2 April.

Yesterday there was a thunderstorm. A strong southern wind drove the

clouds along as a herd of wild horses. It pulled and tore, chased

and scattered them, then got them under and threw them with a mighty

effort upon the sea, which darkened instantly as man in wrath, and

began in its turn to send its foam aloft,--a veritable battle of two

furies, which, battering each other, produce thunder and lightning

flashes. But all this lasted only a short time. We did not go out to

sea, as the waves were too rough. Instead of it we looked at the storm

from the glazed balcony, and sometimes looked at each other. It is no

use deluding myself any longer; there is something going on between

us,--a subtle change in our relations to each other. Neither of us has

said a word or overstepped the boundary line of friendship; neither

has confessed to anything, and yet speaking to each other we feel that

our words serve only to disguise our thoughts. It is the same when we

are in the boat, reading together, or when I listen to her music.

All our acts seem mere shadows,--an outward form that hides the real

essence of things, with its face still veiled, but following us

wherever we go. Neither of us has given it a name; but we both feel

its presence. Manifestations like these take place probably every time

man and woman begin to influence each other. I could not tell

exactly when it began; but I confess it did not come upon me quite

unexpectedly.

I accepted their hospitality because Mrs. Davis was my father's

friend; and it was she who, after his death, showed me more sympathy

than any one else in Rome. I have so much consciousness of self, am so

able to divide myself, that soon after my arrival here, in spite of

my heavy sorrow I had the presentiment that our mutual relation would

undergo a change. I hated myself that so soon after my father's death

I should harbor thoughts like these; but they were there. I find now

that my presentiments were right. If I said that the changed relation

has still its face veiled, I meant to say that I do not know exactly

when the veil will be torn asunder, and I am under the spell of

expectation. I should be unsophisticated indeed, if I supposed she

were less conscious of all this than I. She is probably more so.

Most likely she is guiding all these changes; and everything that is

happening happens according to her wishes and cool reflection. Diana

the Huntress is spreading her net for the game! But what does it

matter to me? what is there for me to lose? As nearly every man, I am

that kind of game which allows itself to be hunted for the purpose of

turning at a given moment against the hunter. In such circumstances

we all have energy enough. In a hand-to-hand fight, like this, the

victory rests always with us. I know perfectly well that Mrs. Davis

does not love me, any more than I love her. We simply react upon each

other through our pagan nature, our sensuous and artistic instincts.

With her it is also a question of vanity,--the worse for her, as it

may lead her whither love leads. I shall not go too far. In my feeling

for her there is neither affection nor tenderness,--nothing but

rapture at the sight of nature's masterwork, and the attraction

natural in a man when that masterwork is a woman. My father said that

the height of victory would be to change an angel into a woman; I

maintain that it is no less a triumph to feel around one's neck the

arms, palpitating with life, of a Florentine Venus.

As far as beauty goes she is the highest expression of whatever the

most exalted imagination is able to conceive. She is a Phryne. It

would turn most men's heads to see her in a tight-fitting riding-habit

that shows the outline of her figure as beautiful as that of a statue.

In the boat, reading Dante, she looked like a Sybil, and one could

understand a Nero's sacrilegious passion. Hers is an almost baleful

beauty. Only the joining eyebrows make her appear a woman of our

times, and this makes her all the more irritating. She has a certain

habit of pushing back her hair by putting both hands at the back of

her head; then her shoulders are raised; the whole shape acquires a

certain curve, and the breast stands firmly out,--and one feels a

desire to carry her off in one's arms from everybody's eyes.

In each of us there is a hidden Satyr. As to myself, as I said

already, I am highly impressionable; therefore, when I think of it,

that there is something going on between me and this live statue of

a Juno, that some mysterious power pushes us towards each other,--my

head is in a whirl, and I ask myself what would I wish for more

perfect than this.

Without Dogma: A Novel of Modern Poland · 第 38 / 211 题