[108] Dr. d'Orbigny had three sons, all of whom were born in

Couëron: Alcide Charles Victor in 1802, Gaston Edouard in

1805, and Charles in 1806; the youngest and eldest became

distinguished naturalists. So far as known, Audubon was

godfather only to the second, Gaston Edouard, who according

to the records of the Catholic church at Couëron, "was

born on the 3d day of the present [month], the issue of the

legitimate marriage of Mr. Charles Marie d'Orbigny, doctor of

medicine, and of Anna Pepart," was christened on August 20,

1805, in the presence of the godfather, John James Audubon,

the godmother, Rosa Audubon, the father and mother, together

with the "undersigned" (Extracted by Monsieur Lavigne).

D'Orbigny appears as a witness to the powers of attorney which

Jean Audubon and his wife issued jointly to their son and to

Ferdinand Rozier at Couëron in 1805 (see Appendix I, Document

No. 8) and on November 20, 1806 (see Vol. I, p. 153).

[109] For copies of this and the following letters, which are

here translated from the French, I am indebted to Monsieur

Lavigne.

[110] A daughter of Catharine Bouffard, regarding whom see

Vol. I, p. 56.

[111] See Appendix I, Document No. 8.

[112] The civil ceremony of Rosa Audubon's marriage was

performed at the mayor's office in Couëron, on December 16,

1805 (_le 26 frimaire, an 14_), when the bride was in her

eighteenth year; the contract had been drawn on the 12th

day of that month (_le 22 frimaire, an 14_) by notary Martin

Daviais, who was mayor of Couëron in the following year, and

the religious ceremony was conducted by the Bishop of Nantes.

"The following have assisted," so reads in translation the

Couëron record, "at the marriage, aforesaid, on the side of

the groom, M. André Loyen du Puigaudeau, his brother, and

M. Honoré François Guiraud, his brother-in-law; by the side

of the bride, her father, and M. Jean Audubon, her brother,

[and these have] undersigned, together with the bridegroom."

Audubon's signature reads "J. L. J. Audubon."

[113] For the full text of these two documents, which are so

interesting for our story, see Appendix I, Documents Nos.

9 and 10; and for translations, Documents Nos. 9a and 10a.

For the privilege of examining and reproducing the first of

these papers I am indebted to Mr. Charles A. Rozier, of St.

Louis, and for the second, as well as the power of attorney

of 1805 (see Document No. 8), referred to earlier, to Mr. Tom

J. Rozier, of Sainte Geneviève, Missouri. In the case of this

second warrant it will be noticed that the grantors signed

only the minute which was filed with the notaries, who, with

the judge of the Court of the First Instance, affixed their

names to the document itself. No better illustration could be

given of the dignity which the French attach to the office

of notary, to the honored incumbents of which their private

affairs are unreservedly entrusted, than this elaborate

judicial document.

[114] In the register of the Central Committee of Nantes

it is noted, under date of October 4, 1793, that "owing

to the friendly relations then existing between France and

the citizens of the United States, and to the good feeling

evinced by them in sending to us for food, four American ships

are accordingly permitted to leave the port of Nantes, with

cargoes of wine, sugar, and coffee, and also to take enough

biscuit for the voyage."

[115] The receipt which the captain handed the young men,

and which the methodical Rozier preserved, remains as a

souvenir of this voyage (in the Tom J. Rozier MSS); it reads

as follows:

Recvd. from Mr. John Audubon &

ferdinand Rozier the sum of five Hundred

and twenty five Livers being in full for their

passage from Nantes to New York in the Ship

Polly........................... S. Sammis

[In Rozier's (?) handwriting] New York May 28, 1806

[Indorsed by Rozier on back] Payé le 11 avril 1806

[116] The total population of Couëron, as given in the

official directory for 1913, was 2,035, but the total working

population is probably three times as great.

[117] There is also the _grand calvaire_, which stands on

an eminence in the village. This was erected in 1825 on the

foundations of the chateau of the dukes of Brittany, the last

of whom, Francis II, died at Couëron in 1488. His tomb is

in the nave of the cathedral at Nantes; the _grand calvaire_

was restored by two Couëron families in 1873, and is a very

elaborate structure.

[118] Mr. William Beer, who paid a visit to "La Gerbetière"

with Dr. Louis Bureau in 1910, writes me that the woodwork

was poor in quality, and that all the rooms had been altered

in size and appearance.

[119] But not related to M. L. Lavigne, to whom I am indebted

for extracts from the deed, a translation of which is given

below, as well as for many other references.

[120] That is, the landlord to receive one-half the produce.

[121] A "journal" of land being as much as a man could

cultivate in a day's labor.

[122] See Chapter XVII.

[123] For the privilege of examining Ferdinand Rozier's

copy of their "Articles of Association" I am indebted to the

kindness of Mr. Charles A. Rozier, of Saint Louis. This is

written on three sides of hand-made, hand-ruled Government

linen, small letter size, with printed revenue stamp (50

centimes) of the French Republic at top, and stamped with

the seal of the Department of Registration and Stamps ("ADM.

DES DOM. DE L'ENREG. ET DU TIMBRE REP. FRA.—_Administration

des domaines de l'enregistrement et du timbre, République

Française_"). The signature of "Jean Audubon" bears a close

resemblance to that of the father, Lieutenant Jean Audubon,

who was undoubtedly the author of the document. For the

"Articles" in full, in French and English, see Appendix I,

Documents Nos. 9 and 9a.

[124] Among the elder Rozier's papers was part of an old

letterbook belonging to his son; it is written in French,

and labeled "Correspondence of Ferdinand Rozier." On one

of the four sheets preserved this item occurs: "4 July,

1806, Philadelphia; record of an agreement with Mr. Dacosta

proprietor of one half of the Mill Grove farm,—at least of the

value of sale." The first entry is dated "19 février—1806, New

York," which, if correct, would imply that Rozier spent two

years instead of one in the United States when he visited this

country in 1804 (or came a second time), and that he returned,

with young Audubon, almost immediately after reaching France

(see Vol. I, p. 245); the last record is "August, 1807, New

York." (MS. in possession of Dr. Louis Bureau, Nantes.)

[125] According to the records of Montgomery County, as

collated for Mr. W. H. Wetherill, the remaining half interest

in "Mill Grove" was sold by J. J. Audubon (and Ferdinand

Rozier) to Francis Dacosta & Company, for a consideration of

$9,640.33. The business was conducted mainly by Rozier, acting

under the advice of their friend, Miers Fisher.

[126] Translated from the French of Ferdinand's copy, in

possession of Mr. Welton A. Rozier, to whom I am indebted for

the privilege of reproducing it.

[127] "_Gourdes_," that is, piasters or Spanish dollars.

[128] Claude François Rozier, at this time an aged man,

died at Nantes on September 7, 1807; he had two sons and

six daughters, of whom Ferdinand was the second son and the

fifth child; his wife, Renée Angelique Colas, died at Nantes,

February 9, 1824.

[129] This was issued, so the letter reads, to "their son,

John Audubon, and Ferdinand Rozier, both of the said city of

Philadelphia, Gentlemen," by "John Audubon, late of the city

of Philadelphia, in the commonwealth of Pennsylvania, now

residing in the commune of Couëron, near the city of Nantes

in France, Gentleman, and Anne Moynette, his wife," to apply

to all lands and other property belonging to them in the

United States, with the power to "raise or borrow money on

the whole or any part or parts of the said lands, tenements,

or hereditaments, to secure the repayment of said monies

by bond, warrant of attorney, to contest judgment of the

mortgage of the said lands, tenements, or hereditaments, or

any part or parts thereof...." Written in French and English;

signed by Jean Audubon, Anne Moynet, his wife, by Doctors

Chapelain and C. d'Orbigny as witnesses, by the mayor of

Couëron, the prefect of the arrondissement and the prefect of

the department; countersigned on December 4, 1806, by W. D.

Patterson, of the "Commercial Agency of the United States at

Nantes." For the favor of examining this paper, I am indebted

to the kindness of Miss Maria R. Audubon.

[130] For the privilege of examining these letters I am

indebted to the courtesy of Dr. Louis Bureau, Director of

the Museum of Natural History and Professor in the School of

Medicine at Nantes, maternal great-grandson of François, and

grandnephew of Ferdinand Rozier. The letters were found in

an old trunk that once belonged to his grandfather, François

Denis Rozier. Five were written in French (Nos. 1, 2, 4, 6

and 7), and addressed from New York to François Rozier at

Nantes; one (No. 3) in English and another (No. 5) in French

were sent in care of Rozier, to his father, John Audubon,

Esq., Nantes, with the direction to be delivered as soon as

possible; all are on unruled foolscap, wafer-sealed, and each

also bears an outside seal in wax, stamped with Bakewell's

initial (B). It is not possible to say whether Lieutenant

Audubon ever received these letters of his son; if received,

it is not very obvious why they should have been left in the

old merchant's hands, unless his ill health at the time, and

subsequent death were the cause (see Note, Vol. I, p. 152).

I am further indebted to Mr. William Beer, for the perusal of

his copies, which have been followed to a large extent.

Since all of these early letters throw an interesting light

upon the times as well as upon Audubon's personal history, we

shall give them in full, rendering the French into English as

literally as practicable.

[131] This Philadelphia merchant was evidently in France and

intending to visit Nantes at this time.

[132] "Of the St. Domingo packet."

[133] "Mr. L. Huron did, a few days ago, receive some wines

on a/c of M. Rozier, and hopes they prove good," etc.

[134] Miers Fisher, for many years Jean Audubon's trusted

agent and attorney in America. See Vol. I, p. 100.

[135] Gabriel Loyen du Puigaudeau, his brother-in-law.

[136] That is a miniature or an old portrait of his father

in the uniform of a lieutenant-commander, which with its

companion, representing Mme. Jean Audubon, his stepmother,

then hung in the house of "La Gerbetière" at Couëron. The

original portraits, which are reproduced facing page 78,

measure 23½ by 18½ inches, and were painted probably between

1801 and 1806; they were inventoried in documents bearing

date of November 14, 15 and 17, 1821, shortly after Mme.

Jean Audubon's death. They were restored in Paris about ten

years ago for Monsieur Lavigne, to whom I am indebted for the

photographs and this information.

[137] Audubon's intimate friend, see Vol. I, p. 128.

[138] "_Serinettes_," the old time music boxes, or

bird-organs, of Swiss origin, that were very popular in

America down to the time of the Civil War, or even later. They

were manufactured at St. Croix as late as 1880; instruments

of similar type, with dancing figures, have been adapted to

the penny-in-the-slot machines common in Switzerland to-day.

[139] _Marchand_, or retail merchant.

[140] Initials of the head of his firm, Benjamin Bakewell.

[141] The reference was to Mme. Stephanie-Felicité de Genlis

(1746-1830), teacher of the children of the Duke of Orleans,

Philippe-Egalité, and authoress of many works on education,

once popular, but now known only to the antiquary and the

ragman.

[142] Meaning possibly his prospective brother-in-law, Thomas

W. Bakewell, a fellow clerk in the office.

[143] One Louis was equal to twenty francs, or four dollars.

[144] Maria R. Audubon, _Audubon and his Journals_ (Bibl. No.

86), vol. i, p. 32.

