FAMILIAR VERSE, AND POEMS HUMOROUS AND SATIRIC
Ballade of the Primitive Jest Andrew Lang
THE KINDLY MUSE
Time to be Wise Walter Savage Landor
Under the Lindens Walter Savage Landor
Advice Walter Savage Landor
To Fanny Thomas Moore
"I'd be a Butterfly" Thomas Haynes Bayly
"I'm not a Single Man" Thomas Hood
To ----- Winthrop Mackworth Praed
The Vicar Winthrop Mackworth Praed
The Belle of the Ball-room Winthrop Mackworth Praed
The Fine Old English
Gentleman Unknown
A Ternerie of Littles, upon
a Pipkin of Jelly Sent to
a Lady Robert Herrick
Chivalry at a Discount Edward Fitzgerald
The Ballad of Bouillabaisse William Makepeace Thackeray
To my Grandmother Frederick Locker-Lampson
My Mistress's Boots Frederick Locker-Lampson
A Garden Lyric Frederick Locker-Lampson
Mrs. Smith Frederick Locker-Lampson
The Skeleton in the Cupboard Frederick Locker-Lampson
A Terrible Infant Frederick Locker-Lampson
Companions Charles Stuart Calverley
Dorothy Q Oliver Wendell Holmes
My Aunt Oliver Wendell Holmes
The Last Leaf Oliver Wendell Holmes
Contentment Oliver Wendell Holmes
The Boys Oliver Wendell Holmes
The Jolly Old Pedagogue George Arnold
On an Intaglio Head of
Minerva Thomas Bailey Aldrich
Thalia Thomas Bailey Aldrich
Pan in Wall Street Edmund Clarence Stedman
Upon Lesbia--Arguing Alfred Cochrane
To Anthea, who May Command
Him Anything Alfred Cochrane
The Eight-Day Clock Alfred Cochrane
A Portrait Joseph Ashby-Sterry
"Old Books are Best" Beverly Chew
Impression Edmund Gosse
"With Strawberries" William Ernest Henley
Ballade of Ladies' Names William Ernest Henley
To a Pair of Egyptian
Slippers Edwin Arnold
Without and Within James Russell Lowell
"She was a Beauty" Henry Cuyler Bunner
Nell Gwynne's Looking-Glass Laman Blanchard
Mimnermus in Church William Johnson-Cory
Clay Edward Verrall Lucas
Aucassin and Nicolete Francis William Bourdillon
Aucassin and Nicolette Edmund Clarence Stedman
On the Hurry of This Time Austin Dobson
"Good-Night, Babette" Austin Dobson
A Dialogue from Plato Austin Dobson
The Ladies of St. James's Austin Dobson
The Cure's Progress Austin Dobson
A Gentleman of the Old
School Austin Dobson
On a Fan Austin Dobson
"When I Saw You Last, Rose" Austin Dobson
Urceus Exit Austin Dobson
A Corsage Bouquet Charles Henry Luders
Two Triolets Harrison Robertson
The Ballad of Dead Ladies Dante Gabriel Rossetti
Ballade of Dead Ladies Andrew Lang
A Ballad of Dead Ladies Justin Huntly McCarthy
If I Were King Justin Huntly McCarthy
A Ballade of Suicide Gilbert Keith Chesterton
Chiffons! William Samuel Johnson
The Court Historian Walter Thornbury
Miss Lou Walter de La Mare
The Poet and the Wood-louse Helen Parry Eden
Students Florence Wilkinson
"One, Two, Three" Henry Cuyler Bunner
The Chaperon Henry Cuyler Bunner
"A Pitcher of Mignonette" Henry Cuyler Bunner
Old King Cole Edwin Arlington Robinson
The Master Mariner George Sterling
A Rose to the Living Nixon Waterman
A Kiss Austin Dobson
Biftek aux Champignons Henry Augustin Beers
Evolution Langdon Smith
A Reasonable Affliction Matthew Prior
A Moral in Sevres Mildred Howells
On the Fly-leaf of a Book of
Old Plays Walter Learned
The Talented Man Winthrop Mackworth Praed
A Letter of Advice Winthrop Mackworth Praed
A Nice Correspondent Frederick Locker-Lampson
Her Letter Bret Harte
A Dead Letter Austin Dobson
The Nymph Complaining for
the Death of her Fawn Andrew Marvell
On the Death of a Favorite
Cat Drowned in a Tub of
Goldfishes Thomas Gray
Verses on a Cat Charles Daubeny
Epitaph on a Hare William Cowper
On the Death of Mrs.
Throckmorton's Bullfinch William Cowper
An Elegy on a Lap-Dog John Gay
My Last Terrier John Halsham
Geist's Grave Matthew Arnold
"Hold" Patrick R. Chalmers
THE BARB OF SATIRE
The Vicar of Bray Unknown
The Lost Leader Robert Browning
Ichabod John Greenleaf Whittier
What Mr. Robinson Thinks James Russell Lowell
The Debate in the Sennit James Russell Lowell
The Marquis of Carabas Robert Brough
A Modest Wit Selleck Osborn
Jolly Jack William Makepeace Thackeray
The King of Brentford William Makepeace Thackeray
Kaiser & Co A. Macgregor Rose
Nongtongpaw Charles Dibdin
The Lion and the Cub John Gay
The Hare with Many Friends John Gay
The Sycophantic Fox and the
Gullible Raven Guy Wetmore Carryl
The Friend of Humanity and
the Knife-Grinder George Canning
Villon's Straight Tip to all
Cross Coves William Ernest Henley
Villon's Ballade Andrew Lang
A Little Brother of the Rich Edward Sandford Martin
The World's Way Thomas Bailey Aldrich
For My Own Monument Matthew Prior
The Bishop Orders His Tomb
at Saint Praxed's Church Robert Browning
Up at a Villa--Down in the
City Robert Browning
All Saints' Edmund Yates
An Address to the Unco Guid Robert Burns
The Deacon's Masterpiece Oliver Wendell Holmes
Ballade of a Friar Andrew Lang
The Chameleon James Merrick
The Blind Men and the
Elephant John Godfrey Saxe
The Philosopher's Scales Jane Taylor
The Maiden and the Lily John Fraser
The Owl-Critic James Thomas Fields
The Ballad of Imitation Austin Dobson
The Conundrum of the
Workshops Rudyard Kipling
The V-a-s-e James Jeffrey Roche
Hem and Haw Bliss Carmen
Miniver Cheevy Edwin Arlington Robinson
Then Ag'in Sam Walter Foss
A Conservative Charlotte Perkins Stetson Gilman
Similar Cases Charlotte Perkins Stetson Gilman
Man and the Ascidian Andrew Lang
The Calf-Path Sam Walter Foss
Wedded Bliss Charlotte Perkins Stetson Gilman
Paradise: A Hindoo Legend George Birdseye
Ad Chloen, M. A. Mortimer Collins
"As Like the Woman as
You Can" William Ernest Henley
"No Fault in Women" Robert Herrick
"Are Women Fair" Francis Davison (?)
A Strong Hand Aaron Hill
Women's Longing John Fletcher
Triolet Robert Bridges
The Fair Circassian Richard Garnett
The Female Phaeton Matthew Prior
The Lure John Boyle O'Reilly
The Female of the Species Rudyard Kipling
The Woman with the Serpent's
Tongue William Watson
Suppose Anne Reeve Aldrich
Too Candid by Half John Godfrey Saxe
Fable Ralph Waldo Emerson
Woman's Will Unknown
Woman's Will John Godfrey Saxe
Plays Walter Savage Landor
Remedy Worse than the
Disease Matthew Prior
The Net of Law James Jeffrey Roche
Cologne Samuel Taylor Coleridge
Epitaph on Charles II John Wilmot
Certain Maxims of Hafiz Rudyard Kipling
A Baker's Duzzen uv
Wise Sawz Edward Rowland Sill
Epigram Samuel Taylor Coleridge
Epigram Unknown
Epigram Richard Garnett
Epigram Richard Garnett
Epigram Walter Savage Landor
Epigram William Erskine
Epigram Richard Brinsley Sheridan
Epigram Alexander Pope
Epigram Samuel Johnson
Epigram John Gay
Epigram Alexander Pope
Epigram Samuel Taylor Coleridge
Epigram Unknown
Epigram Samuel Taylor Coleridge
Epigram Unknown
Epigram Matthew Prior
Epigram George Macdonald
Epigram Jonathan Swift
Epigram Byron's epitaph for Pitt
Epigram David Garrick
Epigram John Harington
Epigram John Byrom
Epigram Richard Garnett
Epigram Thomas Moore
Epigram Unknown
Epigram Samuel Taylor Coleridge
Epigram John Dryden
Epigram Thomas Hood
Written on a Looking-glass Unknown
An Epitaph George John Cayley
On the Aristocracy of
Harvard John Collins Bossidy
On the Democracy of Yale Frederick Scheetz Jones
A General Summary Rudyard Kipling
THE MIMICS
An Omar for Ladies Josephine Daskam Bacon
"When Lovely Woman" Phoebe Cary
Fragment in Imitation of
Wordsworth Catherine M. Fanshaw
Only Seven Henry Sambrooke Leigh
Lucy Lake Newton Mackintosh
Jane Smith Rudyard Kipling
Father William Lewis Carroll
The New Arrival George Washington Cable
Disaster Charles Stuart Calverley
'Twas Ever Thus Henry Sambrooke Leigh
A Grievance James Kenneth Stephen
"Not a Sou Had he Got" Richard Harris Barham
The Whiting and the Snail Lewis Carroll
The Recognition William Sawyer
The Higher Pantheism in a
Nutshell Algernon Charles Swinburne
The Willow-tree William Makepeace Thackeray
Poets and Linnets Tom Hood, the Younger
The Jam-pot Rudyard Kipling
Ballad Charles Stuart Calverley
The Poster-girl Carolyn Wells
After Dilletante Concetti Henry Duff Traill
If Mortimer Collins
Nephilidia Algernon Charles Swinburne
Commonplaces Rudyard Kipling
The Promissory Note Bayard Taylor
Mrs. Judge Jenkins Bret Harte
The Modern Hiawatha George A. Strong
How Often Ben King
"If I should Die To-night" Ben King
Sincere Flattery James Kenneth Stephen
Culture in the Slums William Ernest Henley
The Poets at Tea Barry Pain
Wordsworth James Kenneth Stephen
PART III
POEMS OF NATURE
The world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This sea that bares her bosom to the moon,
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not.--Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.
William Wordsworth [1770-1850]
MOTHER NATURE
THE BOOK OF THE WORLD
Of this fair volume which we World do name,
If we the sheets and leaves could turn with care,
Of him who it corrects, and did it frame,
We clear might read the art and wisdom rare;
Find out his power which wildest powers doth tame,
His providence extending everywhere,
His justice which proud rebels doth not spare,
In every page, no, period of the same.
But silly we, like foolish children, rest
Well pleased with colored vellum, leaves of gold,
Fair dangling ribbons, leaving what is best,
On the great Writer's sense ne'er taking hold;
Or, if by chance we stay our minds on aught,
It is some picture on the margin wrought.
William Drummond [1585-1649]
NATURE
The bubbling brook doth leap when I come by,
Because my feet find measure with its call;
The birds know when the friend they love is nigh,
For I am known to them, both great and small.
The flower that on the lonely hillside grows
Expects me there when spring its bloom has given;
And many a tree and bush my wanderings knows,
And e'en the clouds and silent stars of heaven;
For he who with his Maker walks aright,
Shall be their lord as Adam was before;
His ear shall catch each sound with new delight,
Each object wear the dress that then it wore;
And he, as when erect in soul he stood,
Hear from his Father's lips that all is good.
