ACT I

Produced by Martin Adamson. HTML version by Al Haines.

GHOSTS

A Domestic Tragedy in Three Acts

by

Henrik Ibsen

Translated by R. Farquharson Sharp

DRAMATIS PERSONAE

Mrs. Alving (a widow).

Oswald Alving (her son, an artist).

Manders (the Pastor of the parish).

Engstrand (a carpenter).

Regina Engstrand (his daughter, in Mrs Alving's service).

(The action takes place at Mrs Alving's house on one of the larger

fjords of Western Norway.)

GHOSTS

ACT I

(SCENE.--A large room looking upon a garden door in the left-hand wall,

and two in the right. In the middle of the room, a round table with

chairs set about it, and books, magazines and newspapers upon it. In

the foreground on the left, a window, by which is a small sofa with a

work-table in front of it. At the back the room opens into a

conservatory rather smaller than the room. From the right-hand side of

this, a door leads to the garden. Through the large panes of glass that

form the outer wall of the conservatory, a gloomy fjord landscape can

be discerned, half-obscured by steady rain.

ENGSTRAND is standing close to the garden door. His left leg is

slightly deformed, and he wears a boot with a clump of wood under the

sole. REGINA, with an empty garden-syringe in her hand, is trying to

prevent his coming in.)

Regina (below her breath). What is it you want? Stay where you are. The

rain is dripping off you.

Engstrand. God's good rain, my girl.

Regina. The Devil's own rain, that's what it is!

Engstrand. Lord, how you talk, Regina. (Takes a few limping steps

forward.) What I wanted to tell you was this--

Regina. Don't clump about like that, stupid! The young master is lying

asleep upstairs.

Engstrand. Asleep still? In the middle of the day?

Regina. Well, it's no business of yours.

Engstrand. I was out on a spree last night--

Regina. I don't doubt it.

Engstrand. Yes, we are poor weak mortals, my girl--

Regina. We are indeed.

Engstrand. --and the temptations of the world are manifold, you

know--but, for all that, here I was at my work at half-past five this

morning.

Regina. Yes, yes, but make yourself scarce now. I am not going to stand

here as if I had a rendezvous with you.

Engstrand. As if you had a what?

Regina. I am not going to have anyone find you here; so now you know,

and you can go.

Engstrand (coming a few steps nearer). Not a bit of it! Not before we

have had a little chat. This afternoon I shall have finished my job

down at the school house, and I shall be off home to town by tonight's

boat.

Regina (mutters). Pleasant journey to you!

Engstrand. Thanks, my girl. Tomorrow is the opening of the Orphanage,

and I expect there will be a fine kick-up here and plenty of good

strong drink, don't you know. And no one shall say of Jacob Engstrand

that he can't hold off when temptation comes in his way.

Regina. Oho!

Engstrand. Yes, because there will be a lot of fine folk here tomorrow.

Parson Manders is expected from town, too.

Regina: What's more, he's coming today.

Engstrand. There you are! And I'm going to be precious careful he

doesn't have anything to say against me, do you see?

Regina. Oh, that's your game, is it?

Engstrand. What do you mean?

Regina (with a significant look at him). What is it you want to humbug

Mr. Manders out of this time?

Engstrand. Sh! Sh! Are you crazy? Do you suppose I would want to humbug

Mr. Manders? No, no--Mr. Manders has always been too kind a friend for

me to do that. But what I wanted to talk to you about, was my going

back home tonight.

Regina. The sooner you go, the better I shall be pleased.

Engstrand. Yes, only I want to take you with me, Regina.

Regina (open-mouthed). You want to take me--? What did you say?

Engstrand. I want to take you home with me, I said.

Regina (contemptuously). You will never get me home with you.

Engstrand. Ah, we shall see about that.

Regina. Yes, you can be quite certain we shall see about that. I, who

have been brought up by a lady like Mrs. Alving?--I, who have been

treated almost as if I were her own child?--do you suppose I am going

home with you?--to such a house as yours? Not likely!

Engstrand. What the devil do you mean? Are you setting yourself up

against your father, you hussy?

Regina (mutters, without looking at him). You have often told me I was

none of yours.

Engstrand. Bah!--why do you want to pay any attention to that?

Regina. Haven't you many and many a time abused me and called me a --?

For shame?

Engstrand. I'll swear I never used such an ugly word.

Regina. Oh, it doesn't matter what word you used.

Engstrand. Besides, that was only when I was a bit fuddled...hm!

Temptations are manifold in this world, Regina.

Regina. Ugh!

Engstrand. And it was when your mother was in a nasty temper. I had to

find some way of getting my knife into her, my girl. She was always so

precious gentile. (Mimicking her.) "Let go, Jacob! Let me be! Please to

remember that I was three years with the Alvings at Rosenvold, and they

were people who went to Court!" (Laughs.) Bless my soul, she never

could forget that Captain Alving got a Court appointment while she was

in service here.

Regina. Poor mother--you worried her into her grave pretty soon.

Engstrand (shrugging his shoulders). Of course, of course; I have got

to take the blame for everything.

Regina (beneath her breath, as she turns away). Ugh--that leg, too!

Engstrand. What are you saying, my girl?

Regina. Pied de mouton.

Engstrand. Is that English?

Regina. Yes.

Engstrand. You have had a good education out here, and no mistake; and

it may stand you in good stead now, Regina.

Regina (after a short silence). And what was it you wanted me to come

to town for?

Engstrand. Need you ask why a father wants his only child? Ain't I a

poor lonely widower?

Regina. Oh, don't come to me with that tale. Why do you want me to go?

Engstrand. Well, I must tell you I am thinking of taking up a new line

now.

Regina (whistles). You have tried that so often--but it has always

proved a fool's errand.

Engstrand. Ah, but this time you will just see, Regina! Strike me dead

if--

Regina (stamping her foot). Stop swearing!

Engstrand. Sh! Sh!--you're quite right, my girl, quite right! What I

wanted to say was only this, that I have put by a tidy penny out of

what I have made by working at this new Orphanage up here.

Regina. Have you? All the better for you.

