The first sunbeams had already gilded her bedroom windows, barring the
drawn curtains with light, when the man arrived. He was still wearing
his disordered evening dress under a light overcoat; his soiled shirt
front was still crossed by the red ribbon of watered silk; third class
orders striped his breast, where also the brand new Turkish sunburst
glimmered.
A sleepy maid in night attire answered his furious ringing; the man
pushed her aside with an oath and strode into the semi-darkness of the
corridor. He was nearly six feet tall, bulky; but his legs were either
too short or something else was the matter with them, for when he
walked he waddled, breathing noisily from the ascent of the stairs.
"Is your mistress here?" he demanded, hoarse with his effort.
"Y--yes, monsieur----"
"When did she come in?" And, as the scared and bewildered maid
hesitated: "Damn you, answer me! When did Mademoiselle Quellen come
in? I'll wring your neck if you lie to me!"
The maid began to whimper:
"Monsieur le Comte--I do not wish to lie to you.... Mademoiselle Nihla
came back with the dawn----"
"Alone?"
The maid wrung her hands:
"Does Monsieur le Comte m-mean to harm her?"
"Will you answer me, you snivelling cat!" he panted between his big,
discoloured teeth. He had fished out a pistol from his breast pocket,
dragging with it a silk handkerchief, a fancy cap of tissue and gilt,
and some streamers of confetti which fell to the carpet around his
feet.
"Now," he breathed in a half-strangled voice, "answer my questions.
Was she alone when she came in?"
"N-no."
"Who was with her?"
"A--a----"
"A man?"
The maid trembled violently and nodded.
"What man?"
"M-Monsieur le Comte, I have never before beheld him----"
"You lie!"
"I do not lie! I have never before seen him, Monsieur le----"
"Did you learn his name?"
"No----"
"Did you hear what they said?"
"They spoke in English----"
"What!" The man's puffy face went flabby white, and his big, badly
made frame seemed to sag for a moment. He laid a large fat hand flat
against the wall, as though to support and steady himself, and gazed
dully at the terrified maid.
And she, shivering in her night-robe and naked feet, stared back into
the pallid face, with its coarse, greyish moustache and little short
side-whiskers which vulgarized it completely--gazed in unfeigned
terror at the sagging, deadly, lead-coloured eyes.
"Is the man there--in there now--with her?" demanded the Comte d'Eblis
heavily.
"No, monsieur."
"Gone?"
"Oh, Monsieur le Comte, the young man stayed but a moment----"
"Where were they? In her bedroom?"
"In the salon. I--I served a pate--a glass of wine--and the young
gentleman was gone the next minute----"
A dull red discoloured the neck and features of the Count.
"That's enough," he said; and waddled past her along the corridor to
the furthest door; and wrenched it open with one powerful jerk.
In the still, golden gloom of the drawn curtains, now striped with
sunlight, a young girl suddenly sat up in bed.
"Alexandre!" she exclaimed in angry astonishment.
"You slut!" he said, already enraged again at the mere sight of her.
"Where did you go last night!"
"What are you doing in my bedroom?" she demanded, confused but flushed
with anger. "Leave it! Do you hear!--" She caught sight of the pistol
in his hand and stiffened.
He stepped nearer; her dark, dilated gaze remained fixed on the
pistol.
"Answer me," he said, the menacing roar rising in his voice. "Where
did you go last night when you left the house?"
"I--I went out--on the lawn."
"And then?"
"I had had enough of your party: I came back to Paris."
"And _then_?"
"I came here, of course."
"Who was with you?"
Then, for the first time, she began to comprehend. She swallowed
desperately.
"Who was your companion?" he repeated.
"A--man."
"You brought him here?"
"He--came in--for a moment."
"Who was he?"
"I--never before saw him."
"You picked up a man in the street and brought him here with you?"
"N-not on the street----"
"Where?"
"On the lawn--while your guests were dancing----"
"And you came to Paris with him?"
"Y-yes."
"Who was he?"
"I don't know----"
"If you don't name him, I'll kill you!" he yelled, losing the last
vestige of self-control. "What kind of story are you trying to tell
me, you lying drab! You've got a lover! Confess it!"
"I have not!"
"Liar! So this is how you've laughed at me, mocked me, betrayed me,
made a fool of me! You!--with your fierce little snappish ways of a
virgin! You with your dangerous airs of a tiger-cat if a man so much
as laid a finger on your vicious body! So Mademoiselle-Don't-touch-me
had a lover all the while. Max Freund warned me to keep an eye on
you!" He lost control of himself again; his voice became a hoarse
shout: "Max Freund begged me not to trust you! You filthy little
beast! Good God! Was I crazy to believe in you--to talk without
reserve in your presence! What kind of imbecile was I to offer you
marriage because I was crazy enough to believe that there was no other
way to possess you! You--a Levantine dancing girl--a common painted
thing of the public footlights--a creature of brasserie and cabaret!
