CHAPTER XVI

For two years Una Golden Schwirtz moved amid the blank procession of

phantoms who haunt cheap family hotels, the apparitions of the

corridors, to whom there is no home, nor purpose, nor permanence. Mere

lodgers for the night, though for score on score of tasteless years they

use the same alien hotel room as a place in which to take naps and store

their trunks and comb their hair and sit waiting--for nothing. The men

are mysterious. They are away for hours or months, or they sit in the

smoking-room, glancing up expectant of fortunes that never come. But the

men do have friends; they are permitted familiarities by the bartender

in the café. It is the women and children who are most dehumanized. The

children play in the corridors; they become bold and sophisticated; they

expect attention from strangers. At fourteen the girls have long dresses

and mature admirers, and the boys ape the manners of their shallow

elders and discuss brands of cigarettes. The women sit and rock,

empty-hearted and barren of hands. When they try to make individual

homes out of their fixed molds of rooms--the hard walls, the brass

bedsteads, the inevitable bureaus, the small rockers, and the transoms

that always let in too much light from the hall at night--then they are

only the more pathetic. For the small pictures of pulpy babies

photographed as cupids, the tin souvenirs and the pseudo-Turkish scarves

draped over trunks rob the rooms of the simplicity which is their only

merit.

For two years--two years snatched out of her life and traded for

somnambulatory peace, Una lived this spectral life of one room in a

family hotel on a side street near Sixth Avenue. The only other

dwelling-places she saw were the flats of friends of her husband.

He often said, with a sound of pride: "We don't care a darn for all

these would-be social climbers. The wife and I lead a regular Bohemian

life. We know a swell little bunch of live ones, and we have some pretty

nifty parties, lemme tell you, with plenty poker and hard liquor. And

one-two of the bunch have got their own cars--I tell you they make a

whole lot more coin than a lot of these society-column guys, even if

they don't throw on the agony; and we all pile in and go up to some

road-house, and sing, and play the piano, and have a real time."

Conceive Una--if through the fumes of cheap cigarettes you can make out

the low lights of her fading hair--sitting there, trying patiently to

play a "good, canny fist of poker"--which, as her husband often and

irritably assured her, she would never learn to do. He didn't, he said,

mind her losing his "good, hard-earned money," but he "hated to see

Eddie Schwirtz's own wife more of a boob than Mrs. Jock Sanderson, who's

a regular guy; plays poker like a man."

Mrs. Sanderson was a black-haired, big-bosomed woman with a face as hard

and smooth and expressionless as a dinner-plate, with cackling laughter

and a tendency to say, "Oh, hell, boys!" apropos of nothing. She was a

"good sport" and a "good mixer," Mr. Schwirtz averred; and more and

more, as the satisfaction of having for his new married mistress a

"refined lady" grew dull, he adjured the refined lady to imitate Mrs.

Sanderson.

Fortunately, Mr. Schwirtz was out of town two-thirds of the time. But

one-third of the time was a good deal, since for weeks before his coming

she dreaded him; and for weeks after his going she remembered him with

chill shame; since she hadn't even the whole-hearted enthusiasm of

hating him, but always told herself that she was a prude, an abnormal,

thin-blooded creature, and that she ought to appreciate "Ed's" desire to

have her share his good times, be coarse and jolly and natural.

His extravagance was constant. He was always planning to rent an

expensive apartment and furnish it, but the money due him after each

trip he spent immediately and they were never able to move away from the

family hotel. He had to have taxicabs when they went to theaters. He

would carol, "Oh, don't let's be pikers, little sister--nothing too good

for Eddie Schwirtz, that's my motto." And he would order champagne, the

one sort of good wine that he knew. He always overtipped waiters and

enjoyed his own generosity. Generous he really was, in a clumsy way. He

gave to Una all he had over from his diversions; urged her to buy

clothes and go to matinées while he was away, and told it as a good joke

that he "blew himself" so extensively on their parties that he often had

to take day-coaches instead of sleepers for a week after he left New

York.... Una had no notion of how much money he made, but she knew that

he never saved it. She would beg: "Why don't you do like so many of the

other traveling-men? Your Mr. Sanderson is saving money and buying real

estate, even though he does have a good time. Let's cut out some of the

unnecessary parties and things--"

"Rats! My Mr. Sanderson is a leet-le tight, like all them Scotch

laddies. I'm going to start saving one of these days. But what can you

do when the firm screws you down on expense allowances and don't hardly

allow you one red cent of bonus on new business? There's no chance for

a man to-day--these damn capitalists got everything lashed down. I tell

you I'm getting to be a socialist."