Engstrand. What is there for a man to spend his money on, out here in

the country?

Regina. Well, what then?

Engstrand. Well, you see, I thought of putting the money into something

that would pay. I thought of some kind of an eating-house for seafaring

folk--

Regina. Heavens!

Engstrand. Oh, a high-class eating-house, of course--not a pigsty for

common sailors. Damn it, no; it would be a place ships' captains and

first mates would come to; really good sort of people, you know.

Regina. And what should I--?

Engstrand. You would help there: But only to make show, you know. You

wouldn't find it hard work, I can promise you, my girl. You should do

exactly as you liked.

Regina. Oh, yes, quite so!

Engstrand. But we must have some women in the house; that is as clear

as daylight. Because in the evening we must make the place a little

attractive--some singing and dancing, and that sort of thing. Remember

they are seafolk--wayfarers on the waters of life! (Coming nearer to

her.) Now don't be a fool and stand in your own way, Regina. What good

are you going to do here? Will this education, that your mistress has

paid for, be of any use? You are to look after the children in the new

Home, I hear. Is that the sort of work for you? Are you so frightfully

anxious to go and wear out your health and strength for the sake of

these dirty brats?

Regina. No, if things were to go as I want them to, then--. Well, it

may happen; who knows? It may happen!

Engstrand. What may happen?

Regina. Never you mind. Is it much that you have put by, up here?

Engstrand. Taking it all round, I should say about forty or fifty

pounds.

Regina. That's not so bad.

Engstrand. It's enough to make a start with, my girl.

Regina. Don't you mean to give me any of the money?

Engstrand. No, I'm hanged if I do.

Regina. Don't you mean to send me as much as a dress-length of stuff,

just for once?

Engstrand. Come and live in the town with me and you shall have plenty

of dresses.

Regina: Pooh!--I can get that much for myself, if I have a mind to.

Engstrand. But it's far better to have a father's guiding hand, Regina.

Just now I can get a nice house in Little Harbour Street. They don't

want much money down for it--and we could make it like a sort of

seamen's home, don't you know.

Regina. But I have no intention of living with you! I'll have nothing

whatever to do with you: So now, be off!

Engstrand. You wouldn't be living with me long, my girl. No such

luck--not if you knew how to play your cards. Such a fine wench as you

have grown this last year or two...

Regina. Well--?

Engstrand. It wouldn't be very long before some first mate came

along--or perhaps a captain.

Regina. I don't mean to marry a man of that sort. Sailors have no

savoir-vivre.

Engstrand. What haven't they got?

Regina. I know what sailors are, I tell you. They aren't the sort of

people to marry.

Engstrand. Well, don't bother about marrying them. You can make it pay

just as well. (More confidentially.) That fellow--the Englishman--the

one with the yacht--he gave seventy pounds, he did; and she wasn't a

bit prettier than you.

Regina (advancing towards him). Get out!

Engstrand (stepping back). Here! here!--you're not going to hit me, I

suppose?

Regina. Yes! If you talk like that of mother, I will hit you. Get out,

I tell. You! (Pushes him up to the garden door.) And don't bang the

doors. Young Mr. Alving--

Engstrand. Is asleep--I know. It's funny how anxious you are about

young Mr. Alving. (In a lower tone.) Oho! is it possible that it is he

that--?

Regina. Get out, and be quick about it! Your wits are wandering, my

good man. No, don't go that way; Mr. Manders is just coming along. Be

off down the kitchen stairs.

Engstrand (moving towards the right). Yes, yes--all right. But have a

bit of a chat with him that's coming along. He's the chap to tell you

what a child owes to its father. For I am your father, anyway, you

know, I can prove it by the Register. (He goes out through the farther

door which REGINA has opened. She shuts it after him, looks hastily at

herself in the mirror, fans herself with her handkerchief and sets her

collar straight; then busies herself with the flowers. MANDERS enters

the conservatory through the garden door. He wears an overcoat, carries

an umbrella, and has a small travelling-bag slung over his shoulder on

a strap.)

Manders. Good morning, Miss Engstrand.

Regina (turning round with a look of pleased surprise), Oh, Mr.

Manders, good morning. The boat is in, then?

Manders. Just in. (Comes into the room.) It is most tiresome, this rain

every day.

Regina (following him in). It's a splendid rain for the farmers, Mr.

Manders.

Manders. Yes, you are quite right. We townfolk think so little about

that. (Begins to take off his overcoat.)

Regina. Oh, let me help you. That's it. Why, how wet it is! I will hang

it up in the hall. Give me your umbrella, too; I will leave it open, so

that it will dry.

(She goes out with the things by the farther door on the right. MANDERS

lays his bag and his hat down on a chair. REGINA re-enters.)

Manders. Ah, it's very pleasant to get indoors. Well, is everything

going on well here?

Regina. Yes, thanks.

Manders. Properly busy, though, I expect, getting ready for tomorrow?

Regina. Oh, yes, there is plenty to do.

Manders. And Mrs. Alving is at home, I hope?

Regina. Yes, she is. She has just gone upstairs to take the young

master his chocolate.

Manders. Tell me--I heard down at the pier that Oswald had come back.

Regina. Yes, he came the day before yesterday. We didn't expect him

until today.

Manders. Strong and well, I hope?

Regina. Yes, thank you, well enough. But dreadfully tired after his

journey. He came straight from Paris without a stop--I mean, he came

all the way without breaking his journey. I fancy he is having a sleep

now, so we must talk a little bit more quietly, if you don't mind.

Manders. All right, we will be very quiet.

Regina (while she moves an armchair up to the table), Please sit down,

Mr. Manders, and make yourself at home. (He sits down; she puts a

footstool under his feet.) There! Is that comfortable?

Manders. Thank you, thank you. That is most comfortable; (Looks at

her.) I'll tell you what, Miss Engstrand, I certainly think you have

grown since I saw you last.

Regina. Do you think so? Mrs. Alving says, too--that I have developed.

Manders. Developed? Well, perhaps a little--just suitably. (A short

pause.)

Regina. Shall I tell Mrs. Alving you are here?

