CHAPTER XXXIV. P. I.

MORAL INTEREST OF TOPOGRAPHICAL WORKS. LOCAL ATTACHMENT.

Let none our Author rudely blame

Who from the story has thus long digrest;

But for his righteous pains may his fair fame

For ever travel, whilst his ashes rest.

SIR WILLIAM DAVENANT.

Reader, if thou carest little or nothing for the Yorkshire river Don

and for the town of Doncaster, and for the circumstances connected

with it, I am sorry for thee. My venerable friend the Doctor was of a

different disposition. He was one who loved, like Southey

———uncontrolled, as in a dream

To muse upon the course of human things;

Exploring sometimes the remotest springs,

Far as tradition lends one guiding gleam;

Or following upon Thought's audacious wings

Into Futurity the endless stream.

He could not only find

———tongues in trees, books in the running brooks,

Sermons in stones, and good in every thing,—[1]

but endeavoured to find all he could in them, and for that reason

delighted to enquire into the history of places and of things, and to

understand their past as well as their present state. The revolutions

of a mansion house within his circuit were as interesting to him as

those of the Mogul Empire; and he had as much satisfaction in being

acquainted with the windings of a brook from its springs to the place

where it fell into the Don, as he could have felt in knowing that the

Sources of the Nile had been explored, or the course and termination

of the Niger.

[Footnote 1: SHAKESPEAR.]

Hear, Reader, what a journalist says upon rivers in the newest and

most approved style of critical and periodical eloquence! He says, and

he regarded himself no doubt with no small complacency while so

saying,

“An acquaintance with” Rivers “well deserves to be erected into a

distinct science. We hail _Potamology_ with a cordial greeting, and

welcome it to our studies, parlours, schools, reading-rooms,

lecture-rooms, mechanics' institutes and universities. There is no end

to the interest which Rivers excite. They may be considered

physically, geographically, historically, politically, commercially,

mathematically, poetically, pictorially, morally, and even

religiously—In the world's anatomy they are its veins, as the

primitive mountains, those mighty structures of granite, are its

bones; they minister to the fertility of the earth, the purity of the

air, and the health of mankind. They mark out nature's kingdoms and

provinces, and are the physical dividers and subdividers of

continents. They welcome the bold discoverer into the heart of the

country, to whose coast the sea has borne his adventurous bark. The

richest freights have floated on their bosoms, and the bloodiest

battles have been fought upon their banks. They move the wheels of

cotton mills by their mechanical power, and madden the souls of poets

and painters by their picturesque splendor. They make scenery and are

scenery, and land yields no landscape without water. They are the best

vehicle for the transit of the goods of the merchant, and for the

illustration of the maxims of the moralist. The figure is so familiar,

that we scarcely detect a metaphor when the stream of life and the

course of time flow on into the ocean of Eternity.”

Hear, hear, oh hear!

_Udite—

Fiumi correnti, e rive,—

E voi—fontane vive!_[2]

Yet the person who wrote this was neither deficient in feeling, nor in

power; it is the epidemic vice prevailing in an age of journals that

has infected him. They who frame their style _ad captandum_ fall into

this vein, and as immediate effect is their object they are wise in

their generation. The public to which they address themselves are

attracted by it, as flies swarm about treacle.

[Footnote 2: GIUSTO DE' CONTE.]

We are advanced from the Age of Reason to the Age of Intellect, and

this is the current eloquence of that age!—let us get into an

atmosphere of common sense.

Topographical pursuits, my Doctor used to say, tend to preserve and

promote the civilization of which they are a consequence and a proof.

They have always prospered in prosperous countries, and flourished

most in flourishing times when there have been persons enough of

opulence to encourage such studies, and of leisure to engage in them.

Italy and the Low Countries therefore took the lead in this branch of

literature; the Spaniards and Portugueze cultivated it in their better

days; and beginning among ourselves with Henry 8th, it has been

continued with encreasing zeal down to the present time.

Whatever strengthens our local attachments is favorable both to

individual and national character. Our home,—our birth place,—our

native land,—think for a while what the virtues are which arise out of

the feelings connected with these words; and if thou hast any

intellectual eyes thou wilt then perceive the connection between

topography and patriotism.

Shew me a man who cares no more for one place than another, and I will

shew you in that same person one who loves nothing but himself. Beware

of those who are homeless by choice! You have no hold on a human being

whose affections are without a tap-root. The laws recognize this truth

in the privileges which they confer upon freeholders; and public

opinion acknowledges it also, in the confidence which it reposes upon

those who have what is called a stake in the country. Vagabond and

rogue are convertible terms; and with how much propriety any one may

understand who knows what are the habits of the wandering classes,

such as gypsies, tinkers and potters.

The feeling of local attachment was possessed by Daniel Dove in the

highest degree. Spurzheim and the crazyologists would have found out a

bump on his head for its local habitation;—letting that quackery pass,

it is enough for me to know that he derived this feeling from his

birth as a mountaineer, and that he had also a right to it by

inheritance, as one whose ancestors had from time immemorial dwelt

upon the same estate. Smile not contemptuously at that word, ye, whose

domains extend over more square miles than there were square roods

upon his patrimony! To have held that little patrimony unimpaired, as

well as unenlarged, through so many generations implies more

contentment, more happiness, and a more uniform course of steadiness

and good conduct, than could be found in the proudest of your

genealogies!

The most sacred spot upon earth to him was his father's hearth-stead.

