CHAPTER VI. THE ARREST

We took leave of Manlio at the moment when Gianni had delivered his

master's message. The sculptor acceded to the Cardinal's request, and,

after an interview with him, proceeded to execute the order for the

statuettes. For some days nothing occurred to excite suspicion, and

things seemed to be going on smoothly enough. From the room which Gianni

had hired Cencio watched the artist incessantly, all the while carefully

maturing his plot. At last, one evening, when our sculptor was hard at

work, Cencio broke into the studio, exclaiming excitedly, "For the love

of God, permit me to remain here a little while! I am pursued by the

police, who wish to arrest me. I assure you I am guilty of no crime,

except that of being a liberal, and of having declared, in a moment

of anger, that the overthrow of the Republic by the French was an

assassination." So saying, Cencio made as though to conceal himself

behind some statuary.

"These are hard times," soliloquized Manlio, "and little confidence can

be placed in any body; yet, how can I drive out one compromised by his

political opinions only--thereby, perhaps, adding to the number of those

unfortunates now lingering in the priests' prisons? He looks a decent

fellow, and would have a better chance of effecting his escape if he

remained here till nightfall. Yes! he shall stay." Manlio, therefore,

rose, and, beckoning to the supposed fugitive, bade him follow to the

end of the studio, where he secreted him carefully behind some massive

blocks of marble, little dreaming that he harbored a traitor.

Manlio had scarcely resumed his occupation before a patrol stopped

before the door and demanded permission to make a domiciliary visit, as

a suspected person had been seen to enter the house.

Poor Manlio endeavored to put aside the suspicions of the officer, so

far as he could do so without compromising his veracity, and, little

divining the trap into which he had fallen, attempted to lead him in a

direction opposite to that in which the crafty Cencio had taken refuge.

The patrol, being in league with Cencio, felt, of course, quite certain

of his presence on the premises, but some few minutes elapsed before

he succeeded in discovering the carefully-chosen hiding-place; and the

interval would have been longer had not Cencio stealthily put out his

hand and pulled him, the sbirro, gently by the coat as he passed.

The functionary paused suddenly, exclaiming with an affected tone of

triumph, "Ah! I have you!" then, turning upon Manlio, he seized the

artist by the collar, saying, in the sternest of tones, "you must

accompany me forthwith to the tribunal, and account for your crime in

giving shelter to this miscreant, who is in open rebellion against the

government of his Holiness."

Manlio, utterly beside himself, in the first burst of indignation, cast

his eye around among the chisels, hammers, and other tools for something

suitable with which to crack the skull of his insulter; but at this

moment his wife, followed by the lovely Clelia, rushed into the

apartment to ascertain the cause of so unwonted a disturbance. They

trembled at the sight of their beloved one in the grasp of the hated

police-officer, who cunningly relaxed his hold, and said, in a very

different voice, as soon as he perceived them, "Be of courage, signor,

and console these good ladies; your presence will be needed for a short

time only. A few questions will be asked, to which undoubtedly you can

give satisfactory replies."

In vain did the terrified women expostulate. Finding their tears and

remonstrances of no avail, they reluctantly let go their hold of the

unhappy Manlio, whom they had clasped in their terror. He, disdaining

any appeal to the courtesy of such a scoundrel as he knew the patrol to

be, waved them an adieu, and departed with a dignified air.

Rule of the Monk; Or, Rome in the Nineteenth Century · 第 6 / 68 章