[145] Especially his account current, from June 1, 1806, to

July 25, 1807, with the "Mill Grove" farm, and "John Audubon

of Nantz," drawn up and signed at Philadelphia on the latter

date. Dacosta then claimed a balance due him of $950.64 above

the returns from farm and mine, of which he was entitled to

one-half; this sum included his salary and numerous minor

expenditures. When his account was contested and taken out of

court for settlement, it was cut by the arbitrators to $530.

See Appendix I, Document 11a.

The following is a "copy of the Award given by John Laval &

Laurence Huron appointed referees by Francis Dacosta and John

Audubon the elder by a rule of reference in the Common Pleas

of this county to have their differences in accounts settled:"

"We the within named referees, having heard the

parties and examined their respective accounts

& vouchers, do award that there is due by the

defendant, John Audubon the elder, to the plaintiff,

Francis Dacosta, the sum of five hundred and thirty

dollars, which we find to be the full balance of all

current accounts between them, and we award that the

said ballance be paid by the said John Audubon the

elder to the said Francis Dacosta by defalking the

same from the account of the condition of the Bond

of Eight Hundred Dollars—mentioned in the within

rule of reference conformably to the agreement

endorsed on the said Bond."

"Witness our hands Philadelphia 1st August, 1807."

"Signed—JOHN LAVAL."

"LAURENCE HURON."

(Copy of original MS., in possession of Mr. Welton H. Rozier.)

[146] In 1811 "Mill Grove" was conveyed by Francis Dacosta &

Company, to Frederick Beates, who in 1813 sold it to Samuel

Wetherill, Jr., for $7,000, the property having shrunk to

less than one-half the value placed upon it in 1806. For the

enterprises of the Wetherills, see Note, Vol. I, p. 102.

[147] Since we have been obliged to enter rather minutely

into the history of "Mill Grove," in order to trace the

relations of the Audubons to it in an important period of

the naturalist's career, the reader may be interested in the

anticlimax which its famous mines reached at a later day. The

Ecton Consolidated Mining Company had been in operation at

"Mill Grove" for a considerable period, when, in 1848, the

Perkioming Association was formed and ten thousand dollars was

at once invested in machinery. In 1851 these two companies

were combined under the name of the Perkioming Consolidated

Mining Company, which issued 50,000 shares of stock, at six

dollars each, thus representing a capital of $300,000. A

mining settlement quickly sprang up on Audubon's old farm,

where numerous buildings of stone, a general store, and

miners' houses were to be seen. In the first annual statement

issued by this company, the buildings were said to represent

an outlay of $15,000, while $140,000 had been expended on

machinery, both above and below ground. A Cornish expert,

who was summoned from England, was paid $1,414 for a verbose

report, the substance of which, it was said, was expressed in

conveying the information, already known, that the "mineral

mined is copper ore" (copper pyrite occurring in association

with lead). This company closed its business in 1851, by

assessing its stockholders one dollar a share, thus bringing

the total loss in this final effort to $350,000, nearly

one-third of which had been drawn from Philadelphia. After

one, or two, further unsuccessful attempts had been made,

all the substantial buildings of the mining works became a

quarry, from which stone was sold by the perch, the ruins of

the old engine house alone remaining to this day as a witness

of the follies of the generations that are gone. (This account

is based upon reports which have appeared in the press of

Philadelphia or in other Pennsylvania newspapers.)

[148] Samuel Latham Mitchell (1764-1831), physician,

naturalist, politician and voluminous writer on many subjects.

In 1797 he founded, in association with Dr. Edward Miller

and Dr. Elihu H. Smith, the _New York Medical Repository_,

and was its chief editor. He began also, at the University

of New York, one of the earliest collections in natural

history, and in 1817 appealed to the Historical Society of

his city for the foundation of a Zoölogical Museum; in the

same year he organized the Lyceum of Natural History, and was

its first president, Joseph Le Conte serving as corresponding

secretary, and John Torrey as one of its curators. On April

9, the following subjects were assigned to different members

for investigation, "Ichthyology or fishes, Plaxology or

crustaceous animals, Apalology or mollusca, and Geology or the

earth" being reserved for the president; Samuel Constantine

Rafinesque (see Chapter XIX) took charge of "Helmintology

or worms, Polypoligy or polyps, Atmology or Meteorology,

Hydrology or waters, and Taxodomy or classification;"

John Torrey, who became a distinguished botanist, was more

modest, and assumed charge only of "Entomology or insects;"

while to John Le Conte were given "Mastodology or mammalia,

Erpetology or reptiles, and Glossology or nomenclature." See

the _American Monthly Magazine and Critical Review_ (New York)

for August, 1817, p. 272.

[149] See Vol. I, p. 185.

[150] Cuvier stated in his report on Audubon's _Birds_,

delivered at the Academy of Sciences, Paris, September 22,

1828, that the author had been twenty-five years before a

pupil in the school of David. This would place the date in

1803, but earlier than the autumn of that year, when Audubon

started for America. See Note, Vol. I, p. 99.

[151] _Ornithological Biography_ (Bibl. No. 2), vol. i, p.

viii.

[152] F. T. Verger, _Archives curieuses de la ville de Nantes

et des départements de l'ouest_ (Nantes, 1837-41); for further

references to David in this chapter I am mainly indebted to

Georges Cain, _Le Long des Rues_ (Paris, 1812), and Charles

Saunier, _Louis David_ (Paris, no date).

[153] The implication as to time, which is repeated above,

contradicts an earlier statement, which is probably more

nearly correct, for when Audubon returned to America in 1806

he was twenty-one.

[154] See R. W. Shufeldt, in _The Auk_ and the _Audubonian

Magazine_ (Bibliography, Nos. 184 and 190).

[155] Referring to the fire of 1835, in New York.

[156] See Chapter XXI.

[157] When it passed into the equally worthy hands of Mr.

Joseph Y. Jeanes, of Philadelphia. Mr. Jeanes purchased from

the estate of Mr. Edward Harris, 2d, directly or indirectly,

and at different times, about 110 of these early originals;

others were dispersed, four of early date being in the Museum

of Harvard University. Mr. Jeanes also possesses a large

section of the Audubon-Harris correspondence, which extended

over nearly a quarter of a century, and of which little

has been published; to his kindness I am indebted for the

privilege of reproducing some of the drawings, as well as

numerous extracts from the letters, in the present work.

[158] Audubon said that some of the originals of _The Birds of

America_ were "made as long ago as 1805," which may well have

been the case, but the earliest date which has been preserved

on the drawings is that of July 1, 1808, for "Rathbone's

Warbler," later recognized as an immature form of the Summer

Warbler. The Carbonated Warbler was drawn May 7, 1811.

Seven bear the date of 1812, namely: Yellow-rumped Warbler,

April 22; Le petit Caporal, April 23; Wood Pewee, April 28;

Blackburnian and Bay-breasted Warblers, May 12; Chestnut-sided

Warbler, May 17; and Cuvier's Wren, June 8.

[159] For a list of Audubon's early dated drawings see

Appendix II. Through the courtesy of Mr. Jeanes, I am able

to reproduce a fuller series of Audubon's early drawings of

French and American birds than has hitherto been published,

and have chosen the subjects to illustrate the development of

his style.

[160] See Vol. I, p. 125.

[161] _Ornithological Biography_ (Bibl. No. 2), vol. i, p.

354.

[162] See Appendix II.

[163] See Appendix I, Document No. 11.

[164] This diary was first brought to my attention by Mr.

Ruthven Deane, and for permission to reproduce it I am

indebted to the kindness of a great-grandson of Ferdinand, Mr.

Welton A. Rozier, of Saint Louis. Mr. Rozier writes that the

original French notes have been mislaid or lost, but that they

were closely followed in this translation, whenever complete.

Though numerous verbal changes have been made in the present

draft, these have not altered the meaning in any respect.

Ferdinand Rozier's narrative begins as follows:

"I left Nantes, France, in company with John James Audubon,

on Saturday, the 12th day of April, 1806, bound for the

city of New York, U. S. A., on an American ship named the

_Polly_, commanded by Captain Sammis, and arrived at New York

on Tuesday, the 27th day of May. While on the voyage across

the ocean our vessel was stopped, overhauled, searched, and

robbed by an English privateer, named the _Rattlesnake_, which

detained us a day and a night.

"We remained in New York City for a few days, and then

removed to Mill Grove, on Pickering [Perkioming] Creek, in

Pennsylvania, a tract of land owned by our fathers, and at

that time thought to contain valuable minerals."

[165] In the rich bottom-lands of the Ohio River basin the

hackberry or sugarberry (_Celtis occidentals_) sometimes

exceeds one hundred feet in height, and has a diameter of from

four to five feet.

[166] The population of the second city of Pennsylvania

in 1800 was 1,565; in 1840, 4,768; and in 1910, after the

annexation of Allegheny, 533,905.

[167] Maria R. Audubon, _Audubon and his Journals_ (Bibl. No.

86), vol. i, p. 28.

[168] See Appendix I, Document No. 11.

[169] See Chapter XI, page 158.

[170] When Audubon was returning with his wife and infant son

from Pennsylvania to Kentucky in the autumn of 1810; see "The

Ohio," _Ornithological Biography_ (Bibl. No. 2), vol. i, p.

29.

[171] In 1800 the population of Louisville was 600, and in

1810 it had risen to 1,350; see Charles Cist, _Cincinnati in

1841_ (Cincinnati, 1841).

[172] For this and the letter of Thomas Bakewell's uncle,

William Bakewell, which follows later, I am indebted to Mr.

Tom J. Rozier; see Note, Vol. I, p. 133, and for accompanying

"Account Current" of Audubon & Rozier, Appendix I, Document

No. 11.

[173] See Note, Vol. I, p. 196.

[174] The lead mine at "Mill Grove," which with the remaining

Audubon and Rozier interests in the farm had been taken

over by Dacosta's company in September, 1806. The failure

of Dacosta followed in about a year after the date of this

letter.

[175] Victor Gifford Audubon, who was then nine months old.

[176] See Vol. I, p. 153.

[177] William Bakewell died at Philadelphia on March 6, of the

same year, after suffering from the effects of a sunstroke,

and was, eventually, buried at "Fatland Ford;" in 1822 his

farm, originally of 800 acres, passed into the hands of

Dr. William Wetherill. See Note, Vol. I, p. 99, and W. G.

Bakewell, _Bakewell-Page-Campbell_ (Bibl. No. 200).

[178] In a letter to Alexander Lawson, written from

Pittsburgh, on February 22, 1810; see Elliott Coues, "Private

Letters of Wilson, Ord, and Bonaparte," _Penn Monthly_, vol.

x, pp. 443-455 (Philadelphia, 1879).

[179] See Elliott Coues, _loc. cit._

[180] Letter to Alexander Lawson, dated at Lexington, April

4, 1810; see Grosart, _Poems and Literary Prose of Alexander

Wilson_, vol. i, p. 189.

[181] See Grosart, _Poems and Literary Prose of Alexander

Wilson_, vol. i, p. xxiv.

[182] For "The Shark, or Lang Mills Detected," a satire

directed against William Sharp, a manufacturer of Paisley;

Wilson was fined £12 13s. 6d.

[183] See Bibliography, No. 43.

[184] At Lancaster, Pennsylvania, on October 3, 1799,

Alexander Wilson sent George Simpson, Esq., a State

Treasurer's check in favor of Joseph Brown for $475, to be

entered to the credit of Mr. Brown as one installment on 38

shares of scrip in the new loan at eight per cent, in the

names of Thomas Eyes, 14 shares; Alexander Wilson, 14 shares;

and Kenneth Sewell, 10 shares.

