[Illustration]
I had no friends but the Lintots and their friends. "Les amis de nos
amis sont nos amis!"
My cousin Alfred had gone into the army, like his father before him. My
cousin Charlie had gone into the Church, and we had drifted completely
apart. My grandmother was dead. My Aunt Plunket, a great invalid, lived
in Florence. Her daughter, Madge, was in India, happily married to a
young soldier who is now a most distinguished general.
The Lintots held their heads high as representatives of a liberal
profession, and an old Pentonville family. People were generally
exclusive in those days--an exclusiveness that was chiefly kept up by
the ladies. There were charmed circles even in Pentonville.
Among the most exclusive were the Lintots. Let us hope, in common
justice, that those they excluded were at least able to exclude others.
I have eaten their bread and salt, and it would ill become me to deny
that their circle was charming as well as charmed. But I had no gift for
making friends, although I was often attracted by people the very
opposite of myself; especially by little, clever, quick, but not too
familiar men; but even if they were disposed to make advances, a
miserable shyness and stiffness of manner on my part, that I could not
help, would raise a barrier of ice between us.
They were most hospitable people, these good Lintots, and had many
friends, and gave many parties, which my miserable shyness prevented me
from enjoying to the full. They were both too stiff and too free.
In the drawing-room, Mrs. Lintot and one or two other ladies, severely
dressed, would play the severest music in a manner that did not mitigate
its severity. They were merciless! It was nearly always Bach, or Hummel,
or Scarlatti, each of whom, they would say, could write both like an
artist and a gentleman--a very rare but indispensable combination,
it seemed.
Other ladies, young and middle-aged, and a few dumb-struck youths like
myself, would be suffered to listen, but never to retaliate--never to
play or sing back again.
If one ventured to ask for a song without words by Mendelssohn--or a
song with words, even by Schubert, even with German words--one was
rebuked and made to blush for the crime of musical frivolity.
Meanwhile, in Lintot's office (built by himself in the back garden),
grave men and true, pending the supper hour, would smoke and sip
spirits-and-water, and talk shop; formally at first, and with much
politeness. But gradually, feeling their way, as it were, they would
relax into social unbuttonment, and drop the "Mister" before each
other's names (to be resumed next morning), and indulge in lively
professional chaff, which would soon become personal and free and
boisterous--a good-humored kind of warfare in which I did not shine, for
lack of quickness and repartee. For instance, they would ask one whether
one would rather be a bigger fool than one looked, or look a bigger fool
than one was; and whichever way one answered the question, the retort
would be that "that was impossible!" amid roars of laughter from all
but one.
[Illustration]
So that I would take a middle course, and spend most of the evening on
the stairs and in the hall, and study (with an absorbing interest much
too well feigned to look natural) the photographs of famous cathedrals
and public buildings till supper came; when, by assiduously attending on
the ladies, I would cause my miserable existence to be remembered, and
forgiven; and soon forgotten again, I fear.
I hope I shall not be considered an overweening coxcomb for saying that,
on the whole, I found more favor with the ladies than with the
gentlemen; especially at supper-time.
After supper there would be a change--for the better, some thought.
Lintot, emboldened by good-cheer and good-fellowship, would become
unduly, immensely, uproariously funny, in spite of his wife. He had a
genuine gift of buffoonery. His friends would whisper to each other
that Lintot was "on," and encourage him. Bach and Hummel and Scarlatti
were put on the shelf, and the young people would have a good time.
There were comic songs and negro melodies, with a chorus all round.
Lintot would sing "Vilikins and his Dinah," in the manner of Mr. Robson,
so well that even Mrs. Lintot's stern mask would relax into indulgent
smiles. It was irresistible. And when the party broke up, we could all
(thanks to our host) honestly thank our hostess "for a very pleasant
evening," and cheerfully, yet almost regretfully, wish her good-night.
It is good to laugh sometimes--wisely if one can; if not, _quocumque
modo_! There are seasons when even "the crackling of thorns under a pot"
has its uses. It seems to warm the pot--all the pots--and all the
emptiness thereof, if they be empty.
