The Death-Fires of Les Martigues

I

"God keep you from the she-wolf, and from your heart's deep desire!"

That is one of our old sayings here in Provence. I used to laugh at it

when I was young. I do not laugh at it now. When those words come into

my heart, and they come often, I go by the rough hard way that leads

upward to Notre Dame de la Garde until I come to the Crime Cross--it is

a wearying toil for me to get up that steep hill-side, I am so stiff

and old now--and there I cast fresh stones upon the heap at the foot of

the cross. Each stone cast there, you know, is a prayer for forgiveness

for some hidden crime: not a light fault, but a crime. The stones must

be little stones, yet the heap is very wide and high--though every

winter, when the great mistrals are blowing across the Étang de Berre,

the little stones are whirled away down the hill-side. I do not know

how this custom began, nor when; but it is a very old custom with us

here in Les Martigues.

Once in every year I go up to the Crime Cross by night. This is on

All Souls Eve. First I light the lamp over Magali's breast where she

lies sleeping in the graveyard: going to the graveyard at dusk, as the

others do, in the long procession that creeps up thither from the three

parts of our town--from Jonquières, and the Isle, and Ferrières--to

light the death-fires over the dear dead ones' graves. I go with the

very first, as soon as the sun is down. I like to be alone with Magali

while I light the little lamp that will be a guide for her soul through

that night when souls are free; that will keep it safe from the devils

who are free that night too. I do not like the low buzzing of voices

which comes later, when the crowd is there, nor the broken cries and

sobs. And when her lamp is lit, and I have lit my mother's lamp, I

hurry away from the graveyard and the moaning people--threading my

steps among the graves on which the lights are beginning to glimmer,

and through the oncoming crowd, and then by the lonely path through the

olive-orchards, and so up the stony height until I come at last to the

Crime Cross--panting, aching--and my watch begins.

[Illustration: MARIUS]

Up on that high hill-side, open to the west, a little of the dying

daylight lingers. Eastward, like a big black mirror, lies the great

étang; and far away across its still waters the mountain chain

above Berre and Rognac rises purple-grey against the darker sky.

In the west still are faint crimson blotches, or dashes of dull

blood-red--reflected again, and made brighter, in the Étang de Caronte:

that stretches away between the long downward slopes of the hills,

on which stone-pines stand out in black patches, until its gleaming

waters merge into the faint glow upon the waters of the Mediterranean.

Above me is the sanctuary of Notre Dame de la Garde, a dark mass on

the height above the olive-trees: of old a refuge for sinful bodies,

and still a refuge where sinful souls may seek grace in prayer from

their agony. And below me, on the slope far downward, is the graveyard:

where the death-fires multiply each moment, as more and more lamps

are lighted, until at last it is like a little fallen heaven of tiny

stars. Only in its midst is an island of darkness where no lamps are.

That is where the children lie together: the blessed innocents who have

died sinless, and who wander not on All Souls Eve because when sweet

death came to them their pure spirits went straight home to God. And

beyond the graveyard, below it, is the black outspread of the town: its

blackness deepened by a bright window here and there, and by the few

street lamps, and by the bright reflections which shine up from the

waters of its canals.

Seeing all this--yet only half seeing it, for my heart is full of other

things--I sit there at the foot of the Crime Cross in the darkness,

prayerful, sorrowful, while the night wears on. Sometimes I hear

footsteps coming up the rocky path, and then the shadowy figure of

a man or of a woman breaks out from the gloom and suddenly is close

beside me--and I hear the rattle of little stones cast upon the heap

behind me, on the other side of the cross. Presently, the rite ended,

whoever it is fades back into the gloom again and passes away. And I

know that another sinful soul has been close beside my sinful soul for

a moment: seeking in penitent supplication, as I am seeking, rest

in forgiveness for an undiscovered crime. But I am sure that none of

them sees--as I see in the gloom there always--a man's white face on

which the moonlight is shining, and beyond that white face the glint

of moonlight on a raging sea; and I am sure that on none of their

blackened souls rests a burden as heavy as that which rests on mine.

I am very weary of my burden, and old and broken too. It is my comfort

to know that I shall die soon. But, also, the thought of that comfort

troubles me. For I am a lone man, and childless. When I go, none

of Magali's race, none of my race, will be left alive here in Les

Martigues. Our death-fires will not be lighted. We shall wander in

darkness on All Souls Eve.

In Great Waters: Four Stories · 第 37 / 51 题