[185] This was the American edition of Abraham Rees' revision

of Ephraim Chambers' _Cyclopædia_, which had appeared in

London in 1728; it was published at Philadelphia, in forty-one

quarto volumes of text and six volumes of plates, by Samuel F.

Bradford and the Messrs. Murray, Fairman & Company, 1810-1824.

[186] "The types," said Charles Robert Leslie, "which were

very beautiful, were cast in America, and though at that time

paper was largely imported, he [Mr. Bradford] determined that

the paper should be of American manufacture; and I remember

that Ames, the paper maker, carried his patriotism so far that

he declared that he would use only American rags in making

it." (_Autobiographical Recollections_, Boston, 1860.)

[187] The _American Ornithology: or, the Natural History

of the Birds of the United States_: Illustrated with Plates

Engraved and Colored from Original Drawings taken from Nature,

by Alexander Wilson, was published in nine imperial quarto

volumes by Messrs. Bradford and Inskeep, at Philadelphia,

1808-1814. Each volume contained nine plates and from 100 to

167 pages of text, exclusive of prefatory and other matter.

The eighth volume, which was nearly ready for press at the

time of the author's death, was edited by George Ord, Wilson's

friend and executor; the final volume, which was wholly

by Ord, and which was issued in the same year, contained a

life of Wilson. After the appearance of the initial volume,

the edition was extended to 500 copies and the first volume

was entirely reset. Ord's life of Wilson was expanded for a

three-volume edition of the _Ornithology_, and from oversheets

of this work was produced as a separate volume in 1828 (see

Note, Vol. I, p. 223).

Wilson's published lists of subscribers show 449 names,

calling for 458 copies, more than half of which were taken by

residents of Pennsylvania, New York and Louisiana; 70 were

subscribed for in Philadelphia, chiefly by business men,

artists, and "those in the middle class of society;" New

Orleans in seventeen days gave him 60 subscribers; Europe

supplied 15, among whom were William Roscoe, later a patron

of Audubon, and Benjamin West, the artist. Wilson figured and

described 278 species of American birds (within the limits of

the United States), of which 56 were supposed to be new, and

the total number, given by Wilson and Ord, is said to be 320.

Twenty-three species were erroneously supposed to be identical

with their European counterparts, yet all of Wilson's birds

except the "Small-headed Flycatcher," referred to at the end

of this chapter, have been identified. Considering the time

and the difficulties under which he labored, his mistakes were

remarkably few.

[188] See Vol. I, p. 340.

[189] See a letter to Professor S. S. Haldeman, dated February

6, 1879, in _Penn Monthly_, vol. x (Philadelphia, 1879).

[190] _Ornithological Biography_ (Bibl. No. 2), vol. i, p.

437.

[191] _Sketch of the Life of Alexander Wilson, Author of

the American Ornithology_, by George Ord, F. L. S. &c. pp.

i-cxcix, Philadelphia, 1828; taken from vol. i of an octavo

edition of Wilson, edited by Ord, and issued by Harrison Hall,

in three volumes, at Philadelphia in 1828-29, with folio atlas

of plates reproduced from the original work; see Note 187,

_supra_.

[192] See Ord's charge of plagiarism against Audubon (Bibl.

No. 145) in the _Proceedings of the American Philosophical

Society_, vol. i (1840). So far as could be ascertained

in the summer of 1915, Wilson's diary of 1810 was not in

the possession of any library or scientific society in

Philadelphia, nor was it in the large collection of books

which was given by Ord to the College of Physicians and

Surgeons of that city at the time of his death in 1866.

[193] The bracketed lines are from Waterton, who once stated

that he had examined the original.

[194] This sentence is quoted from Burns' biographical

sketch of Wilson (Bibl., No. 161), but tenses are changed to

correspond with other entries.

[195] _Musicapa minuta_, which appears in Figure 5, Plate 50,

of volume vi of Wilson's _American Ornithology_ (pp. 62-63

of the text), and in Figure 2, Plate ccccxxxiv, of Audubon's

_Birds of America_ (_Ornithological Biography_, vol. v, pp.

291-3).

[196] Nevertheless so careful and discerning a naturalist

as Thomas Nuttall confidently asserted that his friend, Mr.

M. C. Pickering, had "obtained a specimen several years ago

near Salem (Massachusetts)"; see _A Manual of the Ornithology

of the United States and Canada_ (Cambridge, 1832). Dr.

Elliott Coues at one time thought that it might have been the

Pine-creeping Warbler, and Professor Baird identified it as

the female or young of the Hooded Warbler.

[197] Compare _Ornithological Biography_, vol. iii, p. 203,

where in Audubon's article on the Whooping Crane, there is

this note: "Louisville, State of Kentucky, March, 1810. I had

the gratification of taking Alexander Wilson to some ponds

within a few miles of town, and of showing him many birds of

this species, of which he had not previously seen any other

than stuffed specimens. I told him that the white birds were

the adults, and that the grey ones were the young. Wilson, in

his article on the Whooping Crane, has alluded to this, but,

as on other occasions, he has not informed his readers whence

his information came."

[198] What appear to be the original legends, written on

this drawing in ink, are as follows: "Chute de l'Ohio. July

1, 1808. No. 31. J. A. Que j'avais figuré [?] 12 pennes à

la queue." Above were later added, also in ink, the names,

"sylvia Trochilus delicata; Sylvia delicata, Aud."

[199] On this drawing, which with Audubon's other originals

is in the collections of the Historical Society of New York,

the legends are as follows: "Mississippi Kite, Male, Falco

mississippiensis; Drawn from nature by John J. Audubon,

Louisiana, parish of Feliciana, James Perrie's Esq.,

Plantation. June 28th, 1821. Length 14 inches; Breadth 3 feet,

½ inches; Weight 10¾ ounces; Tail feathers, 12." It is drawn

in his usual style of that period, in pastel, water color and

pencil, and has been dismounted.

[200] See Vol. I, p. 305.

[201] _American Ornithology_, vol. iii, p. 80.

[202] See Witmer Stone, "Some Letters of Alexander Wilson and

John Abbot," _The Auk_, vol. xxiii, 1906.

[203] In 1840, by W. B. O. Peabody, naturalist; author of a

_Life_ of Wilson; see Bibliography, No. 105.

[204] Vincent Nolte, _Fifty Years in Both Hemispheres_ (Bibl.

No. 176).

[205] The first steamboat on the Ohio was the _Orleans_, a

vessel of 200-400 tons, built at Pittsburgh in the summer and

fall of 1811, by Robert Fulton and Robert M. Livingston; her

first voyage, when she touched at Henderson, was signalized,

as it seemed to many, by the great earthquakes of that year.

The first Kentucky steamer was built at Henderson in 1817, the

same year that a small vessel was constructed by Samuel Bowen

and J. J. Audubon at the same place (see Chapter XVI). Compare

Edmund L. Starling, _History of Henderson County, Kentucky_

(Bibl. No. 186).

[206] Known first as Redbank or Redbanks, to distinguish

it from Yellowbank, or Owensboro, on a similar bend farther

upstream; called also Hendersonville, but this term had no

official standing. The population of Henderson in 1810 is

given as 159, and that of the entire county, then larger than

at present, as 5,000. See Starling, _op. cit._

[207] See Vol. I, p. 235.

[208] See translations from copies of the originals, in

French, in possession of the Louisiana Historical Society,

New Orleans, in Appendix I, Document No. 21.

[209] Boat for the exchange of prisoners of war.

[210] Compare Note, Vol. I, p. 152.

[211] See Note, Vol. I, p. 148.

[212] For this characterization of Ferdinand Rozier I am

indebted mainly to an account by his son, Firman A. Rozier,

at one time mayor of Ste. Geneviève and member of the State

Legislature; see his _History of the Early Settlement of the

Mississippi Valley_ (Bibl. No. 202) (St. Louis, 1890).

[213] For a photograph of the old Rozier store at Ste.

Geneviève, as well as for the likeness of Rozier, made in

1862, when he was in his eighty-fifth year, I am indebted to

the kindness of Mr. Ruthven Deane, who received them from a

son of Ferdinand, Felix Rozier, in November, 1905, when the

latter had attained his eighty-third year.

[214] While living at Henderson the Audubons lost their two

daughters, Rosa and Lucy, both of whom died when very young.

[215] "The Earthquake," _Ornithological Biography_ (Bibl. No.

2) vol. i, p. 280.

[216] This journey was probably made in February, though the

date is given as April (see Maria R. Audubon, _Audubon and his

Journals_, vol. i, p. 44), if the legends of four drawings of

this time are to be trusted; all are labeled Pennsylvania, and

bear the following dates: Swamp Sparrow, March, 1812; Spotted

Sandpiper, April 22, 1812; White-throated Sparrow, April 24,

1812; and Whippoorwill, May 7, 1812.

[217] _Ornithological Biography_ (Bibl. No. 2), vol. i, p.

81. In his biographical sketch of 1835 Audubon said that this

occurred on his first return from Ste. Geneviève to Henderson

(in 1811), a contradiction characteristic of his manner of

dealing with biographical and historical details. For an

account of this "Episode," see Chapter XVIII.

[218] For early references to Henderson I am indebted mainly

to Edmund L. Starling, _History of Henderson County, Kentucky_

(Bibl. No. 186), who had access to all the town and county

records.

[219] In 1819, the year of Audubon's departure, 129 town lots

had been sold, while 29 had been given to privileged persons

or to prospective settlers.

[220] According to the town records, as quoted by Starling,

on December 22, 1813, Audubon purchased lots numbers 95

and 96, which were one-half of the square lying on the west

side of Third Street and between Green and Elm Streets, from

General Samuel Hopkins, agent of the Messrs. Richard Henderson

& Company; on September 3, 1814, he bought lots numbers 91

and 92, or one-half of the square on the west side of Second

Street, between Green and Elm. The mill site on the Ohio River

was a part of the land given to Henderson by the Transylvania

Company, the original owners of a large part of Kentucky;

this site was leased for 99 years to J. J. Audubon, was sold

and resold, but reverted to the city of Henderson in 1915.

In the latter year the project was broached of obtaining the

original mill site, together with adjoining property along the

river, and converting the whole into a public park dedicated

to Audubon.

[221] At a somewhat later time the naturalist occupied a

one-story frame house, built in 1814, which stood at the

corner of Fourth and Main Streets; see Starling, _op. cit._

[222] See Note 15, Vol. I, p. 124.

[223] A Henderson correspondent of Joseph M. Wade, under the

signature of "W. S. J.," August 8, 1883, gave the following

account of the structure. The original mill covered forty-five

by sixty-five feet, and consisted of four stories and

basement; the basement walls of stone stood four feet thick,

while at the third story the thickness was three feet; the

three upper stories were in frame. The studding measured

three by six, and the rafters four by eight, inches. Many

of the large timbers that could then be seen were sound

and apparently good for a century or more. Parts of the old

machinery that had been used in the grist mill were lying

about under the eaves; the building was then used as a tobacco

stemmery. See Joseph M. Wade (Bibl. No. 182), _Ornithologist

and Oölogist_, vol. viii, p. 79 (1883).

The old Audubon mill in more recent times was incorporated

into a warehouse for the storage of leaf tobacco; it was

burned to the ground on March 18, 1913.

