III.

The First Friendship.

[Illustration]

In pursuance of the system which by Maxim’s influence had been

established, the blind boy had as far as possible been left to his own

resources; and from this system the best results had ensued. In the

house he showed no signs of helplessness, but moved from place to place

without faltering; took care of his own room, and kept his belongings

and his toys in order. Neither did Maxim by any means neglect physical

exercises; the boy had his regular gymnastics, and in his sixth year

Maxim presented his nephew with a gentle little horse. At first the

mother could not believe it possible that her blind child could ride on

horseback, and she called her brother’s scheme “perfect madness.” But the

old soldier exerted his utmost influence and in two or three months the

boy was galloping merrily side by side with Joachim, who directed him

only at turnings.

Thus blindness proved no drawback to systematic physical development,

while its influence over the moral nature of the child was reduced

to its minimum. He was tall for his age and well built; his face was

somewhat pale, his features fine and expressive. His dark hair enhanced

the pallid hue of his complexion, while his eyes—large, dark, and almost

motionless—gave him a peculiar aspect that at once attracted attention.

A slight wrinkle between his eye-brows, a habit of inclining his head

slightly forward, and the expression of sadness that sometimes overcast

his handsome face,—these were the outward tokens of his blindness. When

surrounded by familiar objects he moved readily and without restraint;

but still it was evident that his instinctive vivacity was repressed, and

it was only by certain fitful outbursts of nervous excitement that it was

ever manifested.

The Blind Musician · 第 38 / 69 题