Manders. Thanks, there is no hurry, my dear child. Now tell me, Regina

my dear, how has your father been getting on here?

Regina. Thank you, Mr. Manders, he is getting on pretty well.

Manders. He came to see me the last time he was in town.

Regina. Did he? He is always so glad when he can have a chat with you.

Manders. And I suppose you have seen him pretty regularly every day?

Regina. I? Oh, yes, I do--whenever I have time, that is to say.

Manders. Your father has not a very strong character, Miss Engstrand.

He sadly needs a guiding hand.

Regina. Yes, I can quite believe that.

Manders. He needs someone with him that he can cling to, someone whose

judgment he can rely on. He acknowledged that freely himself, the last

time he came up to see me.

Regina. Yes, he has said something of the same sort to me. But I don't

know whether Mrs. Alving could do without me--most of all just now,

when we have the new Orphanage to see about. And I should be dreadfully

unwilling to leave Mrs. Alving, too; she has always been so good to me.

Manders. But a daughter's duty, my good child--. Naturally we should

have to get your mistress' consent first.

Regina. Still I don't know whether it would be quite the thing, at my

age, to keep house for a single man.

Manders. What! My dear Miss Engstrand, it is your own father we are

speaking of!

Regina. Yes, I dare say, but still--. Now, if it were in a good house

and with a real gentleman--

Manders. But, my dear Regina!

Regina. --one whom I could feel an affection for, and really feel in

the position of a daughter to...

Manders. Come, come--my dear good child--

Regina. I should like very much to live in town. Out here it is

terribly lonely; and you know yourself, Mr. Manders, what it is to be

alone in the world. And, though I say it, I really am both capable and

willing. Don't you know any place that would be suitable for me, Mr.

Manders?

Manders. I? No, indeed I don't.

Regina. But, dear Mr. Manders--at any rate don't forget me, in case--

Manders (getting up). No, I won't forget you, Miss Engstrand.

Regina. Because, if I--

Manders. Perhaps you will be so kind as to let Mrs. Alving know I am

here?

Regina. I will fetch her at once, Mr. Manders. (Goes out to the left.

MANDERS walks up and down the room once or twice, stands for a moment

at the farther end of the room with his hands behind his back and looks

out into the garden. Then he comes back to the table, takes up a book

and looks at the title page, gives a start, and looks at some of the

others.)

Manders. Hm!--Really!

(MRS. ALVING comes in by the door on the left. She is followed by

REGINA, who goes out again at once through the nearer door on the

right.)

Mrs. Alving (holding out her hand). I am very glad to see you, Mr.

Manders.

Manders. How do you do, Mrs. Alving. Here I am, as I promised.

Mrs. Alving. Always punctual!

Manders. Indeed, I was hard put to it to get away. What with vestry

meetings and committees.

Mrs. Alving. It was all the kinder of you to come in such good time; we

can settle our business before dinner. But where is your luggage?

Manders (quickly). My things are down at the village shop. I am going

to sleep there tonight.

Mrs. Alving (repressing a smile). Can't I really persuade you to stay

the night here this time?

Manders. No, no; many thanks all the same; I will put up there, as

usual. It is so handy for getting on board the boat again.

Mrs. Alving. Of course, you shall do as you please. But it seems to me

quite another thing, now we are two old people--

Manders. Ha! ha! You will have your joke! And it's natural you should

be in high spirits today--first of all there is the great event

tomorrow, and also you have got Oswald home.

Mrs. Alving. Yes, am I not a lucky woman! It is more than two years

since he was home last, and he has promised to stay the whole winter

with me.

Manders, Has he, really? That is very nice and filial of him; because

there must be many more attractions in his life in Rome or in Paris, I

should think.

Mrs. Alving. Yes, but he has his mother here, you see. Bless the dear

boy, he has got a corner in his heart for his mother still.

Manders. Oh, it would be very sad if absence and preoccupation with

such a thing as Art were to dull the natural affections.

Mrs. Alving. It would, indeed. But there is no fear of that with him, I

am glad to say. I am quite curious to see if you recognise him again.

He will be down directly; he is just lying down for a little on the

sofa upstairs. But do sit down, my dear friend.

Manders. Thank you. You are sure I am not disturbing you?

Mrs. Alving. Of course not. (She sits down at the table.)

Manders. Good. Then I will show you--. (He goes to the chair where his

bag is lying and takes a packet of papers from it; then sits down at

the opposite side of the table and looks for a clear space to put the

papers down.) Now first of all, here is--(breaks off). Tell me, Mrs.

Alving, what are these books doing here?

Mrs. Alving. These books? I am reading them,

Manders. Do you read this sort of thing?

Mrs. Alving. Certainly I do.

Manders. Do you feel any the better or the happier for reading books of

this kind?

Mrs. Alving. I think it makes me, as it were, more self-reliant.

Manders. That is remarkable. But why?

Mrs. Alving. Well, they give me an explanation or a confirmation of

lots of different ideas that have come into my own mind. But what

surprises me, Mr. Manders, is that, properly speaking, there is nothing

at all new in these books. There is nothing more in them than what most

people think and believe. The only thing is, that most people either

take no account of it or won't admit it to themselves.

Manders. But, good heavens, do you seriously think that most people--?

Mrs. Alving. Yes, indeed, I do.

Manders. But not here in the country at any rate? Not here amongst

people like ourselves?

Mrs. Alving. Yes, amongst people like ourselves too.

Manders. Well, really, I must say--!

Mrs. Alving. But what is the particular objection that you have to

these books?

Manders. What objection? You surely don't suppose that I take any

particular interest in such productions?

Mrs. Alving. In fact, you don't know anything about what you are

denouncing?

Manders. I have read quite enough about these books to disapprove of

them:

Mrs. Alving. Yes, but your own opinion--

Manders. My dear Mrs. Alving, there are many occasions in life when one

has to rely on the opinion of others. That is the way in this world,

and it is quite right that it should be so. What would become of

society, otherwise?

Mrs. Alving. Well, you may be right.