[224] The mill is supposed to have cost about $15,000; of this

sum Thomas Pears is said to have contributed from $3,000 to

$4,000, and William Bakewell a similar amount in the interest

of his son, while Audubon presumably furnished the balance.

[225] Maria R. Audubon, _op. cit._, vol. i, p. 47.

[226] In his journal of 1820 Audubon said that after the

withdrawal of Bakewell, "men with whom I had long been

associated offered me a partnership. I accepted, and a

small ray of light appeared in my business, but a revolution

occasioned by a numberless quantity of failures put all to an

end."

[227] One of J. J. Audubon & Company's bills is here

reproduced from Starling, _op. cit._

"To the President and Directors of the Bank of Henderson to

Henderson steam mill:

"To three pieces of scantling, 56 feet, 4½ c $2.52

"To ten pieces of scantling, 34 feet ——

"To sixty rafters, 714 feet, at 4 c 28.56

"To five pieces scantling, 40 feet, at 3 c 1.20

"To fifteen joists [?], 278½ feet, at 6 c 16.71

———

"J. J. Audubon & Co." $48.99

[228] According to W. G. Bakewell, _Bakewell-Page-Campbell_

(Bibl. No. 200), Thomas Bakewell sold his interest in the

store and mill to Audubon in 1817, but this is contradicted

by other accounts. For the incident which follows, see Maria

R. Audubon, _op. cit._, vol. i, p. 34.

[229] See Dixon L. Merritt (Bibl. No. 226a), "Audubon in

Kentucky," _The Taylor-Trotwood Magazine_, vol. 10 (1909), p.

293.

[230] Thomas Bakewell later became a successful builder of

steamboats, first at Pittsburgh, and after 1824 at Cincinnati,

where he was an important factor in the rising commerce of the

Ohio Valley, and where he left his mark on the history of that

city. As a theoretical mechanic in iron and wood he is said to

have had no superior; his business was nearly destroyed in the

panic of 1837, and he never regained his financial position.

To his credit also it must be added that in 1860, at the age

of seventy-two, he began at the bottom of the ladder again by

engaging as a clerk with a paper company at Cincinnati, and,

refusing the proffered aid of his children, he did not give up

work until his eightieth year, seven years before his death

in 1874. See W. G. Bakewell, _Bakewell-Page-Campbell_ (Bibl.

No. 200).

[231] Audubon was not so accurate when in his biographical

sketch of 1835 he said: "Finally I paid every bill, and

at last left Henderson probably forever...," for when at

Charleston with Bachman in 1834, one of his former creditors

attempted to sue him for debt and apparently carried his case

to court. When Bachman asked for an explanation, Audubon wrote

from New York, April 5, 1834, as follows: "Respecting the

suit let me tell you ... that I went to Gaol at Louisville

after having given up all to my creditors, and that I took

the benefit of the act of insolvency at the Louisville

Court House, Kentucky, before Judge Fortunatus Crosby & many

witnesses, and that a copy of the record of that step can

easily be had from that court.... I wish friend Donkin to

do all he can to put a _Conclusion_—stop to this matter, for

it makes me sick at heart." The lawyer here referred to was

probably Judge Dunkin, friend of Bachman and distinguished

in his profession, who had a plantation at Waccamaw, near

Charleston, South Carolina (see Chapter XXVII, Vol. II, p. 64.)

[232] See Chapter IX, p. 63.

[233] For complete text of these wills, in the original, See

Appendix I, Documents 13-18.

[234] See Note 4, Vol. I, p 27. The suit brought by these

plaintiffs was based upon a French law, which at that time

debarred a natural child from inheriting property.

[235] Maria R. Audubon, _Audubon and his Journals_ (Bibl. No.

86), vol i, pp. iii and 130.

[236] Lucy B. Audubon, ed., _The Life of John James Audubon_

(Bibl. No. 73), p. 55.

[237] See Chapter VIII, p. 121.

[238] See Chapter II, pp. 33 and 34.

[239] From G. L. du Puigaudeau's copy of his letter to John

James Audubon (at Henderson), dated "Couëron, August 15,

1819," translated from the French. (Lavigne MSS.)

[240] See Vol. I, p. 64.

[241] This, and the letter to follow, translated from Gabriel

du Puigaudeau's copies. (Lavigne MSS.)

[242] This reference is evidently to the litigation over

Lieutenant Audubon's will and the final disposition of his

estate.

[243] It was thought that Victor had come to settle the

family's financial affairs, and his uncle and aunt asked

if this were the case; he replied that it was not, that the

children of Jean Audubon who were in America had taken their

[share of the] property in that country, while those in France

had theirs in France; he considered that all was settled,

but if Rosa's children wished for any money, they had but to

ask for it, and the heirs in America would send them what

they desired; the subject was then dropped. A considerable

correspondence followed this visit, but the letters were

all destroyed about twenty-five years ago by Monsieur du

Puigaudeau, when putting his effects in order. This account

is given on the authority of Monsieur Lavigne.

[244] These passages, which were shown to me by his

granddaughter, Miss Maria R. Audubon, in 1914, but not for

publication, occur in his journals under the following dates;

June 4, 1826, at sea; March 15, 1827, at Edinburgh, after

describing a visit of Lady Selkirk and her daughter; again

on the 18th of March of the same or the following year; and

on October 8, 1828, when writing to his wife from Paris and

reflecting on the advisability of visiting his old home at

Nantes. While these extraordinary passages are not quoted,

out of deference to the wishes of his granddaughters, it

seems only just to Audubon, in view of the revelations that

have already been made, to add this brief reference to the

incidents in question.

[245] This statement was made to me in 1914 by Miss Maria R.

Audubon.

[246] See Note, Vol. I, p. 27.

[247] In the first three volumes only of the _Ornithological

Biography_ (Bibl. No. 2), being omitted from the last two on

account of the exigencies of space.

[248] _Ornithological Biography_, vol. iii, p. 270.

[249] While the object of this visit is not mentioned in the

"Episode," it is stated in the second biographical sketch;

the ambiguities connected with the sale of this farm, in which

others besides Audubon were then interested, are discussed in

Chapter XI.

[250] Vincent Nolte, _Fifty Years in Both Hemispheres_ (Bibl.

No. 176).

[251] See Chapter XXI, p. 352.

[252] Limestone or, as it was later called, Maysville, was on

the left bank of the river, in Kentucky, and about a hundred

miles east of Cincinnati.

[253] "The Earthquake," _Ornithological Biography_, vol. i,

p. 239.

[254] These historic earthquakes, which were most destructive

of life and property in the lower Mississippi Valley, began

on December 16, 1811, and therefore before Audubon and Nolte

had reached the western country. They were noted for their

remarkable frequency and persistence, 221 shocks having been

recorded in a single week at Henderson, Audubon's home at

that time; though their force was mostly spent after the first

three months, they did not wholly die away in the Ohio Valley

until December 12, 1813, when the last feeble vibration was

recorded by Dr. Daniel Drake at Cincinnati; the worst shocks

at this point were experienced on December 16, 1811, on

January 23 and February 7, 1812. See Daniel Drake, _Natural

and Statistical View of Cincinnati, and the Miami Valley; with

an appendix, containing observations on the late Earthquakes_,

(Cincinnati, 1815); and Edmund L. Starling, _History of

Henderson County, Kentucky_ (Bibl. No. 186).

[255] "The Hurricane," _Ornithological Biography_, vol. i, p.

262.

[256] James Hall (Bibl. No. 123), _Western Monthly Magazine_,

vol. ii (1834).

[257] "The Regulators," _Ornithological Biography_, vol. i,

p. 105.

[258] "Colonel Boone," _ibid._, vol. i, p. 503.

[259] See Chapter V, p 88.

[260] "The Prairie," _Ornithological Biography_, vol. i, p.

81.

[261] John Burroughs, _John James Audubon_ (Bibl. No. 87), p.

37.

[262] "See _History of Sutton, New Hampshire_, compiled by

Augustus Harvey Worthen, pt. I (Concord, 1890).

[263] "The Eccentric Naturalist," _Ornithological Biography_

(Bibl. No. 2), vol. i, p. 455.

[264] For the characterization of Rafinesque given in the

present chapter I am chiefly indebted, aside from his own

writings, to his two most sympathetic biographers, Richard

Ellsworth Call and T. J. Fitzpatrick, as well as to David

Starr Jordan; see Bibliography, Nos. 198, 228, and 183.

Fitzpatrick gives photographic reproductions from Rafinesque's

exceedingly diversiform and scattered works; his bibliographic

titles extend to 939, and "Rafinesquiana" to 134.

[265] "At Palermo," said Swainson, "I had the pleasure of

meeting ... Rafinesque Schmaltz, whose first name is familiar

to most zoölogists. In the society of such congenial minds, I

passed many happy hours, and made many delightful excursions

... by the inducement of the latter, I was led to investigate

the ichthyology of the western coast." (See Bibliography, No.

170.)

[266] See Vol. I, pp. 171 and 336.

[267] See David Starr Jordon (Bibl. No. 183), _Popular Science

Monthly_, vol. xxix (1886). "The true story of this practical

joke was told me by the venerable Dr. Kirtland, who in turn

received it from Dr. Bachman;" the latter, I might add, was

the friend and correspondent of the "Sage of Rockport" after

a visit at his home near Cleveland in the summer of 1852.

In the private notebooks of Rafinesque copies of Audubon's

drawings are still to be seen, and "a glance at these," said

Dr. Jordon, "is sufficient to show the extent to which science

through him has been victimized."

Audubon was also responsible for a number of extraordinary

"new species" of birds, the most notorious of which was the

Scarlet-headed Swallow, of which Rafinesque published the

following account in 1820: "_Hirundo phenicephala_. Head

scarlet, back gray, belly white, bill and feet black. A fine

and rare swallow seen only once by Mr. Audubon near Henderson,

Kentucky...." See Samuel N. Rhoads, "Constantine S. Rafinesque

as an Ornithologist," _Cassinia_, No. XV (Philadelphia, 1911).

[268] _The Western Review and Miscellaneous Magazine_,

Lexington, 1819-20.

[269] _Ichthyologia Ohiensis, or Natural History of the Fishes

inhabiting the River Ohio and its tributary Streams, preceded

by a physical description of the Ohio and its branches._ By

C. S. Rafinesque, Professor of Botany and Natural History in

Transylvania University, Author of the Analysis of Nature,

&c. &c. Member of the Literary and Philosophical Society of

New-York, the Historical Society of New-York, the Lyceum of

Natural History of New-York, the Academy of Natural Sciences

of Philadelphia, the American Antiquarian Society, the Royal

Institute of Natural Sciences of Naples, the Italian Society

of Arts and Sciences, the Medical Societies of Lexington and

Cincinnati, &c. &c.

"The art of seeing well, or of noticing and distinguishing

with accuracy the objects which we perceive, is a high faculty

of the mind, unfolded in few individuals, and despised by

those who can neither acquire it, nor appreciate its results."

Lexington, Kentucky: printed for the author by W. G. Hunt.

(Price one dollar.) (Pp. 1-90. Lexington, 1820.)

Fitzpatrick (see Bibliography, No. 228) gives a list of 14

copies of this work, the whereabouts of which are known; we

can add another from the library of Dr. Jared P. Kirtland,

now in the collections of Western Reserve University; it is

bound up with Dr. Kirtland's notebook on birds and fishes, and

labeled "Scraps of Natural History. My Note Book;" a written

notice on the inside of the cover, imploring the finder to

return the volume to its owner if lost, is signed by Dr.