* * * * *
Once, indeed, I actually made a friend, but he did not last me very
long.
It happened thus: Mrs. Lintot gave a grander party than usual. One of
the invited was Mr. Moses Lyon, the great picture-dealer--a client of
Lintot's; and he brought with him young Raphael Merridew, the already
famous painter, the most attractive youth I had ever seen. Small and
slight, but beautifully made, and dressed in the extreme of fashion,
with a handsome face, bright and polite manners, and an irresistible
voice, he became his laurels well; he would have been sufficiently
dazzling without them. Never had those hospitable doors in Myddelton
Square been opened to so brilliant a guest.
I was introduced to him, and he discovered that the bridge of my nose
was just suited for the face of the sun-god in his picture of "The
Sun-god and the Dawn-maiden," and begged I would favor him with a
sitting or two.
Proud indeed was I to accede to such a request, and I gave him many
sittings. I used to rise at dawn to sit, before my work at Lintot's
began; and to sit again as soon as I could be spared.
It seems I not only had the nose and brow of a sun-god (who is not
supposed to be a very intellectual person), but also his arms and his
torso; and sat for these, too. I have been vain of myself ever since.
During these sittings, which he made delightful, I grew to love him as
David loved Jonathan.
We settled that we would go to the Derby together in a hansom. I engaged
the smartest hansom in London days beforehand. On the great Wednesday
morning I was punctual with it at his door in Charlotte Street. There
was another hansom there already--a smarter hansom still than mine, for
it was a private one--and he came down and told me he had altered his
mind, and was going with Lyon, who had asked him the evening before.
"One of the first picture-dealers in London, my dear fellow. Hang it
all, you know, I couldn't refuse--awfully sorry!"
So I drove to the Derby in solitary splendor, but the bright weather,
the humors of the road, all the gay scenes were thrown away upon me,
such was the bitterness of my heart.
[Illustration]
In the early afternoon I saw Merridew lunching on the top of a drag,
among some men of smart and aristocratic appearance. He seemed to be the
life of the party, and gave me a good-humored nod as I passed. I soon
found Lyon sitting disconsolate in his hansom, scowling and solitary; he
invited me to lunch with him, and disembosomed himself of a load of
bitterness as intense as mine (which I kept to myself). The shrewd
Hebrew tradesman was sunk in the warm-hearted, injured friend. Merridew
had left Lyon for the Earl of Chiselhurst, just as he had left me
for Lyon.
That was a dull Derby for us both!
A few days later I met Merridew, radiant as ever. All he said was:
"Awful shame of me to drop old Lyon for Chiselhurst, eh? But an earl, my
dear fellow! Hang it all, you know! Poor old Mo had to get back in his
hansom all by himself, but he's bought the 'Sun-god' all the same."
Merridew soon dropped me altogether, to my great sorrow, for I forgave
him his Derby desertion as quickly as Lyon did, and would have forgiven
him anything. He was one of those for whom allowances are always being
made, and with a good grace.
He died before he was thirty, poor boy! but his fame will never die. The
"Sun-god" (even with the bridge of that nose which had been so wofully
put out of joint) is enough by itself to place him among the immortals.
Lyon sold it to Lord Chiselhurst for three thousand pounds--it had cost
him five hundred. It is now in the National Gallery.
[Illustration]
Poetical justice was satisfied!
* * * * *
Nor was I more fortunate in love than in friendship.
All the exclusiveness in the world cannot exclude good and beautiful
maidens, and these were not lacking, even in Pentonville.
There is always one maiden much more beautiful and good than all the
others--like Esmeralda among the ladies of the Hôtel de Gondelaurier.
There was such a maiden in Pentonville, or rather Clerkenwell, close by.
