CHAPTER III.

ROSSINI VISITS ROME--TORVALDO E DORLISKA.

After the success of "Elisabetta," Rossini went to Rome, where he was

engaged to write two works for the carnival of 1816. On the 26th of

December, 1815, he produced at the Teatro Valle, "Torvaldo e Dorliska;"

composed for Remorini and Galli, the two best bass singers of the day,

Donzelli, the celebrated tenor, and Madame Sala, a prima donna of great

reputation, who, it is interesting to know, was the mother of our

distinguished author and journalist, Mr. George Augustus Sala.

But though the singers were excellent, the orchestra was composed of

very indifferent musicians, most of whom were workmen and petty

shopkeepers engaged during the day in the pursuit of their trade. The

first clarinet was a barber, who habitually shaved Rossini. In proof of

the composer's admirable presence of mind, it is narrated that, annoyed

and irritated as he was at the rehearsals by the inability of the band

to execute his music correctly, he never once said a severe thing to the

first clarinet. He remonstrated with him very gently the next morning

after the operation of shaving had been safely performed.

Altogether it is not astonishing that the opera was received rather

coldly, or at least not with sufficient warmth to satisfy Rossini. On

"Sigismondo" being hissed at Venice, Rossini had sent his mother a

drawing of a _fiasco_; this time he forwarded her a sketch of a little

bottle or _fiaschetto_.

"Torvaldo e Dorliska," however, must have been an opera of some mark

even among the operas of Rossini. It was received at Paris, in 1825, for

the début of Mademoiselle Marietta Garcia, the future Malibran, and the

composer borrowed from it the motive of the magnificent letter duet in

"Otello." The moderate success of the work is partly to be explained by

the poorness of the libretto--the production, however, of a man who,

immediately afterwards, furnished Rossini with one of the best opera

books ever written.

"Torvaldo e Dorliska" and "Il Barbiere di Siviglia" were produced

simultaneously; and the little attention paid to the former, may partly

no doubt be explained by the immense, though not in the first instance

uncontested, success of the latter.

The Life of Rossini · 第 3 / 16 章