He did not seem to be a socialist of the same type as Mamie Magen, but

he was interested in socialism to this extent--he always referred to it

at length whenever Una mentioned saving money.

She had not supposed that he drank so much. Always he smelled of whisky,

and she found quart bottles of it in his luggage when he returned from a

trip.

But he never showed signs of drunkenness, except in his urgent

attentions to her after one of their "jolly Bohemian parties."

More abhorrent to her was the growing slackness in his personal

habits.... He had addressed her with great volubility and earnestness

upon his belief that now they were married, she must get rid of all her

virginal book-learned notions about reticence between husband and wife.

Such feminine "hanky-panky tricks," he assured her, were the cause of

"all these finicky, unhappy marriages and these rotten divorces--lot of

fool clubwomen and suffragettes and highbrows expecting a man to be like

a nun. A man's a man, and the sooner a female gets on to that fact and

doesn't nag, nag, nag him, and let's him go round being comfortable and

natural, the kinder he'll be to her, and the better it'll be for all

parties concerned. Every time! Don't forget that, old lady. Why, there's

J. J. Vance at our shop. Married one of these up-dee-dee,

poetry-reading, finicky women. Why, he did _everything_ for that woman.

Got a swell little house in Yonkers, and a vacuum cleaner, and a hired

girl, and everything. Then, my God! she said she was _lonely_! Didn't

have enough housework, that was the trouble with her; and darned if she

doesn't kick when J. J. comes in all played out at night because he

makes himself comfortable and sits around in his shirt-sleeves and

slippers. Tell you, the first thing these women have gotta learn is that

a man's a man, and if they learn that they won't _need_ a vote!"

Mr. Schwirtz's notion of being a man was to perform all hygienic

processes as publicly as the law permitted. Apparently he was proud of

his God-given body--though it had been slightly bloated since God had

given it to him--and wanted to inspire her not only with the artistic

vision of it, but with his care for it.... His thick woolen

undergarments were so uncompromisingly wooleny.

Nor had Mr. Schwirtz any false modesty in his speech. If Una had made

out a list of all the things she considered the most banal or

nauseatingly vulgar, she would have included most of the honest fellow's

favorite subjects. And at least once a day he mentioned his former wife.

At a restaurant dinner he gave a full account of her death, embalming,

and funeral.

Una identified him with vulgarity so completely that she must often have

been unjust to him. At least she was surprised now and then by a

reassertion that he was a "highbrow," and that he decidedly disapproved

of any sort of vulgarity. Several times this came out when he found her

reading novels which were so coarsely realistic as to admit the sex and

sweat of the world.

"Even if they _are_ true to life," he said, "I don't see why it's

necessary to drag in unpleasant subjects. I tell you a fella gets too

much of bad things in this world without reading about 'em in books.

Trouble with all these 'realists' as you call 'em, is that they're such

dirty-minded hounds themselves that all they can see in life is the bad

side."

Una surmised that the writers of such novels might, perhaps, desire to

show the bad side in the hope that life might be made more beautiful.

