worried in that direction--But that is not all: you are a woman, and

my love is no longer reprehensible; I can give myself up to it without

remorse, and abandon myself to the current that draws me toward you;

however ardent and unruly my passion, it is legitimate and I can avow

it; but you, Rosalind, for whom I have burned in silence and who knew

nothing of the immensity of my love, you in whom this tardy disclosure

will perhaps arouse no sentiment but surprise--do you hate me, do you

love me, can you love me? I do not know--and I tremble and am unhappier

than before.

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