Kirtland and dated "Cleveland, O., Oct. 16th, 1839." Probably

fewer than 20 original copies of the work now exist. It was

reproduced in a limited edition, with a sketch of Rafinesque's

life and works by Richard Ellsworth Call, published by the

Burrows Brothers' Company of Cleveland in 1899.

[270] Probably not before October of that year, when Audubon

first met John Bachman, at Charleston, South Carolina.

[271] Reply to a criticism of G. W. Featherstonhaugh

(_The Monthly American Journal of Geological Science_), in

Rafinesque's _Atlantic Journal and Friend of Knowledge_, No.

3, p. 113 (Philadelphia, 1832). Rafinesque occasionally spoke

of meeting "my friend Audubon," who, he declared, had invited

him to join his expedition to Florida in 1831-32.

[272] Isaac Lea, in _A Synopsis of the Family of Naiades_,

pp. 8-9 (Philadelphia, 1836).

[273] See Bibliography, No. 204.

[274] The landlord, to whom Rafinesque had been in arrears for

rent, had locked his body in the room and refused permission

for its burial, thinking to find a market for it in one of the

medical schools of the city. Rafinesque was buried in a little

churchyard, then outside of the limits of the city, known as

Ronaldson's cemetery, now at Ninth and Catharine Streets. See

Call and Fitzpatrick, Bibliography, Nos. 198 and 228.

[275] Maria R. Audubon, _Audubon and his Journals_ (Bibl. No.

86), vol. i, p. 36.

[276] _Ibid._, vol. i, p. 49.

[277] Dr. Daniel Drake (1785-1852) was one of the most

versatile and prolific writers on medicine which the West has

ever produced, and Cincinnati owed to him much, for he was

instrumental in organizing in that city a church, a literary

society, a museum, a hospital, a college, and a school of

medicine, while he enjoyed a large medical practice, lectured

on botany, and was a partner in two mercantile establishments.

We might also add that his "Notice concerning Cincinnati" (pp.

1-28, i-iv. Printed for the author at Cincinnati, 1810), of

which only three copies are known to exist, is the earliest

and rarest published record of that city. This little pamphlet

included a "Flora" of the city for 1809, and from it we

transcribe this interesting extract (p. 27): "May 10. Black

locust in full flower.

"It is highly probable that the flowering of this beautiful

tree, the Robinia pseudocacia of Linnæus, indicates the proper

time for planting the important vegetable the Indian corn. For

several successive years I have observed our farmers generally

to plant corn during some stage of its flowering. This from

the 10th to the 20th of May."

For the privilege of examining one of the original copies of

this paper, I am indebted to Mr. Wallace H. Cathcart of the

Western Reserve Historical Society of Cleveland.

[278] See Audubon's letter to Thomas Sully, reproduced in Vol.

II, p. 68. In his Ohio and Mississippi Rivers Journal Audubon

wrote on April 5, 1821: "Cap. Cumming left us on the 10 for

Phila; the poor man had not _one_ cent with him."

[279] This early journal fills a large unruled book, measuring

about 13 by 8 inches, of 201 pages, beginning with Oct.

12, 1820, and closing with December 31, 1821; it forms a

part of the John E. Thayer collection of Audubon and Wilson

manuscripts and drawings in possession of Harvard University,

having been once included in the estate of Joseph M. Wade. The

collection embraces four early drawings by Audubon, presumably

at one time in the hands of Edward Harris (see Note, Vol. I,

p. 180); 73 of Audubon's original letters, comprising largely

his correspondence with Dr. John Bachman; 60 letters by Victor

G. Audubon; and a few by other members of the naturalist's

family. See the _Annual Report of the Curator of the Museum

of Comparative Zoology for 1910-1911_.

Through the courtesy of Professor E. L. Mark, and the Director

of the Museum, Dr. Samuel Henshaw, I have been permitted to

examine these numerous documents. In any direct or casual

reference to this valuable material, I have endeavored not to

overstep the bounds of propriety, in view of the fact that the

University contemplates publishing copious extracts from it

at an early day. It should be noticed that excerpts from this

journal have already appeared in print. See following Note.

[280] See Ruthven Deane (Bibl. No. 41), _The Auk_, vol. xxi,

pp. 334-338.

[281] "Natchez in 1820" and "The Lost Portfolio,"

_Ornithological Biography_ (Bibl. No. 2), vol. iii, pp. 529

and 564.

[282] The original of this admirable drawing had been shot

at New Madrid, on the Ohio, on November 23, and Audubon, who

immediately began to work on it, recorded his conviction that

the White-headed or Bald Eagle and the "Brown Eagle," which

he later called "The Bird of Washington," were two different

species; he thought that the young of the former, which was

also brown, was much smaller in size. See Vol. I, p. 241.

[283] These drawings were as follows:

"Common gallinule; Not described by Willson;

Common gull; Not described by Willson;

Marsh hawk;

Boat tailed grackle; Not described by Willson;

Common Crow;

Fish Crow;

Rail or Sora;

Marsh Tern;

Snipe; Not described by Willson;

Hermit Thrush;

Yellow Red poll Warbler;

Savannah Finch;

Bath Ground Warbler; Not described by Willson;

Brown Pelican; Not described by Willson;

Great Footed Hawk;

Turkey Hen; Not described by Willson;

Cormorant;

Carrion Crow or Black Vulture;

Imber Diver;

White Headed or Bald Eagle."

[284] Vanderlyn, like Audubon, had been a pupil of David at

Paris; he produced historical paintings of merit, as well as

panoramas, then coming into vogue; some of the latter were

exhibited in the "Rotunda" which he erected for that purpose

in City Hall Park, New York, but this enterprise failed, and

his building was seized by the city for debt. Vanderlyn died

in absolute want in 1852. See Samuel Isham, _The History of

American Painting_ (New York, 1915).

[285] "Bayou," in Louisiana, is a term commonly applied to any

slow-running stream. According to the tradition gathered on

the spot by Mr. Stanley C. Arthur, both stream and settlement

were formerly called "New Valentia," while the present name

was derived from an old woman called "Sara," who many years

ago lived at the mouth of the Bayou, where she practiced

some sort of spurious physic. St. Francisville, on the hill,

received its name from the circumstance that the brothers

of St. Francis, who had a mission at Pointe Coupée, on the

opposite bank, were in the habit of ferrying their dead

over the river, in order to bury them on the high ground;

"Bayou Sara" and "St. Francisville" are used interchangeably

by the inhabitants. See S. C. Arthur (Bibl. No. 230),

_Times-Picayune_, New Orleans, August 6, 1916.

[286] On the original drawing of the Pine-creeping Warbler,

_The Birds of America_ (Plate cxl), the following legends

appear in Audubon's autograph: "Drawn from Nature by John J.

Audubon, James Pirrie's Plantation, Louisiana, July 10, 1821.

Plant, J. R. Mason."

Sixteen of Audubon's originals, which still bear the

designations of time and place, were produced during this

interval, in the year 1821; they embrace the Mississippi Kite

(Plate cxvii, see Vol. I, p. 228), June 28; Yellow-throated

Vireo (Plate cxix), July 11; Red-cockaded Woodpecker (Plate

ccclxxxix), July 29; American Redstart (Plate xl), August

13; Summer Red-bird (Plate xliv), August 27; Prairie Warbler

(Plate xiv), Sept. 3; and the Tennessee Warbler (Plate cliv),

Oct. 17.

[287] _The Birds of America_, Plate xxi.

[288] See Chapter XXVIII, p. 72.

[289] The vivacious Miss Pirrie did not marry the young

doctor, but eloped to Natchez with the son of a neighboring

planter, who died within a month in consequence of a cold,

said to have been contracted when he waded a deep stream

with his lady-love in his arms. Audubon's pupil was thrice

married, and bore five children; she died April 20, 1851, and

her ashes now rest by the side of her second husband, the

Reverend William Robert Bowman, the parish minister at St.

Francisville. See Arthur (Bibl. No. 230), _loc. cit._

[290] Mistakenly written "Brand" by Audubon's biographers,

according to Mr. Stanley C. Arthur, who writes that "Braud"

is a very common name in New Orleans.

[291] Father Antonio de Sedella, popularly known as "Père

Antoine," after 1791 pastor of St. Louis Cathedral; an idol

of the people, but execrated by historians.

"This seditious priest is a Father Antoine; he is a great

favorite of the Louisiana ladies; has married many of them,

and christened all their children; he is by some citizens

esteemed an accomplished hypocrite, has great influence

with the people of color, and, report says, embraces every

opportunity to render them discontented under the American

Government." _Executive Journal of Governor Claiborne._ See

Charles Gayarré, _History of Louisiana_, vol. iv, pp. 154-155

(New Orleans, 1903).

[292] This item occurs in Audubon's journal for October 25;

"Rented a house in Dauphine street at seventeen dollars per

month, and determined to bring my family to New Orleans."

[293] See Audubon's letter to Sully, Vol. II, p. 69.

[294] Now in the collection of Mr. John E. Thayer, Lancaster,

Mass.

[295] Mr. Stanley C. Arthur, whose recent visit to this region

has already been noticed, gathered there from the lips of

old residents, some of whom were descendants of those who

had known the Audubons, a store of reliable data by which

the history of the naturalist at this important phase of his

life is revealed in its true light; to him I am indebted for

a series of excellent photographs of the region, its historic

houses and people, as well as for much needed information.

See Arthur (Bibl. No. 230), _loc. cit._

[296] One of the early steamboats on the Ohio that had been

built at Pittsburgh, in 1821, by Thomas W. Bakewell, his

brother-in-law and former partner.

[297] See "A Tough Walk for a Youth," _Ornithological

Biography_ (Bibl. No. 2), vol. iii, p. 371; and "The

Hospitality of the Woods," _ibid._, vol. i, p. 383.

[298] This lady had a remarkable history. She was the widow

of the Marquis de Saint Pie, and was at one time a _dame

d'honneur_ of Queen Marie Antoinette; like many others of

noble birth, she had fled from Paris during the Revolution,

and emigrated to America, where with her husband she assumed

the name of Berthoud. Her son, Nicholas Augustus, had married

Mrs. Audubon's sister, Eliza Bakewell, in 1816.

[299] See Chapter XIV.

[300] This was the third edition of the _American

Ornithology_, issued by Messrs. Collins & Company in New York

and by Harrison Hall of Philadelphia, in three octavo volumes,

with an atlas of 76 plates colored by hand, in 1828-9. Mr.

Hall, who appears to have been the person most interested

financially in this edition, was a brother of James Hall,

author of a notorious review in which this work was praised

at the expense of Audubon, who was viciously attacked (see

Bibliography, No. 123). Friends of Audubon repeatedly asserted

that as soon as his popularity and success began to check

the sales of Wilson's work, Ord and a few others, aided by

interested publishers, began a systematic series of attacks,

some notice of which is taken in Chapter XXVIII.

[301] See Chapter XIV.

