SOMETHING FOR NOTHING.

DEAR MR. PUNCH,--From a communication to one of the daily papers, it

appears that "a hundred ladies and gentlemen who find the works of

HENDRIK IBSEN (perhaps not all for exactly the same reasons, but who

agree in finding them) among the most interesting productions of the

modern theatre, have guaranteed the estimated expenses of a series

of twelve performances, at which three of IBSEN'S plays will be

presented." This arrangement is carried out by "each guarantor

receiving in seats at the current theatrical prices the full value of

his subscription," as "the State will not subsidize a theatre, and no

millionnaire seems inclined to endow one."

This is clear enough, but it has occurred to me that, as after the

first few performances there may be a goodly number of untenanted

seats, it would be as well to provide auxiliary aid to fill them. It

would scarcely be fair to call upon the guarantors to pay the audience

to be present at the "entertainments" provided for their amusement.

And yet, unless the houses are good, the actors will not do themselves

justice, and the plays of HENDRIK IBSEN will suffer in consequence.

I fear that it would be revolting to humanity to insist upon the

attendance of the less intelligent inmates of the Asylum for Idiots,

and yet here would be an appropriate path out of the difficulty. Under

the circumstances, could not the State (with the aid of a short Act of

Parliament) still render assistance? I see no reason why thieves

and other dishonest characters should not have a portion of their

sentences remitted on condition that they attended the IBSEN

performances. Such an arrangement would save the rate-payers the

expense of the prisoners' keep. The audience I have suggested would

also be free from temptation, for when they were assisting at a

representation of one of IBSEN'S plays, I venture to believe they

would find nothing worth stealing.

Punch, or the London Charivari, Vol. 104, May 20, 1893 · 第 20 / 25 题