There was a big moon over the Bosphorus; the limpid waters off
Seraglio Point glimmered; the Golden Horn was like a sheet of beaten
silver inset with topaz and ruby where lanterns on rusting Turkish
warships dyed the tarnished argent of the flood. Except for these, and
the fixed lights on the foreign guard-ships and on a big American
steam yacht, only a pale and nebulous shoreward glow betrayed the
monster city.
Over Pera the full moon's lustre fell, silvering palace, villa, sea
and coast; its rays glimmered on bridge and wharf, bastion, tower
arsenal, and minarette, transforming those big, sprawling, ramshackle
blotches of architecture called Constantinople into that shadowy,
magnificent enchantment of the East, which all believe in, but which
exists only in a poet's heart and mind.
Night veiled the squalour of Balat, and its filth, its meanness, its
flimsy sham. Moonlight made of Galata a marvel, ennobling every
bastard dome, every starved facade, every unlovely and attenuated
minarette, and invested with added charm each really lovely ruin, each
tower, palace, mosque, garden wall and balcony, and every crenelated
battlement, where the bronze bulk of ancient cannon slanted, outlined
in silver under the Prophet's moon.
Tiny moving lights twinkled on the Galata Bridge; pale points of
radiance dotted Scutari; but the group of amazing cities called
Constantinople lay almost blotted out under the moon.
Darker at night than any capital in the world, its huge, solid and
ancient shapes bulking gigantic in the night, its noble ruins cloaked,
its cheap filth hidden, its flimsy Coney Island aspect transfigured
and the stylographic-pen architecture of a hundred minarettes softened
into slender elegance, Constantinople lay dreaming its immemorial
dreams under the black shadow of the Prussian eagle.
* * * * *
The German Embassy was lighted up like a Pera cafe; the drawing-rooms
crowded with a brilliant throng where sashes, orders, epaulettes and
sabre-tache glittered, and jewels blazed and aigrettes waved under the
crystal chandeliers, accenting and isolating sombre civilian evening
dress, which seemed mournful, rusty, and out of the picture, even when
plastered over with jewelled stars.
Few Turkish officials and officers were present, but the disquieting
sight of German officers in Turkish uniforms was not uncommon. And the
Count d'Eblis, Senator of France, noted this phenomenon with lively
curiosity, and mentioned it to his companion, Ferez Bey.
Ferez Bey, lounging in a corner with Adolf Gerhardt, for whom he had
procured an invitation, and flanked by the Count d'Eblis, likewise a
guest aboard the rich German-American banker's yacht, was very much in
his element as friend and mentor.
For Ferez Bey knew everybody in the Orient--knew when to cringe, when
to be patronising, when to fawn, when to assert himself, when to be
servile, when impudent.
He was as impudent to Adolf Gerhardt as he dared be, the banker not
knowing the subtler shades and differences; he was on an equality with
the French senator, Monsieur le Comte d'Eblis because he knew that
d'Eblis dared not resent his familiarity.
Otherwise, in that brilliant company, Ferez Bey was a jackal--and he
knew it perfectly--but a valuable jackal; and he also knew that.
So when the German Ambassador spoke pleasantly to him, his attitude
was just sufficiently servile, but not overdone; and when Von-der-Hohe
Pasha, in the uniform of a Turkish General of Division, graciously
exchanged a polite word with him during a moment's easy gossip with
the Count d'Eblis, Ferez Bey writhed moderately under the honour, but
did not exactly squirm.
To Conrad von Heimholz he ventured to present his German-American
patron, Adolf Gerhardt, and the thin young military attache
condescended in his Prussian way to notice the introduction.
"Saw your yacht in the harbour," he admitted stiffly. "It is
astonishing how you Americans permit no bounds to your somewhat
noticeable magnificence."
"She's a good boat, the _Mirage_," rumbled Gerhardt, in his bushy red
beard, "but there are plenty in America finer than mine."
"Not many, Adolf," insisted Ferez, in his flat, Eurasian voice--"not
ver' many anyw'ere so fine like your _Mirage_."
"I saw none finer at Kiel," said the attache, staring at Gerhardt
through his monocle, with the habitual insolence and disapproval of
the Prussian junker. "To me it exhibits bad taste"--he turned to the
Count d'Eblis--"particularly when the _Meteor_ is there."
"Where?" asked the Count.
