CHAPTER I

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Old Time Gardens

[Illustration]

OLD-TIME GARDENS

_Newly set forth_

_by_

ALICE MORSE EARLE

_A BOOK OF_

THE SWEET O' THE YEAR

"_Life is sweet, brother! There's day and night, brother!

both sweet things: sun, moon and stars, brother! all

sweet things: There is likewise a wind on the heath._"

[Illustration]

NEW YORK

THE MACMILLAN COMPANY

LONDON MACMILLAN & CO LTD

MCMII

_All rights reserved_

COPYRIGHT, 1901,

BY THE MACMILLAN COMPANY.

Set up and electrotyped November, 1901. Reprinted December, 1901;

January, 1902.

_Norwood Press_

_J. S. Cushing & Co.--Berwick & Smith_

_Norwood, Mass., U.S.A._

[Illustration: TO MY DAUGHTER

ALICE CLARY EARLE

TO WHOSE KNOWLEDGE OF FLOWERS

AND LOVE OF FLOWER LORE

I OWE MANY PAGES OF THIS BOOK....]

Contents

CHAPTER PAGE

I. COLONIAL GARDEN-MAKING 1

II. FRONT DOORYARDS 38

III. VARIED GARDENS FAIR 54

IV. BOX EDGINGS 91

V. THE HERB GARDEN 107

VI. IN LILAC TIDE 132

VII. OLD FLOWER FAVORITES 161

VIII. COMFORT ME WITH APPLES 192

IX. GARDENS OF THE POETS 215

X. THE CHARM OF COLOR 233

XI. THE BLUE FLOWER BORDER 252

XII. PLANT NAMES 280

XIII. TUSSY-MUSSIES 296

XIV. JOAN SILVER-PIN 309

XV. CHILDHOOD IN A GARDEN 326

XVI. MEETIN' SEED AND SABBATH DAY POSIES 341

XVII. SUN-DIALS 353

XVIII. GARDEN FURNISHINGS 383

XIX. GARDEN BOUNDARIES 399

XX. A MOONLIGHT GARDEN 415

XXI. FLOWERS OF MYSTERY 433

XXII. ROSES OF YESTERDAY 459

INDEX 479

List of Illustrations

The end papers of this book bear a design of the flower Ambrosia.

The vignette on the title-page is re-drawn from one in _The Compleat

Body of Husbandry_, Thomas Hale, 1756. It represents "Love laying out

the surface of the earth in a garden."

The device of the dedication is an ancient garden-knot for flowers, from

_A New Orchard and Garden_, William Lawson, 1608.

The chapter initials are from old wood-cut initials in the English

Herbals of Gerarde, Parkinson, and Cole.

PAGE

_Garden of Johnson Mansion, Germantown. Photographed

by Henry Troth_ facing 4

_Garden at Grumblethorp, Home of Charles J. Wister, Esq.,

Germantown, Pennsylvania_ 7

_Garden of Bartram House, Philadelphia, Pennsylvania_ 9

_Garden of Abigail Adams, Quincy, Massachusetts_ 10

_Garden at Mount Vernon-on-the-Potomac, Virginia. Home of

George Washington_ facing 12

_Gate and Hedge of Preston Garden, Columbia, South Carolina_ 15

_Fountain Path in Preston Garden, Columbia, South Carolina_ 18

_Door in Wall of Kitchen Garden at Van Cortlandt Manor.

Croton-on-Hudson, New York. Photographed by J.

Horace McFarland_ facing 20

_Garden of Van Cortlandt Manor. Photographed by J. Horace

McFarland_ facing 24

_Garden at Prince Homestead, Flushing, Long Island_ 28

_Old Dutch Garden of Bergen Homestead, Bay Ridge, Long

Island_ facing 32

_Garden at Duck Cove, Narragansett, Rhode Island_ 35

_The Flowering Almond under the Window. Photographed by

Eva E. Newell_ 39

_Peter's Wreath. Photographed by Eva E. Newell_ 41

_Peonies in Garden of John Robinson, Esq., Salem, Massachusetts.

Photographed by Herschel F. Davis_ facing 42

_White Peonies. Photographed by Mary F. C. Paschall_ 42

_Yellow Day Lilies. Photographed by Clifton Johnson_ facing 48

_Orange Lilies. Photographed by Eva E. Newell_ 50

_Preston Garden, Columbia, South Carolina_ facing 54

_Box-edged Parterre at Hampton, County Baltimore, Maryland.

Home of Mrs. John Ridgely. Photographed by Elizabeth

W. Trescot_ 57

_Parterre and Clipped Box at Hampton, County Baltimore,

Maryland. Home of Mrs. John Ridgely. Photographed

by Elizabeth W. Trescot_ 60

_Garden of Mrs. Mabel Osgood Wright, Waldstein, Fairfield,

Connecticut. Photographed by Mabel Osgood Wright_ 63

_A Shaded Walk. In the Garden of Miss Harriet P. F. Burnside,

Worcester, Massachusetts. Photographed by Herschel

F. Davis_ facing 64

_Roses and Larkspur in the Garden of Miss Harriet P. F.

Burnside, Worcester, Massachusetts. Photographed by

Herschel F. Davis_ 65

_The Homely Back Yard. Photographed by Henry Troth_ facing 66

_Covered Well at Home of Bishop Berkeley, Whitehall, Newport,

Rhode Island_ 68

_Kitchen Doorway and Porch at The Hedges, New Hope, County

Bucks, Pennsylvania_ 70

_Greenwood, Thomasville, Georgia_ 73

_Roses and Violets in Garden of Greenwood, Thomasville,

Georgia_ facing 74

_Water Garden at Sylvester Manor, Shelter Island, New York.

Home of Miss Cornelia Horsford_ 75

_Garden at Avonwood Court, Haverford, Pennsylvania. Country-seat

of Charles E. Mather, Esq. Photographed by

J. Horace McFarland_ facing 76

_Terrace Wall at Drumthwacket, Princeton, New Jersey.

Country-seat of M. Taylor Pyne, Esq._ 76

_Garden at Drumthwacket, Princeton, New Jersey. Country-seat

of M. Taylor Pyne, Esq._ 77

_Sun-dial at Avonwood Court, Haverford, Pennsylvania.

Country-seat of Charles E. Mather, Esq. Photographed

by J. Horace McFarland_ facing 80

_Entrance Porch and Gate to the Rose Garden at Yaddo, Saratoga,

New York. Country-seat of Spencer Trask, Esq.

Photographed by Gustave Lorey_ 82

_Pergola and Terrace Walk in Rose Garden at Yaddo, Saratoga,

New York. Country-seat of Spencer Trask, Esq.

Photographed by Gustave Lorey_ 83

_Statue of Christalan in Rose Garden at Yaddo, Saratoga, New

York. Country-seat of Spencer Trask, Esq. Photographed

by Gustave Lorey_ 84

_Sun-dial in Rose Garden at Yaddo, Saratoga, New York.

Country-seat of Spencer Trask, Esq. Photographed by

Gustave Lorey_ 86

_Bronze Dial-face in Rose Garden at Yaddo, Saratoga, New

York. Country-seat of Spencer Trask, Esq. Photographed

by Gustave Lorey_ 87

_Ancient Pine in Garden at Yaddo, Saratoga, New York.

Country-seat of Spencer Trask, Esq. Photographed by

Gustave Lorey_ 89

_House and Garden at Napanock, County Ulster, New York.

Photographed by Edward Lamson Henry, N. A._ facing 92

_Box Parterre at Hampton, County Baltimore, Maryland.

Home of Mrs. John Ridgely. Photographed by Elizabeth

W. Trescot_ 95

_Sun-dial in Box at Broughton Castle, Banbury, England.

Garden of Lady Lennox_ 98

_Sun-dial in Box at Ascott, near Leighton Buzzard, England.

Country-seat of Mr. Leopold Rothschild_ facing 100

_Garden at Tudor Place, Georgetown, District of Columbia.