Manders. Apart from that, naturally I don't deny that literature of

this kind may have a considerable attraction. And I cannot blame you,

either, for wishing to make yourself acquainted with the intellectual

tendencies which I am told are at work in the wider world in which you

have allowed your son to wander for so long but--

Mrs. Alving. But--?

Manders (lowering his voice). But one doesn't talk about it, Mrs.

Alving. One certainly is not called upon to account to everyone for

what one reads or thinks in the privacy of one's own room.

Mrs. Alving. Certainly not. I quite agree with you.

Manders. Just think of the consideration you owe to this Orphanage,

which you decided to build at a time when your thoughts on such

subjects were very different from what they are now--as far as I am

able to judge.

Mrs. Alving. Yes, I freely admit that. But it was about the Orphanage...

Manders. It was about the Orphanage we were going to talk; quite so.

Well--walk warily, dear Mrs. Alving! And now let us turn to the

business in hand. (Opens an envelope and takes out some papers.) You

see these?

Mrs. Alving. The deeds?

Manders. Yes, the whole lot--and everything in order; I can tell you it

has been no easy matter to get them in time. I had positively to put

pressure on the authorities; they are almost painfully conscientious

when it is a question of settling property. But here they are at last.

(Turns over the papers.) Here is the deed of conveyance of that part of

the Rosenvold estate known as the Solvik property, together with the

buildings newly erected thereon--the school, the masters' houses and

the chapel. And here is the legal sanction for the statutes of the

institution. Here, you see--(reads) "Statutes for the Captain Alving

Orphanage."

Mrs. Alving (after a long look at the papers). That seems all in order.

Manders. I thought "Captain" was the better title to use, rather than

your husband's Court title of "Chamberlain." "Captain" seems less

ostentatious.

Mrs. Alving. Yes, yes; just as you think best.

Manders. And here is the certificate for the investment of the capital

in the bank, the interest being earmarked for the current expenses of

the Orphanage.

Mrs. Alving. Many thanks; but I think it will be most convenient if you

will kindly take charge of them.

Manders. With pleasure. I think it will be best to leave the money in

the bank for the present. The interest is not very high, it is true;

four per cent at six months' call; later on, if we can find some good

mortgage--of course it must be a first mortgage and on unexceptionable

security--we can consider the matter further.

Mrs. Alving. Yes, yes, my dear Mr. Manders, you know best about all

that.

Manders. I will keep my eye on it, anyway. But there is one thing in

connection with it that I have often meant to ask you about.

Mrs. Alving. What is that?

Manders. Shall we insure the buildings, or not?

Mrs. Alving. Of course we must insure them.

Manders. Ah, but wait a moment, dear lady. Let us look into the matter

a little more closely.

Mrs. Alving. Everything of mine is insured--the house and its contents,

my livestock--everything.

Manders. Naturally. They are your own property. I do exactly the same,

of course. But this, you see, is quite a different case. The Orphanage

is, so to speak, dedicated to higher uses.

Mrs. Alving. Certainly, but--

Manders. As far as I am personally concerned, I can conscientiously say

that I don't see the smallest objection to our insuring ourselves

against all risks.

Mrs. Alving. That is exactly what I think.

Manders. But what about the opinion of the people hereabouts?

Mrs. Alving. Their opinion--?

Manders. Is there any considerable body of opinion here--opinion of

some account, I mean--that might take exception to it?

Mrs. Alving. What, exactly, do you mean by opinion of some account?

Manders. Well, I was thinking particularly of persons of such

independent and influential position that one could hardly refuse to

attach weight to their opinion.

Mrs. Alving. There are a certain number of such people here, who might

perhaps take exception to it if we--

Manders. That's just it, you see. In town there are lots of them. All

my fellow-clergymen's congregations, for instance! It would be so

extremely easy for them to interpret it as meaning that neither you nor

I had a proper reliance on Divine protection.

Mrs. Alving. But as far as you are concerned, my dear friend, you have

at all events the consciousness that--

Manders. Yes I know I know; my own mind is quite easy about it, it is

true. But we should not be able to prevent a wrong and injurious

interpretation of our action. And that sort of thing, moreover, might

very easily end in exercising a hampering influence on the work of the

Orphanage.

Mrs. Alving. Oh, well, if that is likely to be the effect of it--

Manders. Nor can I entirely overlook the difficult--indeed, I may say,

painful--position I might possibly be placed in. In the best circles in

town the matter of this Orphanage is attracting a great deal of

attention. Indeed the Orphanage is to some extent built for the benefit

of the town too, and it is to be hoped that it may result in the

lowering of our poor-rate by a considerable amount. But as I have been

your adviser in the matter and have taken charge of the business side

of it, I should be afraid that it would be I that spiteful persons

would attack first of all.

Mrs. Alving. Yes, you ought not to expose yourself to that.

Manders. Not to mention the attacks that would undoubtedly be made upon

me in certain newspapers and reviews.

Mrs. Alving. Say no more about it, dear Mr. Manders; that quite decides

it.

Manders. Then you don't wish it to be insured?

Mrs. Alving. No, we will give up the idea.

Manders (leaning back in his chair). But suppose, now, that some

accident happened?--one can never tell--would you be prepared to make

good the damage?

Mrs. Alving. No; I tell you quite plainly I would not do so under any

circumstances.

Manders. Still, you know, Mrs. Alving--after all, it is a serious

responsibility that we are taking upon ourselves.

Mrs. Alving. But do you think we can do otherwise?

Manders. No, that's just it. We really can't do otherwise. We ought not

to expose ourselves to a mistaken judgment; and we have no right to do

anything that will scandalise the community.

Mrs. Alving. You ought not to, as a clergyman, at any rate.

Manders. And, what is more, I certainly think that we may count upon

our enterprise being attended by good fortune--indeed, that it will be

under a special protection.

Mrs. Alving. Let us hope so, Mr. Manders.

Manders. Then we will leave it alone?

Mrs. Alving. Certainly.

Manders. Very good. As you wish. (Makes a note.) No insurance, then.

Mrs. Alving. It's a funny thing that you should just have happened to

speak about that today--

Manders. I have often meant to ask you about it.