But she wasn't quite sure of it, and she suffered herself to be

overborne, when he snorted: "Nonsense! These fellas are just trying to

show how sensational they can be, t' say nothing of talking like they

was so damn superior to the rest of us. Don't read 'em. Read pure

authors like Howard Bancock Binch, where, whenever any lady gets seduced

or anything like that, the author shows it's because the villain is an

atheist or something, and he treats all those things in a nice, fine,

decent manner. Good Gawd! sometimes a fella 'd think, to see you scrooge

up your nose when I'm shaving, that I'm common as dirt, but lemme tell

you, right now, miss, I'm a darn sight too refined to read any of these

nasty novels where they go to the trouble of describing homes that ain't

any better than pig-pens. Oh, and another thing! I heard you telling

Mrs. Sanderson you thought all kids oughta have sex education. My

_Gawd_! I don't know where you get those rotten ideas! Certainly not

from me. Lemme tell you, no kid of mine is going to be made nasty-minded

by having a lot of stuff like that taught her. Yes, sir, actually taught

her right out in school."

Una was sufficiently desirous of avoiding contention to keep to novels

which portrayed life--offices and family hotels and perspiratory

husbands--as all for the best. But now and then she doubted, and looked

up from the pile of her husband's white-footed black-cotton socks to

question whether life need be confined to Panama and Pemberton and

Schwirtz.

In deference to Mr. Schwirtz's demands on the novelists, one could

scarce even suggest the most dreadful scene in Una's life, lest it be

supposed that other women really are subject to such horror, or that

the statistics regarding immoral diseases really mean anything in

households such as we ourselves know.... She had reason to suppose that

her husband was damaged goods. She crept to an old family doctor and had

a fainting joy to find that she had escaped contamination.

"Though," said the doctor, "I doubt if it would be wise to have a child

of his."

"I won't!" she said, grimly.

She knew the ways of not having children. The practical Mr. Schwirtz had

seen to that. Strangely enough, he did not object to birth-control, even

though it was discussed by just the sort of people who wrote these

sensational realistic novels.

There were periods of reaction when she blamed herself for having become

so set in antipathy that she always looked for faults; saw as a fault

even the love for amusements which had once seemed a virtue in him.

She tried, wistfully and honestly, to be just. She reminded herself

constantly that she had enjoyed some of the parties with him--theater

and a late supper, with a couple just back from South America.

But--there were so many "buts"! Life was all one obliterating But.

Her worst moments were when she discovered that she had grown careless

about appearing before him in that drabbest, most ignoble of feminine

attire--a pair of old corsets; that she was falling into his own

indelicacies.

Such marionette tragedies mingled ever with the grander passion of

seeing life as a ruined thing; her birthright to aspiring cleanness sold

for a mess of quick-lunch pottage. And as she walked in a mist of agony,

a dumb, blind creature heroically distraught, she could scarce

distinguish between sordidness and the great betrayals, so chill and

thick was the fog about her.

She thought of suicide, often, but too slow and sullen was her protest

for the climax of suicide. And the common sense which she still had

urged her that some day, incredibly, there might again be hope. Oftener

she thought of a divorce. Of that she had begun to think even on the

second day of her married life. She suspected that it would not be hard

to get a divorce on statutory grounds. Whenever Mr. Schwirtz came back

from a trip he would visibly remove from his suit-case bunches of

letters in cheaply pretentious envelopes of pink and lavender. She

scorned to try to read them, but she fancied that they would prove

interesting to the judges.

§ 2

When Mr. Schwirtz was away Una was happy by contrast. Indeed she found a

more halcyon rest than at any other period since her girlhood; and in

long hours of thinking and reading and trying to believe in life, the

insignificant good little thing became a calm-browed woman.

Mrs. Lawrence had married the doctor and gone off to Ohio. They motored

much, she wrote, and read aloud, and expected a baby. Una tried to be

happy in them.

Una had completely got out of touch with Mr. and Mrs. Sessions, but

after her marriage she had gone to call on Mamie Magen, now prosperous

and more earnest than ever, in a Greenwich Village flat; on Jennie

Cassavant, sometime of the Home Club, now obscurely on the stage; on

curly-haired Rose Larsen, who had married a young lawyer. But Una had

fancied that they were suspiciously kind to her, and in angry pride she

avoided them. She often wondered what they had heard about Mr. Schwirtz

from the talkative Mrs. Lawrence. She conceived scenes in which she was

haughtily rhapsodic in defending her good, sensible husband before them.