"At Kiel. I speak of Kiel and the ostentation of certain foreign yacht
owners at the recent regatta."
Gerhardt, redder than ever, was still German enough to swallow the
meaningless insolence. He was not getting on very well at the Embassy
of his fellow countrymen. Americans, properly presented, they endured
without too open resentment; for German-Americans, even when
millionaires, their contempt and bad manners were often undisguised.
"I'm going to get out of this," growled Gerhardt, who held a good
position socially in New York and in the fashionable colony at
Northbrook. "I've seen enough puffed up Germans and over-embroidered
Turks to last me. Come on, d'Eblis----"
Ferez detained them both:
"Surely," he protested, "you would not miss Nihla!"
"Nihla?" repeated d'Eblis, who had passed his arm through Gerhardt's.
"Is that the girl who set St. Petersburg by the ears?"
"Nihla Quellen," rumbled Gerhardt. "I've heard of her. She's a dancer,
isn't she?"
Ferez, of course, knew all about her, and he drew the two men into the
embrasure of a long window.
It was not happening just exactly as he and the German Ambassador had
planned it together; they had intended to let Nihla burst like a
flaming jewel on the vision of d'Eblis and blind him then and there.
Perhaps, after all, it was better drama to prepare her entrance. And
who but Ferez was qualified to prepare that entree, or to speak with
authority concerning the history of this strange and beautiful young
girl who had suddenly appeared like a burning star in the East, had
passed like a meteor through St. Petersburg, leaving several
susceptible young men--notably the Grand Duke Cyril--mentally unhinged
and hopelessly dissatisfied with fate.
"It is ver' fonny, d'Eblis--une histoire chic, vous savez! Figurez
vous----"
"Talk English," growled Gerhardt, eyeing the serene progress of a
pretty Highness, Austrian, of course, surrounded by gorgeous uniforms
and empressement.
"Who's that?" he added.
Ferez turned; the gorgeous lady snubbed him, but bowed to d'Eblis.
"The Archduchess Zilka," he said, not a whit abashed. "She is a ver'
great frien' of mine."
"Can't you present me?" enquired Gerhardt, restlessly; "--or you,
d'Eblis--can't you ask permission?"
The Count d'Eblis nodded inattentively, then turned his heavy and
rather vulgar face to Ferez, plainly interested in the "histoire" of
the girl, Nihla.
"What were you going to say about that dancer?" he demanded.
Ferez pretended to forget, then, apparently recollecting:
"Ah! Apropos of Nihla? It is a ver' piquant storee--the storee of
Nihla Quellen. Zat is not 'er name. No! Her name is Dunois--Thessalie
Dunois."
"French," nodded d'Eblis.
"Alsatian," replied Ferez slyly. "Her fathaire was captain--Achille
Dunois?--you know----?"
"What!" exclaimed d'Eblis. "Do you mean that notorious fellow, the
Grand Duke Cyril's hunting cheetah?"
"The same, dear frien'. Dunois is dead--his bullet head was crack
open, doubtless by som' ladee's angree husban'. There are a few
thousan' roubles--not more--to stan' between some kind gentleman and
the prettee Nihla. You see?" he added to Gerhardt, who was listening
without interest, "--Dunois, if he was the Gran' Duke's cheetah, kept
all such merry gentlemen from his charming daughtaire."
Gerhardt, whose aspirations lay higher, socially, than a dancing girl,
merely grunted. But d'Eblis, whose aspirations were always below even
his own level, listened with visibly increasing curiosity. And this
was according to the programme of Ferez Bey and Excellenz. As the Hun
has it, "according to plan."
"Well," enquired d'Eblis heavily, "did Cyril get her?"
"All St. Petersburg is still laughing at heem," replied the voluble
Eurasian. "Cyril indeed launched her. And that was sufficient--yet,
that first night she storm St. Petersburg. And Cyril's reward? Listen,
d'Eblis, they say she slapped his sillee face. For me, I don't know.
That is the storee. And he was ver' angree, Cyril. You know? And, by
God, it was what Gerhardt calls a 'raw deal.' Yess? Figurez
vous!--this girl, deja lancee--and her fathaire the Grand Duke's
hunting cheetah, and her mothaire, what? Yes, mon ami, a 'andsome
Georgianne, caught quite wild, they say, by Prince Haledine! For me, I
believe it. Why not?... And then the beautiful Georgianne, she fell to
Dunois--on a bet?--a service rendered?--gratitude of Cyril?----Who
knows? Only that Dunois must marry her. And Nihla is their daughtaire.