Home of Mrs. Beverly Kennon. Photographed by Elizabeth

W. Trescot_ 103

_Anchor-shaped Flower Beds, Kingston, Rhode Island. Photographed

by Sarah P. Marchant_ 104

_Ancient Box at Tuckahoe, Virginia_ 105

_Herb Garden at White Birches, Elmhurst, Illinois_ 108

_Garden at White Birches, Elmhurst, Illinois_ 111

_Garden of Manning Homestead, Salem, Massachusetts_ facing 112

_Under the Garret Eaves of Ward Homestead, Shrewsbury,

Massachusetts_ 116

_A Gatherer of Simples. Photographed by Mary F. C.

Paschall_ facing 120

_Sage. Photographed by Mary F. C. Paschall_ 126

_Tansy. Photographed by Mary F. C. Paschall_ 129

_Garden of Mrs. Abraham Lansing, Albany, New York. Photographed

by Gustave Lorey_ facing 130

_Ladies' Delights. Photographed by Eva E. Newell_ 133

_Garden House and Long Walk in Garden of Hon. William

H. Seward, Auburn, New York_ facing 134

_Sun-dial in Garden of Hon. William H. Seward, Auburn,

New York_ 136

_Lilacs in Midsummer. In Garden of Mrs. Abraham Lansing,

Albany, New York. Photographed by Gustave

Lorey_ facing 138

_Lilacs at Craigie House, Cambridge, Massachusetts, the Home

of Longfellow. Photographed by Arthur N. Wilmarth_ 141

_Box-edged Garden at Home of Longfellow, Cambridge, Massachusetts.

Photographed by Arthur N. Wilmarth_ 142

_Joepye-weed and Queen Anne's Laces. Photographed by Mary

F. C. Paschall_ 145

_Boneset. Photographed by Mary F. C. Paschall_ 146

_Magnolias in Garden of William Brown, Esq., Flatbush, Long

Island_ facing 148

_Lilacs at Hopewell_ 149

_Persian Lilacs and Peonies in Garden of Kimball Homestead,

Portsmouth, New Hampshire_ 151

_Opyn-tide, the Thought of Spring. Garden of Mrs. Abraham

Lansing, Albany, New York. Photographed by Pirie

MacDonald_ facing 154

_A Thought of Winter's Snows. Garden of Frederick J. Kingsbury,

Esq., Waterbury, Connecticut_ 157

_Larkspur and Phlox. Garden of Miss Frances Clary Morse,

Worcester, Massachusetts_ 162

_Sweet William and Foxglove_ 163

_Plume Poppy_ 164

_Meadow Rue_ 167

_Money-in-both-Pockets_ 171

_Box Walk in Garden of Frederick J. Kingsbury, Esq., Waterbury,

Connecticut_ 173

_Lunaria in Garden of Mrs. Mabel Osgood Wright, Fairfield,

Connecticut. Photographed by Mabel Osgood Wright_

facing 174

_Dahlia Walk at Ravensworth, County Fairfax, Virginia.

Home of Mrs. W. R. Fitzhugh Lee. Photographed by

Elizabeth W. Trescot_ 177

_Petunias_ 180

_Virgin's Bower, in Garden of Miss Frances Clary Morse,

Worcester, Massachusetts_ 184

_Matrimony Vine at Van Cortlandt Manor. Photographed by

J. Horace McFarland_ 186

_White Chinese Wistaria, in Garden of Mortimer Howell, Esq.,

West Hampton Beach, Long Island_ 188

_Spiraea Van Houtteii. Photographed by J. Horace McFarland_

facing 190

_Old Apple Tree at Whitehall. Home of Bishop Berkeley,

near Newport, Rhode Island_ 194

"_The valley stretching below

Is white with blossoming Apple trees,

As if touched with lightest snow._"

_Photographed by T. E. M. and G. F. White_ 197

_Old Hand-power Cider Mill. Photographed by Mary F. C.

Paschall_ 198

_Pressing out the Cider in Old Hand Mill_ 200

_Old Cider Mill with Horse Power. Photographed by T. E. M.

and G. F. White_ 203

_Straining off the Cider into Barrels_ 204

_Drying Apples. Photographed by T. E. M. and G. F. White_

facing 208

_Ancient Apple Picker, Apple Racks, Apple Parers, Apple

Butter Kettle, Apple Butter Paddle, Apple Butter Stirrer,

Apple Butter Crocks. Photographed by Mary F. C.

Paschall_ 211

_Making Apple Butter. Photographed by Mary F. C. Paschall_

facing 214

_Shakespeare Border in Garden at Hillside, Menand's, near

Albany, New York. Photographed by Gustave Lorey_ 216

_Long Border at Hillside, Menand's, near Albany, New York.

Photographed by Gustave Lorey_ facing 218

_The Beauty of Winter Lilacs. In Garden of Mrs. Abraham

Lansing, Albany, New York. Photographed by Pirie MacDonald_ 220

_Garden of Mrs. Frank Robinson, Wakefield, Rhode Island_ 222

_The Parson's Walk_ 225

_Garden of Mary Washington_ 228

_Box and Phlox. Garden of Sylvester Manor, Shelter Island,

New York_ 230

_Within the Weeping Beech. Photographed by E. C. Nichols_

facing 232

_Spring Snowflake, Garden of Miss Frances Clary Morse,

Worcester, Massachusetts. Photographed by Herschel F.

Davis_ 234

_Star of Bethlehem, in Garden of Miss Frances Clary Morse,

Worcester, Massachusetts. Photographed by Herschel F.

Davis_ 237

_"The Pearl" Achillaea_ 238

_Pyrethrum. Photographed by Mary F. C. Paschall_ 242

_Terraced Garden of the Misses Nichols, Salem, Massachusetts.

Photographed by Herschel F. Davis_ 246

_Arbor in a Salem Garden_ 250

_Scilla in Garden of Miss Frances Clary Morse, Worcester,

Massachusetts_ 254

_Sweet Alyssum Edging of White Border at Indian Hill, Newburyport,

Massachusetts_ 256

_Bachelor's Buttons in a Salem Garden. Home of Mrs. Edward

B. Peirson_ 258

_A "Sweet Garden-side" in Salem, Massachusetts, Home of

John Robinson, Esq._ facing 260

_Salpiglossis in Garden at Indian Hill, Newburyport, Massachusetts.

Photographed by Herschel F. Davis_ 261

_The Old Campanula, Garden of Miss Frances Clary Morse,

Worcester, Massachusetts_ 263

_Chinese Bellflower. Photographed by Herschel F. Davis_ 264

_Garden at Tudor Place, Georgetown, District of Columbia.

Home of Mrs. Beverly Kennon. Photographed by Elizabeth

W. Trescot_ facing 266

_Light as a Loop of Larkspur, in Garden of Judge Oliver Wendell

Holmes, Beverly, Massachusetts_ 269

_Viper's Bugloss. Photographed by Henry Troth_ 274

_The Prim Precision of Leaf and Flower of Lupine. Photographed

by Henry Troth_ 276

_The Garden's Friend. Photographed by Clifton Johnson_ 281

_Edging of Striped Lilies in a Salem Garden. Photographed by

Herschel F. Davis_ 283

_Garden Seat at Avonwood Court. Photographed by J. Horace

McFarland_ facing 286

_Terraced Garden of the Misses Nichols, Salem, Massachusetts_ 288

_"A Running Ribbon of Perfumed Snow which the Sun is

melting rapidly." At Marchant Farm, Kingston, Rhode

Island. Photographed by Sarah F. Marchant_ 292

_Fountain Garden at Sylvester Manor, Shelter Island, New

York_ facing 294

_Hawthorn Arch at Holly House, Peace Dale, Rhode Island.

Home of Rowland G. Hazard, Esq._ 298

_Thyme-covered Graves. Photographed by Mary F. C. Paschall_ 301

"_White Umbrellas of Elder_" 305

_Lower Garden at Sylvester Manor, Shelter Island, New York_

facing 308

"_Black-heart Amorous Poppies_" 310

_Valerian. Photographed by E. C. Nichols_ 314

_Old War Office in Garden at Salem, New Jersey_ 319

_Crown Imperial. Page from Gerarde's Herball_ facing 324

_The Children's Garden_ facing 330

_Foxgloves in a Narragansett Garden_ 333

_Hollyhocks in Garden of Kimball Homestead, Portsmouth, New

Hampshire_ facing 334

_Autumn View of an Old Worcester Garden_ facing 338

_Hollyhocks at Tudor Place, Georgetown, District of Columbia.