Jones Very [1813-1880]
COMPENSATION
In that new world toward which our feet are set,
Shall we find aught to make our hearts forget
Earth's homely joys and her bright hours of bliss?
Has heaven a spell divine enough for this?
For who the pleasure of the spring shall tell
When on the leafless stalk the brown buds swell,
When the grass brightens and the days grow long,
And little birds break out in rippling song?
O sweet the dropping eve, the blush of morn,
The starlit sky, the rustling fields of corn,
The soft airs blowing from the freshening seas,
The sunflecked shadow of the stately trees,
The mellow thunder and the lulling rain,
The warm, delicious, happy summer rain,
When the grass brightens and the days grow long,
And little birds break out in rippling song!
O beauty manifold, from morn till night,
Dawn's flush, noon's blaze and sunset's tender light!
O fair, familiar features, changes sweet
Of her revolving seasons, storm and sleet
And golden calm, as slow she wheels through space,
From snow to roses,--and how dear her face,
When the grass brightens, when the days grow long,
And little birds break out in rippling song!
O happy earth! O home so well beloved!
What recompense have we, from thee removed?
One hope we have that overtops the whole,--
The hope of finding every vanished soul,
We love and long for daily, and for this
Gladly we turn from thee, and all thy bliss,
Even at thy loveliest, when the days are long,
And little birds break out in rippling song.
Celia Thaxter [1835-1894]
THE LAST HOUR
O joys of love and joys of fame,
It is not you I shall regret;
I sadden lest I should forget
The beauty woven in earth's name:
The shout and battle of the gale,
The stillness of the sun-rising,
The sound of some deep hidden spring,
The glad sob of the filling sail,
The first green ripple of the wheat,
The rain-song of the lifted leaves,
The waking birds beneath the eaves,
The voices of the summer heat.
Ethel Clifford [18--
NATURE
O Nature! I do not aspire
To be the highest in thy choir,--
To be a meteor in thy sky,
Or comet that may range on high;
Only a zephyr that may blow
Among the reeds by the river low;
Give me thy most privy place
Where to run my airy race.
In some withdrawn, unpublic mead
Let me sigh upon a reed,
Or in the woods, with leafy din,
Whisper the still evening in:
Some still work give me to do,--
Only--be it near to you!
For I'd rather be thy child
And pupil, in the forest wild,
Than be the king of men elsewhere,
And most sovereign slave of care;
To have one moment of thy dawn,
Than share the city's year forlorn.
Henry David Thoreau [1817-1862]
SONG OF NATURE
Mine are the night and morning,
The pits of air, the gull of space,
The sportive sun, the gibbous moon,
The innumerable days.
I hide in the solar glory,
I am dumb in the pealing song,
I rest on the pitch of the torrent,
In slumber I am strong.
No numbers have counted my tallies,
No tribes my house can fill,
I sit by the shining Fount of Life
And pour the deluge still;
And ever by delicate powers
Gathering along the centuries
From race on race the rarest flowers,
My wreath shall nothing miss.
And many a thousand summers
My gardens ripened well,
And light from meliorating stars
With firmer glory fell.
I wrote the past in characters
Of rock and fire the scroll,
The building in the coral sea,
The planting of the coal.
And thefts from satellites and rings
And broken stars I drew,
And out of spent and aged things
I formed the world anew;
What time the gods kept carnival,
Tricked out in star and flower,
And in cramp elf and saurian forms
They swathed their too much power.
Time and Thought were my surveyors,
They laid their courses well,
They boiled the sea, and piled the layers
Of granite, marl and shell.
But he, the man-child glorious,--
Where tarries he the while?
The rainbow shines his harbinger,
The sunset gleams his smile.
My boreal lights leap upward,
Forthright my planets roll,
And still the man-child is not born,
The summit of the whole.
Must time and tide forever run?
Will never my winds go sleep in the west?
Will never my wheels which whirl the sun
And satellites have rest?
Too much of donning and doffing,
Too slow the rainbow fades,
I weary of my robe of snow,
My leaves and my cascades;
I tire of globes and races,
Too long the game is played;
What without him is summer's pomp,
Or winter's frozen shade?
I travail in pain for him,
My creatures travail and wait;
His couriers come by squadrons,
He comes not to the gate.
Twice I have moulded an image,
And thrice outstretched my hand,
Made one of day and one of night
And one of the salt sea-sand.
One in a Judaean manger,
And one by Avon stream,
One over against the mouths of Nile,
And one in the Academe.
I moulded kings and saviors,
And bards o'er kings to rule;--
But fell the starry influence short,
The cup was never full.
Yet whirl the glowing wheels once more,
And mix the bowl again;
Seethe, Fate! the ancient elements,
Heat, cold, wet, dry, and peace, and pain.
Let war and trade and creeds and song
Blend, ripen race on race,
The sunburnt world a man shall breed
Of all the zones and countless days.
No ray is dimmed, no atom worn,
My oldest force is good as new,
And the fresh rose on yonder thorn
Gives back the bending heavens in dew.
Ralph Waldo Emerson [1803-1882]
"GREAT NATURE IS AN ARMY GAY"
Great nature is an army gay,
Resistless marching on its way;
I hear the bugles clear and sweet,
I hear the tread of million feet.
Across the plain I see it pour;
It tramples down the waving grass;
Within the echoing mountain-pass
I hear a thousand cannon roar.
It swarms within my garden gate;
My deepest well it drinketh dry.
It doth not rest; it doth not wait;
By night and day it sweepeth by;
Ceaseless it marcheth by my door;
It heeds me not, though I implore.
I know not whence it comes, nor where
It goes. For me it doth not care--
Whether I starve, or eat, or sleep,
Or live, or die, or sing, or weep.
And now the banners all are bright,
Now torn and blackened by the fight.
Sometimes its laughter shakes the sky,
Sometimes the groans of those who die.
Still through the night and through the livelong day
The infinite army marches on its remorseless way.
Richard Watson Gilder [1844-1909]
TO MOTHER NATURE
Nature, in thy largess, grant
I may be thy confidant!
Taste who will life's roadside cheer
(Though my heart doth hold it dear--
Song and wine and trees and grass,
All the joys that flash and pass),
I must put within my prayer
Gifts more intimate and rare.
Show me how dry branches throw
Such blue shadows on the snow,--
Tell me how the wind can fare
On his unseen feet of air,--
Show me how the spider's loom
Weaves the fabric from her womb,--
Lead me to those brooks of morn
Where a woman's laugh is born,--
Let me taste the sap that flows
Through the blushes of a rose,
Yea, and drain the blood which runs
From the heart of dying suns,--
Teach me how the butterfly
Guessed at immortality,--
Let me follow up the track
Of Love's deathless Zodiac
Where Joy climbs among the spheres
Circled by her moon of tears,--
Tell me how, when I forget
All the schools have taught me, yet
I recall each trivial thing
In a golden far off Spring,--
Give me whispered hints how I
May instruct my heart to fly
Where the baffling Vision gleams
Till I overtake my dreams,
And the impossible be done
When the Wish and Deed grow one!
Frederic Lawrence Knowles [1869-1905]
QUIET WORK
One lesson, Nature, let me learn of thee,
One lesson which in every wind is blown,
One lesson of two duties kept at one
Though the loud world proclaim their enmity--
Of toil unsevered from tranquillity;
Of labor, that in lasting fruit outgrows
Far noisier schemes, accomplished in repose,
Too great for haste, too high for rivalry.
Yes, while on earth a thousand discords ring,
Man's fitful uproar mingling with his toil,
Still do thy sleepless ministers move on,
Their glorious tasks in silence perfecting;
Still working, blaming still our vain turmoil;
Laborers that shall not fail, when man is gone.
Matthew Arnold [1822-1888]
NATURE
As a fond mother, when the day is o'er,
Leads by the hand her little child to bed,
Half willing, half reluctant to be led,
And leave his broken playthings on the floor,
Still gazing at them through the open door,
Nor wholly reassured and comforted
By promises of others in their stead,
Which, though more splendid, may not please him more;
So Nature deals with us, and takes away
Our playthings one by one, and by the hand
Leads us to rest so gently, that we go
Scarce knowing if we wish to go or stay,
Being too full of sleep to understand
How far the unknown transcends the what we know.
Henry Wadsworth Longfellow [1807-1882]
"AS AN OLD MERCER"
As an old mercer in some sleepy town
Swings wide his windows new day after day,
Sets all his wares around in arch array
To please the taste of passers up and down,--
His hoard of handy things of trite renown,
Of sweets and spices and of faint perfumes,
Of silks and prints,--and at the last illumes
His tiny panes to foil the evening's frown;
So Nature spreads her proffered treasures: such
As daily dazzle at the morning's rise,--
Fair show of isle and ocean merchandise,
And airy offerings filmy to the touch;
Then, lest we like not these, in Dark's bazaars
She nightly tempts us with her store of stars.
Mahlon Leonard Fisher [1874-
GOOD COMPANY
To-day I have grown taller from walking with the trees,
The seven sister-poplars who go softly in a line;
And I think my heart is whiter for its parley with a star
That trembled out at nightfall and hung above the pine.
The call-note of a redbird from the cedars in the dusk
Woke his happy mate within me to an answer free and fine;
And a sudden angel beckoned from a column of blue smoke--
Lord, who am I that they should stoop--these holy folk of thine?
Karle Wilson Baker [1878-
"HERE IS THE PLACE WHERE LOVELINESS KEEPS HOUSE"
Here is the place where Loveliness keeps house,
Between the river and the wooded hills,
Within a valley where the Springtime spills
Her firstling wind-flowers under blossoming boughs:
Where Summer sits braiding her warm, white brows
With bramble-roses; and where Autumn fills
Her lap with asters; and old Winter frills
With crimson haw and hip his snowy blouse.
Here you may meet with Beauty. Here she sits
Gazing upon the moon, or all the day
Tuning a wood-thrush flute, remote, unseen;
Or when the storm is out, 'tis she who flits
From rock to rock, a form of flying spray,
Shouting, beneath the leaves' tumultuous green.
Madison Cawein [1865-1914]
GOD'S WORLD
O world, I cannot hold thee close enough!
Thy winds, thy wide gray skies!
Thy mists, that roll and rise!
Thy woods, this autumn day, that ache and sag
And all but cry with color! That gaunt crag
To crush! To lift the lean of that black bluff!
World, world, I cannot get thee close enough!
Long have I known a glory in it all
But never knew I this.
Here such a passion is
As stretcheth me apart. Lord, I do fear
Thou'st made the world too beautiful this year.
My soul is all but out of me--let fall
No burning leaf; prithee, let no bird call.
Edna St. Vincent Millay [1892-
WILD HONEY
Where hints of racy sap and gum
Out of the old dark forest come;
Where birds their beaks like hammers wield,
And pith is pierced and bark is peeled;
Where the green walnut's outer rind
Gives precious bitterness to the wind;
There lurks the sweet creative power,
As lurks the honey in the flower.
In winter's bud that bursts in spring,
In nut of autumn's ripening,
In acrid bulb beneath the mold,
Sleeps the elixir, strong and old,
That Rosicrucians sought in vain,--
Life that renews itself again!
What bottled perfume is so good
As fragrance of split tulip-wood?
What fabled drink of god or muse
Was rich as purple mulberry juice?
And what school-polished gem of thought
Is like the rune from Nature caught?
He is a poet strong and true
Who loves wild thyme and honey-dew;
And like a brown bee works and sings
With morning freshness on his wings,
And a golden burden on his thighs,--
The pollen-dust of centuries!
Maurice Thompson [1844-1901]
PATMOS
All around him Patmos lies,
Who hath spirit-gifted eyes,
Who his happy sight can suit
To the great and the minute.
Doubt not but he holds in view
A new earth and heaven new;
Doubt not but his ear doth catch
Strain nor voice nor reed can match:
Many a silver, sphery note
Shall within his hearing float.