Voila!"
"Then why," demanded d'Eblis, "does she make such a fuss about being
grateful? I hate ingratitude, Ferez. And how can she last, anyway? To
dance for the German Ambassador in Constantinople is all very well,
but unless somebody launches her properly--in Paris--she'll end in a
Pera cafe."
Ferez held his peace and listened with all his might.
"I could do that," added d'Eblis.
"Please?" inquired Ferez suavely.
"Launch her in Paris."
The programme of Excellenz and Ferez Bey was certainly proceeding as
planned.
But Gerhardt was becoming restless and dully irritated as he began to
realise more and more what caste meant to Prussians and how
insignificant to these people was a German-American multimillionaire.
And Ferez realised that he must do something.
There was a Bavarian Baroness there, uglier than the usual run of
Bavarian baronesses; and to her Ferez nailed Gerhardt, and wriggled
free himself, making his way amid the gorgeous throngs to the Count
d'Eblis once more.
"I left Gerhardt planted," he remarked with satisfaction; "by God, she
is uglee like camels--the Baroness von Schaunitz! Nev' mind. It is
nobility; it is the same to Adolf Gerhardt."
"A homely woman makes me sick!" remarked d'Eblis. "Eh, mon Dieu!--one
has merely to look at these ladies to guess their nationality! Only in
Germany can one gather together such a collection of horrors. The only
pretty ones are Austrian."
Perhaps even the cynicism of Excellenz had not realised the perfection
of this setting, but Ferez, the nimble witted, had foreseen it.
Already the glittering crowds in the drawing rooms were drawing aside
like jewelled curtains; already the stringed orchestra had become mute
aloft in its gilded gallery.
The gay tumult softened; laughter, voices, the rustle of silks and
fans, the metallic murmur of drawing-room equipment died away. Through
the increasing stillness, from the gilded gallery a Thessalonian reed
began skirling like a thrush in the underbrush.
Suddenly a sand-coloured curtain at the end of the east room twitched
open, and a great desert ostrich trotted in. And, astride of the big,
excited, bridled bird, sat a young girl, controlling her restless
mount with disdainful indifference.
"Nihla!" whispered Ferez, in the large, fat ear of the Count d'Eblis.
The latter's pallid jowl reddened and his pendulous lips tightened to
a deep-bitten crease across his face.
To the weird skirling of the Thessalonian pipe the girl, Nihla, put
her feathered steed through its absurd paces, aping the haute-ecole.
There is little humour in your Teuton; they were too amazed to laugh;
too fascinated, possibly by the girl herself, to follow the panicky
gambols of the reptile-headed bird.
The girl wore absolutely nothing except a Yashmak and a zone of blue
jewels across her breasts and hips.
Her childish throat, her limbs, her slim, snowy body, her little naked
feet were lovely beyond words. Her thick dark hair flew loose, now
framing, now veiling an oval face from which, above the gauzy
Yashmak's edge, two dark eyes coolly swept her breathless audience.
But under the frail wisp of cobweb, her cheeks glowed pink, and two
full red lips parted deliciously in the half-checked laughter of
confident, reckless youth.
[Illustration: NIHLA PUT HER FEATHERED STEED THROUGH ITS ABSURD PACES]
Over hurdle after hurdle she lifted her powerful, half-terrified
mount; she backed it, pirouetted, made it squat, leap, pace, trot,
run with wings half spread and neck stretched level.
She rode sideways, then kneeling, standing, then poised on one foot;
she threw somersaults, faced to the rear, mounted and dismounted at
full speed. And through the frail, transparent Yashmak her parted red
lips revealed the glimmer of teeth and her childishly engaging
laughter rang delightfully.
Then, abruptly, she had enough of her bird; she wheeled, sprang to the
polished parquet, and sent her feathered steed scampering away through
the sand-coloured curtains, which switched into place again
immediately.
Breathless, laughing that frank, youthful, irresistible laugh which
was to become so celebrated in Europe, Nihla Quellen strolled
leisurely around the circle of her applauding audience, carelessly
blowing a kiss or two from her slim finger-tips, evidently quite
unspoiled by her success and equally delighted to please and to be
pleased.