Home of Mrs. Beverly Kennon_ 339

_An Old Worcester Garden. Home of Edwin A. Fawcett, Esq._

facing 340

_Caraway_ 342

_Sun-dial of Jonathan Fairbanks, Esq., Dedham, Massachusetts_ 344

_Bronze Sun-dial on Dutch Reformed Church, West End

Avenue, New York_ 346

_Sun-dial mounted on Boulder, Swiftwater, Pennsylvania_ 347

_Buckthorn Arch in Garden of Mrs. Edward B. Peirson,

Salem, Massachusetts. Photographed by Herschel F.

Davis_ facing 348

_Sun-dial at Emery Place, Brightwood, District of Columbia.

Photographed by William Van Zandt Cox_ 349

_Sun-dial at Travellers' Rest, Virginia. Home of Mrs. Bowie

Gray. Photographed by Elizabeth W. Trescot_ 350

_Two Old Cronies; the Sun-dial and Bee skepe. Photographed

by Eva E. Newell_ 354

_Portable Sun-dial from Collection of the Author_ 356

_Sun-dial in Garden of Frederick J. Kingsbury, Esq., Waterbury,

Connecticut_ 358

_Sun-dial at Morristown, New Jersey. Designed by W. Gedney

Beatty, Esq._ 359

"_Yes, Toby, it's Three o'clock._" _Judge Daly and his Sun-dial

at Sag Harbor, Long Island. Drawn by Edward Lamson

Henry, N.A._ 361

_Face of Dial at Sag Harbor, Long Island_ 362

_Sun-dial in Garden of Grace Church Rectory, New York.

Photographed by J. W. Dow_ 364

_Fugio Bank-note_ 365

_Sun-dial at "Washington House," Little Brington, England_ 367

_Dial-face from Mount Vernon. Owned by William F. Havemeyer,

Jr._ 368

_Sun-dial from Home of Mary Washington, Fredericksburg,

Virginia. Photographed by Elizabeth W. Trescot_ 369

_Kenmore, the Home of Betty Washington Lewis, Fredericksburg,

Virginia. Photographed by Elizabeth W. Trescot_ 371

_Sun-dial in Garden of Charles T. Jenkins, Esq., Germantown,

Pennsylvania_ 373

_Sun-dial at Ophir Farm, White Plains, New York. Country-seat

of Hon. Whitelaw Reid_ 375

_Sun-dial at Hillside, Menand's, near Albany, New York_ 378

_Old Brass and Pewter Dial-faces from Collection of Author_ 379

_Beata Beatrix_ facing 380

_The Faithful Gardener_ 381

_A Garden Lyre at Waterford, Virginia_ facing 384

_A Virginia Lyre with Vines_ 386

_Old Iron Gates at Westover-on-James, Virginia. Photographed

by George S. Cook_ 388

_Ironwork in Court of Colt Mansion, Bristol, Rhode Island.

Photographed by J. W. Dow_ 390

_Sharpening the Old Dutch Scythe. Photographed by Mary

F. C. Paschall_ facing 392

_Summer-house at Ravensworth, County Fairfax, Virginia.

Home of Mrs. W. H. Fitzhugh Lee. Photographed by

Elizabeth W. Trescot_ 392

_Beehives at Waterford, Virginia. Photographed by Henry

Troth_ facing 394

_Beehives under the Trees. Photographed by Henry Troth_ 395

_Spring House at Johnson Homestead, Germantown, Pennsylvania.

Photographed by Henry Troth_ facing 396

_Dovecote at Shirley-on-James, Virginia. From_ Some Colonial

Mansions and Those who lived in Them. _Published by

Henry T. Coates & Co., Philadelphia_ 397

_The Peacock in his Pride_ 398

_The Guardian of the Garden_ 400

_Brick Terrace Wall at Van Cortlandt Manor. Photographed

by J. Horace McFarland_ facing 402

_Rail Fence Corner_ 403

_Topiary Work at Levens Hall_ 404

_Oval Pergola at Arlington, Virginia. Photographed by Elizabeth

W. Trescot_ facing 406

_French Homestead, Kingston, Rhode Island, with Old Stone

Terrace Wall. Photographed by Sarah F. Marchant_ 407

_Italian Garden at Wellesley, Massachusetts. Country-seat of

Hollis H. Hunnewell, Esq._ facing 408

_Marble Steps in Italian Garden at Wellesley, Massachusetts_ 410

_Topiary Work in California_ 412

_Serpentine Brick Wall at University of Virginia, Charlottesville,

Virginia. Photographed by Elizabeth W. Trescot_ 413

_Chestnut Path in Garden at Indian Hill, Newburyport, Massachusetts.

Photographed by Herschel F. Davis_ facing 418

_Foxgloves in Lower Garden at Indian Hill, Newburyport,

Massachusetts. Photographed by Herschel F. Davis_ 421

_Dame's Rocket. Photographed by Mary F. C. Paschall_ 424

_Snakeroot. Photographed by Mary F. C Paschall_ 426

_Title-page of Parkinson's_ Paradisi in Solis, _etc._

facing 428

_Yuccas, like White Marble against the Evergreens_ 430

_Fraxinella in Garden of Miss Frances Clary Morse, Worcester,

Massachusetts_ facing 432

_Love-in-a-Mist. Photographed by Henry Troth_ 436

_Spiderwort in an Old Worcester Garden. Photographed by

Herschel F. Davis_ facing 438

_Gardener's Garters at Van Cortlandt Manor. Photographed

by J. Horace McFarland_ 440

_Garden Walk at The Manse, Deerfield, Massachusetts. Photographed

by Clifton Johnson_ facing 442

_London Pride. Photographed by Eva E. Newell_ 445

_White Fritillaria in Garden of Miss Frances Clary Morse,

Worcester, Massachusetts_ 448

_Bouncing Bet_ 451

_Overgrown Garden at Llanerck, Pennsylvania. Photographed

by Henry Troth_ facing 454

_Fountain at Yaddo, Saratoga, New York. Country-seat of

Spencer Trask, Esq._ 455

_Avenue of White Pines at Wellesley, Massachusetts. Country-seat

of Hollis H. Hunnewell, Esq._ 456

_Violets in Silver Double Coaster_ 461

_York and Lancaster Rose at Van Cortlandt Manor. Photographed

by J. Horace McFarland_ facing 462

_Cinnamon Roses. Photographed by Mabel Osgood Wright_ 465

_Cottage Garden with Roses. Photographed by Mary F. C.

Paschall_ facing 468

_Madame Plantier Rose. Photographed by Mabel Osgood

Wright_ 474

_Sun-dial and Roses at Van Cortlandt Manor. Photographed

by J. Horace McFarland_ facing 476

Old Time Gardens

CHAPTER I

COLONIAL GARDEN-MAKING

"There is not a softer trait to be found in the character of those

stern men than that they should have been sensible of these

flower-roots clinging among the fibres of their rugged hearts, and

felt the necessity of bringing them over sea, and making them

hereditary in the new land."

--_American Note-book_, NATHANIEL HAWTHORNE.

After ten wearisome weeks of travel across an unknown sea, to an equally

unknown world, the group of Puritan men and women who were the founders

of Boston neared their Land of Promise; and their noble leader, John

Winthrop, wrote in his Journal that "we had now fair Sunshine Weather

and so pleasant a sweet Aire as did much refresh us, and there came a

smell off the Shore like the Smell of a Garden."

A _Smell of a Garden_ was the first welcome to our ancestors from their

new home; and a pleasant and perfect emblem it was of the life that

awaited them. They were not to become hunters and rovers, not to be

eager to explore quickly the vast wilds beyond; they were to settle down

in the most domestic of lives, as tillers of the soil, as makers of

gardens.

What must that sweet air from the land have been to the sea-weary

Puritan women on shipboard, laden to them with its promise of a garden!

for I doubt not every woman bore with her across seas some little

package of seeds and bulbs from her English home garden, and perhaps a

tiny slip or plant of some endeared flower; watered each day, I fear,

with many tears, as well as from the surprisingly scant water supply

which we know was on board that ship.