[302] Charles Lucien Jules Laurent Bonaparte, Prince of

Canino and Musignano, the eldest son of Lucien, and nephew

of Napoleon, Bonaparte, was born at Paris in 1803, and died

there in 1857. At this time he was settled with his uncle

and father-in-law, Joseph Bonaparte, former King of Spain,

at Philadelphia, and there and at Bordentown, New Jersey,

where Joseph had an estate, he undertook the study of

American birds. His best known scientific works are: _American

Ornithology, or the Natural History of the Birds of the United

States, not Given by Wilson_, 4 volumes, quarto, with 27

colored plates, Philadelphia, 1825-1833; and _Iconographica

della Fauna Italica_, Rome, 1833-1841. In 1828 he retired

to Italy, where he was devoted to literary and scientific

pursuits. He was an early subscriber to Audubon's _Birds of

America_, but their relations were somewhat strained on the

publication of the _Ornithological Biography_ in 1831 (see

Chapter XXIX). Bonaparte later entered politics in Italy,

and was leader of the republican party at Rome in 1848 and

1849; after having been expelled from France by the order of

Louis Napoleon, he was permitted to return in 1850, and became

director of the Jardin des Plantes in Paris.

He was a closet naturalist rather than a field student, but

did much for the reform of nomenclature. In his _Ornithology_

the number of American birds was raised to 366, nearly one

hundred having been added since the work of Wilson was revised

by Ord, but he added only two that were new, Cooper's Hawk,

(_Accipiter cooperi_), named after William Cooper of New

York, and Say's Phœbe (_Sayornis saya_), dedicated to Thomas

Say, and first procured by Titian R. Peale in the Rocky

Mountain districts of the Far West. Perhaps his most important

technical work, the _Conspectus Generum Avium_, begun in 1850,

was incomplete at the time of his death.

[303] William Dunlap, _History of the Rise and Progress of the

Arts of Design in the United States_ (Bibl. No. 59), vol. ii,

p. 402 (New York, 1834).

[304] The Boat-tailed Grackle, vol. i, plate iv.

[305] He seems, however, to have supplied Bonaparte liberally

with notes, for after devoting fifteen pages to the biography

of the Wild Turkey, Audubon said: "A long account of this

remarkable bird has already been given in Bonaparte's American

Ornithology, volume I. As that account was in a great measure

derived from notes furnished by myself, you need not be

surprised, good reader, to find it often in accordance with

the above." _Ornithological Biography_ (Bibl. No. 2), vol. i,

p. 16.

[306] Edward Harris was born at Morristown, New Jersey, in

1799, where he died in 1863. Without the incentive to earn

money or the ambition to acquire fame, he lived the life of

a gentleman of leisure, devoted to natural history, to sport

and to the cultivation of his paternal acres. He had the gift

of friendship, was widely traveled, wrote charming letters,

and kept careful records of his observations, but rarely

published anything. The breeding of fine stock was one of

his hobbies, and as a result of a journey to Europe in 1839,

when he visited a horse fair in Normandy, he is credited with

having first introduced the Norman breed into America. "The

beneficent results of his quiet, unobtrusive life," says an

appreciative biographer, "reach down to our time, and, after

half a century, we are glad that Edward Harris lived." See

biographical sketch by George Spencer Morris, in _Cassinia_,

vol. vi (Philadelphia, 1902).

[307] See Chapter XII, p. 179.

[308] Written by Dr. Edmund Porter of Frenchtown, New Jersey,

to Dr. Thomas Miner of Haddam, Connecticut, on October 25,

1825. See Witmer Stone, "Some Philadelphia Ornithological

Collections and Collectors, 1784-1850," _The Auk_, vol. xvi

(New York, 1899).

[309] Thomas Sully (1783-1872), Englishman by birth, who had

come to America at an early age, and like Audubon had waged

a bitter struggle before success was achieved, became one of

the first portrait painters of the early American School.

In 1831 Sully wrote to Audubon that his success in England

and France had charmed all of his friends in America, that

it was like a personal triumph to them, and that it would

soon silence his few remaining enemies; "Be true to yourself,

Audubon," he added, "and never doubt of success." It has been

said that when Audubon first came to Philadelphia in 1824 he

applied to Sully for instruction, saying that he wished to

become a portrait painter (see Dunlap, _op. cit._); again that

he was ready to sell his drawings to the highest bidder; but

the records of his journals from 1820 onward are sufficiently

consistent to show what his purpose really was.

[310] For the favor of examining a collection of interesting

autograph letters written to Audubon in Europe and America,

some of which are here reproduced, I am indebted to the

kindness of Mr. Henry R. Howland, secretary of the Buffalo

Society of Natural Sciences. This note was written on a narrow

strip of manila-colored drawing paper.

[311] See Chapter XI.

[312] See Bibliography, Nos. 15 and 16.

[313] See Lucy Audubon, ed., _Life of John James Audubon, the

Naturalist_ (Bibl. No. 73), p. 107.

[314] See Vol. I, p. 219.

[315] Probably first published in a newspaper, and reprinted

in pamphlet form, dated "April 9, 1846"; see Bibliography,

No. 42.

[316] Miss Jennett Benedict in 1836 became Mrs. Butts; the

crayon portrait which Audubon made at this time was carefully

treasured by her daughter, the late Mrs. Frederick A.

Sterling, of Cleveland, Ohio, to whose kindness I am indebted

for the privilege of reproducing it. This original drawing,

which is presumably a fair specimen of Audubon's itinerant

portraiture, was made on a sheet of buff, water-marked paper,

14½ by 10½ inches in dimensions; it was outlined in pencil,

and carefully finished in crayon-point; its legend "J. J.

Audubon-1824," was inserted in pencil, in a very fine hand

at the lower margin of the sketch. The Colson store was at

the corner of Water Street and south of Cherry Alley. For an

account of this incident I am indebted to Mrs. Sterling, and

to an article in the _Tribune Republican_, of Meadville, for

February 7, 1907.

[317] _Ornithological Biography_, vol. i, p. xi.

[318] The Jeanes MSS.; see Note, Vol. I, p. 180.

[319] "Shipping Port," as the village below the rapids or

falls of the Ohio was then called, was joined to Louisville by

the Louisville and Portland Canal, a channel two and one-half

miles long, in 1830, two years after the city received its

charter. The "Louisville" or "Portland" cement, a name now

applied to the product of a considerable district, was first

manufactured at Shipping Port, in 1829, for the construction

of this canal.

[320] Audubon's 1826 manuscript journal, which I examined

through the courtesy of Miss Maria R. Audubon in 1914, was

written, mostly in pencil, in a ruled blank book, of similar

size and quality to that used on the Ohio River in 1820-21

(see Note, p. 307), and was illustrated with a number of

pencil sketches, chiefly of fishes. On page 2 was a rough

outline sketch of first mate Sam L. Bragdon, of Wells, Maine,

reading in the booby hatch; to his kindness Audubon paid

a written tribute; there was also a drawing of a "Balacuda

[Barracouta] Fish, June 17, 1826;" of a "Shark, 7 ft. long;

off Cuba, Jn. 18" (see reproduction); and of a "Dolphin;

Gulph of Florida, May 28;" other sketches were of a line or

"thread-winder," a Flying Fish, and outlines of the Cuban

coast.

Audubon presented a sketch of the "Dolphin" to Captain Hatch,

whose vessel, the _Delos_, went down on the Grand Banks of

Newfoundland in the summer of 1831, but not until her crew and

valuables had been transferred to another boat that stood by.

(For this note I am indebted to Miss Maria R. Audubon.)

[321] Addressed "_General Lafayette_,

Paris ou Lagrange."

Translated from the French original, kindly sent to me by Mr.

Ruthven Deane.

[322] For an account of Audubon's meeting with Nolte see

Chapter XVIII.

[323] Dr. Thomas Stuart Traill, after whom one of our common

flycatchers was named, was a founder of the Royal Institution

at Liverpool, and later a professor of medical jurisprudence

at Edinburgh. When the keepership of the Department of

Natural History in the British Museum became vacant through

the resignation of Dr. Leech in 1822, Dr. Traill supported

William Swainson for the position; when George J. Children

received the appointment, he was disinclined to accept defeat,

and entered upon a crusade against the Museum's trustees in a

series of anonymous articles contributed to the _Edinburgh_

and _Westminster_ Reviews. Traill's exposure of the neglect

which the natural-history collections had suffered in the

custody of the British Museum paved the way to a separate

Department of Zoology, which in the able hands of John E.

Gray, and later in those of Sir Richard Owen, led to the

present great Museum of Natural History at South Kensington.

[324] In dedicating the _Sylvia rathbonia_ Audubon said: "Were

I at liberty here to express the gratitude which swells my

heart, when the remembrance of all the unmerited kindness

and unlooked-for friendship which I have received from the

Rathbones of Liverpool comes to my mind, I might produce a

volume of thanks. But I must content myself with informing

you, that the small tribute of gratitude which it is alone in

my power to pay, I now joyfully accord, by naming after them

one of those birds, to the study of which all my efforts have

been directed. I trust that future naturalists, regardful of

the feelings which have guided me in naming this species, will

continue to it the name of the _Rathbone Warbler_."

[325] Named after John Stevens Henslow, Professor of Botany

in the University of Cambridge, whom Audubon had met in 1828,

when Charles Darwin was still his pupil.

[326] This seal, the design of which has since been adapted

for a bookplate, was long in use, and though at one time lost,

is still in possession of the family. A copy of the large

original, which was to serve as his first plate, was presented

to the Royal Institution of Liverpool as an acknowledgment of

its hospitality, for it had refused remuneration in any other

form.

[327] See Note, Vol. I, p. 375.

[328] The plates as issued, untrimmed, measured 39½ by 29½

inches; see Bibliography, No. 1.

[329] See Note, Vol. II, p. 197. Incidentally it may be

noticed that the "tiger swallowtail" in this plate was

possibly added for effect, for few of our birds, which

habitually hunt moths, ever prey upon butterflies. I have

seen the cabbage butterfly and a few of the smaller kinds

brought to the nests of the Chebec and Wood Pewee but never

a "monarch" or "papilio"; yet some affirm that the Kingbird

will attack the "monarch."

[330] Translated from _Études sur la Littérature et les

Mœurs des Anglo-Americains au XIXe siècle_, "Audubon," pp.

66-106 (Paris, 1851). Philarète-Chasles, who wrote chiefly on

American, English and European authors and books, has seventy

volumes credited to him in the National Library at Paris.

[331] P. A. Cap, in _L'Illustration_ for 1851. Cap's hint was

taken by Eugène Bazin, who translated copious selections from

the _Ornithological Biography_, which were published in two

volumes in Paris in 1857 (see Bibliography, No. 38).

[332] See Maria R. Audubon, _Audubon and his Journals_ (Bibl.

No. 86).

[333] Audubon's copy of this oil painting remained in the

possession of his family until a few years ago, when it was

sold for a much greater amount. It now adorns the beautiful

ornithological museum of Mr. John E. Thayer, at South

Lancaster, Massachusetts; it represents a cock and hen turkey

in life size, adapted from the subjects of his two most famous

plates, and is in an admirable state of preservation. Mr.

Thayer's collection also embraces Audubon's large canvas of

the Black Cocks, from the Edward Harris estate, a charming

study of the Hen Turkey, with landscape setting, and, also

in oils, several smaller panels of Flickers and Passenger

Pigeons, which, if not the work of the naturalist, are copies

after his originals, and possibly made by Joseph B. Kidd.

(See Vol. I, p. 446; and for a notice of Mr. Thayer's other

Audubonian drawings, Vol. II, p. 227, and Appendix II.)

[334] Basil Hall (1788-1844), noted for his travels in China,

Korea, and on the coasts of Chili, Peru and Mexico, visited

the United States in 1827-28; his _Travels in North America_

appeared in 1829.

[335] See Chapter XXVIII.