All around him Patmos lies,
Who unto God's priestess flies:
Thou, O Nature, bid him see,
Through all guises worn by thee,
A divine apocalypse.
Manifold his fellowships:
Now the rocks their archives ope;
Voiceless creatures tell their hope
In a language symbol-wrought;
Groves to him sigh out their thought;
Musings of the flower and grass
Through his quiet spirit pass.
'Twixt new earth and heaven new
He hath traced and holds the clue,
Number his delights ye may not;
Fleets the year but these decay not.
Now the freshets of the rain,
Bounding on from hill to plain,
Show him earthly streams have rise
In the bosom of the skies.
Now he feels the morning thrill,
As upmounts, unseen and still,
Dew the wing of evening drops.
Now the frost, that meets and stops
Summer's feet in tender sward,
Greets him, breathing heavenward.
Hieroglyphics writes the snow,
Through the silence falling slow;
Types of star and petaled bloom
A white missal-page illume.
By these floating symbols fine,
Heaven-truth shall be divine.
All around him Patmos lies,
Who hath spirit-gifted eyes;
He need not afar remove,
He need not the times reprove,
Who would hold perpetual lease
Of an isle in seas of peace.
Edith M. Thomas [1854-1925]
DAWN AND DARK
SONG
Phoebus, arise,
And paint the sable skies
With azure, white, and red:
Rouse Memnon's mother from her Tithon's bed,
That she thy career may with roses spread:
The nightingales thy coming each where sing,
Make an eternal Spring!
Give life to this dark world which lieth dead;
Spread forth thy golden hair
In larger locks than thou wast wont before,
And, emperor-like, decore
With diadem of pearl thy temples fair:
Chase hence the ugly night,
Which serves but to make dear thy glorious light.
This is that happy morn,
That day, long-wished day,
Of all my life so dark,
(If cruel stars have not my ruin sworn,
And fates not hope betray,)
Which, only white, deserves
A diamond for ever should it mark.
This is the morn should bring unto this grove
My Love, to hear and recompense my love.
Fair king, who all preserves,
But show thy blushing beams,
And thou two sweeter eyes
Shalt see, than those which by Peneus' streams
Did once thy heart surprise.
Nay, suns, which shine as clear
As thou, when two thou didst to Rome appear.
Now, Flora, deck thyself in fairest guise:
If that ye, winds, would hear
A voice surpassing far Amphion's lyre,
Your stormy chiding stay;
Let Zephyr only breathe,
And with her tresses play,
Kissing sometimes these purple ports of death.
--The winds all silent are,
And Phoebus in his chair
Ensaffroning sea and air,
Makes vanish every star:
Night like a drunkard reels
Beyond the hills, to shun his flaming wheels;
The fields with flowers are decked in every hue,
The clouds bespangle with bright gold their blue:
Here is the pleasant place,
And everything save her, who all should grace.
William Drummond [1585-1649]
HYMN OF APOLLO
The sleepless Hours who watch me as I lie,
Curtained with star-inwoven tapestries,
From the broad moonlight of the sky,
Fanning the busy dreams from my dim eyes,--
Waken me when their Mother, the gray Dawn,
Tells them that dreams and that the moon is gone.
Then I arise, and climbing Heaven's blue dome,
I walk over the mountains and the waves,
Leaving my robe upon the ocean foam;
My footsteps pave the clouds with fire; the caves
Are filled with my bright presence, and the air
Leaves the green Earth to my embraces bare.
The sunbeams are my shafts, with which I kill
Deceit, that loves the night and fears the day;
All men who do or even imagine ill
Fly me, and from the glory of my ray
Good minds and open actions take new might,
Until diminished by the reign of Night.
I feed the clouds, the rainbows, and the flowers,
With their ethereal colors; the Moon's globe,
And the pure stars in their eternal bowers,
Are cinctured with my power as with a robe;
Whatever lamps on Earth or Heaven may shine,
Are portions of one power, which is mine.
I stand at noon upon the peak of Heaven;
Then with unwilling steps I wander down
Into the clouds of the Atlantic even;
For grief that I depart they weep and frown:
What look is more delightful than the smile
With which I soothe them from the western isle?
I am the eye with which the Universe
Beholds itself, and knows it is divine;
All harmony of instrument or verse,
All prophecy, all medicine, is mine,
All light of art or nature;--to my song
Victory and praise in its own right belong.
Percy Bysshe Shelley [1792-1822]
PRELUDE
From "The New Day"
The night was dark, though sometimes a faint star
A little while a little space made bright.
The night was dark and still the dawn seemed far,
When, o'er the muttering and invisible sea,
Slowly, within the East, there grew a light
Which half was starlight, and half seemed to be
The herald of a greater. The pale white
Turned slowly to pale rose, and up the height
Of heaven slowly climbed. The gray sea grew
Rose-colored like the sky. A white gull flew
Straight toward the utmost boundary of the East
Where slowly the rose gathered and increased.
There was light now, where all was black before:
It was as on the opening of a door
By one who in his hand a lamp doth hold
(Its flame being hidden by the garment's fold),--
The still air moves, the wide room is less dim.
More bright the East became, the ocean turned
Dark and more dark against the brightening sky--
Sharper against the sky the long sea line.
The hollows of the breakers on the shore
Were green like leaves whereon no sun doth shine,
Though sunlight make the outer branches hoar.
From rose to red the level heaven burned;
Then sudden, as if a sword fell from on high,
A blade of gold flashed on the ocean's rim.
Richard Watson Gilder [1844-1909]
DAWN ON THE HEADLAND
Dawn--and a magical stillness: on earth, quiescence profound;
On the waters a vast Content, as of hunger appeased and stayed;
In the heavens a silence that seems not mere privation of sound,
But a thing with form and body, a thing to be touched and weighed!
Yet I know that I dwell in the midst of the roar of the cosmic wheel,
In the hot collision of Forces, and clangor of boundless Strife,
Mid the sound of the speed of the worlds, the rushing worlds, and the peal
Of the thunder of Life.
William Watson [1858-1935]
THE MIRACLE OF THE DAWN
What would it mean for you and me
If dawn should come no more!
Think of its gold along the sea,
Its rose above the shore!
That rose of awful mystery,
Our souls bow down before.
What wonder that the Inca kneeled,
The Aztec prayed and pled
And sacrificed to it, and sealed,--
With rites that long are dead,--
The marvels that it once revealed
To them it comforted.
What wonder, yea! what awe, behold!
What rapture and what tears
Were ours, if wild its rivered gold,--
That now each day appears,--
Burst on the world, in darkness rolled,
Once every thousand years!
Think what it means to me and you
To see it even as God
Evolved it when the world was new!
When Light rose, earthquake-shod,
And slow its gradual splendor grew
O'er deeps the whirlwind trod.
What shoutings then and cymballings
Arose from depth and height!
What worship-solemn trumpetings,
And thunders, burning-white,
Of winds and waves, and anthemings
Of Earth received the Light.
Think what it meant to see the dawn!
The dawn, that comes each day!--
What if the East should ne'er grow wan,
Should nevermore grow gray!
That line of rose no more be drawn
Above the ocean's spray!
Madison Cawein [1865-1914]
DAWN-ANGELS
All night I watched awake for morning,
At last the East grew all a flame,
The birds for welcome sang, or warning,
And with their singing morning came.
Along the gold-green heavens drifted
Pale wandering souls that shun the light,
Whose cloudy pinions, torn and rifted,
Had beat the bars of Heaven all night.
These clustered round the moon, but higher
A troop of shining spirits went,
Who were not made of wind or fire,
But some divine dream-element.
Some held the Light, while those remaining
Shook out their harvest-colored wings,
A faint unusual music raining,
(Whose sound was Light) on earthly things.
They sang, and as a mighty river
Their voices washed the night away,
From East to West ran one white shiver,
And waxen strong their song was Day.
A. Mary F. Robinson [1857-
MUSIC OF THE DAWN
At Sea, October 23, 1907
In far forests' leafy twilight, now is stealing gray dawn's shy light,
And the misty air is tremulous with songs of many a bird;
While from mountain steeps descending, every streamlet's voice is blending
With the anthems of great pine trees, by the breath of daylight stirred.
But I turn from Fancy's dreaming of the green earth, to the gleaming
Of the fluttering wings of morning rushing o'er the jewelled deep;
And the ocean's rhythmic pounding, with each lucent wave resounding,
Seems the music made when God's own hands His mighty harpstrings sweep.
Virginia Bioren Harrison [1847-
SUNRISE ON MANSFIELD MOUNTAIN
O swift forerunners, rosy with the race!
Spirits of dawn, divinely manifest
Behind your blushing banners in the sky,
Daring invaders of Night's tenting-ground,--
How do ye strain on forward-bending foot,
Each to be first in heralding of joy!
With silence sandalled, so they weave their way,
And so they stand, with silence panoplied,
Chanting, through mystic symbollings of flame,
Their solemn invocation to the light.
O changeless guardians! O ye wizard firs!
What strenuous philter feeds your potency,
That thus ye rest, in sweet wood-hardiness.
Ready to learn of all and utter naught?
What breath may move ye, or what breeze invite
To odorous hot lendings of the heart?
What wind--but all the winds are yet afar,
And e'en the little tricksy zephyr sprites,
That fleet before them, like their elfin locks,
Have lagged in sleep, nor stir nor waken yet
To pluck the robe of patient majesty.
Too still for dreaming, too divine for sleep,
So range the firs, the constant, fearless ones.
Warders of mountain secrets, there they wait,
Each with his cloak about him, breathless, calm,
And yet expectant, as who knows the dawn,
And all night thrills with memory and desire,
Searching in what has been for what shall be:
The marvel of the ne'er familiar day,
Sacred investiture of life renewed,
The chrism of dew, the coronal of flame.
Low in the valley lies the conquered rout
Of man's poor trivial turmoil, lost and drowned
Under the mist, in gleaming rivers rolled,
Where oozy marsh contends with frothing main.
And rounding all, springs one full, ambient arch,
One great good limpid world--so still, so still!
For no sound echoes from its crystal curve
Save four clear notes, the song of that lone bird
Who, brave but trembling, tries his morning hymn,
And has no heart to finish, for the awe
And wonder of this pearling globe of dawn.
Light, light eternal! veiling-place of stars!
Light, the revealer of dread beauty's face!
Weaving whereof the hills are lambent clad!
Mighty libation to the Unknown God!
Cup whereat pine-trees slake their giant thirst
And little leaves drink sweet delirium!
Being and breath and potion! Living soul
And all-informing heart of all that lives!
How can we magnify thine awful name
Save by its chanting: Light! and light! and light!
An exhalation from far sky retreats,
It grows in silence, as 'twere self-create,
Suffusing all the dusky web of night.
But one lone corner it invades not yet,
Where low above a black and rimy crag
Hangs the old moon, thin as a battered shield,
The holy, useless shield of long-past wars,
Dinted and frosty, on the crystal dark.
But lo! the east,--let none forget the east,
Pathway ordained of old where He should tread.
Through some sweet magic common in the skies
The rosy banners are with saffron tinct:
The saffron grows to gold, the gold is fire,
And led by silence more majestical
Than clash of conquering arms, He comes! He comes!
He holds his spear benignant, sceptrewise,
And strikes out flame from the adoring hills.
Alice Brown [1857-
ODE TO EVENING
If aught of oaten stop, or pastoral song,
May hope, chaste Eve, to soothe thy modest ear,
Like thy own solemn springs,
Thy springs and dying gales;
O Nymph reserved, while now the bright-haired sun
Sits in yon western tent, whose cloudy skirts,
With brede ethereal wove,
O'erhang his wavy bed:
Now air is hushed, save where the weak-eyed bat
With short shrill shriek flits by on leathern wing,
Or where the beetle winds
His small but sullen horn,
As oft he rises, 'midst the twilight path
Against the pilgrim borne in heedless hum:
Now teach me, maid composed,
To breathe some softened strain,
Whose numbers, stealing through thy darkening vale,
May not unseemly with its stillness suit,
As, musing slow, I hail
Thy genial loved return!