And there also came flying to the _Arbella_ as to the Ark, a Dove--a

bird of promise--and soon the ship came to anchor.

"With hearts revived in conceit new Lands and Trees they spy,

Scenting the Caedars and Sweet Fern from heat's reflection dry,"

wrote one colonist of that arrival, in his _Good Newes from New

England_. I like to think that Sweet Fern, the characteristic wild

perfume of New England, was wafted out to greet them. And then all went

on shore in the sunshine of that ineffable time and season,--a New

England day in June,--and they "gathered store of fine strawberries,"

just as their Salem friends had on a June day on the preceding year

gathered strawberries and "sweet Single Roses" so resembling the English

Eglantine that the hearts of the women must have ached within them with

fresh homesickness. And ere long all had dwelling-places, were they but

humble log cabins; and pasture lands and commons were portioned out; and

in a short time all had garden-plots, and thus, with sheltering

roof-trees, and warm firesides, and with gardens, even in this lonely

new world, they had _homes_. The first entry in the Plymouth Records is

a significant one; it is the assignment of "Meresteads and

Garden-Plotes," not meresteads alone, which were farm lands, but home

gardens: the outlines of these can still be seen in Plymouth town. And

soon all sojourners who bore news back to England of the New-Englishmen

and New-Englishwomen, told of ample store of gardens. Ere a year had

passed hopeful John Winthrop wrote, "My Deare Wife, wee are here in a

Paradise." In four years the chronicler Wood said in his _New England's

Prospect_, "There is growing here all manner of herbs for meat and

medicine, and that not only in planted gardens, but in the woods,

without the act and help of man." Governor Endicott had by that time a

very creditable garden.

And by every humble dwelling the homesick goodwife or dame, trying to

create a semblance of her fair English home so far away, planted in her

"garden plot" seeds and roots of homely English flowers and herbs, that

quickly grew and blossomed and smiled on bleak New England's rocky

shores as sturdily and happily as they had bloomed in the old gardens

and by the ancient door sides in England. What good cheer they must have

brought! how they must have been beloved! for these old English garden

flowers are such gracious things; marvels of scent, lavish of bloom,

bearing such genial faces, growing so readily and hardily, spreading so

quickly, responding so gratefully to such little care: what pure

refreshment they bore in their blossoms, what comfort in their seeds;

they must have seemed an emblem of hope, a promise of a new and happy

home. I rejoice over every one that I know was in those little colonial

gardens, for each one added just so much measure of solace to what seems

to me, as I think upon it, one of the loneliest, most fearsome things

that gentlewomen ever had to do, all the harder because neither by

poverty nor by unavoidable stress were they forced to it; they came

across-seas willingly, for conscience' sake. These women were not

accustomed to the thought of emigration, as are European folk to-day;

they had no friends to greet them in the new land; they were to

encounter wild animals and wild men; sea and country were unknown--they

could scarce expect ever to return: they left everything, and took

nothing of comfort but their Bibles and their flower seeds. So when I

see one of the old English flowers, grown of those days, blooming now in

my garden, from the unbroken chain of blossom to seed of nearly three

centuries, I thank the flower for all that its forbears did to comfort

my forbears, and I cherish it with added tenderness.

[Illustration: Garden of the Johnson Mansion, Germantown, Pennsylvania.]

We should have scant notion of the gardens of these New England

colonists in the seventeenth century were it not for a cheerful

traveller named John Josselyn, a man of everyday tastes and much

inquisitiveness, and the pleasing literary style which comes from

directness, and an absence of self-consciousness. He published in 1672 a

book entitled _New England's Rarities discovered_, etc., and in 1674

another volume giving an account of his two voyages hither in 1638 and

1663. He made a very careful list of vegetables which he found thriving

in the new land; and since his flower list is the earliest known, I will

transcribe it in full; it isn't long, but there is enough in it to make

it a suggestive outline which we can fill in from what we know of the

plants to-day, and form a very fair picture of those gardens.

"Spearmint,

Rew, will hardly grow

Fetherfew prospereth exceedingly;

Southernwood, is no Plant for this Country, Nor

Rosemary. Nor

Bayes.

White-Satten groweth pretty well, so doth

Lavender-Cotton. But

Lavender is not for the Climate.

Penny Royal

Smalledge.

Ground Ivey, or Ale Hoof.

Gilly Flowers will continue two Years.

Fennel must be taken up, and kept in a Warm Cellar all Winter

Horseleek prospereth notably

Holly hocks

Enula Canpana, in two years time the Roots rot.

Comferie, with White Flowers.

Coriander, and

Dill, and

Annis thrive exceedingly, but Annis Seed, as also the seed of

Fennel seldom come to maturity; the Seed of Annis is commonly eaten

with a Fly.

Clary never lasts but one Summer, the Roots rot with the Frost.

Sparagus thrives exceedingly, so does

Garden Sorrel, and

Sweet Bryer or Eglantine

Bloodwort but sorrily, but

Patience and

English Roses very pleasantly.

Celandine, by the West Country now called Kenning Wort grows but slowly.

Muschater, as well as in England

Dittander or Pepperwort flourisheth notably and so doth

Tansie."

These lists were published fifty years after the landing of the Pilgrims

at Plymouth; from them we find that the country was just as well stocked

with vegetables as it was a hundred years later when other travellers

made lists, but the flowers seem few; still, such as they were, they

formed a goodly sight. With rows of Hollyhocks glowing against the rude

stone walls and rail fences of their little yards; with clumps of

Lavender Cotton and Honesty and Gillyflowers blossoming freely; with

Feverfew "prospering" to sow and slip and pot and give to neighbors just

as New England women have done with Feverfew every year of the centuries

that have followed; with "a Rose looking in at the window"--a

Sweetbrier, Eglantine, or English Rose--these colonial dames might well

find "Patience growing very pleasantly" in their hearts as in their

gardens.

[Illustration: Garden at Grumblethorp, Germantown, Pennsylvania.]

They had plenty of pot herbs for their accustomed savoring; and plenty

of medicinal herbs for their wonted dosing. Shakespeare's "nose-herbs"

were not lacking. Doubtless they soon added to these garden flowers many

of our beautiful native blooms, rejoicing if they resembled any beloved

English flowers, and quickly giving them, as we know, familiar old

English plant-names.

And there were other garden inhabitants, as truly English as were the

cherished flowers, the old garden weeds, which quickly found a home and

thrived in triumph in the new soil. Perhaps the weed seeds came over in

the flower-pot that held a sheltered plant or cutting; perhaps a few

were mixed with garden seeds; perhaps they were in the straw or other

packing of household goods: no one knew the manner of their coming, but

there they were, Motherwort, Groundsel, Chickweed, and Wild Mustard,

Mullein and Nettle, Henbane and Wormwood. Many a goodwife must have

gazed in despair at the persistent Plantain, "the Englishman's foot,"

which seems to have landed in Plymouth from the Mayflower.

Josselyn made other lists of plants which he found in America, under

these headings:--

"Such plants as are common with us in England.

Such plants as are proper to the Country.

Such plants as are proper to the Country and have no name.

Such plants as have sprung up since the English planted, and kept cattle

in New England."

In these lists he gives a surprising number of English weeds which had

thriven and rejoiced in their new home.

[Illustration: Garden of the Bartram House, Philadelphia, Pennsylvania.]

Mr. Tuckerman calls Josselyn's list of the fishes of the new world a

poor makeshift; his various lists of plants are better, but they are the

lists of an herbalist, not of a botanist. He had some acquaintance with

the practice of physic, of which he narrates some examples; and an

interest in kitchen recipes, and included a few in his books. He said

that Parkinson or another botanist might have "found in New England a

thousand, at least, of plants never heard of nor seen by any Englishman

before," and adds that he was himself an indifferent observer. He

certainly lost an extraordinary opportunity of distinguishing himself,

indeed of immortalizing himself; and it is surprising that he was so

heedless, for Englishmen of that day were in general eager botanists.