Mrs. Alving. --because yesterday we very nearly had a fire up there.

Manders. Do you mean it!

Mrs. Alving. Oh, as a matter of fact it was nothing of any consequence.

Some shavings in the carpenter's shop caught fire.

Manders. Where Engstrand works?

Mrs. Alving. Yes. They say he is often so careless with matches.

Manders. He has so many things on his mind, poor fellow--so many

anxieties. Heaven be thanked, I am told he is really making an effort

to live a blameless life.

Mrs. Alving. Really? Who told you so?

Manders. He assured me himself that it is so. He's good workman, too.

Mrs. Alving. Oh, yes, when he is sober.

Manders. Ah, that sad weakness of his! But the pain in his poor leg

often drives him to it, he tells me. The last time he was in town, I

was really quite touched by him. He came to my house and thanked me so

gratefully for getting him work here, where he could have the chance of

being with Regina.

Mrs. Alving. He doesn't see very much of her.

Manders. But he assured me that he saw her every day.

Mrs. Alving. Oh well, perhaps he does.

Manders. He feels so strongly that he needs someone who can keep a hold

on him when temptations assail him. That is the most winning thing

about Jacob Engstrand; he comes to one like a helpless child and

accuses himself and confesses his frailty. The last time he came and

had a talk with me... Suppose now, Mrs. Alving, that it were really a

necessity of his existence to have Regina at home with him again--

Mrs. Alving (standing up suddenly). Regina!

Manders. --you ought not to set yourself against him.

Mrs. Alving. Indeed, I set myself very definitely against that. And,

besides, you know Regina is to have a post in the Orphanage.

Manders. But consider, after all he is her father--

Mrs. Alving. I know best what sort of a father he has been to her. No,

she shall never go to him with my consent.

Manders (getting up). My dear lady, don't judge so hastily. It is very

sad how you misjudge poor Engstrand. One would really think you were

afraid...

Mrs. Alving (more calmly). That is not the question. I have taken

Regina into my charge, and in my charge she remains. (Listens.) Hush,

dear Mr. Manders, don't say any more about it. (Her face brightens with

pleasure.) Listen! Oswald is coming downstairs. We will only think

about him now.

(OSWALD ALVING, in a light overcoat, hat in hand and smoking a big

meerschaum pipe, comes in by the door on the left.)

Oswald (standing in the doorway). Oh, I beg your pardon, I thought you

were in the office. (Comes in.) Good morning, Mr. Manders.

Manders (staring at him). Well! It's most extraordinary.

Mrs. Alving. Yes, what do you think of him, Mr. Manders?

Manders. I-I-no, can it possibly be--?

Oswald. Yes, it really is the prodigal son, Mr. Manders.

Manders. Oh, my dear young friend--

Oswald. Well, the son came home, then.

Mrs. Alving. Oswald is thinking of the time when you were so opposed to

the idea of his being a painter.

Manders. We are only fallible, and many steps seem to us hazardous at

first, that afterwards--(grasps his hand). Welcome, welcome! Really, my

dear Oswald--may I still call you Oswald?

Oswald. What else would you think of calling me?

Manders. Thank you. What I mean, my dear Oswald, is that you must not

imagine that I have any unqualified disapproval of the artist's life. I

admit that there are many who, even in that career, can keep the inner

man free from harm.

Oswald. Let us hope so.

Mrs. Alving (beaming with pleasure). I know one who has kept both the

inner and the outer man free from harm. Just take a look at him, Mr.

Manders.

Oswald (walks across the room). Yes, yes, mother dear, of course.

Manders. Undoubtedly--no one can deny it. And I hear you have begun to

make a name for yourself. I have often seen mention of you in the

papers--and extremely favourable mention, too. Although, I must admit,

lately I have not seen your name so often.

Oswald (going towards the conservatory). I haven't done so much

painting just lately.

Mrs. Alving. An artist must take a rest sometimes, like other people.

Manders. Of course, of course. At those times the artist is preparing

and strengthening himself for a greater effort.

Oswald. Yes. Mother, will dinner soon be ready?

Mrs. Alving. In half an hour. He has a fine appetite, thank goodness.

Manders. And a liking for tobacco too.

Oswald. I found father's pipe in the room upstairs, and--

Manders. Ah, that is what it was!

Mrs. Alving. What?

Manders. When Oswald came in at that door with the pipe in his mouth, I

thought for the moment it was his father in the flesh.

Oswald. Really?

Mrs. Alving. How can you say so! Oswald takes after me.

Manders. Yes, but there is an expression about the corners of his

mouth--something about the lips--that reminds me so exactly of Mr.

Alving--especially when he smokes.

Mrs. Alving. I don't think so at all. To my mind, Oswald has much more

of a clergyman's mouth.

Menders. Well, yes--a good many of my colleagues in the church have a

similar expression.

Mrs. Alving. But put your pipe down, my dear boy. I don't allow any

smoking in here.

Oswald (puts down his pipe). All right, I only wanted to try it,

because I smoked it once when I was a child.

Mrs. Alving. You?

Oswald. Yes; it was when I was quite a little chap. And I can remember

going upstairs to father's room one evening when he was in very good

spirits.

Mrs. Alving. Oh, you can't remember anything about those days.

Oswald. Yes, I remember plainly that he took me on his knee and let me

smoke his pipe. "Smoke, my boy," he said, "have a good smoke, boy!" And

I smoked as hard as I could, until I felt I was turning quite pale and

the perspiration was standing in great drops on my forehead. Then he

laughed--such a hearty laugh.

Manders. It was an extremely odd thing to do.

Mrs. Alving. Dear Mr. Manders, Oswald only dreamt it.

Oswald. No indeed, mother, it was no dream. Because--don't you

remember--you came into the room and carried me off to the nursery,

where I was sick, and I saw that you were crying. Did father often play

such tricks?

Manders. In his young days he was full of fun--

Oswald. And, for all that, he did so much with his life--so much that

was good and useful, I mean--short as his life was.

Manders. Yes, my dear Oswald Alving, you have inherited the name of a

man who undoubtedly was both energetic and worthy. Let us hope it will

be a spur to your energies.

