VIII.

After that first excursion in the spring, the boy was delirious for

several days. He either lay quiet and motionless upon his bed, or kept

up a constant muttering, as if he were listening to something. Meanwhile

the peculiar expression of wonder never left his face.

“He really looks as if he were trying in vain to understand something,”

said the young mother.

Maxim had grown thoughtful; he merely nodded. He had suspected that the

boy’s strange alarm, as well as his swoon, might be attributed to the

numerous impressions which the boy’s perceptive faculties had been unable

to grasp; and he decided to allow these impressions to find their way

into the mind of the convalescent child by degrees, disintegrated, so to

speak, into their component parts. The windows of the invalid’s room had

been closed, but when he began to recover, they were occasionally opened.

Some member of the family used to lead him about the rooms, and into

the vestibule, the yard, and the garden. Every time his mother observed

a look of alarm upon his face, she would explain to him the nature of

the sounds that perplexed him. “That is the shepherd’s horn you hear

beyond the wood,” she explained; “and that sound which you hear above the

twittering of the sparrows is the note of the red-wing. Listen to the

stork gurgling on his wheel.[5] He has just arrived from distant lands,

and is now building his nest on the old spot.”

As the mother spoke thus, the boy turned toward her, his face beaming

with gratitude, and seized her hand and nodded, as with a thoughtful and

intelligent expression he continued to listen.

The Blind Musician · 第 26 / 69 题