The study of plants was new, and was deemed of such absorbing interest

and fascination that some rigid Puritans feared they might lose their

immortal souls through making their new plants their idols.

[Illustration: Garden of Abigail Adams.]

When Josselyn wrote, but few of our American flowers were known to

European botanists; Indian Corn, Pitcher Plant, Columbine, Milkweed,

Everlasting, and Arbor-vitae had been described in printed books, and the

Evening Primrose. A history of Canadian and other new plants, by Dr.

Cornuti, had been printed in Europe, giving thirty-seven of our plants;

and all English naturalists were longing to add to the list; the ships

which brought over homely seeds and plants for the gardens of the

colonists carried back rare American seeds and plants for English physic

gardens.

In Pennsylvania, from the first years of the settlement, William Penn

encouraged his Quaker followers to plant English flowers and fruit in

abundance, and to try the fruits of the new world. Father Pastorius, in

his Germantown settlement, assigned to each family a garden-plot of

three acres, as befitted a man who left behind him at his death a

manuscript poem of many thousand words on the pleasures of gardening,

the description of flowers, and keeping of bees. George Fox, the founder

of the Friends, or Quakers, died in 1690. He had travelled in the

colonies; and in his will he left sixteen acres of land to the Quaker

meeting in the city of Philadelphia. Of these sixteen acres, ten were

for "a close to put Friends' horses in when they came afar to the

Meeting, that they may not be Lost in the Woods," while the other six

were for a site for a meeting-house and school-house, and "for a

Playground for the Children of the town to Play on, and for a Garden to

plant with Physical Plants, for Lads and Lasses to know Simples, and to

learn to make Oils and Ointments." Few as are these words, they convey a

positive picture of Fox's intent, and a pleasing picture it is. He had

seen what interest had been awakened and what instruction conveyed

through the "Physick-Garden" at Chelsea, England; and he promised to

himself similar interest and information from the study of plants and

flowers by the Quaker "lads and lasses" of the new world. Though

nothing came from this bequest, there was a later fulfilment of Fox's

hopes in the establishment of a successful botanic garden in

Philadelphia, and, in the planting, growth, and flourishing in the

province of Pennsylvania of the loveliest gardens in the new world;

there floriculture reached by the time of the Revolution a very high

point; and many exquisite gardens bore ample testimony to the "pride of

life," as well as to the good taste and love of flowers of Philadelphia

Friends. The garden at Grumblethorp, the home of Charles J. Wister,

Esq., of Germantown, Pennsylvania, shown on page 7, dates to colonial

days and is still flourishing and beautiful.

In 1728 was established, by John Bartram, in Philadelphia, the first

botanic garden in America. The ground on which it was planted, and the

stone dwelling-house he built thereon in 1731, are now part of the park

system of Philadelphia. A view of the garden as now in cultivation is

given on page 9. Bartram travelled much in America, and through his

constant correspondence and flower exchanges with distinguished

botanists and plant growers in Europe, many native American plants

became well known in foreign gardens, among them the Lady's Slipper and

Rhododendron. He was a Quaker,--a quaint and picturesque figure,--and

his example helped to establish the many fine gardens in the vicinity of

Philadelphia. The example and precept of Washington also had important

influence; for he was constant in his desire and his effort to secure

every good and new plant, grain, shrub, and tree for his home at

Mount Vernon. A beautiful tribute to his good taste and that of his wife

still exists in the Mount Vernon flower garden, which in shape, Box

edgings, and many details is precisely as it was in their day. A view of

its well-ordered charms is shown opposite page 12. Whenever I walk in

this garden I am deeply grateful to the devoted women who keep it in

such perfection, as an object-lesson to us of the dignity, comeliness,

and beauty of a garden of the olden times.

[Illustration: Garden at Mount Vernon-on-the-Potomac. Home of George

Washington.]

There is little evidence that a general love and cultivation of flowers

was as common in humble homes in the Southern colonies as in New England

and the Middle provinces. The teeming abundance near the tropics

rendered any special gardening unnecessary for poor folk; flowers grew

and blossomed lavishly everywhere without any coaxing or care. On

splendid estates there were splendid gardens, which have nearly all

suffered by the devastations of war--in some towns they were thrice thus

scourged. So great was the beauty of these Southern gardens and so vast

the love they provoked in their owners, that in more than one case the

life of the garden's master was merged in that of the garden. The

British soldiers during the War of the Revolution wantonly destroyed the

exquisite flowers at "The Grove," just outside the city of Charleston,

and their owner, Mr. Gibbes, dropped dead in grief at the sight of the

waste.

The great wealth of the Southern planters, their constant and

extravagant following of English customs and fashions, their fertile

soil and favorable climate, and their many slaves, all contributed to

the successful making of elaborate gardens. Even as early as 1682 South

Carolina gardens were declared to be "adorned with such Flowers as to

the Smell or Eye are pleasing or agreeable, as the Rose, Tulip, Lily,

Carnation, &c." William Byrd wrote of the terraced gardens of Virginia

homes. Charleston dames vied with each other in the beauty of their

gardens, and Mrs. Logan, when seventy years old, in 1779, wrote a

treatise called _The Gardener's Kalendar_. Eliza Lucas Pinckney of

Charleston was devoted to practical floriculture and horticulture. Her

introduction of indigo raising into South Carolina revolutionized the

trade products of the state and brought to it vast wealth. Like many

other women and many men of wealth and culture at that time, she kept up

a constant exchange of letters, seeds, plants, and bulbs with English

people of like tastes. She received from them valuable English seeds and

shrubs; and in turn she sent to England what were so eagerly sought by

English flower raisers, our native plants. The good will and national

pride of ship captains were enlisted; even young trees of considerable

size were set in hogsheads, and transported, and cared for during the

long voyage.

[Illustration: Gate and Hedge of Preston Garden.]

The garden at Mount Vernon is probably the oldest in Virginia still in

original shape. In Maryland are several fine, formal gardens which do

not date, however, to colonial days; the beautiful one at Hampton, the

home of the Ridgelys, in Baltimore County, is shown on pages 57, 60 and

95. In both North and South Carolina the gardens were exquisite. Many

were laid out by competent landscape gardeners, and were kept in order

by skilled workmen, negro slaves, who were carefully trained from

childhood to special labor, such as topiary work. In Camden and

Charleston the gardens vied with the finest English manor-house gardens.

Remains of their beauty exist, despite devastating wars and earthquakes.

Views of the Preston Garden, Columbia, South Carolina, are shown on

pages 15 and 18 and facing page 54. They are now the grounds of the

Presbyterian College for Women. The hedges have been much reduced

within a few years; but the garden still bears a surprising resemblance

to the Garden of the Generalife, Granada. The Spanish garden has fewer

flowers and more fountains, yet I think it must have been the model for

the Preston Garden. The climax of magnificence in Southern gardens has

been for years, at Magnolia-on-the-Ashley, the ancestral home of the

Draytons since 1671. It is impossible to describe the affluence of color

in this garden in springtime; masses of unbroken bloom on giant

Magnolias; vast Camellia Japonicas, looking, leaf and flower, thoroughly

artificial, as if made of solid wax; splendid Crape Myrtles, those

strange flower-trees; mammoth Rhododendrons; Azaleas of every Azalea

color,--all surrounded by walls of the golden Banksia Roses, and hedges

covered with Jasmine and Honeysuckle. The Azaleas are the special glory

of the garden; the bushes are fifteen to twenty feet in height, and

fifty or sixty feet in circumference, with rich blossoms running over

and crowding down on the ground as if color had been poured over the

bushes; they extend in vistas of vivid hues as far as the eye can reach.

All this gay and brilliant color is overhung by a startling contrast,

the most sombre and gloomy thing in nature, great Live-oaks heavily

draped with gray Moss; the avenue of largest Oaks was planted two

centuries ago.

I give no picture of this Drayton Garden, for a photograph of these many

acres of solid bloom is a meaningless thing. Even an oil painting of it

is confused and disappointing. In the garden itself the excess of color

is as cloying as its surfeit of scent pouring from the thousands of open

flower cups; we long for green hedges, even for scanter bloom and for

fainter fragrance. It is not a garden to live in, as are our

box-bordered gardens of the North, our cheerful cottage borders, and our

well-balanced Italian gardens, so restful to the eye; it is a garden to

look at and wonder at.