[336] Maria R. Audubon, _op. cit._, vol. i, p. 204.

[337] Which I owe to the kindness of his granddaughter,

Miss Maria R. Audubon; it is superscribed "Mrs. Audubon, St.

Francisville, Bayou Sarah, Louisville, p Wm Penn;" it reached

New Orleans on June 13, and is endorsed as answered on June

23.

[338] John Woodhouse Audubon at this time was in his fifteenth

year, and this injunction regarding the internal anatomy of

birds, to which ornithologists had hitherto paid but little

attention, was given three years before his father made the

acquaintance of MacGillivray. (See Chapter XXX.)

[339] See Chapter XXV.

[340] The work, as originally announced, was to appear in

parts of 5 plates each, at 2 guineas a part, and in order to

distribute the expense to purchasers it was expected to issue

but 5 parts a year. The plates, to be engraved on copper, were

of double elephant folio size, and printed on paper of the

finest quality, all the birds and flowers to be life-size,

and to be carefully colored by hand, after the originals;

any subscriber was at liberty to take a part or the whole.

It was stated in the prospectus of 1829, when 10 parts had

been published: "There are 400 Drawings, and it is proposed

that they shall comprise Three Volumes, each containing 133

Plates, to which an Index will be given at the end of each,

to be bound up with the volume.... It would be advisable for

the subscriber to procure a Portfolio, to keep the Numbers

till a volume is completed." To avoid the expense entailed

by copyright regulations in England, indices and all other

letterpress were eventually omitted; the number of parts was

extended to 87, or 435 plates, and the number of volumes to

4, a necessity imposed by the discovery of many new birds,

even after the omission of the figures of the eggs, which

Audubon had reserved for the close, and the undue crowding

of many of his final plates. The "Prospectus" issued with the

first volume of the text in 1831 contained a list of the first

100 plates, together with extracts of reviews by Cuvier and

Swainson, and a list of subscribers to the number of 180. For

further details, see Bibliography, No. 1, and Appendix III,

No. 2.

[341] _Illustrations of British Ornithology_, by Prideaux

John Selby. The British Museum copy of this work is in two

large folio volumes (measuring about 25½ by 20½ inches),

and was issued originally in numbers which appeared at

irregular intervals. Vol. I, plates i-iv (of bills, heads,

and feet), i-c (of land birds); most of the plates are by

Selby, and many were etched by him and autographed, 1819-1821;

plates xiv, xvi, and xx are by Captain R. Mitford, whose

home, "Mitford Castle," near Morpeth, Northumberland, was

visited by Audubon in April, 1827; published at Edinburgh

by Archibald Constable & Co., and by Hurst, Robinson & Co.,

London, 1825(?)-1827. Volume II, plates i-ciii; printed for

the Proprietor & published by W. H. Lizars, Longman, Rees,

Orme, Brown, Green & Longman, London; and W. Curry, Junr.

& Co., Dublin, MDCCCXXXIV. Quaritch, in offering a copy in

1887, at £55, stated that there were 383 figures, in 221

colored plates, and that the published price was £105. Newton

(_Dictionary of Birds_, p. 27) says that the first series of

these "Illustrations" was published in coöperation with Sir

William Jardine, in 3 volumes of 150 plates, in 1827-1835,

after which a second series was started by them, and completed

in a single volume of 53 plates, issued in 1843. This was the

"job book" mentioned earlier in this chapter (see p. 358),

but neither Jardine's nor Jameson's name is mentioned in the

volumes which I have examined.

In a letter to Audubon, dated "Sept. 13h 1830 Twizel [l?]

House," and postmarked "Belford," Selby said: "I expect to

bring my own work to a conclusion during the course of this

winter having only the plates of another Number to finish. I

am happy to add that the Work is doing well & is more than

paying itself. The second Vol: of letter press will appear

with the last No."

Two volumes of text were published in 1825 and 1833

respectively; the first, after readjustment to fit the

"quinarian doctrine," to which Selby was a temporary convert

(see Vol. II, p. 94), was issued in a second edition at

London, in 1841; the second volume bore the imprint of Lizars,

who soon after began to work for Audubon.

Selby's plates were for the most part rather crudely drawn,

etched and colored, and could be commended only as the work

of amateurs who strove for accuracy.

[342] Among the sixty or more persons to whom Audubon carried

written credentials at this time were the following: the Duke

of Northumberland, Robert Peel, Sir Humphry Davy, Sir J. D.

Aukland, Albert Gallatin, the American Minister, Sir Thomas

Lawrence, David Wilkie, Dr. Buckland, Dr. Holland, Dr. Roget,

Dr. Wollaston, William Swainson, Sir William Herschel, and

his son, afterwards Sir John Herschel, John George Children,

R. W. Hay, N. A. Vigors, Captain Cook, John Murray and Robert

Bakewell (see Vol. II, p. 134).

[343] Probably the same that is referred to in his journals

as "Mr. Hays, the antiquarian."

[344] J. G. Children (1777-1852) was early interested in

chemistry, and at Tunbridge built a good laboratory, in which

Humphry Davy conducted many of his early experiments, and

while there was seriously injured in October, 1812. In 1824

Children discovered a method of extracting silver without the

use of mercury. When Mr. Children, Senior, became insolvent

through the failure of his bank, his son obtained a position

at the British Museum; in 1816 he was librarian in the

Department of Antiquities, but in 1823 he was transferred to a

post in zoölogy which was eagerly sought by William Swainson;

he was secretary of the Royal Society in 1826-27, and again

in 1835-37. He resigned his position at the Museum in 1840,

when Swainson was again an unsuccessful candidate, and was

succeeded by J. E. Gray (see Note, Vol. I, p. 353). Children was not

a productive zoölogist, but has been described as a lovable

soul, who was never soured by illness or other misfortunes,

and who was as zealous in his friendships as in science. See

"A. A." (Anna Atkins), _Memoir of J. G. Children, Esq._ (Bibl.

No. 175).

[345] In the account which follows, as well as in numerous

instances in Chapter XXXII, I am most indebted to George

Alfred Williams, who in "Robert Havell, Junior, Engraver

of Audubon's _The Birds of America_," (Bibl. No. 232)

(_Print-Collectors Quarterly_, vol. vi, no. 3, pp. 225-259,

Boston, 1916), has given the only satisfactory account of the

Havell family and the best analysis of the work of the great

engraver.

[346] Mr. Charles E. Goodspeed, who recently sent me two of

the original plates of the Prothonotary Warbler, one bearing

the legend "Engraved by W. H. Lizars Edinr," and the other,

"Engraved, Printed & Coloured, by R. Havell Junr," called

attention to the identity of the two engravings. That these

two impressions are absolutely identical in aquatint and

line is proved by applying a magnifying glass to any part

of their surfaces, and by counting and comparing the lines

or dots within any selected area whatsoever; in short, they

differ only in their legends, and in the coloring which was

applied by different hands. That such methods should have been

adopted for excluding Lizars' name is certainly surprising.

In the first or Edinburgh impression of Lizars' original

plate, the artist's legend reads: "Drawn by J. J. Audubon

M. W. S.," and names of bird and plant appear at the bottom

of the plate in three lines: "PROTHONOTARY WARBLER. _Dacnis

protonotarius._ Plant Vulgo Cane Vine." In the London edition

the corresponding designations are: "Drawn from nature by

J. J. Audubon F, R, S. F, L, S.," and PROTHONOTARY WARBLER.

_Sylvia Protonotarius._ Lath, Male. 1. Female, 2. Cane

Vine.," in four lines.

[347] See Chapter XXXII.

[348] See _ibid._

[349] See Sir Walter Besant, _London in the Nineteenth

Century_ (London, 1909).

[350] See Maria R. Audubon, _Audubon and his Journals_ (Bibl.

No. 86), vol. i, p. 342, where the "Eagle and the Lamb" is

reproduced.

[351] See Vol. I, p. 436.

[352] See Chapter XXVIII.

[353] The seventh which he had contributed to the scientific

press of Europe, entitled "Notes on the Bird of Washington

(Falco Washingtoniana), or Great Sea Eagle," now believed

to have been mistaken by him for an immature stage of the

true "bird of freedom," the White-headed Eagle. It was

dated "London, April, 1828," and was published in Loudon's

_Magazine_ for July of that year. See Bibliography, No. 23.

[354] From the originals in possession of the Linnæan Society

of London. Swainson's scientific correspondence was taken

with him to New Zealand, where it remained fifty years, until

returned by his daughter, who sent it to Sir Joseph Hooker; it

was finally purchased by a number of Fellows of the Society,

and presented to its historical collections. It consists of

934 letters written by 236 correspondents, from 1806 to 1840.

Of the 24 letters written by Audubon, and dated 9 April, 1829,

to 11 January, 1838, none has been previously published. Dr.

Albert Günther, who has given a summary of their contents

(_Proceedings of the Linnæan Society_, 112th Session, 1900;

Bibliography, No. 204) found them rather disappointing, since

they dealt mainly with personal and domestic matters, and were

written in a style characterized as "fantastic and unnatural."

Through the kindness of my esteemed friend, George E. Bullen,

Esq., of the Hertfordshire County Museum, St. Albans, and

through the courtesy of the Council of the Linnæan Society

and its secretary, Dr. Daydon Jackson, I am able to reproduce

transcripts of the most interesting of these letters, which

readers in America will, I believe, find interesting because

of their personal details. I am indebted also for their good

offices to John Hopkinson, F.L.S., and to William Rowan, Esq.

From the context of the nine letters which are here reproduced

without change, it is evident that Audubon paid little

attention to grammar, syntax, or orthography, but if the

reader will compare the letters written before and after 1830,

or before and after his first serious discipline in English

composition (see Chapters XXIII and XXIX), he will find marked

improvement in all these respects.

[355] Swainson's house has been kindly identified by my

friend, Mr. George E. Bullen, to whom I am indebted also

for an interesting photograph, taken from an old print. Mrs.

Swainson, who died February 12, 1835, was buried in the parish

church, with which she was closely identified, at London

Colney, and a tablet to her memory is still to be seen there.

Swainson probably preferred the historic associations of

Tyttenhanger, a name originally applied to the manor and manor

house of the Abbot of St. Albans, a famous abbey property

acquired before the Conquest, with a history extending over

six hundred years, but he did not live there. The oldest

resident now on the spot, a man over ninety, told Mr. Bullen

that as a boy he often collected butterflies, moths and other

specimens of natural history which he took to "Highfield

Hall," and was always paid by one of the Swainson children.

Since Swainson's time the original house, which was approached

by a long walk, has become almost unrecognizable, having

received an addition to one side; the grass land which then

surrounded it has been converted into beautiful lawns.

[356] See Bibliography, No. 95.

[357] See Chapter XXIX.

[358] See Vol. II, p. 130.

[359] See Note, Vol. I, p. 364.

[360] _Fauna Boreali-Americana; or the Zoology of the northern

parts of British America_; Part Second, "The Birds;" by

William Swainson and John Richardson (London, 1831).

[361] Maria R. Audubon, _op. cit._, vol. i, p. 306.

[362] See Vol. I, p. 3.

[363] Maria R. Audubon, _op. cit._, vol. i, p. 323.

[364] See Bibliography, No. 93a.

[365] The three volumes of this series bear date of 1832-33,

but the preface is inscribed "Tittenhanger Green St. Albans,

24th July, 1829."

[366] Mary F. Bradford, _Audubon_ (Bibl. No. 85).

