LETTER XXXIV.

Dearest: We were to have gone down with the rest into Florence

yesterday: but soft miles of Italy gleamed too invitingly away on our

right, and I saw Arthur's eyes hungry with the same far-away wish. So I

said "Prato," and he ran up to the fattore's and secured a wondrous

shandry-dan with just space enough between its horns to toss the two of

us in the direction where we would go. Its gaunt framework was painted

of a bright red, and our feet had only netting to rest on: so

constructed, the creature was most vital and light of limb, taking every

rut on the road with flea-like agility. Oh, but it was worth it!

We had a drive of fourteen miles through hills and villages, and

castellated villas with gardens shut in by formidably high walls--always,

a charm: a garden should always have something of the jealous seclusion of

a harem. I am getting Italian landscape into my system, and enjoy it more

and more.

Prato is a little cathedral town, very like the narrow and tumble-down

parts of Florence, only more so. The streets were a seething caldron of

cattle-market when we entered, which made us feel like a tea-cup in a

bull-ring (or is it thunderstorm?) as we drove through needle's-eye ways

bristling with agitated horns.

The cathedral is little and good: damaged, of course, wherever the last

three centuries have laid hands on it. At the corner of the west front

is an out-door pulpit beautifully put on with a mushroom hood over its

head. The main lines of the interior are finely severe, either quite

round or quite flat, and proportions good always. An upholstered priest

coming out to say mass is generally a sickening sight, so wicked and

ugly in look and costume. The best-behaved people are the low-down

beggars, who are most decoratively devotional.

We tried to model our exit on a brigand-beggar who came in to ask

permission to murder one of his enemies. He got his request granted at

one of the side-altars (some strictly local Madonna, I imagine), and his

gratitude as he departed was quite touching. Having studiously copied

his exit, we want to know whom we shall murder to pay ourselves for our

trouble.

It amuses me to have my share of driving over these free and easy and

very narrow highroads. But A. has to do the collision-shouting and the

cries of "Via!"--the horse only smiles when he hears me do it.

Also did I tell you that on Saturday we two walked from here over to

Fiesole--six miles there, and ten back: for why?--because we chose to go

what Arthur calls "a bee-line across country," having thought we had

sighted a route from the top of Fiesole. But in the valley we lost it,

and after breaking our necks over precipices and our hearts down

cul-de-sacs that led nowhere, and losing all the ways that were pointed

out to us, for lack of a knowledge of the language, we came out again

into view of Florence about half a mile nearer than when we started and

proportionately far away from home. When he had got me thoroughly

foot-sore, Arthur remarked complacently, "The right way to see a country

is to lose yourself in it!" I didn't feel the truth of it then: but

applied to other things I perceive its wisdom. Dear heart, where I have

lost myself, what in all the world do I know so well as you?

Your most lost and loving.

An Englishwoman's Love-Letters · 第 57 / 112 题