The Dutch settlers brought their love of flowering bulbs, and the bulbs

also, to the new world. Adrian Van der Donck, a gossiping visitor to New

Netherland when the little town of New Amsterdam had about a thousand

inhabitants, described the fine kitchen gardens, the vegetables and

fruits, and gave an interesting list of garden flowers which he found

under cultivation by the Dutch vrouws. He says:

"OF THE FLOWERS. The flowers in general which the Netherlanders

have introduced there are the white and red roses of different

kinds, the cornelian roses, and stock roses; and those of which

there were none before in the country, such as eglantine, several

kinds of gillyflowers, jenoffelins, different varieties of fine

tulips, crown imperials, white lilies, the lily frutularia,

anemones, baredames, violets, marigolds, summer sots, etc. The

clove tree has also been introduced, and there are various

indigenous trees that bear handsome flowers, which are unknown in

the Netherlands. We also find there some flowers of native growth,

as, for instance, sunflowers, red and yellow lilies, mountain

lilies, morning stars, red, white, and yellow maritoffles (a very

sweet flower), several species of bell flowers, etc., to which I

have not given particular attention, but _amateurs_ would hold

them in high estimation and make them widely known."

[Illustration: Fountain Path in Preston Garden, Columbia, South

Carolina.]

I wish I knew what a Cornelian Rose was, and Jenoffelins, Baredames, and

Summer Sots; and what the Lilies were and the Maritoffles and Bell

Flowers. They all sound so cheerful and homelike--just as if they

bloomed well. Perhaps the Cornelian Rose may have been striped red and

white like cornelian stone, and like our York and Lancaster Rose.

Tulips are on all seed and plant lists of colonial days, and they were

doubtless in every home dooryard in New Netherland. Governor Peter

Stuyvesant had a fine farm on the Bouwerie, and is said to have had a

flower garden there and at his home, White Hall, at the Battery, for he

had forty or fifty negro slaves who were kept at work on his estate. In

the city of New York many fine formal gardens lingered, on what are now

our most crowded streets, till within the memory of persons now living.

One is described as full of "Paus bloemen of all hues, Laylocks, and

tall May Roses and Snowballs intermixed with choice vegetables and herbs

all bounded and hemmed in by huge rows of neatly-clipped Box-edgings."

An evidence of increase in garden luxury in New York is found in the

advertisement of one Theophilus Hardenbrook, in 1750, a practical

surveyor and architect, who had an evening school for teaching

architecture. He designed pavilions, summer-houses, and garden seats,

and "Green-houses for the preservation of Herbs with winding Funnels

through the walls so as to keep them warm." A picture of the green-house

of James Beekman, of New York, 1764, still exists, a primitive little

affair. The first glass-house in North America is believed to be one

built in Boston for Andrew Faneuil, who died in 1737.

Mrs. Anne Grant, writing of her life near Albany in the middle of the

eighteenth century, gives a very good description of the Schuyler

garden. Skulls of domestic animals on fence posts, would seem astounding

had I not read of similar decorations in old Continental gardens. Vines

grew over these grisly fence-capitals and birds built their nests in

them, so in time the Dutch housewife's peaceful kitchen garden ceased

to resemble the kraal of an African chieftain; to this day, in South

Africa, natives and Dutch Boers thus set up on gate posts the skulls of

cattle.

Mrs. Grant writes of the Dutch in Albany:--

"The care of plants, such as needed peculiar care or skill to rear

them, was the female province. Every one in town or country had a

garden. Into this garden no foot of man intruded after it was dug

in the Spring. I think I see yet what I have so often beheld--a

respectable mistress of a family going out to her garden, on an

April morning, with her great calash, her little painted basket of

seeds, and her rake over her shoulder to her garden of labours. A

woman in very easy circumstances and abundantly gentle in form and

manners would sow and plant and rake incessantly."

We have happily a beautiful example of the old Dutch manor garden, at

Van Cortlandt Manor, at Croton-on-Hudson, New York, still in the

possession of the Van Cortlandt family. It is one of the few gardens in

America that date really to colonial days. The manor house was built in

1681; it is one of those fine old Dutch homesteads of which we still

have many existing throughout New York, in which dignity, comfort, and

fitness are so happily combined. These homes are, in the words of a

traveller of colonial days, "so pleasant in their building, and

contrived so delightful." Above all, they are so suited to their

surroundings that they seem an intrinsic part of the landscape, as they

do of the old life of this Hudson River Valley.

[Illustration: Door in Wall of Kitchen Garden at Van Cortlandt Manor.]

I do not doubt that this Van Cortlandt garden was laid out when the

house was built; much of it must be two centuries old. It has been

extended, not altered; and the grass-covered bank supporting the upper

garden was replaced by a brick terrace wall about sixty years ago. Its

present form dates to the days when New York was a province. The upper

garden is laid out in formal flower beds; the lower border is rich in

old vines and shrubs, and all the beloved old-time hardy plants. There

is in the manor-house an ancient portrait of the child Pierre Van

Cortlandt, painted about the year 1732. He stands by a table bearing a

vase filled with old garden flowers--Tulip, Convolvulus, Harebell, Rose,

Peony, Narcissus, and Flowering Almond; and it is the pleasure of the

present mistress of the manor, to see that the garden still holds all

the great-grandfather's flowers.

There is a vine-embowered old door in the wall under the piazza (see

opposite page 20) which opens into the kitchen and fruit garden; a

wall-door so quaint and old-timey that I always remind me of

Shakespeare's lines in _Measure for Measure_:--

"He hath a garden circummured with brick,

Whose western side is with a Vineyard back'd;

And to that Vineyard is a planched gate

That makes his opening with this bigger key:

The other doth command a little door

Which from the Vineyard to the garden leads."

The long path is a beautiful feature of this garden (it is shown in the

picture of the garden opposite page 24); it dates certainly to the

middle of the eighteenth century. Pierre Van Cortlandt, the son of the

child with the vase of flowers, and grandfather of the present

generation bearing his surname, was born in 1762. He well recalled

playing along this garden path when he was a child; and that one day he

and his little sister Ann (Mrs. Philip Van Rensselaer) ran a race along

this path and through the garden to see who could first "see the baby"

and greet their sister, Mrs. Beekman, who came riding to the manor-house

up the hill from Tarrytown, and through the avenue, which shows on the

right-hand side of the garden-picture. This beautiful young woman was

famed everywhere for her grace and loveliness, and later equally so for

her intelligence and goodness, and the prominent part she bore in the

War of the Revolution. She was seated on a pillion behind her husband,

and she carried proudly in her arms her first baby (afterward Dr.

Beekman) wrapped in a scarlet cloak. This is one of the home-pictures

that the old garden holds. Would we could paint it!

In this garden, near the house, is a never failing spring and well. The

house was purposely built near it, in those days of sudden attacks by

Indians; it has proved a fountain of perpetual youth for the old Locust

tree, which shades it; a tree more ancient than house or garden, serene

and beautiful in its hearty old age. Glimpses of this manor-house garden

and its flowers are shown on many pages of this book, but they cannot

reveal its beauty as a whole--its fine proportions, its noble

background, its splendid trees, its turf, its beds of bloom. Oh! How

beautiful a garden can be, when for two hundred years it has been loved

and cherished, ever nurtured, ever guarded; how plainly it shows such

care!

Another Dutch garden is pictured opposite page 32, the garden of the

Bergen Homestead, at Bay Ridge, Long Island. Let me quote part of its

description, written by Mrs. Tunis Bergen:--

"Over the half-open Dutch door you look through the vines that

climb about the stoop, as into a vista of the past. Beyond the

garden is the great Quince orchard of hundreds of trees in pink and

white glory. This orchard has a story which you must pause in the

garden to hear. In the Library at Washington is preserved, in

quaint manuscript, 'The Battle of Brooklyn,' a farce written and

said to have been performed during the British occupation. The

scene is partly laid in 'the orchard of one Bergen,' where the

British hid their horses after the battle of Long Island--this is

the orchard; but the blossoming Quince trees tell no tale of past

carnage. At one side of the garden is a quaint little building with

moss-grown roof and climbing hop-vine--the last slave kitchen left

standing in New York--on the other side are rows of homely

beehives. The old Locust tree overshadowing is an ancient

landmark--it was standing in 1690. For some years it has worn a

chain to bind its aged limbs together. All this beauty of tree and

flower lived till 1890, when it was swept away by the growing city.

