When leaving me she asked, "When are you coming to stay at Ploszow?"

I replied that I was not going to stay there at all. I had thought of

that during the journey and came to the conclusion that it would be

better to have my headquarters at Warsaw. Ploszow is only six miles

from here, and I can go there in the morning and stay as long as I

like. It is indifferent to me where I live, and my living here will

prevent people talking. Besides, I do not want Pani Kromitzka to think

I am anxious to dwell under the same roof with her. I spoke of this to

Sniatynski, and saw that he fully agreed with me; he seemed anxious to

discuss Aniela with me. Sniatynski is a very intelligent man, but he

does not seem to understand that changed circumstances mean changed

relations, even between the best of friends. He came to me as if I

were the same Leon Ploszowski who, shaking in every limb, asked for

his help at Cracow; he approached me with the same abrupt sincerity,

desiring to plunge his hand up to his elbow under my ribs. I pulled

him up sharply, and he seemed surprised and somewhat angry. Presently

he fell in with my humor, and we talked together as if the last

meeting at Cracow had never taken place. I noticed, nevertheless,

that he watched me furtively, and not being able to make me out tried

indirect inquiry, with all the clumsiness of an author who is a

deep psychologist and reader of the human mind at his desk, and as

unsophisticated as any student in practical life. As Hamlet of yore, I

might have handed him a pipe and said, "Do you think I am easier to be

played on than a pipe? Call me what instrument you will, though you

can fret me, yet you cannot play upon me."

I had been reading Hamlet the night before, as I have read it many a

time, and involuntarily these words came into my mind. It seems to

me surpassing strange that a man of my time, in whatever position or

complicated trouble of soul, should find so much analogy to himself

as I find in this drama, based upon Holinshed's sanguinary and gross

legend. Hamlet is the human soul as it was, as it is, and as it will

be. In conceiving this drama, Shakspeare overstepped the limit fixed

even for genius. I can understand Homer and Dante, studied by the

light of their epoch. I can comprehend that they could do what they

did; but how an Englishman of the seventeenth century could foreknow

psychosis, a science of recent growth, will be to me, in spite of my

study of Hamlet, an everlasting mystery.

Having mentally handed over to Sniatynski Hamlet's pipe, I recommended

to his care Miss Hilst, and then began to discuss his pet theories.

Upon his wanting to know what brought me back, I said it was the

longing for the country, and consciousness of unfulfilled duties

towards it. I said it in a careless, off-hand way, and Sniatynski

looked puzzled, not knowing whether I spoke seriously or mockingly.

And again the same phenomenon of which I spoke in Paris repeated

itself here. The moral ascendency he had gained over me gradually

disappeared. He did not know himself what to think, but he saw the

old key would not serve any longer. When he said good-by I again

recommended to him Miss Hilst. He looked at me keenly.

"Do you attach much importance to her success?"

"Yes, very much. She is a person I hold in great esteem, and have much

friendship for."

In this way I centred all his attention on Miss Hilst. Most likely he

thought I had fallen in love with her. He went away angry, and could

not disguise his feelings. He shut the door sharply; and when I

accompanied him as far as the staircase, and turned back to the

anteroom, I heard him descending the staircase, taking four steps at

once, and whistling,--which he always does when angry. Besides, it was

quite true, what I said about Miss Hilst. I wrote to-day to Clara,

explaining why I had not been to see her, and received a reply at

once. She is delighted with Warsaw, and especially its inhabitants.

All the musical world has called upon her, and they are vying with

each other in politeness and offers of help. Whether they would

be quite as enthusiastic had she come to settle here, is another

question; but Clara has the gift to win friends wherever she goes. She

has already seen something of the town, and was much charmed with the

Sazienki Park and Palace. I am glad she likes it,--the more so as

the country, soon after crossing the frontier, seemed to her rather

depressing. Truly, only those born on the soil can find any charm in

the vast solitary plains, where the eye finds very little to rest

upon. Clara, looking through the carriage window, said more than once:

"Ah! I can understand Chopin now!" She is utterly mistaken,--she does

not understand Chopin and his feelings, any more than she is in touch

with his native land. I, though a cosmopolitan by education, by

atavism understand our nature, and am surprised myself at the spell

a Polish spring casts upon me, and it seems as if I could never

feel tired of it. Properly speaking, what does the view consist of?

Sometimes, on purpose, I put myself into a stranger's place,--a

painter's, having no preconceived ideas about it, and look at it with

his eyes. The landscape then makes upon me the impression as if a

child had drawn it, or a savage, who had no notion about drawing. Flat

fallow-land, wet meadows, huts with their rectangular outline, the

straight poplars around country-seats on the distant horizon, a broad,

flat plain, finished off with a belt of woods,--that "ten miles of

nothing," as the Germans call it; all this reminds me of a first

attempt at drawing landscape. There is scarcely enough for a

background. From the moment I cease looking upon it with a stranger's

eyes, I begin to feel the simplicity of the view, incorporate myself

with that immense breadth, where every outlined object melts into the

far distance, as a soul in Nirvana; it has not only the artistic

charm of primitiveness, but it acts soothingly upon me. I admire the

Apennines; but my spirit is not in touch with them, and sooner or

later they become wearisome. The human being finds a resting-place

only where he is in harmony with his surroundings; and is reminded

that his soul and the soul of nature are of the same organization.

Homesickness springs from the isolation of the soul from its

surroundings. It appears to me that the principle of psychical

relationship could be applied in a still wider sense. It may seem

strange that I, brought up in foreign lands, permeated by their

culture, should harbor such views; but I go farther still, and say

a foreign woman, even the most beautiful, appears to me more as a

species of the female kind than a soul.

I remember what I wrote at one time concerning Polish women, but one

statement does not contradict the other; I may perceive their faults,

and yet feel myself nearer to them than to strangers. Besides, my old

opinions--at least, the greater part of them--are now in tatters, like

a worn-out garment.

But enough of this! I notice with a certain shame and surprise

that all I have been writing has been done in order to distract my

thoughts. Yes, that is true. I speak about landscapes, homesickness,

and so forth, while all my thoughts are at Ploszow. I did not want to

acknowledge it, even to myself. I feel restless, and something seems

to weigh me down. It is very probable that my going there and the

getting over the first meeting will be easier and far simpler than I

imagine. Expectancy of anything is always oppressive. When a young

lad, I had a duel; and on the eve of the day I felt troubled. Then,

too, I tried to think of something else, and could not manage it.

My thoughts are not at all tender, not even friendly, towards Pani

Kromitzka; but they swarm around me like angry bees, and I cannot

drive them away.

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