Oswald. It ought to be, certainly.

Manders. In any case it was nice of you to come home for the day that

is to honour his memory.

Oswald. I could do no less for my father.

Mrs. Alving. And to let me keep him so long here--that's the nicest

part of what he has done.

Manders. Yes, I hear you are going to spend the winter at home.

Oswald. I am here for an indefinite time, Mr. Manders.--Oh, it's good

to be at home again!

Mrs. Alving (beaming). Yes, isn't it?

Manders (looking sympathetically at him). You went out into the world

very young, my dear Oswald.

Oswald. I did. Sometimes I wonder if I wasn't too young.

Mrs. Alving. Not a bit of it. It is the best thing for an active boy,

and especially for an only child. It's a pity when they are kept at

home with their parents and get spoiled.

Manders. That is a very debatable question, Mrs. Alving. A child's own

home is, and always must be, his proper place.

Oswald. There I agree entirely with Mr. Manders.

Manders. Take the case of your own son. Oh yes, we can talk about it

before him. What has the result been in his case? He is six or seven

and twenty, and has never yet had the opportunity of learning what a

well-regulated home means.

Oswald. Excuse me, Mr. Manders, you are quite wrong there.

Manders. Indeed? I imagined that your life abroad had practically been

spent entirely in artistic circles.

Oswald. So it has.

Manders. And chiefly amongst the younger artists.

Oswald. Certainly.

Manders. But I imagined that those gentry, as a rule, had not the means

necessary for family life and the support of a home.

Oswald. There are a considerable number of them who have not the means

to marry, Mr. Manders.

Manders. That is exactly my point.

Oswald. But they can have a home of their own, all the same; a good

many of them have. And they are very well-regulated and very

comfortable homes, too.

(MRS. ALVING, who has listened to him attentively, nods assent, but

says nothing.)

Manders. Oh, but I am not talking of bachelor establishments. By a home

I mean family life--the life a man lives with his wife and children.

Oswald. Exactly, or with his children and his children's mother.

Manders (starts and clasps his hands). Good heavens!

Oswald. What is the matter?

Manders. Lives with-with-his children's mother.

Oswald. Well, would you rather he should repudiate his children's

mother?

Manders. Then what you are speaking of are those unprincipled

conditions known as irregular unions!

Oswald. I have never noticed anything particularly unprincipled about

these people's lives.

Manders. But do you mean to say that it is possible for a man of any

sort of bringing up, and a young woman, to reconcile themselves to such

a way of living--and to make no secret of it, either!

Oswald. What else are they to do? A poor artist, and a poor girl--it

costs a good deal to get married. What else are they to do?

Manders. What are they to do? Well, Mr. Alving, I will tell you what

they ought to do. They ought to keep away from each other from the very

beginning--that is what they ought to do!

Oswald. That advice wouldn't have much effect upon hot-blooded young

folk who are in love.

Mrs. Alving. No, indeed it wouldn't.

Manders (persistently). And to think that the authorities tolerate such

things! That they are allowed to go on, openly! (Turns to MRS. ALVING.)

Had I so little reason, then, to be sadly concerned about your son? In

circles where open immorality is rampant--where, one may say, it is

honoured--

Oswald. Let me tell you this, Mr. Manders. I have been a constant

Sunday guest at one or two of these "irregular" households.

Manders. On Sunday, too!

Oswald. Yes, that is the day of leisure. But never have I heard one

objectionable word there, still less have I ever seen anything that

could be called immoral. No; but do you know when and where I have met

with immorality in artists' circles?

Manders. No, thank heaven, I don't!

Oswald. Well, then, I shall have the pleasure of telling you. I have

met with it when someone or other of your model husbands and fathers

have come out there to have a bit of a look round on their own account,

and have done the artists the honour of looking them up in their humble

quarters. Then we had a chance of learning something, I can tell you.

These gentlemen were able to instruct us about places and things that

we had never so much as dreamt of.

Manders. What? Do you want me to believe that honourable men when they

get away from home will--

Oswald. Have you never, when these same honourable men come home again,

heard them deliver themselves on the subject of the prevalence of

immorality abroad?

Manders. Yes, of course, but--

Mrs. Alving. I have heard them, too.

Oswald. Well, you can take their word for it, unhesitatingly. Some of

them are experts in the matter. (Putting his hands to his head.) To

think that the glorious freedom of the beautiful life over there should

be so besmirched!

Mrs. Alving. You mustn't get too heated, Oswald; you gain nothing by

that.

Oswald. No, you are quite right, mother. Besides, it isn't good for me.

It's because I am so infernally tired, you know. I will go out and take

a turn before dinner. I beg your pardon, Mr. Manders. It is impossible

for you to realise the feeling; but it takes me that way (Goes out by

the farther door on the right.)

Mrs. Alving. My poor boy!

Manders. You may well say so. This is what it has brought him to! (MRS.

ALVING looks at him, but does not speak.) He called himself the

prodigal son. It's only too true, alas--only too true! (MRS. ALVING

looks steadily at him.) And what do you say to all this?

Mrs. Alving. I say that Oswald was right in every single word he said.

Manders. Right? Right? To hold such principles as that?

Mrs. Alving. In my loneliness here I have come to just the same

opinions as he, Mr. Manders. But I have never presumed to venture upon

such topics in conversation. Now there is no need; my boy shall speak

for me.

Manders. You deserve the deepest pity, Mrs. Alving. It is my duty to

say an earnest word to you. It is no longer your businessman and

adviser, no longer your old friend and your dead husband's old friend,

that stands before you now. It is your priest that stands before you,

just as he did once at the most critical moment of your life.

Mrs. Alving. And what is it that my priest has to say to me?

Manders. First of all I must stir your memory. The moment is well

chosen. Tomorrow is the tenth anniversary of your husband's death;

tomorrow the memorial to the departed will be unveiled; tomorrow I

shall speak to the whole assembly that will be met together, But today

I want to speak to you alone.

Mrs. Alving, Very well, Mr. Manders, speak!