For when thy folding-star arising shows
His paly circlet, at his warning lamp
The fragrant Hours, and Elves
Who slept in buds the day,
And many a Nymph who wreathes her brows with sedge,
And sheds the freshening dew, and, lovelier still,
The pensive Pleasures sweet,
Prepare thy shadowy car:
Then lead, calm votaress, where some sheety lake
Cheers the lone heath, or some time-hallowed pile,
Or upland fallows gray
Reflect its last cool gleam.
Or, if chill blustering winds, or driving rain,
Prevent my willing feet, be mine the hut
That, from the mountain's side,
Views wilds and swelling floods,
And hamlets brown, and dim-discovered spires,
And hears their simple bell, and marks o'er all
Thy dewy fingers draw
The gradual dusky veil.
While Spring shall pour his showers, as of the wont,
And bathe thy breathing tresses, meekest Eve!
While Summer loves to sport
Beneath thy lingering light;
While sallow Autumn fills thy lap with leaves,
Or Winter, yelling through the troublous air,
Affrights thy shrinking train,
And rudely rends thy robes:
So long, regardful of thy quiet rule,
Shall Fancy, Friendship, Science, smiling Peace,
Thy gentlest influence own,
And hymn thy favorite name!
William Collins [1721-1759]
"IT IS A BEAUTEOUS EVENING, CALM AND FREE"
It is a beauteous evening, calm and free;
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in his tranquility;
The gentleness of heaven broods o'er the Sea;
Listen! the mighty Being is awake,
And doth with his eternal motion make
A sound like thunder--everlastingly.
Dear Child! dear Girl! that walkest with me here,
If thou appear untouched by solemn thought,
Thy nature is not therefore less divine:
Thou liest in Abraham's bosom all the year,
And worship'st at the Temple's inner shrine,
God being with thee when we know it not.
William Wordsworth [1770-1850]
GLOAMING
Skies to the West are stained with madder;
Amber light on the rare blue hills;
The sough of the pines is growing sadder;
From the meadow-lands sound the whippoorwills.
Air is sweet with the breath of clover;
Dusk is on, and the day is over.
Skies to the East are streaked with golden;
Tremulous light on the darkening pond;
Glow-worms pale, to the dark beholden;
Twitterings hush in the hedge beyond.
Air is sweet with the breath of clover;
Silver the hills where the moon climbs over.
Robert Adger Bowen [1868-
EVENING MELODY
O that the pines which crown yon steep
Their fires might ne'er surrender!
O that yon fervid knoll might keep,
While lasts the world, its splendor!
Pale poplars on the breeze that lean,
And in the sunset shiver,
O that your golden stems might screen
For aye yon glassy river!
That yon white bird on homeward wing
Soft-sliding without motion,
And now in blue air vanishing
Like snow-flake lost in ocean,
Beyond our sight might never flee,
Yet forward still be flying;
And all the dying day might be
Immortal in its dying!
Pellucid thus in saintly trance,
Thus mute in expectation,
What waits the earth? Deliverance?
Ah no! Transfiguration!
She dreams of that "New Earth" divine,
Conceived of seed immortal;
She sings "Not mine the holier shrine,
Yet mine the steps and portal!"
Aubrey Thomas de Vere [1814-1902]
"IN THE COOL OF THE EVENING"
In the cool of the evening, when the low sweet whispers waken,
When the laborers turn them homeward, and the weary have their will,
When the censers of the roses o'er the forest aisles are shaken,
Is it but the wind that cometh o'er the far green hill?
For they say 'tis but the sunset winds that wander through the heather,
Rustle all the meadow-grass and bend the dewy fern;
They say 'tis but the winds that bow the reeds in prayer together,
And fill the shaken pools with fire along the shadowy burn.
In the beauty of the twilight, in the Garden that He loveth,
They have veiled His lovely vesture with the darkness of a name!
Through His Garden, through His Garden, it is but the wind that moveth,
No more! But O the miracle, the miracle is the same.
In the cool of the evening, when the sky is an old story,
Slowly dying, but remembered, ay, and loved with passion still...
Hush!... the fringes of His garment, in the fading golden glory
Softly rustling as He cometh o'er the far green hill.
Alfred Noyes [1880-
TWILIGHT
Spirit of Twilight, through your folded wings
I catch a glimpse of your averted face,
And rapturous on a sudden, my soul sings
"Is not this common earth a holy place?"
Spirit of Twilight, you are like a song
That sleeps, and waits a singer,--like a hymn
That God finds lovely and keeps near Him long,
Till it is choired by aureoled cherubim.
Spirit of Twilight, in the golden gloom
Of dreamland dim I sought you, and I found
A woman sitting in a silent room
Full of white flowers that moved and made no sound.
These white flowers were the thoughts you bring to all,
And the room's name is Mystery where you sit,
Woman whom we call Twilight, when night's pall
You lift across our Earth to cover it.
Olive Custance [1874-
TWILIGHT AT SEA
The twilight hours, like birds, flew by,
As lightly and as free,
Ten thousand stars were in the sky,
Ten thousand on the sea;
For every wave, with dimpled face,
That leaped upon the air,
Had caught a star in its embrace,
And held it trembling there.
Amelia C. Welby [1819-1852]
"THIS IS MY HOUR"
I
The ferries ply like shuttles in a loom,
And many barques come in across the bay
To lights and bells that signal through the gloom
Of twilight gray;
And like the brown soft flutter of the snow
The wide-winged sea-birds droop from closing skies,
And hover near the water, circling low,
As the day dies.
The city like a shadowed castle stands,
Its turrets indistinctly touching night;
Like earth-born stars far fetched from faerie lands,
Its lamps are bright.
This is my hour,--when wonder springs anew
To see the towers ascending, pale and high,
And the long seaward distances of blue,
And the dim sky.
II
This is my hour, between the day and night;
The sun has set and all the world is still,
The afterglow upon the distant hill
Is as a holy light.
This is my hour, between the sun and moon;
The little stars are gathering in the sky,
There is no sound but one bird's startled cry,--
One note that ceases soon.
The gardens and, far off, the meadow-land,
Are like the fading depths beneath a sea,
While over waves of misty shadows we
Drift onward, hand in hand.
This is my hour, that you have called your own;
Its hushed beauty silently we share,--
Touched by the wistful wonder in the air
That leaves us so alone.
III
In rain and twilight mist the city street,
Hushed and half-hidden, might this instant be
A dark canal beneath our balcony,
Like one in Venice, Sweet.
The street-lights blossom, star-wise, one by one;
A lofty tower the shadows have not hid
Stands out--part column and part pyramid--
Holy to look upon.
The dusk grows deeper, and on silver wings
The twilight flutters like a weary gull
Toward some sea-island, lost and beautiful,
Where a sea-syren sings.
"This is my hour," you breathe with quiet lips;
And filled with beauty, dreaming and devout,
We sit in silence, while our thoughts go out--
Like treasure-seeking ships.
Zoe Akins [1886-
SONG TO THE EVENING STAR
Star that bringest home the bee,
And sett'st the weary laborer free!
If any star shed peace, 'tis thou
That send'st it from above,
Appearing when Heaven's breath and brow
Are sweet as hers we love.
Come to the luxuriant skies,
Whilst the landscape's odors rise,
Whilst far-off lowing herds are heard
And songs when toil is done,
From cottages whose smoke unstirred
Curls yellow in the sun.
Star of love's soft interviews,
Parted lovers on thee muse;
Their remembrancer in Heaven
Of thrilling vows thou art,
Too delicious to be riven
By absence from the heart.
Thomas Campbell [1777-1844]
THE EVENING CLOUD
A cloud lay cradled near the setting sun,
A gleam of crimson tinged its braided snow;
Long had I watched the glory moving on
O'er the still radiance of the lake below.
Tranquil its spirit seemed, and floated slow!
Even in its very motion there was rest;
While every breath of eve that chanced to blow
Wafted the traveller to the beauteous west.
Emblem, methought, of the departed soul!
To whose white robe the gleam of bliss is given,
And by the breath of mercy made to roll
Right onwards to the golden gates of heaven,
Where to the eye of faith it peaceful lies,
And tells to man his glorious destinies.
John Wilson [1785-1854]
SONG: TO CYNTHIA
From "Cynthia's Revels"
Queen and huntress, chaste and fair,
Now the sun is laid to sleep,
Seated in thy silver chair,
State in wonted manner keep:
Hesperus entreats thy light,
Goddess excellently bright.
Earth, let not thy envious shade
Dare itself to interpose;
Cynthia's shining orb was made
Heaven to clear, when day did close:
Bless us then with wished sight,
Goddess excellently bright.
Lay thy bow of pearl apart,
And thy crystal-shining quiver;
Give unto the flying hart
Space to breathe, how short soever:
Thou that mak'st a day of night,
Goddess excellently bright.
Ben Jonson [1573?-1637]
MY STAR
All that I know
Of a certain star
Is, it can throw
(Like the angled spar)
Now a dart of red,
Now a dart of blue,
Till my friends have said
They would fain see, too,
My star that dartles the red and the blue!
Then it stops like a bird; like a flower, hangs furled:
They must solace themselves with the Saturn above it.
What matter to me if their star is a world?
Mine has opened its soul to me; therefore I love it.
Robert Browning [1812-1889]
NIGHT
The sun descending in the West,
The evening star does shine;
The birds are silent in their nest,
And I must seek for mine.
The moon, like a flower
In heaven's high bower,
With silent delight
Sits and smiles on the night.
Farewell, green fields and happy grove,
Where flocks have ta'en delight;
Where lambs have nibbled, silent move
The feet of angels bright:
Unseen, they pour blessing,
And joy without ceasing,
On each bud and blossom,
On each sleeping bosom.
They look in every thoughtless nest,
Where birds are covered warm;
They visit caves of every beast,
To keep them all from harm.
If they see any weeping
That should have been sleeping,
They pour sleep on their head,
And sit down by their bed.
When wolves and tigers howl for prey
They pitying stand and weep,
Seeking to drive their thirst away,
And keep them from the sheep.
But, if they rush dreadful,
The angels, most heedful,
Receive each mild spirit
New worlds to inherit.
And there the lion's ruddy eyes
Shall flow with tears of gold:
And pitying the tender cries,
And walking round the fold,
Saying: "Wrath by His meekness,
And by His health, sickness,
Are driven away
From our immortal day.
"And now beside thee, bleating lamb,
I can lie down and sleep.
Or think on Him who bore thy name,
Graze after thee, and weep.
For, washed in life's river,
My bright mane for ever
Shall shine like the gold,
As I guard o'er the fold."
William Blake [1757-1827]
TO NIGHT
Swiftly walk o'er the western wave,
Spirit of Night!
Out of the misty eastern cave
Where, all the long and lone daylight,
Thou wovest dreams of joy and fear,
Which make thee terrible and dear,
Swift be thy flight!
Wrap thy form in a mantle gray,
Star-inwrought!
Blind with thine hair the eyes of Day;
Kiss her until she be wearied out,
Then wander o'er city, and sea, and land,
Touching all with thine opiate wand--
Come, long-sought!
When I arose and saw the dawn,
I sighed for thee;
When light rode high, and the dew was gone,
And noon lay heavy on flower and tree,
And the weary Day turned to his rest,
Lingering like an unloved guest,
I sighed for thee.
Thy brother Death came, and cried,
"Would'st thou me?"
Thy sweet child Sleep, the filmy-eyed,
Murmured like a noontide bee,
"Shall I nestle near thy side?