Then, in the gilded gallery the strings began; and quite naturally,
without any trace of preparation or self-consciousness, Nihla
began to sing, dancing when the fascinating, irresponsible measure
called for it, singing again as the sequence occurred. And the
enchantment of it all lay in its accidental and detached allure--as
though it all were quite spontaneous--the song a passing whim, the
dance a capricious after-thought, and the whole thing done entirely to
please herself and give vent to the sheer delight of a young girl, in
her own overwhelming energy and youthful spirits.
Even the Teuton comprehended that, and the applause grew to a roar
with that odd undertone of animal menace always to be detected when
the German herd is gratified and expresses pleasure en masse.
But she wouldn't stay, wouldn't return. Like one of those beautiful
Persian cats, she had lingered long enough to arouse delight. Then she
went, deaf to recall, to persuasion, to caress--indifferent to praise,
to blandishment, to entreaty. Cat and dancer were similar; Nihla, like
the Persian puss, knew when she had had enough. That was sufficient
for her: nothing could stop her, nothing lure her to return.
Beads of sweat were glistening upon the heavy features of the Count
d'Eblis. Von-der-Goltz Pasha, strolling near, did him the honour to
remember him, but d'Eblis seemed dazed and unresponsive; and the old
Pasha understood, perhaps, when he caught the beady and expressive
eyes of Ferez fixed on him in exultation.
"Whose is she?" demanded d'Eblis abruptly. His voice was hoarse and
evidently out of control, for he spoke too loudly to please Ferez, who
took him by the arm and led him out to the moonlit terrace.
"Mon pauvere ami," he said soothingly, "she is actually the propertee
of nobodee at present. Cyril, they say, is following her--quite ready
for anything--marriage----"
"What!"
Ferez shrugged:
"That is the gosseep. No doubt som' man of wealth, more acceptable to
her----"
"I wish to meet her!" said d'Eblis.
"Ah! That is, of course, not easee----"
"Why?"
Ferez laughed:
"Ask yo'self the question again! Excellenz and his guests have gone
quite mad ovaire Nihla----"
"I care nothing for them," retorted d'Eblis thickly; "I wish to know
her.... I wish to know her!... _Do you understand?_"
After a silence, Ferez turned in the moonlight and looked at the Count
d'Eblis.
"And your newspapaire--_Le Mot d'Ordre_?"
"Yes.... If you get her for me."
"You sell to me for two million francs the control stock in _Le Mot
d'Ordre_?"
"Yes."
"An' the two million, eh?"
"I shall use my influence with Gerhardt. That is all I can do. If your
Emperor chooses to decorate him--something--the Red Eagle, third
class, perhaps----"
"I attend to those," smiled Ferez. "Hit's ver' fonny, d'Eblis, how I
am thinking about those Red Eagles all time since I know Gerhardt. I
spik to Von-der-Goltz de votre part, si vous le voulez? Oui?
Alors----"
"Ask her to supper aboard the yacht."
"God knows----"
The Count d'Eblis said through closed teeth:
"There is the first woman I ever really wanted in all my life!... I am
standing here now waiting for her--waiting to be presented to her
now."
"I spik to Von-der-Goltz Pasha," said Ferez; and he slipped through
the palms and orange trees and vanished.
For half an hour the Count d'Eblis stood there, motionless in the
moonlight.
She came about that time, on the arm of Ferez Bey, her father's friend
of many years.
And Ferez left her there in the creamy Turkish moonlight on the
flowering terrace, alone with the Count d'Eblis.
When Ferez came again, long after midnight, with Excellenz on one arm
and the proud and happy Adolf Gerhardt on the other, the whole cycle
of a little drama had been played to a conclusion between those two
shadowy figures under the flowering almonds on the terrace--between
this slender, dark-eyed girl and this big, bulky, heavy-visaged man of
the world.
And the man had been beaten and the girl had laid down every term. And
the compact was this: that she was to be launched in Paris; she was
merely to borrow any sum needed, with privilege to acquit the debt
within the year; that, if she ever came to care for this man
sufficiently, she was to become only one species of masculine
property--a legal wife.
And to every condition--and finally even to the last, the man had
bowed his heavy, burning head.
"D'Eblis!" began Gerhardt, almost stammering in his joy and pride.
"His highness tells me that I am to have an order--an Imperial
d-decoration----"
D'Eblis stared at him out of unseeing eyes; Nihla laughed outright,
alas, too early wise and not even troubling her lovely head to wonder
why a decoration had been asked for this burly, bushy-bearded man from
nowhere.
