I N T R O D U C T I O N, by One of the Last Men 15

_The Chronicle_

I B A L K A N E U R O P E

1 The European War and After 21

2 The Anglo-French War 23

3 Europe after the Anglo-French War 31

4 The Russo-German War 37

II E U R O P E ’ S D O W N F A L L

1 Europe and America 42

2 The Origins of a Mystery 46

3 Europe Murdered 51

III A M E R I C A A N D C H I N A

1 The Rivals 55

2 The Conflict 63

3 On an Island in the Pacific 67

IV A N A M E R I C A N I Z E D P L A N E T

1 The Foundation of the First World State 75

2 The Dominance of Science 78

3 Material Achievement 81

4 The Culture of the First World State 84

5 Downfall 93

V T H E F A L L O F T H E F I R S T M E N

1 The First Dark Age 98

2 The Rise of Patagonia 102

3 The Cult of Youth 106

4 The Catastrophe 112

VI T R A N S I T I O N

1 The First Men at Bay 120

2 The Second Dark Age 129

VII T H E R I S E O F T H E S E C O N D M E N

1 The Appearance of a New Species 132

2 The Intercourse of Three Species 138

3 The Zenith of the Second Men 143

VIII T H E M A R T I A N S

1 The First Martian Invasion 151

2 Life on Mars 153

3 The Martian Mind 160

4 Delusions of the Martians 164

IX E A R T H A N D M A R S

1 The Second Men at Bay 169

2 The Ruin of Two Worlds 176

3 The Third Dark Age 184

X T H E T H I R D M E N I N T H E W I L D E R N E S S

1 The Third Human Species 189

2 Digressions of the Third Men 195

3 The Vital Art 200

4 Conflicting Policies 205

XI M A N R E M A K E S H I M S E L F

1 The First of the Great Brains 209

2 The Tragedy of the Fourth Men 214

3 The Fifth Men 221

4 The Culture of the Fifth Men 225

XII T H E L A S T T E R R E S T R I A L S

1 The Cult of Evanescence 233

2 Exploration of Time 238

3 Voyaging in Space 243

4 Preparing a New World 249

XIII H U M A N I T Y O N V E N U S

1 Taking Root Again 255

2 The Flying Men 259

3 A Minor Astronomical Event 269

XIV N E P T U N E

1 Bird’s-Eye View 273

2 Da Capo 275

3 Slow Conquest 279

XV T H E L A S T M E N

1 Introduction to the Last Human Species 284

2 Childhood and Maturity 290

3 A Racial Awakening 294

4 Cosmology 304

XVI T H E L A S T O F M A N

1 Sentence of Death 313

2 Behaviour of the Condemned 315

3 Epilogue 321

_Diagrams_

T I M E S C A L E 1 74

T I M E S C A L E 2 133

T I M E S C A L E 3 190

T I M E S C A L E S 4 A N D 5 285

_Preface_

This is a work of fiction. I have tried to invent a story which may seem

a possible, or at least not wholly impossible, account of the future of

man; and I have tried to make that story relevant to the change that is

taking place today in man’s outlook.

To romance of the future may seem to be indulgence in ungoverned

speculation for the sake of the marvellous. Yet controlled imagination

in this sphere can be a very valuable exercise for minds bewildered

about the present and its potentialities. Today we should welcome, and

even study, every serious attempt to envisage the future of our race;

not merely in order to grasp the very diverse and often tragic

possibilities that confront us, but also that we may familiarize

ourselves with the certainty that many of our most cherished ideals

would seem puerile to more developed minds. To romance of the far

future, then, is to attempt to see the human race in its cosmic setting,

and to mould our hearts to entertain new values.

But if such imaginative construction of possible futures is to be at all

potent, our imagination must be strictly disciplined. We must endeavour

not to go beyond the bounds of possibility set by the particular state

of culture within which we live. The merely fantastic has only minor

power. Not that we should seek actually to prophesy what will as a

matter of fact occur; for in our present state such prophecy is

certainly futile, save in the simplest matters. We are not set up as

historians attempting to look ahead instead of backwards. We can only

select a certain thread out of the tangle of many equally valid

possibilities. But we must select with a purpose. The activity that we

are undertaking is not science, but art; and the effect that it should

have on the reader is the effect that art should have.