Would'st thou me?"--And I replied,
"No, not thee."
Death will come when thou art dead,
Soon, too soon--
Sleep will come when thou art fled;
Of neither would I ask the boon
I ask of thee, beloved Night--
Swift be thine approaching flight,
Come soon, soon!
Percy Bysshe Shelley [1792-1822]
TO NIGHT
Mysterious Night! when our first parent knew
Thee from report divine, and heard thy name,
Did he not tremble for this lovely frame,
This glorious canopy of light and blue?
Yet 'neath the curtain of translucent dew,
Bathed in the rays of the great setting flame,
Hesperus with the host of heaven came,
And lo! creation widened on man's view.
Who could have thought such darkness lay concealed
Within thy beams, O Sun! or who could find,
While fly, and leaf, and insect stood revealed,
That to such countless orbs thou mad'st us blind!
Why do we, then, shun Death with anxious strife?--
If Light can thus deceive, wherefore not Life?
Joseph Blanco White [1775-1841]
NIGHT
Mysterious night! Spread wide thy silvery plume!
Soft as swan's down, brood o'er the sapphirine
Breadth of still shadowy waters dark as wine;
Smooth out the liquid heavens that stars illume!
Come with fresh airs breathing the faint perfume
Of deep-walled gardens, groves of whispering pine;
Scatter soft dews, waft pure sea-scent of brine;
In sweet repose man's pain, man's love resume!
Deep-bosomed night! Not here where down the marge
Marble with palaces those lamps of earth
Tremble on trembling blackness; nay, far hence,
There on the lake where space is lone and large,
And man's life lost in broad indifference,
Lilt thou the soul to spheres that gave her birth!
John Addington Symonds [1840-1893]
NIGHT
Night is the time for rest;
How sweet, when labors close,
To gather round an aching breast
The curtain of repose,
Stretch the tired limbs, and lay the head
Down on our own delightful bed!
Night is the time for dreams;
The gay romance of life,
When truth that is, and truth that seems,
Blend in fantastic strife;
Ah! visions, less beguiling far
Than waking dreams by daylight are!
Night is the time for toil;
To plough the classic field,
Intent to find the buried spoil
Its wealthy furrows yield;
Till all is ours that sages taught,
That poets sang, or heroes wrought.
Night is the time to weep;
To wet with unseen tears
Those graves of Memory, where sleep
The joys of other years;
Hopes, that were Angels at their birth,
But perished young, like things of earth.
Night is the time to watch;
O'er ocean's dark expanse,
To hail the Pleiades, or catch
The full moon's earliest glance,
That brings into the homesick mind
All we have loved and left behind.
Night is the time for care;
Brooding on hours misspent,
To see the spectre of Despair
Come to our lonely tent;
Like Brutus, 'midst his slumbering host,
Summoned to die by Caesar's ghost.
Night is the time to think;
When, from the eye, the soul
Takes flight; and, on the utmost brink,
Of yonder starry pole
Descries beyond the abyss of night
The dawn of uncreated light.
Night is the time to pray;
Our Saviour oft withdrew
To desert mountains far away;
So will his followers do,--
Steal from the throng to haunts untrod,
And hold communion there with God.
Night is the time for Death;
When all around is peace,
Calmly to yield the weary breath,
From sin and suffering cease,
Think of heaven's bliss, and give the sign
To parting friends;--such death be mine!
James Montgomery [1771-1854]
HE MADE THE NIGHT
Vast Chaos, of eld, was God's dominion,
'Twas His beloved child, His own first born;
And He was aged ere the thought of morn
Shook the sheer steeps of dim Oblivion.
Then all the works of darkness being done
Through countless aeons hopelessly forlorn,
Out to the very utmost verge and bourne,
God at the last, reluctant, made the sun.
He loved His darkness still, for it was old;
He grieved to see His eldest child take flight;
And when His Fiat Lux the death-knell tolled,
As the doomed Darkness backward by Him rolled,
He snatched a remnant flying into light
And strewed it with the stars, and called it Night.
Lloyd Mifflin [1846-1921]
HYMN TO THE NIGHT
I heard the trailing garments of the Night
Sweep through her marble halls!
I saw her sable skirts all fringed with light
From the celestial walls!
I felt her presence, by its spell of might,
Stoop o'er me from above;
The calm, majestic presence of the Night,
As of the one I love.
I heard the sounds of sorrow and delight,
The manifold, soft chimes,
That fill the haunted chambers of the Night,
Like some old poet's rhymes.
From the cool cisterns of the midnight air
My spirit drank repose;
The fountain of perpetual peace flows there,--
From those deep cisterns flows.
O holy Night! from thee I learn to bear
What man has borne before!
Thou layest thy finger on the lips of Care,
And they complain no more.
Peace! Peace! Orestes-like I breathe this prayer!
Descend with broad-winged flight,
The welcome, the thrice-prayed for, the most fair,
The best-beloved Night!
Henry Wadsworth Longfellow [1807-1882]
NIGHT'S MARDI GRAS
Night is the true democracy. When day
Like some great monarch with his train has passed.
In regal pomp and splendor to the last,
The stars troop forth along the Milky Way,
A jostling crowd, in radiant disarray,
On heaven's broad boulevard in pageants vast.
And things of earth, the hunted and outcast,
Come from their haunts and hiding-places; yea,
Even from the nooks and crannies of the mind
Visions uncouth and vagrant fancies start,
And specters of dead joy, that shun the light,
And impotent regrets and terrors blind,
Each one, in form grotesque, playing its part
In the fantastic Mardi Gras of Night.
Edward J. Wheeler [1859-1922]
DAWN AND DARK
God with His million cares
Went to the left or right,
Leaving our world; and the day
Grew night.
Back from a sphere He came
Over a starry lawn,
Looked at our world; and the dark
Grew dawn.
Norman Gale [1862-
DAWN
His radiant fingers so adorning
Earth that in silent joy she thrills,
The ancient day stands every morning
Above the flowing eastern hills.
This day the new-born world hath taken
Within his mantling arms of white,
And sent her forth by fear unshaken
To walk among the stars in light.
Risen with laughter unto leaping,
His feet untired, undimmed his eyes,
The old, old day comes up from sleeping,
Fresh as a flower, for new emprise.
The curtain of the night is parted
That once again the dawn may tread,
In spotless garments, ways uncharted
And death a million times is dead.
Slow speechless music robed in splendor
The deep sky sings eternally,
With childlike wonderment to render
Its own unwearied symphony.
Reborn between the great suns spinning
Forever where men's prayers ascend,
God's day in love hath its beginning,
And the beginning hath no end.
George B. Logan, Jr. [1892-
A WOOD SONG
Now one and all, you Roses,
Wake up, you lie too long!
This very morning closes
The Nightingale his song;
Each from its olive chamber
His babies every one
This very morning clamber
Into the shining sun.
You Slug-a-beds and Simples,
Why will you so delay!
Dears, doff your olive wimples,
And listen while you may.
Ralph Hodgson [1871-
THE CHANGING YEAR
A SONG FOR THE SEASONS
When the merry lark doth gild
With his song the summer hours,
And their nests the swallows build
In the roofs and tops of towers,
And the golden broom-flower burns
All about the waste,
And the maiden May returns
With a pretty haste,--
Then, how merry are the times!
The Spring times! the Summer times!
Now, from off the ashy stone
The chilly midnight cricket crieth,
And all merry birds are flown,
And our dream of pleasure dieth;
Now the once blue, laughing sky
Saddens into gray,
And the frozen rivers sigh,
Pining all away!
Now, how solemn are the times!
The Winter times! the Night times!
Yet, be merry; all around
Is through one vast change revolving;
Even Night, who lately frowned,
Is in paler dawn dissolving;
Earth will burst her fetters strange,
And in Spring grow free;
All things in the world will change,
Save--my love for thee!
Sing then, hopeful are all times!
Winter, Spring, Summer times!
Bryan Waller Procter [1787-1874]
A SONG OF THE SEASONS
Sing a song of Spring-time,
The world is going round,
Blown by the south wind:
Listen to its sound.
"Gurgle" goes the mill-wheel,
"Cluck" clucks the hen;
And it's O for a pretty girl
To kiss in the glen.
Sing a song of Summer,
The world is nearly still,
The mill-pond has gone to sleep,
And so has the mill.
Shall we go a-sailing,
Or shall we take a ride,
Or dream the afternoon away
Here, side by side?
Sing a song of Autumn,
The world is going back;
They glean in the corn-field,
And stamp on the stack.
Our boy, Charlie,
Tall, strong, and light:
He shoots all the day
And dances all the night.
Sing a song of Winter,
The world stops dead;
Under snowy coverlid
Flowers lie abed.
There's hunting for the young ones
And wine for the old,
And a sexton in the churchyard
Digging in the cold.
Cosmo Monkhouse [1840-1901]
TURN O' THE YEAR
This is the time when bit by bit
The days begin to lengthen sweet
And every minute gained is joy--
And love stirs in the heart of a boy.
This is the time the sun, of late
Content to lie abed till eight,
Lifts up betimes his sleepy head--
And love stirs in the heart of a maid.
This is the time we dock the night
Of a whole hour of candlelight;
When song of linnet and thrush is heard--
And love stirs in the heart of a bird.
This is the time when sword-blades green,
With gold and purple damascene,
Pierce the brown crocus-bed a-row--
And love stirs in a heart I know.
Katherine Tynan Hinkson [1861-1931]
THE WAKING YEAR
A lady red upon the hill
Her annual secret keeps;
A lady white within the field
In placid lily sleeps!
The tidy breezes with their brooms
Sweep vale, and hill, and tree!
Prithee, my pretty housewives!
Who may expected be?
The neighbors do not yet suspect!
The woods exchange a smile,--
Orchard, and buttercup, and bird,
In such a little while!
And yet how still the landscape stands,
How nonchalant the wood,
As if the resurrection
Were nothing very odd!
Emily Dickinson [1830-1886]
SONG
From "Pippa Passes"
The year's at the spring,
And day's at the morn;
Morning's at seven;
The hill-side's dew-pearled;
The lark's on the wing;
The snail's on the thorn;
God's in His Heaven--
All's right with the world!
Robert Browning [1812-1889]
EARLY SPRING
Once more the Heavenly Power
Makes all things new,
And domes the red-plowed hills
With loving blue;
The blackbirds have their wills,
The throstles too.
Opens a door in Heaven;
From skies of glass
A Jacob's ladder falls
On greening grass,
And o'er the mountain-walls
Young angels pass.
Before them fleets the shower,
And burst the buds,
And shine the level lands,
And flash the floods;
The stars are from their hands
Flung through the woods,
The woods with living airs
How softly fanned,
Light airs from where the deep,
All down the sand,
Is breathing in his sleep,
Heard by the land.
O, follow, leaping blood,
The season's lure!
O heart, look down and up,
Serene, secure,
Warm as the crocus cup,
Like snow-drops, pure!
Past, Future glimpse and fade
Through some slight spell,
A gleam from yonder vale,
Some far blue fell;
And sympathies, how frail,
In sound and smell!
Till at thy chuckled note,
Thou twinkling bird,
The fairy fancies range,
And, lightly stirred,
Ring little bells of change
From word to word.
For now the Heavenly Power
Makes all things new,
And thaws the cold, and fills
The flower with dew;
The blackbirds have their wills,
The poets too.
Alfred Tennyson [1809-1892]
LINES WRITTEN IN EARLY SPRING
I heard a thousand blended notes,
While in a grove I sat reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What Man has made of Man.
Through primrose tufts, in that sweet bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure,--
But the least motion which they made
It seemed a thrill of pleasure.
The budding twigs spread out their fan
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What Man has made of Man?
