III.

Not long before the period to which our story relates, the

“possessor”[12] of the neighboring estate had been changed. The former

neighbor, who had managed to engage in a lawsuit even with the taciturn

Pan Popèlski, in consequence of some damage caused to the fields, had

been replaced by the old man Yaskùlski and his wife. Although the united

ages of this couple amounted to one hundred years, their marriage had

been celebrated but recently, because Yakùb was for a long time unable to

procure the sum required for hiring an estate, and thus was forced to act

as overseer of one estate after another, while Pani Agnyèshka spent her

period of waiting as a sort of companion in the family of the Countess

N. When at last the happy moment arrived, and the bride and bridegroom

stood hand in hand in the church, the hair of the handsome bridegroom

was fairly gray, and the timid, blushing face of the bride was likewise

framed in silvery locks.

This circumstance, however, by no means marred the married happiness of

the somewhat late-wedded pair, and the fruit of their love was an only

daughter about the age of the blind boy. Having won for themselves a

domestic shelter, where under certain conditions they had a right to full

control, this elderly couple began a peaceful and quiet existence, which

seemed like a compensation for the hard years of toil and anxiety which

they had passed in other folks’ houses. Their first lease was a failure,

and they had started anew on a somewhat smaller scale. But in this new

abode they had at once arranged things to suit themselves. In the corner

occupied by the images, decorated with ivy, sacred palm, and a wax

taper,[13] the old lady kept bags filled with herbs and roots, by whose

aid she doctored her husband as well as the peasants who came to consult

her. These herbs would fill the hut with a peculiarly characteristic

fragrance, associated in the minds of the villagers with their memory

of that neat and quiet little house, with the two old persons who dwelt

therein, and whose placid existence offered so unusual a spectacle in

times like these.

Meanwhile the only daughter of this elderly pair was growing up in

their companionship,—a girl with long brown tresses and blue eyes, who

straightway impressed every one that saw her with the uncommon maturity

of her face. It seemed as if the calm love of the parents, finding

fruition so late in life, had been reflected in their daughter’s nature

by a mature judgment, a quiet deliberation in all her movements, and a

certain pensive expression in the depths of her blue eyes. She was never

shy with strangers, willingly made the acquaintance of children and took

part in their games,—which was done however with an air of condescension,

as if she herself really felt no interest in the matter. She was in fact

quite happy in her own society, walking, gathering flowers, talking to

her doll,—and all so demurely that one felt as if in the presence of a

grown-up woman rather than in that of a child.

The Blind Musician · 第 40 / 69 题