Though now but a memory, it has the perfume of its past flowers

about it."

The Locust was so often a "home tree" and so fitting a one, that I have

grown to associate ever with these Dutch homesteads a light-leaved

Locust tree, shedding its beautiful flickering shadows on the long roof.

I wonder whether there was any association or tradition that made the

Locust the house-friend in old New York!

The first nurseryman in the new world was stern old Governor Endicott of

Salem. In 1644 he wrote to Governor Winthrop, "My children burnt mee at

least 500 trees by setting the ground on fire neere them"--which was a

very pretty piece of mischief for sober Puritan children. We find all

thoughtful men of influence and prominence in all the colonies raising

various fruits, and selling trees and plants, but they had no

independent business nurseries.

[Illustration: Garden at Van Cortlandt Manor.]

If tradition be true, it is to Governor Endicott we owe an indelible dye

on the landscape of eastern Massachusetts in midsummer. The Dyer's-weed

or Woad-waxen (_Genista tinctoria_), which, in July, covers hundreds of

acres in Lynn, Salem, Swampscott, and Beverly with its solid growth and

brilliant yellow bloom, is said to have been brought to this country as

the packing of some of the governor's household belongings. It is far

more probable that he brought it here to raise it in his garden for

dyeing purposes, with intent to benefit the colony, as he did other

useful seeds and plants. Woadwaxen, or Broom, is a persistent thing; it

needs scythe, plough, hoe, and bitter labor to eradicate it. I cannot

call it a weed, for it has seized only poor rock-filled land, good for

naught else; and the radiant beauty of the Salem landscape for many

weeks makes us forgive its persistence, and thank Endicott for bringing

it here.

"The Broom,

Full-flowered and visible on every steep,

Along the copses runs in veins of gold."

The Broom flower is the emblem of mid-summer, the hottest yellow flower

I know--it seems to throw out heat. I recall the first time I saw it

growing; I was told that it was "Salem Wood-wax." I had heard of

"Roxbury Waxwork," the Bitter-sweet, but this was a new name, as it was

a new tint of yellow, and soon I had its history, for I find Salem

people rather proud both of the flower and its story.

Oxeye Daisies (Whiteweed) are also by vague tradition the children of

Governor Endicott's planting. I think it far more probable that they

were planted and cherished by the wives of the colonists, when their

beloved English Daisies were found unsuited to New England's climate and

soil. We note the Woad-waxen and Whiteweed as crowding usurpers, not

only because they are persistent, but because their great expanses of

striking bloom will not let us forget them. Many other English plants

are just as determined intruders, but their modest dress permits them to

slip in comparatively unobserved.

It has ever been characteristic of the British colonist to carry with

him to any new home the flowers of old England and Scotland, and

characteristic of these British flowers to monopolize the earth.

Sweetbrier is called "the missionary-plant," by the Maoris in New

Zealand, and is there regarded as a tiresome weed, spreading and

holding the ground. Some homesick missionary or his more homesick wife

bore it there; and her love of the home plant impressed even the savage

native. We all know the story of the Scotch settlers who carried their

beloved Thistles to Tasmania "to make it seem like home," and how they

lived to regret it. Vancouver's Island is completely overrun with Broom

and wild Roses from England.

The first commercial nursery in America, in the sense of the term as we

now employ it, was established about 1730 by Robert Prince, in Flushing,

Long Island, a community chiefly of French Huguenot settlers, who

brought to the new world many French fruits by seed and cuttings, and

also a love of horticulture. For over a century and a quarter these

Prince Nurseries were the leading ones in America. The sale of fruit

trees was increased in 1774 (as we learn from advertisements in the _New

York Mercury_ of that year), by the sale of "Carolina Magnolia flower

trees, the most beautiful trees that grow in America, and 50 large

Catalpa flower trees; they are nine feet high to the under part of the

top and thick as one's leg," also other flowering trees and shrubs.

The fine house built on the nursery grounds by William Prince suffered

little during the Revolution. It was occupied by Washington and

afterwards house and nursery were preserved from depredations by a guard

placed by General Howe when the British took possession of Flushing. Of

course, domestic nursery business waned in time of war; but an

excellent demand for American shrubs and trees sprung up among the

officers of the British army, to send home to gardens in England and

Germany. Many an English garden still has ancient plants and trees from

the Prince Nurseries.

The "Linnaean Botanic Garden and Nurseries" and the "Old American

Nursery" thrived once more at the close of the war, and William Prince

the second entered in charge; one of his earliest ventures of importance

was the introduction of Lombardy Poplars. In 1798 he advertises ten

thousand trees, ten to seventeen feet in height. These became the most

popular tree in America, the emblem of democracy--and a warmly hated

tree as well. The eighty acres of nursery grounds were a centre of

botanic and horticultural interest for the entire country; every tree,

shrub, vine, and plant known to England and America was eagerly sought

for; here the important botanical treasures of Lewis and Clark found a

home. William Prince wrote several notable horticultural treatises; and

even his trade catalogues were prized. He established the first

steamboats between Flushing and New York, built roads and bridges on

Long Island, and was a public-spirited, generous citizen as well as a

man of science. His son, William Robert Prince, who died in 1869, was

the last to keep up the nurseries, which he did as a scientific rather

than a commercial establishment. He botanized the entire length of the

Atlantic States with Dr. Torrey, and sought for collections of trees and

wild flowers in California with the same eagerness that others there

sought gold. He was a devoted promoter of the native silk industry,

having vast plantations of Mulberries in many cities; for one at

Norfolk, Virginia, he was offered $100,000. It is a curious fact that

the interest in Mulberry culture and the practice of its cultivation was

so universal in his neighborhood (about the year 1830), that cuttings of

the Chinese Mulberry (_Morus multicaulis_) were used as currency in all

the stores in the vicinity of Flushing, at the rate of 12-1/2 cents

each.

[Illustration: Garden at Prince Homestead, Flushing, Long Island.]

The Prince homestead, a fine old mansion, is here shown; it is still

standing, surrounded by that forlorn sight, a forgotten garden. This is

of considerable extent, and evidences of its past dignity appear in the

hedges and edgings of Box; one symmetrical great Box tree is fifty feet

in circumference. Flowering shrubs, unkempt of shape, bloom and beautify

the waste borders each spring, as do the oldest Chinese Magnolias in the

United States. Gingkos, Paulownias, and weeping trees, which need no

gardener's care, also flourish and are of unusual size. There are some

splendid evergreens, such as Mt. Atlas Cedars; and the oldest and finest

Cedar of Lebanon in the United States. It seemed sad, as I looked at the

evidences of so much past beauty and present decay, that this historic

house and garden should not be preserved for New York, as the house and

garden of John Bartram, the Philadelphia botanist, have been for his

native city.

While there are few direct records of American gardens in the eighteenth

century, we have many instructing side glimpses through old business

letter-books. We find Sir Harry Frankland ordering Daffodils and Tulips

for the garden he made for Agnes Surriage; and it is said that the first

Lilacs ever seen in Hopkinton were planted by him for her. The gay young

nobleman and the lovely woman are in the dust, and of all the beautiful

things belonging to them there remain a splendid Portuguese fan, which

stands as a memorial of that tragic crisis in their life--the great

Lisbon earthquake; and the Lilacs, which still mark the site of her

house and blossom each spring as a memorial of the shadowed romance of

her life in New England.

Let me give two pages from old letters to illustrate what I mean by side

glimpses at the contents of colonial gardens. The fine Hancock mansion

in Boston had a carefully-filled garden long previous to the Revolution.