William Wordsworth [1770-1850]
IN EARLY SPRING
O Spring, I know thee! Seek for sweet surprise
In the young children's eyes.
But I have learnt the years, and know the yet
Leaf-folded violet.
Mine ear, awake to silence, can foretell
The cuckoo's fitful bell.
I wander in a gray time that encloses
June and the wild hedge-roses.
A year's procession of the flowers doth pass
My feet, along the grass.
And all you sweet birds silent yet, I know
The notes that stir you so,
Your songs yet half devised in the dim dear
Beginnings of the year.
In these young days you meditate your part;
I have it all by heart.
I know the secrets of the seeds of flowers
Hidden and warm with showers,
And how, in kindling Spring, the cuckoo shall
Alter his interval.
But not a flower or song I ponder is
My own, but memory's.
I shall be silent in those days desired
Before a world inspired.
O dear brown birds, compose your old song-phrases,
Earth, thy familiar daisies.
The poet mused upon the dusky height,
Between two stars towards night,
His purpose in his heart. I watched, a space,
The meaning of his face:
There was the secret, fled from earth and skies,
Hid in his gray young eyes.
My heart and all the Summer wait his choice,
And wonder for his voice.
Who shall foretell his songs, and who aspire
But to divine his lyre?
Sweet earth, we know thy dimmest mysteries,
But he is lord of his.
Alice Meynell [1850-1922]
SPRING
From "Summer's Last Will and Testament"
Spring, the sweet Spring, is the year's pleasant king;
Then blooms each thing, then maids dance in a ring,
Cold doth not sting, the pretty birds do sing--
Cuckoo, jug-jug, pu-we, to-witta-woo!
The palm and may make country houses gay,
Lambs frisk and play, the shepherds pipe all day,
And we hear aye birds tune this merry lay--
Cuckoo, jug-jug, pu-we, to-witta-woo!
The fields breathe sweet, the daisies kiss our feet,
Young lovers meet, old wives a-sunning sit,
In every street these tunes our ears do greet--
Cuckoo, jug-jug, pu-we, to-witta-too!
Spring, the sweet Spring!
Thomas Nashe [1567-1601]
A STARLING'S SPRING RONDEL
I clink my castanet
And beat my little drum;
For spring at last has come,
And on my parapet,
Of chestnut, gummy-wet,
Where bees begin to hum,
I clink my castanet,
And beat my little drum.
"Spring goes," you say, "suns set."
So be it! Why be glum?
Enough, the spring has come;
And without fear or fret
I clink my castanet,
And beat my little drum.
James Cousins [1873-
"WHEN DAFFODILS BEGIN TO PEER"
From "The Winter's Tale"
When daffodils begin to peer,
With heigh! the doxy, over the dale,
Why, then comes in the sweet o' the year;
For the red blood reigns in the winter's pale.
The white sheet bleaching on the hedge,
With heigh! the sweet birds, O, how they sing!
Doth set my pugging tooth on edge;
For a quart of ale is a dish for a king.
The, lark, that tirra-lirra chants,
With heigh! with heigh! the thrush and the jay,
Are summer songs for me and my aunts,
While we lie tumbling in the hay.
William Shakespeare [1564-1616]
SPRING
From "In Memoriam"
LXXXIII
Dip down upon the northern shore,
O sweet new-year, delaying long;
Thou doest expectant Nature wrong,
Delaying long, delay no more.
What stays thee from the clouded noons,
Thy sweetness from its proper place?
Can trouble live with April days,
Or sadness in the summer moons?
Bring orchis, bring the fox-glove spire,
The little speedwell's darling blue,
Deep tulips dashed with fiery dew,
Laburnums, dropping-wells of fire.
O thou, new-year, delaying long,
Delayest the sorrow in my blood,
That longs to burst a frozen bud,
And flood a fresher throat with song.
CXV
Now fades the last long streak of snow,
Now burgeons every maze of quick
About the flowering squares, and thick
By ashen roots the violets blow.
Now rings the woodland loud and long,
The distance takes a lovelier hue,
And drowned in yonder living blue
The lark becomes a sightless song.
Now dance the lights on lawn and lea,
The flocks are whiter down the vale,
And milkier every milky sail,
On winding stream or distant sea;
Where now the seamew pipes, or dives
In yonder greening gleam, and fly
The happy birds, that change their sky
To build and brood, that live their lives
From land to land; and in my breast
Spring wakens too: and my regret
Become an April violet,
And buds and blossoms like the rest.
Alfred Tennyson [1809-1892]
"THE SPRING RETURNS"
The Spring returns! What matters then that War
On the horizon like a beacon burns,
That Death ascends, man's most desired star,
That Darkness is his hope? The Spring returns!
Triumphant through the wider-arched cope
She comes, she comes, unto her tyranny,
And at her coronation are set ope
The prisons of the mind, and man is free!
The beggar-garbed or over-bent with snows,
Each mortal, long defeated, disallowed,
Feeling her touch, grows stronger limbed, and knows
The purple on his shoulders and is proud.
The Spring returns! O madness beyond sense,
Breed in our bones thine own omnipotence!
Charles Leonard Moore [1854-
"WHEN THE HOUNDS OF SPRING"
Chorus from "Atalanta in Calydon"
When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nightingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.
Come with bows bent and with emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,
With a clamor of waters, and with might;
Bind on thy sandals, O thou most fleet,
Over the splendor and speed of thy feet;
For the faint east quickens, the wan west shivers,
Round the feet of the day and the feet of the night.
Where shall we find her, how shall we sing to her,
Fold our hands round her knees, and cling?
O that man's heart were as fire and could spring to her,
Fire, or the strength of the streams that spring!
For the stars and the winds are unto her
As raiment, as songs of the harp-player;
For the risen stars and the fallen cling to her,
And the southwest-wind and the west-wind sing.
For winter's rains and ruins are over,
And all the season of snows and sins;
The days dividing lover and lover,
The light that loses, the night that wins;
And time remembered, is grief forgotten,
And frosts are slain and flowers begotten,
And in green underwood and cover
Blossom by blossom the spring begins.
The full streams feed on flower of rushes,
Ripe grasses trammel a travelling foot,
The faint fresh flame of the young year flushes
From leaf to flower and flower to fruit;
And fruit and leaf are as gold and fire,
And the oat is heard above the lyre,
And the hoofed heel of a satyr crushes
The chestnut-husk at the chestnut-root.
And Pan by noon and Bacchus by night,
Fleeter of foot than the fleet-foot kid,
Follows with dancing and fills with delight
The Maenad and the Bassarid;
And soft as lips that laugh and hide
The laughing leaves of the trees divide,
And screen from seeing and leave in sight
The god pursuing, the maiden hid.
The ivy falls with the Bacchanal's hair
Over her eyebrows hiding her eyes;
The wild vine slipping down leaves bare
Her bright breast shortening into sighs;
The wild vine slips with the weight of its leaves,
But the berried ivy catches and cleaves
To the limbs that glitter, the feet that scare
The wolf that follows, the fawn that flies.
Algernon Charles Swinburne [1837-1909]
SONG
Again rejoicing Nature sees
Her robe assume its vernal hues;
Her leafy locks wave in the breeze,
All freshly steeped in morning dews.
In vain to me the cowslips blaw,
In vain to me the violets spring;
In vain to me in glen or shaw,
The mavis and the lintwhite sing.
The merry ploughboy cheers his team,
Wi' joy the tentie seedsman stalks,
But life to me's a weary dream,
A dream of ane that never wauks.
The wanton coot the water skims,
Amang the reeds the ducklings cry,
The stately swan majestic swims,
And everything is blest but I.
The shepherd steeks his faulding slap,
And owre the moorland whistles shrill;
Wi' wild, unequal, wand'ring step
I meet him on the dewy hill.
And when the lark, 'tween light and dark,
Blithe waukens by the daisy's side,
And mounts and sings on flittering wings,
A woe-worn ghaist I hameward glide.
Come, Winter, with thine angry howl,
And raging bend the naked tree;
Thy gloom will soothe my cheerless soul,
When Nature all is sad like me!
Robert Burns [1759-1796]
TO SPRING
O thou with dewy locks, who lookest down
Through the clear windows of the morning, turn
Thine angel eyes upon our western isle,
Which in full choir hails thy approach, O Spring!
The hills tell one another, and the listening
Valleys hear; all our longing eyes are turned
Up to thy bright pavilions: issue forth
And let thy holy feet visit our clime!
Come o'er the eastern hills, and let our winds
Kiss thy perfumed garments; let us taste
Thy morn and evening breath; scatter thy pearls
Upon our lovesick land that mourns for thee.
O deck her forth with thy fair fingers; pour
Thy soft kisses on her bosom; and put
Thy golden crown upon her languished head,
Whose modest tresses are bound up for thee!
William Blake [1757-1827]
AN ODE ON THE SPRING
Lo! where the rosy-bosomed Hours,
Fair Venus' train, appear,
Disclose the long-expecting flowers,
And wake the purple year!
The Attic warbler pours her throat
Responsive to the cuckoo's note,
The untaught harmony of spring:
While, whispering pleasure as they fly,
Cool Zephyrs through the clear blue sky
Their gathered fragrance fling.
Where'er the oak's thick branches stretch
A broader browner shade,
Where'er the rude and moss-grown beech
O'er-canopies the glade,
Beside some water's rushy brink
With me the Muse shall sit, and think
(At ease reclined in rustic state)
How vain the ardor of the crowd,
How low, how little are the proud,
How indigent the great!
Still is the toiling hand of Care:
The panting herds repose:
Yet, hark, how through the peopled air
The busy murmur glows!
The insect-youth are on the wing,
Eager to taste the honied spring
And float amid the liquid noon;
Some lightly o'er the current skim,
Some show their gaily-gilded trim
Quick-glancing to the sun.
To Contemplation's sober eye
Such is the race of Man:
And they that creep, and they that fly,
Shall end where they began.
Alike the Busy and the Gay
But flutter through life's little day,
In Fortune's varying colors dressed:
Brushed by the hand of rough Mischance,
Or chilled by Age, their airy dance
They leave, in dust to rest.
Methinks I hear, in accents low,
The sportive kind reply:
Poor moralist! and what art thou?
A solitary fly!
Thy joys no glittering female meets,
No hive hast thou of hoarded sweets,
No painted plumage to display;
On hasty wings thy youth is flown;
Thy sun is set, thy spring is gone--
We frolic, while 'tis May.
Thomas Gray [1716-1771]
SPRING
Spring, with that nameless pathos in the air
Which dwells with all things fair,
Spring, with her golden suns and silver rain,
Is with us once again.
Out in the lonely woods the jasmine burns
Its fragrant lamps, and turns
Into a royal court with green festoons
The banks of dark lagoons.
In the deep heart of every forest tree
The blood is all aglee,
And there's a look about the leafless bowers
As if they dreamed of flowers.
Yet still on every side we trace the hand
Of Winter in the land,
Save where the maple reddens on the lawn,
Flushed by the season's dawn;
Or where, like those strange semblances we find
That age to childhood bind,
The elm puts on, as if in Nature's scorn,
The brown of Autumn corn.
As yet the turf is dark, although you know
That, not a span below,
A thousand germs are groping through the gloom,
And soon will burst their tomb.
Already, here and there, on frailest stems
Appear some azure gems,
Small as might deck, upon a gala day,
The forehead of a fay.
In gardens you may note amid the dearth,
The crocus breaking earth;
And near the snowdrop's tender white and green,
The violet in its screen.
But many gleams and shadows needs must pass
Along the budding grass,
And weeks go by, before the enamored South
Shall kiss the rose's mouth.
Still there's a sense of blossoms yet unborn
In the sweet airs of morn;
One almost looks to see the very street
Grow purple at his feet.