But within his sinuous, twisted soul Ferez writhed exultingly, and
patted Gerhardt on the arm, and patted d'Eblis, too--dared even to
squirm visibly closer to Excellenz, like a fawning dog that fears too
much to venture contact in his wriggling demonstrations.
"You take with you our pretty wonder-child to Paris to be launched, I
hear," remarked Excellenz, most affably, to d'Eblis. And to Nihla:
"And upon a yacht fit for an emperor, I understand. Ach! Such a going
forth is only heard of in the Arabian Nights. Eh bien, ma petite, go
West, conquer, and reign! It is a prophecy!"
And Nihla threw back her head and laughed her full-throated laughter
under the Turkish moon.
* * * * *
Later, Ferez, walking with the Ambassador, replied humbly to the curt
question:
"Yes, I have become his jackal. But always at the orders of
Excellenz."
* * * * *
Later still, aboard the _Mirage_, Ferez stood alone by the after-rail,
staring with ratty eyes at the blackness beyond the New Bridge.
"Oh, God, be merciful!" he whispered. He had often said it on the
eve of crime. Even an Eurasian rat has emotions. And Ferez had
been in love with Nihla many years, and was selling her now at a
price--selling her and Adolf Gerhardt and the Count d'Eblis and
France--all he had to barter--for he had sold his soul too long
ago to remember even what he got for it.
The silence seemed more intense for the sounds that made it audible.
From, the unlighted cities on the seven hills came an unbroken howling
of dogs; transparent waves of the limpid Bosphorus slapped the
vessel's sides, making a mellow and ceaseless clatter. Far away beyond
Galata Quay, in the inner reek of unseen Stamboul, the notes of a
Turkish flute stole out across the darkness, where some Tzigane--some
unseen wretch in rags--was playing the melancholy song of Mourad. And,
mournfully responsive to the reedy complaint of a homeless wanderer
from a nation without a home, the homeless dogs of Islam wailed their
miserere under the Prophet's moon.
The tragic wolf-song wavered from hill to hill; from the Fields of the
Dead to the Seven Towers, from Kassim to Tophane, seeming to swell
into one dreadful, endless plaint:
"My God, why hast Thou forsaken me?"
"And me!" muttered Ferez, shivering in the windy vapours from the
Black Sea, which already dampened his face with their creeping summer
chill.
"Ferez!"
He turned slowly. Swathed in a white wool bernous, Nihla stood there
in the foggy moonlight.
"Why?" she enquired, without preliminaries and with the unfeigned
curiosity of a child.
He did not pretend to misunderstand her in French:
"Thou knowest, Nihla. I have never touched thy heart. I could do
nothing for thee----"
"Except to sell me," she smiled, interrupting him in English, without
the slightest trace of accent.
But Ferez preferred the refuge of French:
"Except to launch thee and make possible thy career," he corrected her
very gently.
"I thought you were in love with me?"
"I have loved thee, Nihla, since thy childhood."
"Is there anything on earth or in paradise, Ferez, that you would not
sell for a price?"
"I tell thee----"
"Zut! I know thee, Ferez!" she mocked him, slipping easily into
French. "What was my price? Who pays thee, Colonel Ferez? This big,
shambling, world-wearied Count, who is, nevertheless, afraid of me?
Did he pay thee? Or was it this rich American, Gerhardt? Or was it
Von-der-Goltz? Or Excellenz?"
"Nihla! Thou knowest me----"
Her clear, untroubled laughter checked him:
"I know you, Ferez. That is why I ask. That is why I shall have no
reply from you. Only my wits can ever answer me any questions."
She stood laughing at him, swathed in her white wool, looming like
some mocking spectre in the misty moonlight of the after-deck.
"Oh, Ferez," she said in her sweet, malicious voice, "there was a
curse on Midas, too! You play at high finance; you sell what you never
had to sell, and you are paid for it. All your life you have been busy
selling, re-selling, bargaining, betraying, seeking always gain where
only loss is possible--loss of all that justifies a man in daring to
stand alive before the God that made him!... And yet--that which you
call love--that shadowy emotion which you have also sold to-night--I
think you really feel for me.... Yes, I believe it.... But it, too,
has its price.... _What_ was that price, Ferez?"