And you posed as Mademoiselle Nitouche! A novice! A devotee of
chastity! And, by God, your devilish ingenuity at last persuaded me
that you actually were what you said you were. And all Paris knew you
were fooling me--all Paris was laughing in its dirty sleeve--mocking
me--spitting on me----"
"All Paris," she said, in an unsteady voice, "gave you credit for
being my lover. And I endured it. And you knew it was not true. Yet
you never denied it.... But as for me, I never had a lover. When I
told you that I told you the truth. And it is true to-day as it was
yesterday. Nobody believes it of a dancing girl. Now, _you_ no longer
believe it. Very well, there is no occasion for melodrama. I tried to
fall in love with you: I couldn't. I did not desire to marry you. You
insisted. Very well; you can go."
"Not before I learn the name of your lover of last night!" he
retorted, now almost beside himself with fury, and once more menacing
her with his pistol. "I'll get that much change out of all the money
I've lavished on you!" he yelled. "Tell me his name or I'll kill
you!"
She reached under her pillow, clutched a jewelled watch and purse, and
hurled them at him. She twisted from her arm a gemmed bracelet, tore
every flashing ring from her fingers, and flung them in a handful
straight at his head.
"There's some more change for you!" she panted. "Now, leave my
bedroom!"
"I'll have that man's name first!"
The girl laughed in his distorted face. He was within an ace of
shooting her--of firing point-blank into the lovely, flushed features,
merely to shatter them, destroy, annihilate. He had the desire to do
it. But her breathless, contemptuous laugh broke that impulse--relaxed
it, leaving it flaccid. And after an interval something else
intervened to stay his hand at the trigger--something that crept into
his mind; something he had begun to suspect that she knew. Suddenly he
became convinced that she _did_ know it--that she believed that he
dared not kill her and stand the investigation of a public trial
before a _juge d'instruction_--that he could not afford to have his
own personal affairs scrutinised too closely.
He still wanted to kill her--shoot her there where she sat in bed,
watching him out of scornful young eyes. So intense was his need to
slay--to disfigure, brutalise this girl who had mocked him, that the
raging desire hurt him physically. He leaned back, resting against the
silken wall, momentarily weakened by the violence of passion. But his
pistol still threatened her.
No; he dared not. There was a better, surer way to utterly destroy
her,--a way he had long ago prepared,--not expecting any such
contingency as this, but merely as a matter of self-insurance.
His levelled weapon wavered, dropped, held loosely now. He still
glared at her out of pallid and blood-shot eyes in silence. After a
while:
"You hell-cat," he said slowly and distinctly. "Who is your English
lover? Tell me his name or I'll beat your face to a pulp!"
"I have no English lover."
"Do you think," he went on heavily, disregarding her reply, "that I
don't know why you chose an Englishman? You thought you could
blackmail me, didn't you?"
"How?" she demanded wearily.
Again he ignored her reply:
"Is he one of the Embassy?" he demanded. "Is he some emissary of
Grey's? Does he come from their intelligence department? Or is he only
a police jackal? Or some lesser rat?"
She shrugged; her night-robe slipped and she drew it over her shoulder
with a quick movement. And the man saw the deep blush spreading over
face and throat.
"By God!" he said, "you _are_ an actress! I admit it. But now you are
going to learn something about real life. You think you've got me,
don't you?--you and your Englishman? Because I have been fool enough
to trust you--hide nothing from you--act frankly and openly in your
presence. You thought you'd get a hold on me, so that if I ever caught
you at your treacherous game you could defy me and extort from me the
last penny! You thought all that out--very thriftily and cleverly--you
and your Englishman between you--didn't you?"
"I don't know what you mean."
"Don't you? Then why did you ask me the other day whether it was not
German money which was paying for the newspaper which I bought?"
"The _Mot d'Ordre_?"
"Certainly."
"I asked you that because Ferez Bey is notoriously in Germany's pay.
And Ferez Bey financed the affair. You said so. Besides, you and he
discussed it before me in my own salon."
"And you suspected that I bought the _Mot d'Ordre_ with German money
for the purpose of carrying out German propaganda in a Paris daily
paper?"
"I don't know why Ferez Bey gave you the money to buy it."
"He did not give me the money."
"You said so. Who did?"
"_You!_" he fairly yelled.
"W-what!" stammered the girl, confounded.
"Listen to me, you rat!" he said fiercely. "I was not such a fool as
you believed me to be. I lavished money on you; you made a fortune for
yourself out of your popularity, too. Do you remember endorsing a
cheque drawn to your order by Ferez Bey?"