At times a fragrant breeze comes floating by,
And brings, you know not why,
A feeling as when eager crowds await
Before a palace gate
Some wondrous pageant; and you scarce would start,
If from a beech's heart
A blue-eyed Dryad, stepping forth, should say,
"Behold me! I am May!"
Henry Timrod [1829-1867]
THE MEADOWS IN SPRING
'Tis a dull sight
To see the year dying,
When winter winds
Set the yellow wood sighing:
Sighing, oh! sighing.
When such a time cometh,
I do retire
Into an old room
Beside a bright fire:
Oh, pile a bright fire!
And there I sit
Reading old things,
Of knights and lorn damsels,
While the wind sings--
Oh, drearily sings!
I never look out
Nor attend to the blast;
For all to be seen
Is the leaves falling fast:
Falling, falling!
But close at the hearth,
Like a cricket, sit I,
Reading of summer
And chivalry--
Gallant chivalry!
Then with an old friend
I talk of our youth!
How 'twas gladsome, but often
Foolish, forsooth:
But gladsome, gladsome!
Or to get merry
We sing some old rhyme,
That made the wood ring again
In summer time--
Sweet summer time!
Then go we to smoking,
Silent and snug:
Naught passes between us,
Save a brown jug--
Sometimes!
And sometimes a tear
Will rise in each eye,
Seeing the two old friends
So merrily--
So merrily!
And ere to bed
Go we, go we,
Down on the ashes
We kneel on the knee,
Praying together!
Thus, then, live I,
Till, 'mid all the gloom,
By heaven! the bold sun
Is with me in the room
Shining, shining!
Then the clouds part,
Swallows soaring between;
The spring is alive,
And the meadows are green!
I jump up, like mad,
Break the old pipe in twain,
And away to the meadows,
The meadows again!
Edward Fitzgerald [1809-1883]
THE SPRING
When wintry weather's all a-done,
An' brooks do sparkle in the zun,
An' naisy-builden rooks do vlee
Wi' sticks toward their elem tree;
When birds do zing, an' we can zee
Upon the boughs the buds o' spring,--
Then I'm as happy as a king,
A-vield wi' health an' zunsheen.
Vor then the cowlsip's hangen flower
A-wetted in the zunny shower,
Do grow wi' vi'lets, sweet o' smell,
Bezide the wood-screened graegle's bell;
Where drushes' aggs, wi' sky-blue shell,
Do lie in mossy nest among
The thorns, while they do zing their zong
At evenen in the zunsheen.
An' God do meake his win' to blow
An' rain to vall vor high an' low,
An' bid his mornen zun to rise
Vor all alike, an' groun' an' skies
Ha' colors vor the poor man's eyes:
An' in our trials He is near,
To hear our mwoan an' zee our tear,
An' turn our clouds to zunsheen.
An' many times when I do vind
Things all goo wrong, an' v'ok unkind,
To zee the happy veeden herds,
An' hear the zingen o' the birds,
Do soothe my sorrow mwore than words;
Vor I do zee that 'tis our sin
Do meake woone's soul so dark 'ithin,
When God would gi'e woone zunsheen.
William Barnes [1801-1886]
"WHEN SPRING COMES BACK TO ENGLAND"
When Spring comes back to England
And crowns her brows with May,
Round the merry moonlit world
She goes the greenwood way:
She throws a rose to Italy,
A fleur-de-lys to France;
But round her regal morris-ring
The seas of England dance.
When Spring comes back to England
And dons her robe of green,
There's many a nation garlanded
But England is the Queen;
She's Queen, she's Queen of all the world
Beneath the laughing sky,
For the nations go a-Maying
When they hear the New Year cry--
"Come over the water to England,
My old love, my new love,
Come over the water to England,
In showers of flowery rain;
Come over the water to England,
April, my true love;
And tell the heart of England
The Spring is here again!"
Alfred Noyes [1880-
NEW LIFE
Spring comes laughing down the valley
All in white, from the snow
Where the winter's armies rally
Loth to go.
Beauty white her garments shower
On the world where they pass,--
Hawthorn hedges, trees in flower,
Daisies in the grass.
Tremulous with longings dim,
Thickets by the river's rim
Have begun to dream of green.
Every tree is loud with birds.
Bourgeon, heart,--do thy part!
Raise a slender stalk of words
From a root unseen.
Amelia Josephine Burr [1878-
"OVER THE WINTRY THRESHOLD"
Over the wintry threshold
Who comes with joy today,
So frail, yet so enduring,
To triumph o'er dismay?
Ah, quick her tears are springing,
And quickly they are dried,
For sorrow walks before her,
But gladness walks beside.
She comes with gusts of laughter,--
The music as of rills;
With tenderness and sweetness,
The wisdom of the hills.
Her hands are strong to comfort,
Her heart is quick to heed;
She knows the signs of sadness,
She knows the voice of need;
There is no living creature,
However poor or small,
But she will know its trouble,
And hearken to its call.
Oh, well they fare forever,
By mighty dreams possessed,
Whose hearts have lain a moment
On that eternal breast.
Bliss Carman [1861-1929]
MARCH
Slayer of winter, art thou here again?
O welcome, thou that bring'st the summer nigh!
The bitter wind makes not thy victory vain,
Nor will we mock thee for thy faint blue sky.
Welcome, O March! whose kindly days and dry
Make April ready for the throstle's song,
Thou first redresser of the winter's wrong!
Yea, welcome, March! and though I die ere June,
Yet for the hope of life I give thee praise,
Striving to swell the burden of the tune
That even now I hear thy brown birds raise,
Unmindful of the past or coming days;
Who sing, "O joy! a new year is begun!
What happiness to look upon the sun!"
O, what begetteth all this storm of bliss,
But Death himself, who, crying solemnly,
Even from the heart of sweet Forgetfulness,
Bids us, "Rejoice! lest pleasureless ye die.
Within a little time must ye go by.
Stretch forth your open hands, and, while ye live,
Take all the gifts that Death and Life may give."
William Morris [1834-1896]
SONG IN MARCH
Now are the winds about us in their glee,
Tossing the slender tree;
Whirling the sands about his furious car,
March cometh from afar;
Breaks the sealed magic of old Winter's dreams,
And rends his glassy streams;
Chafing with potent airs, he fiercely takes
Their fetters from the lakes,
And, with a power by queenly Spring supplied,
Wakens the slumbering tide.
With a wild love he seeks young Summer's charms
And clasps her to his arms;
Lifting his shield between, he drives away
Old Winter from his prey;--
The ancient tyrant whom he boldly braves,
Goes howling to his caves;
And, to his northern realm compelled to fly,
Yields up the victory;
Melted are all his bands, o'erthrown his towers,
And March comes bringing flowers.
William Gilmore Simms [1806-1870]
MARCH
Blossom on the plum,
Wild wind and merry;
Leaves upon the cherry,
And one swallow come.
Red windy dawn,
Swift rain and sunny;
Wild bees seeking honey,
Crocus on the lawn;
Blossom on the plum.
Grass begins to grow,
Dandelions come;
Snowdrops haste to go
After last month's snow;
Rough winds beat and blow,
Blossom on the plum.
Nora Hopper [1871-1906]
WRITTEN IN MARCH
The Cock is crowing,
The stream is flowing,
The small birds twitter,
The lake doth glitter,
The green field sleeps in the sun;
The oldest and youngest
Are at work with the strongest;
The cattle are grazing,
Their heads never raising;
There are forty feeding like one!
Like an army defeated
The snow hath retreated,
And now doth fare ill
On the top of the bare hill;
The ploughboy is whooping--anon--anon
There's joy in the mountains;
There's life in the fountains;
Small clouds are sailing,
Blue sky prevailing;
The rain is over and gone!
William Wordsworth [1770-1850]
THE PASSING OF MARCH
The braggart March stood in the season's door
With his broad shoulders blocking up the way,
Shaking the snow-flakes from the cloak he wore,
And from the fringes of his kirtle gray.
Near by him April stood with tearful face,
With violets in her hands, and in her hair
Pale, wild anemones; the fragrant lace
Half-parted from her breast, which seemed like fair,
Dawn-tinted mountain snow, smooth-drifted there.
She on the blusterer's arm laid one white hand,
But he would none of her soft blandishment,
Yet did she plead with tears none might withstand,
For even the fiercest hearts at last relent.
And he, at last, in ruffian tenderness,
With one swift, crushing kiss her lips did greet.
Ah, poor starved heart!--for that one rude caress,
She cast her violets underneath his feet.
Robert Burns Wilson [1850-1916]
HOME THOUGHTS, FROM ABROAD
Oh, to be in England
Now that April's there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England--now!
And after April, when May follows
And the white-throat builds, and all the swallows!
Hark, where my blossomed pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops--at the bent spray's edge--
That's the wise thrush: he sings each song twice over,
Lest you should think he never could recapture
The first fine careless rapture!
And though the fields look rough with hoary dew,
All will be gay when noontide wakes anew
The buttercups, the little children's dower
--Far brighter than this gaudy melon-flower!
Robert Browning [1812-1889]
SONG
April, April,
Laugh thy girlish laughter;
Then, the moment after,
Weep thy girlish tears!
April, that mine ears
Like a lover greetest,
If I tell thee, sweetest,
All my hopes and fears,
April, April,
Laugh thy golden laughter,
But, the moment after,
Weep thy golden tears!
William Watson [1858-1935]
AN APRIL ADORATION
Sang the sun rise on an amber morn--
"Earth, be glad! An April day is born.
"Winter's done, and April's in the skies,
Earth, look up with laughter in your eyes!"
Putting off her dumb dismay of snow,
Earth bade all her unseen children grow.
Then the sound of growing in the air
Rose to God a liturgy of prayer;
And the thronged succession of the days
Uttered up to God a psalm of praise.
Laughed the running sap in every vein,
Laughed the running flurries of warm rain,
Laughed the life in every wandering root,
Laughed the tingling cells of bud and shoot.
God in all the concord of their mirth
Heard the adoration-song of Earth.
Charles G. D. Roberts [1860-
SWEET WILD APRIL
O sweet wild April
Came over the hills,
He skipped with the winds
And he tripped with the rills;
His raiment was all
Of the daffodils.
Sing hi,
Sing hey,
Sing ho!
O sweet wild April
Came down the lea,
Dancing along
With his sisters three:
Carnation, and Rose,
And tall Lily.
Sing hi,
Sing hey,
Sing ho!
O sweet wild April,
On pastoral quill
Came piping in moonlight
By hollow and hill,
In starlight at midnight,
By dingle and rill.
Sing hi,
Sing hey,
Sing ho!
Where sweet wild April
His melody played,
Trooped cowslip, and primrose,
And iris, the maid,
And silver narcissus,
A star in the shade.
Sing hi,
Sing hey,
Sing ho!
When sweet wild April
Dipped down the dale,
Pale cuckoopint brightened,
And windflower trail,
And white-thorn, the wood-bride,
In virginal veil.
Sing hi,
Sing hey,
Sing ho!
When sweet wild April
Through deep woods pressed,
Sang cuckoo above him,
And lark on his crest,
And Philomel fluttered
Close under his breast.
Sing hi,
Sing hey,
Sing ho!
O sweet wild April,
Wherever you went
The bondage of winter
Was broken and rent,
Sank elfin ice-city
And frost-goblin's tent.
Sing hi,
Sing hey,
Sing ho!
Yet sweet wild April,
The blithe, the brave,
Fell asleep in the fields
By a windless wave
And Jack-in-the-Pulpit
Preached over his grave.
Sing hi,
Sing hey,
Sing ho!
O sweet wild April,
Farewell to thee!
And a deep sweet sleep
To thy sisters three,--
Carnation, and Rose,
And tall Lily.
Sing hi,
Sing hey,
Sing ho!
