Jimmie and the other boy each demanded, "How do you know I would?"

They penetrated deeper into the wood. They climbed a rocky zigzag path

which led them at times where with their hands they could almost touch

the tops of giant pines. The gray cliffs sprang sheer towards the sky.

Willie Dalzel babbled about his impossible lynx, and they stalked the

mountain-side like chamois-hunters, although no noise of bird or beast

broke the stillness of the hills. Below them Whilomville was spread

out somewhat like the cheap green and black lithograph of the time--"A

Bird's-eye View of Whilomville, N. Y."

[Illustration: THE DALZEL BOY TAKING THE PART OF A BANDIT CHIEF]

In the end the boys reached the top of the mountain and scouted off

among wild and desolate ridges. They were burning with the desire to

slay large animals. They thought continually of elephants, lions,

tigers, crocodiles. They discoursed upon their immaculate conduct in

case such monsters confronted them, and they all lied carefully about

their courage.

The breeze was heavy with the smell of sweet-fern. The pines and

hemlocks sighed as they waved their branches. In the hollows the

leaves of the laurels were lacquered where the sunlight found them. No

matter the weather, it would be impossible to long continue an

expedition of this kind without a fire, and presently they built one,

snapping down for fuel the brittle under-branches of the pines. About

this fire they were willed to conduct a sort of play, the Dalzel boy

taking the part of a bandit chief, and the other boys being his trusty

lieutenants. They stalked to and fro, long-strided, stern yet

devil-may-care, three terrible little figures.

Jimmie had an uncle who made game of him whenever he caught him in

this kind of play, and often this uncle quoted derisively the

following classic: "Once aboard the lugger, Bill, and the girl is

mine. Now to burn the chateau and destroy all evidence of our crime.

But, hark'e, Bill, no wiolence." Wheeling abruptly, he addressed these

dramatic words to his comrades. They were impressed; they decided at

once to be smugglers, and in the most ribald fashion they talked about

carrying off young women.

At last they continued their march through the woods. The smuggling

_motif_ was now grafted fantastically upon the original lynx idea,

which Willie Dalzel refused to abandon at any price.

Once they came upon an innocent bird who happened to be looking

another way at the time. After a great deal of manoevering and big

words, Willie Dalzel reared his fowling-piece and blew this poor thing

into a mere rag of wet feathers, of which he was proud.

Afterwards the other big boy had a turn at another bird. Then it was

plainly Jimmie's chance. The two others had, of course, some thought

of cheating him out of this chance, but of a truth he was timid to

explode such a thunderous weapon, and as soon as they detected this

fear they simply overbore him, and made it clearly understood that if

he refused to shoot he would lose his caste, his scalp-lock, his

girdle, his honor.

They had reached the old death-colored snake-fence which marked the

limits of the upper pasture of the Fleming farm. Under some

hickory-trees the path ran parallel to the fence. Behold! a small

priestly chipmonk came to a rail, and folding his hands on his

abdomen, addressed them in his own tongue. It was Jimmie's shot.

Adjured by the others, he took the gun. His face was stiff with

apprehension. The Dalzel boy was giving forth fine words. "Go ahead.

Aw, don't be afraid. It's nothin' to do. Why, I've done it a million

times. Don't shut both your eyes, now. Jus' keep one open and shut the

other one. He'll get away if you don't watch out. Now you're all

right. Why don't you let'er go? Go ahead."

[Illustration: "THERE WAS A FRIGHTFUL ROAR"]

Jimmie, with his legs braced apart, was in the centre of the path. His

back was greatly bent, owing to the mechanics of supporting the heavy

gun. His companions were screeching in the rear. There was a wait.

Then he pulled trigger. To him there was a frightful roar, his cheek

and his shoulder took a stunning blow, his face felt a hot flush of

fire, and opening his two eyes, he found that he was still alive. He

was not too dazed to instantly adopt a becoming egotism. It had been

the first shot of his life.

But directly after the well-mannered celebration of this victory a

certain cow, which had been grazing in the line of fire, was seen to

break wildly across the pasture, bellowing and bucking. The three

smugglers and lynx-hunters looked at each other out of blanched faces.

Jimmie had hit the cow. The first evidence of his comprehension of

this fact was in the celerity with which he returned the discharged

gun to Willie Dalzel.

They turned to flee. The land was black, as if it had been

overshadowed suddenly with thick storm-clouds, and even as they fled

in their horror a gigantic Swedish farm-hand came from the heavens and

fell upon them, shrieking in eerie triumph. In a twinkle they were

clouted prostrate. The Swede was elate and ferocious in a foreign and

fulsome way. He continued to beat them and yell.

From the ground they raised their dismal appeal. "Oh, please, mister,

we didn't do it! He did it! I didn't do it! We didn't do it! We didn't

mean to do it! Oh, please, mister!"

In these moments of childish terror little lads go half-blind, and it

is possible that few moments of their after-life made them suffer as

they did when the Swede flung them over the fence and marched them

towards the farm-house. They begged like cowards on the scaffold,

and each one was for himself. "Oh, please let me go, mister! I didn't

do it, mister! He did it! Oh, p-l-ease let me go, mister!"

[Illustration: "'I THOUGHT SHE WAS A LYNX'"]

The boyish view belongs to boys alone, and if this tall and knotted

laborer was needlessly without charity, none of the three lads

questioned it. Usually when they were punished they decided that they

deserved it, and the more they were punished the more they were

convinced that they were criminals of a most subterranean type. As to

the hitting of the cow being a pure accident, and therefore not of

necessity a criminal matter, such reading never entered their heads.

When things happened and they were caught, they commonly paid dire

consequences, and they were accustomed to measure the probabilities of

woe utterly by the damage done, and not in any way by the culpability.

The shooting of the cow was plainly heinous, and undoubtedly their

dungeons would be knee-deep in water.

"He did it, mister!" This was a general outcry. Jimmie used it as

often as did the others. As for them, it is certain that they had no

direct thought of betraying their comrade for their own salvation.

They thought themselves guilty because they were caught; when boys

were not caught they might possibly be innocent. But captured boys

were guilty. When they cried out that Jimmie was the culprit, it was

principally a simple expression of terror.

Old Henry Fleming, the owner of the farm, strode across the pasture

towards them. He had in his hand a most cruel whip. This whip he

flourished. At his approach the boys suffered the agonies of the fire

regions. And yet anybody with half an eye could see that the whip in

his hand was a mere accident, and that he was a kind old man--when he

cared.

When he had come near he spoke crisply. "What you boys ben doin' to my

cow?" The tone had deep threat in it. They all answered by saying that

none of them had shot the cow. Their denials were tearful and

clamorous, and they crawled knee by knee. The vision of it was like

three martyrs being dragged towards the stake. Old Fleming stood

there, grim, tight-lipped. After a time he said, "Which boy done it?"

Whilomville Stories · 第 12 / 52 题