Manders. Have you forgotten that after barely a year of married life

you were standing at the very edge of a precipice?--that you forsook

your house and home? that you ran away from your husband--yes, Mrs.

Alving, ran away, ran away-=and refused to return to him in spite of

his requests and entreaties?

Mrs. Alving. Have you forgotten how unspeakably unhappy I was during

that first year?

Manders. To crave for happiness in this world is simply to be possessed

by a spirit of revolt. What right have we to happiness? No! we must do

our duty, Mrs. Alving. And your duty was to cleave to the man you had

chosen and to whom you were bound by a sacred bond.

Mrs. Alving. You know quite well what sort of a life my husband was

living at that time--what excesses he was guilty of.

Menders. I know only too well what rumour used to say of him; and I

should be the last person to approve of his conduct as a young man,

supposing that rumour spoke the truth. But it is not a wife's part to

be her husband's judge. You should have considered it your bounden duty

humbly to have borne the cross that a higher will had laid upon you.

But, instead of that, you rebelliously cast off your cross, you

deserted the man whose stumbling footsteps you should have supported,

you did what was bound to imperil your good name and reputation, and

came very near to imperilling the reputation of others into the bargain.

Mrs. Alving. Of others? Of one other, you mean.

Manders. It was the height of imprudence, your seeking refuge with me.

Mrs. Alving. With our priest? With our intimate friend?

Manders. All the more on that account; you should thank God that I

possessed the necessary strength of mind--that I was able to turn you

from your outrageous intention, and that it was vouchsafed to me to

succeed in leading you back into the path of duty, and back to your

lawful husband.

Mrs. Alving. Yes, Mr. Manders, that certainly was your doing.

Manders. I was but the humble instrument of a higher power. And is it

not true that my having been able to bring you again under the yoke of

duty and obedience sowed the seeds of a rich blessing on all the rest

of your life? Did things not turn out as I foretold to you? Did not

your husband turn from straying in the wrong path, as a man should? Did

he not, after that, live a life of love and good report with you all

his days? Did he not become a benefactor to the neighbourhood? Did he

not so raise you up to his level, so that by degree you became his

fellow-worker in all his undertakings--and a noble fellow-worker, too.

I know, Mrs. Alving; that praise I will give you. But now I come to the

second serious false step in your life.

Mrs. Alving. What do you mean?

Manders, Just as once you forsook your duty as a wife, so, since then,

you have forsaken your duty as a mother.

Mrs. Alving. Oh--!

Manders. You have been overmastered all your life by a disastrous

spirit of willfulness. All your impulses have led you towards what is

undisciplined and lawless. You have never been willing to submit to any

restraint. Anything in life that has seemed irksome to you, you have

thrown aside recklessly and unscrupulously, as if it were a burden that

you were free to rid yourself of if you would. It did not please you to

be a wife any longer, and so you left your husband. Your duties as a

mother were irksome to you, so you sent your child away among strangers.

Mrs. Alving. Yes, that is true; I did that.

Menders. And that is why you have become a stranger to him.

Mrs. Alving. No, no, I am not that!

Manders. You are; you must be. And what sort of a son is it that you

have got back? Think over it seriously, Mrs. Alving. You erred

grievously in your husband's case--you acknowledge as much, by erecting

this memorial to him. Now you are bound to acknowledge how much you

have erred in your son's case; possibly there may still be time to

reclaim him from the path of wickedness. Turn over a new leaf, and set

yourself to reform what there may still be that is capable of

reformation in him. Because (with uplifted forefinger) in very truth,

Mrs. Alving, you are a guilty mother!--That is what I have thought it

my duty to say to you.

(A short silence.)

Mrs. Alving (speaking slowly and with self-control). You have had your

say, Mr. Manders, and tomorrow you will be making a public speech in

memory of my husband. I shall not speak tomorrow. But now I wish to

speak to you for a little, just as you have been speaking to me.

Manders. By all means; no doubt you wish to bring forward some excuses

for your behaviour.

Mrs. Alving. No. I only want to tell you something--

Manders. Well?

Mrs. Alving. In all that you said just now about me and my husband, and

about our life together after you had, as you put it, led me back into

the path of duty--there was nothing that you knew at first hand. From

that moment you never again set foot in our house--you, who had been

our daily companion before that.

Manders. Remember that you and your husband moved out of town

immediately afterwards.

Mrs. Alving. Yes, and you never once came out here to see us in my

husband's lifetime. It was only the business in connection with the

Orphanage that obliged you to come and see me.

Manders (in a low and uncertain voice). Helen--if that is a reproach, I

can only beg you to consider--

Mrs. Alving. --the respect you owed by your calling?--yes. All the more

as I was a wife who had tried to run away from her husband. One can

never be too careful to have nothing to do with such reckless women.

Manders. My dear--Mrs. Alving, you are exaggerating dreadfully.

Mrs. Alving. Yes, yes,--very well. What I mean is this, that when you

condemn my conduct as a wife you have nothing more to go upon than

ordinary public opinion.

Manders. I admit it. What then?

Mrs. Alving. Well now, Mr. Manders, now I am going to tell you the

truth. I had sworn to myself that you should know it one day--you, and

you only!

Manders. And what may the truth be?

Mrs. Alving. The truth is this, that my husband died just as great a

profligate as he had been all his life.

Manders (feeling for a chair). What are you saying?

Mrs. Alving. After nineteen years of married life, just as

profligate--in his desires at all events--as he was before you married

us.

Manders. And can you talk of his youthful indiscretions--his

irregularities--his excesses, if you like--as a profligate life!

Mrs. Alving. That was what the doctor who attended him called it.

Manders. I don't understand what you mean.

Mrs. Alving. It is not necessary that you should.

Manders. It makes my brain reel. To think that your marriage--all the

years of wedded life you spent with your husband--were nothing but a

hidden abyss of misery.

Mrs. Alving. That and nothing else. Now you know.

Manders. This--this bewilders me. I can't understand it! I can't grasp

it! How in the world was it possible? How could such a state of things

remain concealed?

Mrs. Alving. That was just what I had to fight for incessantly, day

after day. When Oswald was born, I thought I saw a slight improvement.