"Yes. You had borrowed every penny I possessed. You said that Ferez
Bey owed you as much. So I accepted his cheque----"
"That cheque paid for the _Mot d'Ordre_. It is drawn to your order;
it bears your endorsement; the _Mot d'Ordre_ was purchased in your
name. And it was Max Freund who insisted that I take that precaution.
Now, try to blackmail me!--you and your English spy!" he cried
triumphantly, his voice breaking into a squeak.
Not yet understanding, merely conscious of some vague and monstrous
danger, the girl sat motionless, regarding him intently out of
beautiful, intelligent eyes.
He burst into laughter, made falsetto by the hysteria of sheer
hatred:
"That's where you are now!" he said, leering down at her. "Every paper
I ever made you sign incriminates you; your cancelled cheque is in the
same packet; your _dossier_ is damning and complete. You didn't know
that Ferez Bey was sent across the frontier yesterday, did you? Your
English spy didn't inform you last night, did he?"
"N-no."
"You lie! You _did_ know it! That was why you stole away last night
and met your jackal--to sell him something besides yourself, this
time! You knew they had arrested Ferez! I don't know how you knew it,
but you did. And you told your lover. And both of you thought you had
me at last, didn't you?"
"I--what are you trying to say to me--do to me?" she stammered, losing
colour for the first time.
"Put you where you belong--you dirty spy!" he said with grinning
ferocity. "If there is to be trouble, I've prepared for it. When they
try you for espionage, they'll try you as a foreigner--a dancing girl
in the pay of Germany--as my mistress whom Max Freund and I discover
in treachery to France, and whom I instantly denounce to the proper
authorities!"
He shoved his pistol into his breast pocket and put on his marred silk
hat.
"Which do you think they will believe--you or the Count d'Eblis?" he
demanded, the nervous leer twitching at his heavy lips. "Which do you
think they will believe--your denials and counter-accusations against
me, or Max Freund's corroboration, and the evidence of the packet I
shall now deliver to the authorities--the packet containing every
cursed document necessary to convict you!--you filthy little----"
The girl bounded from her bed to the floor, her dark eyes blazing:
"Damn you!" she said. "Get out of my bedroom!"
Taken aback, he retreated a pace or two, and, at the furious menace of
the little clenched fist, stepped another pace out into the corridor.
The door crashed in his face; the bolt shot home.
* * * * *
In twenty minutes Nihla Quellen, the celebrated and adored of European
capitals, crept out of the street door. She wore the dress of a
Finistere peasant; her hair was grey, her step infirm.
The _commissaire_, two _agents de police_, and a Government detective,
one Souchez, already on their way to identify and arrest her, never
even glanced at the shabby, infirm figure which hobbled past them on
the sidewalk and feebly mounted an omnibus marked Gare du Nord.
* * * * *
For a long time Paris was carefully combed for the dancer, Nihla
Quellen, until more serious affairs occupied the authorities, and
presently the world at large. For, in a few weeks, war burst like a
clap of thunder over Europe, leaving the whole world stunned and
reeling. The dossier of Nihla Quellen, the dancing girl, was tossed
into secret archives, together with the dossier of one Ferez Bey, an
Eurasian, now far beyond French jurisdiction, and already very
industrious in the United States about God knows what, in company with
one Max Freund.
As for Monsieur the Count d'Eblis, he remained a senator, an owner of
many third-rate decorations, and of the _Mot d'Ordre_.
And he remained on excellent terms with everybody at the Swedish,
Greek, and Bulgarian legations, and the Turkish Embassy, too. And
continued in cipher communication with Max Freund and Ferez Bey in
America.
Otherwise, he was still president of the Numismatic Society of Spain,
and he continued to add to his wonderful collection of coins, and to
keep up his voluminous numismatic correspondence.
He was growing stouter, too, which increased his spinal waddle when he
walked; and he became very prosperous financially, through fortunate
"operations," as he explained, with one Bolo Pasha.
He had only one regret to interfere with his sleep and his digestion;
he was sorry he had not fired his pistol into the youthful face of
Nihla Quellen. He should have avenged himself, taken his chances, and
above everything else he should have destroyed her beauty. His
timidity and caution still caused him deep and bitter chagrin.
For nearly a year he heard absolutely nothing concerning her. Then one
day a letter arrived from Ferez Bey through Max Freund, both being in
New York. And when, using his key to the cipher, he extracted the
message it contained, he had learned, among other things, that Nihla
Quellen was in New York, employed as a teacher in a school for
dancing.
The gist of his reply to Ferez Bey was that Nihla Quellen had already
outlived her usefulness on earth, and that Max Freund should attend to
the matter at the first favourable opportunity.