Such letters as the following were sent by Mr. Hancock to England to

secure flowers for it:--

"My Trees and Seeds for Capt. Bennett Came Safe to Hand and I like

them very well. I Return you my hearty Thanks for the Plumb Tree

and Tulip Roots you were pleased to make me a Present off, which

are very Acceptable to me. I have Sent my friend Mr. Wilks a mmo.

to procure for me 2 or 3 Doz. Yew Trees, Some Hollys and Jessamine

Vines, and if you have Any Particular Curious Things not of a high

Price, will Beautifye a flower Garden Send a Sample with the Price

or a Catalogue of 'em, I do not intend to spare Any Cost or Pains

in making my Gardens Beautifull or Profitable.

"P.S. The Tulip Roots you were Pleased to make a present off to me

are all Dead as well."

We find Richard Stockton writing in 1766 from England to his wife at

their beautiful home "Morven," in Princeton, New Jersey:--

"I am making you a charming collection of bulbous roots, which

shall be sent over as soon as the prospect of freezing on your

coast is over. The first of April, I believe, will be time enough

for you to put them in your sweet little flower garden, which you

so fondly cultivate. Suppose I inform you that I design a ride to

Twickenham the latter end of next month principally to view Mr.

Pope's gardens and grotto, which I am told remain nearly as he left

them; and that I shall take with me a gentleman who draws well, to

lay down an exact plan of the whole."

The fine line of Catalpa trees set out by Richard Stockton, along the

front of his lawn, were in full flower when he rode up to his house on a

memorable July day to tell his wife that he had signed the Declaration

of American Independence. Since then Catalpa trees bear everywhere in

that vicinity the name of Independence trees, and are believed to be

ever in bloom on July 4th.

[Illustration: Old Box at Prince Homestead.]

In the delightful diary and letters of Eliza Southgate Bowne (_A Girl's

Life Eighty Years Ago_), are other side glimpses of the beautiful

gardens of old Salem, among them those of the wealthy merchants of the

Derby family. Terraces and arches show a formality of arrangement, for

they were laid out by a Dutch gardener whose descendants still live in

Salem. All had summer-houses, which were larger and more important

buildings than what are to-day termed summer-houses; these latter were

known in Salem and throughout Virginia as bowers. One summer-house had

an arch through it with three doors on each side which opened into

little apartments; one of them had a staircase by which you could ascend

into a large upper room, which was the whole size of the building. This

was constructed to command a fine view, and was ornamented with Chinese

articles of varied interest and value; it was used for tea-drinkings. At

the end of the garden, concealed by a dense Weeping Willow, was a

thatched hermitage, containing the life-size figure of a man reading a

prayer-book; a bed of straw and some broken furniture completed the

picture. This was an English fashion, seen at one time in many old

English gardens, and held to be most romantic. Apparently summer

evenings were spent by the Derby household and their visitors wholly in

the garden and summer-house. The diary keeper writes naively, "The moon

shines brighter in this garden than anywhere else."

[Illustration: Old Dutch Garden of Bergen Homestead.]

The shrewd and capable women of the colonies who entered so freely and

successfully into business ventures found the selling of flower seeds a

congenial occupation, and often added it to the pursuit of other

callings. I think it must have been very pleasant to buy packages of

flower seed at the same time and place where you bought your best

bonnet, and have all sent home in a bandbox together; each would

prove a memorial of the other; and long after the glory of the bonnet

had departed, and the bonnet itself was ashes, the thriving Sweet Peas

and Larkspur would recall its becoming charms. I have often seen the

advertisements of these seedswomen in old newspapers; unfortunately they

seldom gave printed lists of their store of seeds. Here is one list

printed in a Boston newspaper on March 30, 1760:--

Lavender.

Palma Christi.

Cerinthe or Honeywort, loved of bees.

Tricolor.

Indian Pink.

Scarlet Cacalia.

Yellow Sultans.

Lemon African Marigold.

Sensitive Plants.

White Lupine.

Love Lies Bleeding.

Patagonian Cucumber.

Lobelia.

Catchfly.

Wing-peas.

Convolvulus.

Strawberry Spinage.

Branching Larkspur.

White Chrysanthemum.

Nigaella Romano.

Rose Campion.

Snap Dragon.

Nolana prostrata.

Summer Savory.

Hyssop.

Red Hawkweed.

Red and White Lavater.

Scarlet Lupine.

Large blue Lupine.

Snuff flower.

Caterpillars.

Cape Marigold.

Rose Lupine.

Sweet Peas.

Venus' Navelwort.

Yellow Chrysanthemum.

Cyanus minor.

Tall Holyhock.

French Marigold.

Carnation Poppy.

Globe Amaranthus.

Yellow Lupine.

Indian Branching Coxcombs.

Iceplants.

Thyme.

Sweet Marjoram.

Tree Mallows.

Everlasting.

Greek Valerian.

Tree Primrose.

Canterbury Bells.

Purple Stock.

Sweet Scabiouse.

Columbine.

Pleasant-eyed Pink.

Dwarf Mountain Pink.

Sweet Rocket.

Horn Poppy.

French Honeysuckle.

Bloody Wallflower.

Sweet William.

Honesty (to be sold in small parcels that every one may have a little).

Persicaria.

Polyanthos.

50 Different Sorts of mixed Tulip Roots.

Ranunculus.

Gladiolus.

Starry Scabiouse.

Curled Mallows.

Painted Lady topknot peas.

Colchicum.

Persian Iris.

Star Bethlehem.

This list is certainly a pleasing one. It gives opportunity for flower

borders of varied growth and rich color. There is a quality of some

minds which may be termed historical imagination. It is the power of

shaping from a few simple words or details of the faraway past, an ample

picture, full of light and life, of which these meagre details are but a

framework. Having this list of the names of these sturdy old annuals and

perennials, what do you perceive besides the printed words? I see that

the old mid-century garden where these seeds found a home was a cheerful

place from earliest spring to autumn; that it had many bulbs, and

thereafter a constant succession of warm blooms till the Coxcombs,

Marigolds, Colchicums and Chrysanthemums yielded to New England's

frosts. I know that the garden had beehives and that the bees were

loved; for when they sallied out of their straw bee-skepes, these happy

bees found their favorite blossoms planted to welcome them: Cerinthe,

dropping with honey; Cacalia, a sister flower; Lupine, Larkspur, Sweet

Marjoram, and Thyme--I can taste the Thyme-scented classic honey from

that garden! There was variety of foliage as well as bloom, the dovelike

Lavender, the glaucous Horned Poppy, the glistening Iceplants, the dusty

Rose Campion.

[Illustration: Old Garden at Duck Cove Farm in Narragansett.]

Stately plants grew from the little seed-packets; Hollyhocks, Valerian,

Canterbury Bells, Tree Primroses looked down on the low-growing herbs of

the border; and there were vines of Convolvulus and Honeysuckle. It was

a garden overhung by clouds of perfume from Thyme, Lavender, Sweet Peas,

Pleasant-eyed Pink, and Stock. The garden's mistress looked well after

her household; ample store of savory pot herbs grow among the finer

blossoms.

It was a garden for children to play in. I can see them; little boys

with their hair tied in queues, in knee breeches and flapped coats like

their stately fathers, running races down the garden path, as did the

Van Cortlandt children; and demure little girls in caps and sacques and

aprons, sitting in cubby houses under the Lilac bushes. I know what

flowers they played with and how they played, for they were my

great-grandmothers and grandfathers, and they played exactly what I did,

and sang what I did when I was a child in a garden. And suddenly my

picture expands, as a glow of patriotic interest thrills me in the

thought that in this garden were sheltered and amused the boys of one

hundred and forty years ago, who became the heroes of our American

Revolution; and the girls who were Daughters of Liberty, who spun and

wove and knit for their soldiers, and drank heroically their miserable

Liberty tea. I fear the garden faded when bitter war scourged the land,

when the women turned from their flower beds to the plough and the

field, since their brothers and husbands were on the frontier.

But when that winter of gloom to our country and darkness to the garden

was ended, the flowers bloomed still more brightly, and to the cheerful

seedlings of the old garden is now given perpetual youth and beauty;

they are fated never to grow faded or neglected or sad, but to live and

blossom and smile forever in the sunshine of our hearts through the

magic power of a few printed words in a time-worn old news-sheet.

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