Yet our aim is not merely to create aesthetically admirable fiction. We

must achieve neither mere history, nor mere fiction, but myth. A true

myth is one which, within the universe of a certain culture (living or

dead), expresses richly, and often perhaps tragically, the highest

admirations possible within that culture. A false myth is one which

either violently transgresses the limits of credibility set by its own

cultural matrix, or expresses admirations less developed than those of

its culture’s best vision. This book can no more claim to be true myth

than true prophecy. But it is an essay in myth creation.

The kind of future which is here imagined, should not, I think, seem

wholly fantastic, or at any rate not so fantastic as to be without

significance, to modern western individuals who are familiar with the

outlines of contemporary thought. Had I chosen matter in which there was

nothing whatever of the fantastic, its very plausibility would have

rendered it implausible. For one thing at least is almost certain about

the future, namely, that very much of it will be such as we should call

incredible. In one important respect, indeed, I may perhaps seem to have

strayed into barren extravagance. I have supposed an inhabitant of the

remote future to be communicating with us of today. I have pretended

that he has the power of partially controlling the operations of minds

now living, and that this book is the product of such influence. Yet

even this fiction is perhaps not wholly excluded by our thought. I

might, of course, easily have omitted it without more than superficial

alteration of the theme. But its introduction was more than a

convenience. Only by some such radical and bewildering device could I

embody the possibility that there may be more in time’s nature than is

revealed to us. Indeed, only by some such trick could I do justice to

the conviction that our whole present mentality is but a confused and

halting first experiment.

If ever this book should happen to be discovered by some future

individual, for instance by a member of the next generation sorting out

the rubbish of his predecessors, it will certainly raise a smile; for

very much is bound to happen of which no hint is yet discoverable. And

indeed even in our generation circumstances may well change so

unexpectedly and so radically that this book may very soon look

ridiculous. But no matter. We of today must conceive our relation to the

rest of the universe as best we can; and even if our images must seem

fantastic to future men, they may none the less serve their purpose

today.

Some readers, taking my story to be an attempt at prophecy, may deem it

unwarrantably pessimistic. But it is not prophecy; it is myth, or an

essay in myth. We all desire the future to turn out more happily than I

have figured it. In particular we desire our present civilization to

advance steadily toward some kind of Utopia. The thought that it may

decay and collapse, and that all its spiritual treasure may be lost

irrevocably, is repugnant to us. Yet this must be faced as at least a

possibility. And this kind of tragedy, the tragedy of a race, must, I

think, be admitted in any adequate myth.

And so, while gladly recognizing that in our time there are strong seeds

of hope as well as of despair, I have imagined for aesthetic purposes

that our race will destroy itself. There is today a very earnest

movement for peace and international unity; and surely with good fortune

and intelligent management it may triumph. Most earnestly we must hope

that it will. But I have figured things out in this book in such a

manner that this great movement fails. I suppose it incapable of

preventing a succession of national wars; and I permit it only to

achieve the goal of unity and peace after the mentality of the race has

been undermined. May this not happen! May the League of Nations, or some

more strictly cosmopolitan authority, win through before it is too late!

Yet let us find room in our minds and in our hearts for the thought that

the whole enterprise of our race may be after all but a minor and

unsuccessful episode in a vaster drama, which also perhaps may be

tragic.

American readers, if ever there are any, may feel that their great

nation is given a somewhat unattractive part in the story. I have

imagined the triumph of the cruder sort of Americanism over all that is

best and most promising in American culture. May this not occur in the

real world! Americans themselves, however, admit the possibility of such

an issue, and will, I hope, forgive me for emphasizing it, and using it

as an early turning-point in the long drama of Man.

Any attempt to conceive such a drama must take into account whatever

contemporary science has to say about man’s own nature and his physical

environment. I have tried to supplement my own slight knowledge of

natural science by pestering my scientific friends. In particular, I

have been very greatly helped by conversation with Professors P. G. H.

Boswell, J. Johnstone, and J. Rice, of Liverpool. But they must not be

held responsible for the many deliberate extravagances which, though

they serve a purpose in the design, may jar upon the scientific ear.

To Dr L. A. Reid I am much indebted for general comments, and to Mr E.

V. Rieu for many very valuable suggestions. To Professor and Mrs L. C.

Martin, who read the whole book in manuscript, I cannot properly express

my gratitude for constant encouragement and criticism. To my wife’s

devastating sanity I owe far more than she supposes.

Before closing this preface I would remind the reader that throughout

the following pages the speaker, the first person singular, is supposed

to be, not the actual writer, but an individual living in the extremely

distant future.

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