But it didn't last long. And after that I had to fight doubly

hard--fight a desperate fight so that no one should know what sort of a

man my child's father was. You know quite well what an attractive

manner he had; it seemed as if people could believe nothing but good of

him. He was one of those men whose mode of life seems to have no effect

upon their reputations. But at last, Mr. Manders--you must hear this

too--at last something happened more abominable than everything else.

Manders. More abominable than what you have told me!

Mrs. Alving. I had borne with it all, though I knew only too well what

he indulged in in secret, when he was out of the house. But when it

came to the point of the scandal coming within our four walls--

Manders. Can you mean it! Here?

Mrs. Alving. Yes, here, in our own home. It was in there (pointing to

the nearer door on the right) in the dining-room that I got the first

hint of it. I had something to do in there and the door was standing

ajar. I heard our maid come up from the garden with water for the

flowers in the conservatory.

Manders. Well--?

Mrs. Alving. Shortly afterwards I heard my husband come in too. I heard

him say something to her in a low voice. And then I heard--(with a

short laugh)--oh, it rings in my ears still, with its mixture of what

was heartbreaking and what was so ridiculous--I heard my own servant

whisper: "Let me go, Mr. Alving! Let me be!"

Manders. What unseemly levity on his part! But surely nothing more than

levity, Mrs. Alving, believe me.

Mrs. Alving. I soon knew what to believe. My husband had his will of

the girl--and that intimacy had consequences, Mr. Manders.

Manders (as if turned to stone). And all that in this house! In this

house!

Mrs. Alving. I have suffered a good deal in this house. To keep him at

home in the evening--and at night--I have had to play the part of boon

companion in his secret drinking-bouts in his room up there. I have had

to sit there alone with him, have had to hobnob and drink with him,

have had to listen to his ribald senseless talk, have had to fight with

brute force to get him to bed--

Manders (trembling). And you were able to endure all this!

Mrs. Alving. I had my little boy, and endured it for his sake. But when

the crowning insult came--when my own servant--then I made up my mind

that there should be an end of it. I took the upper hand in the house,

absolutely--both with him and all the others. I had a weapon to use

against him, you see; he didn't dare to speak. It was then that Oswald

was sent away. He was about seven then, and was beginning to notice

things and ask questions as children will. I could endure all that, my

friend. It seemed to me that the child would be poisoned if he breathed

the air of this polluted house. That was why I sent him away. And now

you understand, too, why he never set foot here as long as his father

was alive. No one knows what it meant to me.

Manders. You have indeed had a pitiable experience.

Mrs. Alving. I could never have gone through with it, if I had not had

my work. Indeed, I can boast that I have worked. All the increase in

the value of the property, all the improvements, all the useful

arrangements that my husband got the honour and glory of--do you

suppose that he troubled himself about any of them? He, who used to lie

the whole day on the sofa reading old official lists! No, you may as

well know that too. It was I that kept him up to the mark when he had

his lucid intervals; it was I that had to bear the whole burden of it

when he began his excesses again or took to whining about his miserable

condition.

Manders. And this is the man you are building a memorial to!

Mrs. Alving. There you see the power of an uneasy conscience.

Manders. An uneasy conscience? What do you mean?

Mrs. Alving. I had always before me the fear that it was impossible

that the truth should not come out and be believed. That is why the

Orphanage is to exist, to silence all rumours and clear away all doubt.

Manders. You certainly have not fallen short of the mark in that, Mrs.

Alving.

Mrs. Alving. I had another very good reason. I did not wish Oswald, my

own son, to inherit a penny that belonged to his father.

Manders. Then it is with Mr. Alving's property.

Mrs. Alving. Yes. The sums of money that, year after year, I have given

towards this Orphanage, make up the amount of property--I have reckoned

it carefully--which in the old days made Lieutenant Alving a catch.

Manders. I understand.

Mrs. Alving. That was my purchase money. I don't wish it to pass into

Oswald's hands. My son shall have everything from me, I am determined.

(OSWALD comes in by the farther door on the right. He has left his hat

and coat outside.)

Mrs. Alving. Back again, my own dear boy?

Oswald. Yes, what can one do outside in this everlasting rain? I hear

dinner is nearly ready. That's good!

(REGINA comes in front the dining-room, carrying a parcel.)

Regina. This parcel has come for you, ma'am. (Gives it to her.)

Mrs. Alving (glancing at MANDERS). The ode to be sung tomorrow, I

expect.

Manders. Hm--!

Regina. And dinner is ready.

Mrs. Alving. Good. We will come in a moment. I will just--(begins to

open the parcel).

Regina (to OSWALD). Will you drink white or red wine, sir?

Oswald. Both, Miss Engstrand.

Regina. Bien--very good, Mr. Alving. (Goes into the dining-room.)

Oswald. I may as well help you to uncork it--. (Follows her into the

dining-room, leaving the door ajar after him.)

Mrs. Alving. Yes, I thought so. Here is the ode, Mr Manders.

Manders (clasping his hands). How shall I ever have the courage

tomorrow to speak the address that--

Mrs. Alving. Oh, you will get through it.

Manders (in a low voice, fearing to be heard in the dining room). Yes,

we must raise no suspicions.

Mrs. Alving (quietly but firmly). No; and then this long dreadful

comedy will be at an end. After tomorrow, I shall feel as if my dead

husband had never lived in this house. There will be no one else here

then but my boy and his mother.

(From the dining-room is heard the noise of a chair falling; then

REGINA'S voice is heard in a loud whisper: Oswald! Are you mad? Let me

go!)

Mrs. Alving (starting in horror). Oh--!

(She stares wildly at the half-open door. OSWALD is heard coughing and

humming, then the sound of a bottle being uncorked.)

Manders (in an agitated manner). What's the matter? What is it, Mrs.

Alving?

Mrs. Alving (hoarsely). Ghosts. The couple in the conservatory--over

again.

Manders. What are you saying! Regina--? Is SHE--!

Mrs. Alving. Yes, Come. Not a word--!

(Grips MANDERS by the arm and walks unsteadily with him into the

dining-room.)

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