[367] Published originally by Ruthven Deane (Bibl. No. 218),

_The Auk_, vol. xxii, 1905.

[368] See "The Great Pine Swamp," and "Great Egg Harbour,"

_Ornithological Biography_ (Bibl. No. 2), vol. i, p. 52, and

vol. iii, p. 606.

[369] Though the year is not usually indicated on the

originals, the following drawings probably belong to this

period:

Black Poll Warbler, New Jersey, May.

Wood Pewee Flycatcher, New Jersey, May.

Small Green-crested Flycatcher, New Jersey, May.

Golden-crowned Thrush, New Jersey, May.

Warbling Flycatcher, _Vireo gilvus_, New Jersey, May 23.

Yellow-breasted Chat, New Jersey, June 7.

Sea Side Finch, Great Egg Harbour, June 14.

Marsh Wren, New Jersey, June 22.

Bay-winged Bunting, Great Egg Harbour, June 26.

Canada Flycatcher, Great Pine Swamp, August 1.

Pine Swamp Warbler, Great Pine Swamp, August 11.

Black and Yellow Warbler, Great Pine Swamp, August 12.

Hemlock Warbler, Great Pine Swamp, August 12.

Autumnal Warbler, Great Pine Swamp, August 20.

Connecticut Warbler, New Jersey, September 22.

Mottled Owl, New Jersey, October.

[370] Though Audubon said that he spent only six weeks in

the forest, the indications upon his drawings imply a longer

period.

[371] At this time Audubon intended to figure, in full size

and natural colors, the eggs of the "Birds of America," for

which the concluding numbers of his plates had been reserved,

but when the time came, these numbers had to be given over to

new acquisitions, so the eggs were eventually crowded out.

[372] At one time in possession of Dr. R. W. Shufeldt, who

received it from Mrs. Audubon; given verbatim by Elliott Coues

(Bibl. No. 43), _Bulletin of the Nuttall Ornithological Club_,

vol. v, 1880.

[373] Harlan's Hawk, or the Black Warrior, is now regarded as

a southern variety of the Red-tailed Hawk, and is designated

under the trinomen, _Buteo borealis harlani_.

[374] Published by Ruthven Deane (Bibl. No. 217), _The Auk_,

vol. xxii, 1905.

[375] Thomas B. Thorpe (Bibl. No. 64), _Godey's Lady's Book_,

vol. xlii, 1851.

[376] While in Paris in 1828, Audubon wrote on October 26 that

he had received a call from "a M. Pitois, who came to look at

my book, with a view to becoming my agent here; Baron Cuvier

recommended him strongly, and I have concluded a bargain with

him. He thinks he can procure a good number of subscribers.

His manners are plain, and I hope he will prove an honest

man." See Maria R. Audubon, _Audubon and his Journals_ (Bibl.

No. 86), vol. i, p. 339.

[377] Henry Augustus Havell, a younger brother of Robert

Havell, Junior; see Vol. II, p. 191.

[378] See Lucy B. Audubon, ed., _Life of John James Audubon,

the Naturalist_ (Bibl. No. 73), p. 203. Since black slaves

were the only domestics available in the South at that time,

it is probable that the "servants" referred to were employed

by Mrs. Audubon at her "Beechgrove" school.

[379] See Vol. I, p. 396.

[380] See Vol. II, p. 38.

[381] His correspondence with William Swainson from this

point, and the history of his letterpress so far as that

naturalist was concerned, will be unfolded later (see Chapter

XXIX).

[382] See Chapter XXVIII, p. 87.

[383] See Chapter XXX.

[384] The first volume of the _Ornithological Biography_ in

the European edition bears the imprint of "Adam Black, 55

North Bridge, Edinburgh;" in the four subsequent volumes this

was changed to "Adam and Charles Black," while the entire

work was printed by "Neill & Co., Printers, Old Fish Market,

Edinburgh." See Bibliography, No. 2.

[385] _American Ornithology, or the Natural History of

the Birds of the United States._ By Alexander Wilson and

Charles Lucien Bonaparte. Edited by Robert Jameson ... Regius

Professor of Natural History in the University of Edinburgh.

Appearing as vols. lxviii-lxxi of _Constable's Miscellany_, 4

vols., 18mo., Edinburgh and London, 1831. This was the fourth

(?) edition of Wilson's work, and the first (?) to appear

in Europe; with portrait of Wilson and vignettes on titles

engraved by Lizars, memoir of Wilson by W. M. Hetherington,

and extracts from Audubon, Richardson, and Swainson.

The plates of this edition were issued in numbers, under

title of _Illustrations of American Ornithology_; reduced from

the work of Wilson; 18mo., Edinburgh and London (1831). In a

notice of the first number which appeared in the _Caledonian

Mercury_ (Edinburgh) for Oct. 29, 1831, it was stated that

the plates were issued in small size to be bound up with

Jameson's edition of the text, and that they were intended

"for a different class of purchasers from those likely to take

the folio edition, then being brought out by the publishers of

Constable's Miscellany. The plates were engraved in line and

executed in a very superior style, both plain and colored."

[386] _American Ornithology; or Natural History of the

Birds of the United States_, by Alexander Wilson, with a

Continuation by Charles Lucien Bonaparte, Prince of Musignano.

The Illustrative Notes and Life of Wilson by Sir William

Jardine, 3 vols., 8vo., London and Edinburgh, 1832.

The second (?) European edition of Wilson and Bonaparte, with

97 hand-colored plates engraved by Lizars. The _Caledonian

Mercury_ in noticing the work, October 29, 1831, said: "It

must be highly gratifying to the friends and connections of

poor Sandy Wilson to see such honor, at last, paid to his

memory in his native land."

[387] _Illustrations of the American Ornithology of Alexander

Wilson and Charles Lucien Bonaparte, Prince of Musignano._

With the addition of numerous Recently Discovered Species,

and Representations of the Whole Sylva of North America. By

Captain Thomas Brown [etc., etc.]. Folio, with engraved title,

engraved dedication, index, and 124 engraved and hand-colored

plates. Edinburgh, Frazer & Co., 54 North Bridge, William

Curry, Jun'r & Co., Dublin & Smith, Elder & Co., 65 Cornhill,

London, MDCCCXXXV.

It is stated by the editor of this extraordinary work that

he had added 161 birds, and that 87 have been considerably

enlarged. There are 167 representations of American trees

and shrubs, said to have been copied for the most part from

Michaux' _Silva_. The striking _Hibiscus grandiflorus_ (plate

xli) was taken without acknowledgment from Audubon's drawing

of the Blue-winged Warbler (_The Birds of America_, plate xx).

For the most part the figures of birds are redrawn from Wilson

and Bonaparte and given new positions and backgrounds. A few

of the plates, as that of the California Vulture (no. 1), bear

the legend, "Drawn by Captn. Tho. Brown;" all are uneven, and

many extremely poor in execution, the fourteen by W. H. Lizars

being the best. J. B. Kidd, for a time associated with Audubon

(see Vol. I, p. 446) is credited with four plates; other

engravers employed on the work were James Turvey, who executed

the elaborate title, Samuel Milne, James Mayson, R. Scott, J.

& J. Johnstone, E. Mitchell, William Davie, S. A. Miller, John

Miller, Audw. Kilgour, Wm. Warwick, and W. McGregor. Plate

xiv, the Snowy Owl, _Strix nyctea_, engraved by the editor,

has the interest of a caricature. Some plates show as many

as fourteen birds in a medley of brilliant foliage, flowers

and fruits. The violence of the coloring is often such as to

destroy the effect of the best plates, and gaudy butterflies

flit through the pages as if they were the common food of

every species, not excluding the American grouse (see Note,

Vol. I, p. 359).

Captain Brown's _Illustrations_ were said by a writer in

the _Edinburgh Literary Journal_ for April 9, 1831, "to form

a companion to the letterpress in _Constable's Miscellany_

(see Note, Vol. I, p. 442); price, colored, 15 shillings;

plain, 10s. 6d. A few in elephant folio (same size as Selby's

_British Ornithology_); colored, 1 guinea. To be completed in

10 parts, each containing 5 colored plates; 22 inches long by

17 inches broad, being considered more than double the size of

the original work." The first number of this work was reviewed

in the _London Literary Gazette_ for October 8, 1831, when

it was said that in it were represented 25 birds, 13 forest

trees, and 12 insects; the completed work would comprehend

"all the forest trees of America, with their fruits, together

with the principal insects of the country," as well as all

the birds that had been discovered up to the time of issue.

Brown's piratical work must have had a very limited

circulation, since it is now so rare that not even the

British Museum possesses a copy, and, so far as known, it

is not found in any public library of the United States. I

was told at Wheldon's, the London shop devoted to works on

natural history, that but two copies had ever been handled,

and that they commanded a high price. The work was originally

sold at £26. The only copy known to me is in the library

of the Zoological Society in London, from which the present

citation is made; on one of its fly-leaves is written this

note: "I have seen the wrapper of No. 1 of this work. It

is dated 1831. There is no information as to its contents.

C. Davis Sanborn. 22.5.05." This copy was referred to by

Dr. Theodore Gill; see _The Osprey_, vol. v, pp. 31 and 109

(Washington, 1900 and 1901). Dr. Walter Faxon has traced two

other copies, one formerly in possession of Professor Alfred

Newton, and another, but very imperfect set, in a private

library at Tarrytown, New York. According to Faxon, a single

brown paper wrapper preserved in the Tarrytown copy bears a

full printed title, which differs, however, from that which

was subsequently engraved for the completed work; for fuller

citation, see "A Rare Work on American Ornithology," _The

Auk_, vol. xx (1903), pp. 236-241.

Mr. Ruthven Deane has written me that several years ago he

secured in New York a fragment of this work, consisting of

the paper wrappers of four Parts, Nos. 1-4, the last three of

which contained five plates each; there were in addition 10

scattered plates, making 25 plates in all; the price of "21

Shillings" is printed on each of the wrappers, which also bear

the date "1831," but no titles.

Another pirated work, _Illustrations of the Genera of Birds_,

by the same author, was begun in 1845, but met with even less

success, and was never completed; this was taken from _A List

of the Genera of Birds_, published in 1840 by George Robert

Gray, and according to Alfred Newton (_A Dictionary of Birds_,

London, 1896, p. 30, note) was "discreditable to all concerned

with it."

[388] See Ruthven Deane (Bibl. No. 209), _The Auk_, vol. xviii

(1901). The extract is from a letter dated "Edinburgh, 22

Warriston Crescent 7th May, 1831."

[389] Kidd, who was twenty-three at the time he began to

work for Audubon, died in 1889, when he had attained his

eighty-first year.

[390] See Chapter XXVII, p. 62.

[391] An indication of the time of this visit is given by the

following inscription written in the copy of the first volume

of the _Ornithological Biography_, which was presented to

Cuvier at this time:

To

Baron G. Cuvier,

with the highest respect of the

author.—

Paris—17 th. May, 1831.

[392] On Wednesday evening, July 27, 1831, Audubon sent the

following note to Mr. Harris: "Come to meet me _tomorrow,

precisely_ at _twelve_ o'clock, at our lodgings, 121 Great

Portland street."

[393] For the perusal of this letter the reader is indebted,

as in so many other instances, to Mr. Ruthven Deane.

Audubon the Naturalist: A History of His Life and Time. Vol. 1 (of 2) · 第 32 / 32 章