William Force Stead [18--
SPINNING IN APRIL
Moon in heaven's garden, among the clouds that wander,
Crescent moon so young to see, above the April ways,
Whiten, bloom not yet, not yet, within the twilight yonder;
All my spinning is not done, for all the loitering days.
Oh, my heart has two wild wings that ever would be flying!
Oh, my heart's a meadow-lark that ever would be free!
Well it is that I must spin until the light be dying;
Well it is the little wheel must turn all day for me!
All the hill-tops beckon, and beyond the western meadows
Something calls me ever, calls me ever, low and clear:
A little tree as young as I, the coming summer shadows,--
The voice of running waters that I ever thirst to hear.
Oftentime the plea of it has set my wings a-beating;
Oftentimes it coaxes, as I sit in weary-wise,
Till the wild life hastens out to wild things all entreating,
And leaves me at the spinning-wheel, with dark, unseeing eyes.
Josephine Preston Peabody [1874-1922]
SONG: ON MAY MORNING
Now the bright morning-star, day's harbinger,
Comes dancing from the east, and leads with her
The flowery May, who from her green lap throws
The yellow cowslip and the pale primrose.
Hail, bounteous May, that dost inspire
Mirth and youth and warm desire!
Woods and groves are of thy dressing,
Hill and dale doth boast thy blessing.
Thus we salute thee with our early song,
And welcome thee, and wish thee long.
John Milton [1608-1674]
A MAY BURDEN
Though meadow-ways as I did tread,
The corn grew in great lustihead,
And hey! the beeches burgeoned.
By Goddes fay, by Goddes fay!
It is the month, the jolly month,
It is the jolly month of May.
God ripe the wines and corn, I say,
And wenches for the marriage-day,
And boys to teach love's comely play.
By Goddes fay, by Goddes fay!
It is the month, the jolly month,
It is the jolly month of May.
As I went down by lane and lea,
The daisies reddened so, pardie!
"Blushets!" I said, "I well do see,
By Goddes fay, by Goddes fay!
The thing ye think of in this month,
Heigho! this jolly month of May."
As down I went by rye and oats,
The blossoms smelt of kisses; throats
Of birds turned kisses into notes;
By Goddes fay, by Goddes fay!
The kiss it is a growing flower,
I trow, this jolly month of May.
God send a mouth to every kiss,
Seeing the blossom of this bliss
By gathering doth grow, certes!
By Goddes fay, by Goddes fay!
Thy brow-garland pushed all aslant
Tells--but I tell not, wanton May!
Francis Thompson [1859?-1907]
CORINNA'S GOING A-MAYING
Get up, get up for shame, the blooming morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colors through the air:
Get up, sweet slug-a-bed, and see
The dew bespangling herb and tree.
Each flower has wept, and bowed toward the east,
Above an hour since: yet you not dressed;
Nay! not so much as out of bed;
When all the birds have matins said
And sung their thankful hymns: 'tis sin,
Nay, profanation, to keep in,
When as a thousand virgins on this day
Spring, sooner than the lark, to fetch in May.
Rise and put on your foliage, and be seen
To come forth, like the spring-time, fresh and green,
And sweet as Flora. Take no care
For jewels for your gown or hair:
Fear not; the leaves will strew
Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept;
Come, and receive them while the light
Hangs on the dew-locks of the night,
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth. Wash, dress, be brief in praying:
Few beads are best, when once we go a-Maying.
Come, my Corinna, come; and, coming, mark
How each field turns a street, each street a park
Made green and trimmed with trees; see how
Devotion gives each house a bough
Or branch: each porch, each door, ere this,
An ark, a tabernacle is,
Made up of white-thorn, neatly interwove;
As if here were those cooler shades of love.
Can such delights be in the street
And open fields, and we not see't?
Come, we'll abroad; and let's obey
The proclamation made for May:
And sin no more, as we have done, by staying;
But, my Corinna, come, let's go a-Maying.
There's not a budding boy or girl, this day,
But is got up, and gone to bring in May.
A deal of youth, ere this, is come
Back, and with white-thorn laden home.
Some have despatched their cakes and cream
Before that we have left to dream:
And some have wept, and wooed and plighted troth,
And chose their priest, ere we can cast off sloth:
Many a green gown has been given;
Many a kiss, both odd and even:
Many a glance, too, has been sent
From out the eye, love's firmament;
Many a jest told of the keys betraying
This night, and locks picked, yet we're not a-Maying.
Come, let us go, while we are in our prime,
And take the harmless folly of the time.
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun;
And, as a vapor or a drop of rain,
Once lost, can ne'er be found again:
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight
Lies drowned with us in endless night.
Then while time serves, and we are but decaying,
Come, my Corinna, come, let's go a-Maying.
Robert Herrick [1591-1674]
"SISTER, AWAKE!"
Sister, awake! close not your eyes!
The day her light discloses,
And the bright morning doth arise
Out of her bed of roses.
See the clear sun, the world's bright eye,
In at our window peeping:
Lo, how he blusheth to espy
Us idle wenches sleeping!
Therefore awake! make haste, I say,
And let us, without staying,
All in our gowns of green so gay
Into the Park a-maying!
Unknown
MAY
May! queen of blossoms,
And fulfilling flowers,
With what pretty music
Shall we charm the hours?
Wilt thou have pipe and reed,
Blown in the open mead?
Or to the lute give heed
In the green bowers?
Thou hast no need of us,
Or pipe or wire;
Thou hast the golden bee
Ripened with fire;
And many thousand more
Songsters, that thee adore,
Filling earth's grassy floor
With new desire.
Thou hast thy mighty herds,
Tame and free-livers;
Doubt not, thy music too
In the deep rivers,
And the whole plumy flight
Warbling the day and night--
Up at the gates of light,
See, the lark quivers!
Edward Hovell-Thurlow [1781-1829]
MAY
Come walk with me along this willowed lane,
Where, like lost coinage from some miser's store,
The golden dandelions more and more
Glow, as the warm sun kisses them again!
For this is May! who with a daisy chain
Leads on the laughing Hours; for now is o'er
Long winter's trance. No longer rise and roar
His forest-wrenching blasts. The hopeful swain,
Along the furrow, sings behind his team;
Loud pipes the redbreast--troubadour of spring,
And vocal all the morning copses ring;
More blue the skies in lucent lakelets gleam;
And the glad earth, caressed by murmuring showers,
Wakes like a bride, to deck herself with flowers!
Henry Sylvester Cornwell [1831-1886]
A SPRING LILT
Through the silver mist
Of the blossom-spray
Trill the orioles: list
To their joyous lay!
"What in all the world, in all the world," they say,
Is half so sweet, so sweet, is half so sweet as May?"
"June! June! June!"
Low croon
The brown bees in the clover.
"Sweet! sweet! sweet!"
Repeat
The robins, nested over.
Unknown
SUMMER LONGINGS
Ah! my heart is weary waiting,
Waiting for the May,--
Waiting for the pleasant rambles
Where the fragrant hawthorn-brambles,
With the woodbine alternating,
Scent the dewy way.
Ah! my heart is weary waiting,
Waiting for the May.
Ah! my heart is sick with longing,
Longing for the May,--
Longing to escape from study
To the young face fair and ruddy,
And the thousand charms belonging
To the summer's day.
Ah! my heart is sick with longing,
Longing for the May.
Ah! my heart is sore with sighing,
Sighing for the May,--
Sighing for their sure returning,
When the summer beams are burning,
Hopes and flowers that, dead or dying,
All the winter lay.
Ah! my heart is sore with sighing,
Sighing for the May.
Ah! my heart is pained with throbbing,
Throbbing for the May,--
Throbbing for the seaside billows,
Or the water-wooing willows;
Where, in laughing and in sobbing,
Glide the streams away.
Ah! my heart, my heart is throbbing,
Throbbing for the May.
Waiting sad, dejected, weary,
Waiting for the May:
Spring goes by with wasted warnings,--
Moonlit evenings, sunbright mornings,--
Summer comes, yet dark and dreary
Life still ebbs away;
Man is ever weary, weary,
Waiting for the May!
Denis Florence MacCarthy [1817-1882]
MIDSUMMER
Around this lovely valley rise
The purple hills of Paradise.
O, softly on yon banks of haze,
Her rosy face the Summer lays!
Becalmed along the azure sky,
The argosies of cloudland lie,
Whose shores, with many a shining rift,
Far off their pearl-white peaks uplift.
Through all the long midsummer-day
The meadow-sides are sweet with hay.
I seek the coolest sheltered seat,
Just where the field and forest meet,-
Where grow the pine-trees tall and bland,
The ancient oaks austere and grand,
And fringy roots and pebbles fret
The ripples of the rivulet.
I watch the mowers, as they go
Through the tall grass, a white-sleeved row.
With even stroke their scythes they swing,
In tune their merry whetstones ring.
Behind the nimble youngsters run,
And toss the thick swaths in the sun.
The cattle graze, while, warm and still,
Slopes the broad pasture, basks the hill,
And bright, where summer breezes break,
The green wheat crinkles like a lake.
The butterfly and humblebee
Come to the pleasant woods with me;
Quickly before me runs the quail,
Her chickens skulk behind the rail;
High up the lone wood-pigeon sits,
And the woodpecker pecks and flits.
Sweet woodland music sinks and swells,
The brooklet rings its tinkling bells,
The swarming insects drone and hum,
The partridge beats its throbbing drum.
The squirrel leaps among the boughs,
And chatters in his leafy house.
The oriole flashes by; and, look!
Into the mirror of the brook,
Where the vain bluebird trims his coat,
Two tiny feathers fall and float.
As silently, as tenderly,
The down of peace descends on me.
O, this is peace! I have no need
Of friend to talk, of book to read:
A dear Companion here abides;
Close to my thrilling heart He hides;
The holy silence is His Voice:
I lie and listen, and rejoice.
John Townsend Trowbridge [1827-1916]
A MIDSUMMER SONG
O, Father's gone to market-town, he was up before the day,
And Jamie's after robins, and the man is making hay,
And whistling down the hollow goes the boy that minds the mill,
While mother from the kitchen-door is calling with a will:
"Polly!--Polly!--The cows are in the corn!
O, where's Polly?"
From all the misty morning air there comes a summer sound--
A murmur as of waters from skies and trees and ground.
The birds they sing upon the wing, the pigeons bill and coo,
And over hill and hollow rings again the loud halloo:
"Polly!--Polly!--The cows are in the corn!
O, where's Polly?"
Above the trees the honey-bees swarm by with buzz and boom,
And in the field and garden a thousand blossoms bloom.
Within the farmer's meadow a brown-eyed daisy blows,
And down at the edge of the hollow a red and thorny rose.
But Polly!--Polly!--The cows are in the corn!
O, where's Polly?
How strange at such a time of day the mill should stop its clatter!
The farmer's wife is listening now and wonders what's the matter.
O, wild the birds are singing in the wood and on the hill,
While whistling up the hollow goes the boy that minds the mill.
But Polly!--Polly!--The cows are in the corn!
O, where's Polly?
Richard Watson Gilder [1844-1909]
JUNE
From the Prelude to "The Vision of Sir Launfal"
Over his keys the musing organist,
Beginning doubtfully and far away,
First lets his fingers wander as they list,
And builds a bridge from Dreamland for his lay:
Then, as the touch of his loved instrument
Gives hope and fervor, nearer draws his theme,
First guessed by faint auroral flushes sent
Along the wavering vista of his dream.
Not only around our infancy
Doth heaven with all its splendors lie;
Daily, with souls that cringe and plot,
We Sinais climb and know it not.
Over our manhood bend the skies;
Against our fallen and traitor lives
The great winds utter prophecies;
With our faint hearts the mountain strives;
Its arms outstretched, the druid wood
Waits with its benedicite;
And to our age's drowsy blood
Still shouts the inspiring sea.