But her station was so humble (like Esmeralda's) that even the least
exclusive would have drawn the line at _her!_ She was one of a large
family, and they sold tripe and pig's feet, and food for cats and dogs,
in a very small shop opposite the western wall of the Middlesex House of
Detention. She was the eldest, and the busy, responsible one at this
poor counter. She was one of Nature's ladies, one of Nature's
goddesses--a queen! Of that I felt sure every time I passed her shop,
and shyly met her kind, frank, uncoquettish gaze. A time was approaching
when I should have to overcome my shyness, and tell her that she of all
women was the woman for me, and that it was indispensable, absolutely
indispensable, that we two should be made one--immediately! at
once! forever!
But before I could bring myself to this she married somebody else, and
we had never exchanged a single word!
If she is alive now she is an old woman--a good and beautiful old woman,
I feel sure, wherever she is, and whatever her rank in life. If she
should read this book, which is not very likely, may she accept this
small tribute from an unknown admirer; for whom, so many years ago, she
beautified and made poetical the hideous street that still bounds the
Middlesex House of Detention on its western side; and may she try to
think not the less of it because since then its writer has been on the
wrong side of that long, blank wall, of that dreary portal where the
agonized stone face looks down on the desolate slum:
"_Per me si va tra la perduta gente_ ...!"
After this disappointment I got myself a big dog (like Byron, Bismarck,
and Wagner), but not in the spirit of emulation. Indeed, I had never
heard of either Bismarck or Wagner in those days, or their dogs, and I
had lost my passion for Byron and any wish to emulate him in any way; it
was simply for the want of something to be fond of, and that would be
sure to love me back again.
He was not a big dog when I bought him, but just a little ball of
orange-tawny fluff that I could carry with one arm. He cost me all the
money I had saved up for a holiday trip to Passy. I had seen his father,
a champion St. Bernard, at a dog-show, and felt that life would be well
worth living with such a companion; but _his_ price was five hundred
guineas. When I saw the irresistible son, just six weeks old, and heard
that he was only one-fiftieth of his sire's value, I felt Passy must
wait, and became his possessor.
[Illustration: PORTHOS AND HIS ATTENDANT SQUIRE.]
I gave him of the best that money could buy--real milk at fivepence a
quart, three quarts a day, I combed his fluff every morning, and washed
him three times a week, and killed all his fleas one by one--a labour of
love. I weighed him every Saturday, and found he increased at the rate
of six to nine weekly; and his power of affection increased as the
square of his weight. I christened him Porthos, because he was so big
and fat and jolly; but in his noble puppy face and his beautiful
pathetic eyes I already foresaw for his middle age that distinguished
and melancholy grandeur which characterized the sublime Athos, Comte
de la Fère.
He was a joy. It was good to go to sleep at night and know he would be
there in the morning. Whenever we took our walks abroad, everybody
turned round to look at him and admire, and to ask if he was
good-tempered, and what his particular breed was, and what I fed him on.
He became a monster in size--a beautiful, playful, gracefully
galumphing, and most affectionate monster, and I, his happy
Frankenstein, congratulated myself on the possession of a treasure that
would last twelve years at least, or even fourteen, with the care I
meant to take of him. But he died of distemper when he was eleven
months old.
I do not know if little dogs cause as large griefs when they die as big
ones; but I settled there should be no more dogs--big or little--for me.
* * * * *
After this I took to writing verses and sending them to magazines, where
they never appeared. They were generally about my being reminded, by a
tune, of things that had happened a long time ago: my poetic, like my
artistic vein, was limited.
Here are the last I made, thirty years back. My only excuse for giving
them is that they are so _singularly prophetic_.
The reminding tune (an old French chime which my father used to sing)
is very simple and touching; and the old French words run thus:
_"Orléans, Beaugency!
Notre Dame de Cléry!
Vendôme! Vendôme!
Quel chagrin, quel ennui
De compter toute la nuit
Les heures--Les heures!"_
That is all. They are supposed to be sung by a mediaeval prisoner who
cannot sleep; and who, to beguile the tediousness of his insomnia, sets
any words that come into his head to the tune of the chime which marks
the hours from a neighboring belfry. I tried to fancy that his name was
Pasquier de la Marière, and that he was my ancestor.