Rhine, Rhone, Danube, Thames or Tyber, the mighty Ganges or the

mightier Maranon, even Jordan itself, affected his imagination less

than the Greta, or Wease as he was wont to call it, of his native

fields; whose sounds in his boyhood were the first which he heard at

morning and the last at night, and during so many peaceful and happy

years made as it were an accompaniment to his solitary musings, as he

walked between his father's house and his schoolmaster's, to and fro.

Next to that wild river Wease whose visible course was as delightful

to the eye and ear, as its subterranean one was to the imagination, he

loved the Don. He was not one of those refined persons who like to

lessen their admiration of one object by comparing it with another. It

entered as little into his mind to depreciate the Don because it was

not a mountain stream, as it did into Corporal Trim's or Uncle Toby's

to think the worse of Bohemia because it has no sea coast. What if it

had no falls, no rapids or resting-places, no basins whose pellucid

water might tempt Diana and the Oreades to bathe in it; instead of

these the Don had beauties of its own, and utilities which give to

such beauties when combined with them an additional charm. There was

not a more pleasing object in the landscape to his eyes than the broad

sail of a barge slowly moving between the trees, and bearing into the

interior of England the produce of the Baltic, and of the East and

West.

The place in the world which he loved best was Ingleton, because in

that little peaceful village, as in his childhood it was, he had once

known every body and every body had known him; and all his

recollections of it were pleasurable, till time cast over them a

softening but a pensive hue. But next to Ingleton he loved Doncaster.

And wherefore did he thus like Doncaster? For a better reason than the

epigrammatist could give for not liking Dr. Fell, though perhaps many

persons have no better than that epigrammatist had in this case, for

most of their likings and dislikings. He liked it because he must have

been a very unreasonable man if he had not been thankful that his lot

had fallen there—because he was useful and respected there, contented,

prosperous, happy; finally because it is a very likeable place, being

one of the most comfortable towns in England: for it is clean,

spacious, in a salubrious situation, well-built, well-governed, has no

manufactures, few poor, a greater proportion of inhabitants who are

not engaged in any trade or calling, than perhaps any other town in

the kingdom, and moreover it sends no members to parliament.

INTERCHAPTER III.

THE AUTHOR QUESTIONS THE PROPRIETY OF PERSONIFYING CIRCUMSTANCE,

DENIES THE UNITY AND INDIVISIBILITY OF THE PUBLIC, AND MAY EVEN BE

SUSPECTED OF DOUBTING ITS OMNISCIENCE AND ITS INFALLIBILITY.

_Ha forse

Testa la plebe, ove si chiuda in vece

Di senno, altro che nebbia? o forma voce

Chi sta più saggia, che un bebù d'armerito?_

CHIABRERA.

“What a kind of Being is circumstance!” says Horace Walpole in his

atrocious tragedy of the Mysterious Mother.—A very odd kind of Being

indeed. In the course of my reading I remember but three Beings

equally remarkable,—as personified in prose and verse. Social-Tie was

one; Catastrophe another; and Inoculation, heavenly Maid! the third.

But of all ideal Beings the most extraordinary is that which we call

the Public. The Public and Transubstantiation I hold to be the two

greatest mysteries in, or out of nature. And there are certain points

of resemblance between them.—For as the Priest creates the one

mystery, so the author, or other appellant to the said Public, creates

the other, and both bow down in worship, real or simulated, before the

Idol of their own creation. And as every fragment of the wafer break

it into as many as you may, contains in itself the whole entire

mystery of Transubstantiation, just in the same manner every

fractional part of the Public assumes to itself the powers, privileges

and prerogatives of the whole, as virtually, potentially and

indefeasably its own. Nay, every individual who deems himself a

constituent member of the said Public arrogates them also, and when he

professes to be acting _pro bono publico_, the words mean with him all

the good he can possibly get for himself.

The old and famous illustration of Hermes may be in part applied to

the Public; it is a circle of which the centre is every where: in part

I say, for its circumference is defined. It is bounded by language,

and has many intercircles. It is indeed a confused multiplicity of

circles intersecting each other, perpetually in motion and in change.

Every man is the centre of some circle, and yet involved in others; he

who is not sometimes made giddy by their movements, has a strong head;

and he who is not sometimes thrown off his balance by them, stands

well upon his legs.

Again, the Public is like a nest of patent coffins packed for

exportation, one within another. There are Publics of all sizes, from

the _genus generalissimum_, the great general universal Public, whom

London is not large enough to hold, to the _species specialissima_,

the little Thinking Public, which may find room in a nutshell.

There is the Fashionable Public, and the Religious Public, and the

Play-going Public, and the Sporting Public, and the Commercial Public,

and the Literary Public, and the Reading Public, and Heaven knows how

many Publics more. They call themselves Worlds sometimes,—as if a

certain number of worldlings made a World!

He who pays his homage to any or all of these Publics, is a Publican

and a Sinner.

“_Nunquam valui populo placere; nam quæ ego scio non probat populus;

quæ probat populas, ego nescio._”[1]

“_Bene et ille, quisquis fuit, (ambigitur enim de auctore,) cum

quæreretur ab illo, quo tanta diligentia artis spectaret ad

paucissimos perventuræ? Satis sunt, inquit, mihi pauci; satis est

unus; satis est nullus._”[2]

[Footnote 1: SENECA, 2, 79.]

[Footnote 2: IB, _ib._ 17.]

The doctor, &c., vol. 2 (of 7) · 第 2 / 45 章