"Believe me, Nihla----"
"Oh, Ferez, you ask too much! No! Let _me_ tell _you_, then. The price
was paid by that American, who is not one but a German."
"That is absurd!"
"Why the Red Eagle, then? And the friendship of Excellenz? What is
he then, this Gerhardt, but a millionaire? Why is nobility so
gracious then? What does Gerhardt give for his Red Eagle?--for the
politeness of Excellenz?--for the crooked smile of a Bavarian
Baroness and the lifted lorgnette of Austria? What does he give for
_me_? Who buys me after all? Enver? Talaat? Hilmi? Who sells me?
Excellenz? Von-der-Goltz? You? And who pays for me? Gerhardt, who
takes his profit in Red Eagles and offers me to d'Eblis for
something in exchange to please Excellenz--and you? And what, at the
end of the bargaining, does d'Eblis pay for me--pay through Gerhardt
to you, and through you to Excellenz, and through Excellenz to the
Kaiser Wilhelm II----"
Ferez, showing his teeth, came close to her and spoke very softly:
"See how white is the moonlight off Seraglio Point, my Nihla!... It is
no whiter than those loveliest ones who lie fathoms deep below these
little silver waves.... Each with her bowstring snug about her snowy
neck.... As fair and young, as warm and fresh and sweet as thou, my
Nihla."
He smiled at her; and if the smile stiffened an instant on her lips,
the next instant her light, dauntless laughter mocked him.
"For a price," she said, "you would sell even Life to that old miser,
Death! Then listen what you have done, little smiling, whining jackal
of his Excellency! I go to Paris and to my career, certain of my happy
destiny, sure of myself! For my opportunity I pay if I choose--pay
_what_ I choose--when and where it suits me to pay!----"
She slipped into French with a little laugh:
"Now go and lick thy fingers of whatever crumbs have stuck there. The
Count d'Eblis is doubtless licking his. Good appetite, my Ferez! Lick
away lustily, for God does not temper the jackal's appetite to his
opportunities!"
Ferez let his level gaze rest on her in silence.
"Well, trafficker in Eagles, dealer in love, vendor of youth, merchant
of souls, what strikes you silent?"
But he was thinking of something sharper than her tongue and less
subtle, which one day might strike her silent if she laughed too much
at Fate.
And, thinking, he showed his teeth again in that noiseless snicker
which was his smile and laughter too.
The girl regarded him for a moment, then deliberately mimicked his
smile:
"The dogs of Stamboul laugh that way, too," she said, baring her
pretty teeth. "What amuses you? Did the silly old Von-der-Goltz Pasha
promise you, also, a dish of Eagle?--old Von-der-Goltz with his
spectacles an inch thick and nothing living within what he carries
about on his two doddering old legs! There's a German!--who died
twenty years ago and still walks like a damned man--jingling his iron
crosses and mumbling his gums! Is it a resurrection from 1870 come to
foretell another war? And why are these Prussian vultures gathering
here in Stamboul? Can you tell me, Ferez?--these Prussians in Turkish
uniforms! Is there anything dying or dead here, that these buzzards
appear from the sky and alight? Why do they crowd and huddle in a
circle around Constantinople? Is there something dead in Persia? Is
the Bagdad railroad dying? Is Enver Bey at his last gasp? Is Talaat?
Or perhaps the savoury odour comes from the Yildiz----"
"Nihla! Is there nothing sacred--nothing thou fearest on earth?"
"Only old age--and thy smile, my Ferez. Neither agrees with me." She
stretched her arms lazily.
"Allons," she said, stifling a pleasant yawn with one slim hand,"--my
maid will wake below and miss me; and then the dogs of Stamboul yonder
will hear a solo such as they never heard before.... Tell me, Ferez,
do you know when we are to weigh anchor?"
"At sunrise."
"It is the same to me,"--she yawned again--"my maid is aboard and all
my luggage. And my Ferez, also.... Mon dieu! And what will Cyril have
to say when he arrives to find me vanished! It is, perhaps, well for
us that we shall be at sea!"
Her quick laughter pealed; she turned with a careless gesture of
salute, friendly and contemptuous; and her white bernous faded away in
the moonlit fog.
And Ferez Bey stood staring after her out of his near-set, beady eyes,
loving her, desiring her, fearing her, unrepentant that he had sold
her, wondering whether the day might dawn when he would find it best
to kill her for the prosperity and peace of mind of the only living
being in whose service he never tired--himself.
I