Then she would long for them and admit that doubtless she had merely

imagined their supercilious pity. But she could not go back to them as a

beggar for friendship.

Also, though she never admitted this motive to herself, she was always

afraid that some day, if she kept in touch with them, her husband would

demand: "Why don't you trot out these fussy lady friends of yours?

Ashamed of me, eh?"

So she drifted away from them, and at times when she could not endure

solitariness she depended upon the women of the family hotel, whom she

met in the corridors and café and "parlor."

The aristocrats among them, she found, were the wives of traveling

salesmen, good husbands and well loved, most of them, writing to their

wives daily and longing for the time when they could have places in the

suburbs, with room for chickens and children and love. These aristocrats

mingled only with the sound middle-class of the hotel women, whose

husbands were clerks and bookkeepers resident in the city, or traveling

machinery experts who went about installing small power-plants. They

gossiped with Una about the husbands of the _déclassé_ women--men

suspected to be itinerant quack doctors, sellers of dubious mining or

motor stock, or even crooks and gamblers.

There was a group of three or four cheery, buxom, much-bediamonded,

much-massaged women, whose occasionally appearing husbands were sleek

and overdressed. To Una these women were cordial. They invited her to

go shopping, to matinées. But they stopped so often for cocktails, they

told so many intimate stories of their relations with their husbands,

that Una was timid before them, and edged away from their invitations

except when she was desperately lonely. Doubtless she learned more about

the mastery of people from them, however, than from the sighing,

country-bred hotel women of whom she was more fond; for the cheerful

hussies had learned to make the most of their shoddy lives.

Only one woman in the hotel did Una accept as an actual friend--Mrs.

Wade, a solid, slangy, contented woman with a child to whom she was

devoted. She had, she told Una, "been stuck with a lemon of a husband.

He was making five thousand a year when I married him, and then he went

to pieces. Good-looking, but regular poor white trash. So I cleaned

house--kicked him out. He's in Boston now. Touches me for a ten-spot now

and then. I support myself and the kid by working for a department

store. I'm a wiz at bossing dressmakers--make a Lucile gown out of the

rind of an Edam cheese. Take nothing off nobody--especially you don't

see me taking any more husbands off nobody."

Mostly, Una was able to make out an existence by herself.

She read everything--from the lacy sentimentalism of Myrtle Read to

Samuel Butler and translations of Gorky and Flaubert. She nibbled at

histories of art, and was confirmed in her economic theology by shallow

but earnest manuals of popular radicalism. She got books from a branch

public library, or picked them up at second-hand stalls. At first she

was determined to be "serious" in her reading, but more and more she

took light fiction as a drug to numb her nerves--and forgot the tales as

soon as she had read them.

In ten years of such hypnotic reading Mrs. Una Golden Schwirtz would not

be very different from that Mrs. Captain Golden who, alone in a flat,

had read all day, and forgotten what she had read, and let life dream

into death.

But now Una was still fighting to keep in life.

She began to work out her first definite philosophy of existence. In

essence it was not so very different from the blatant optimism of Mr. S.

Herbert Ross--except that it was sincere.

"Life is hard and astonishingly complicated," she concluded. "No one

great reform will make it easy. Most of us who work--or want to

work--will always have trouble or discontent. So we must learn to be

calm, and train all our faculties, and make others happy."

No more original than this was her formulated philosophy--the

commonplace creed of a commonplace woman in a rather less than

commonplace family hotel. The important thing was not the form of it,

but her resolve not to sink into nothingness.... She hoped that some day

she would get a job again. She sometimes borrowed a typewriter from the

manager of the hotel, and she took down in shorthand the miscellaneous

sermons--by Baptists, Catholics, Reformed rabbis, Christian Scientists,

theosophists, High Church Episcopalians, Hindu yogis, or any one else

handy--with which she filled up her dull Sundays.... Except as practice

in stenography she found their conflicting religions of little value to

lighten her life. The ministers seemed so much vaguer than the

hard-driving business men with whom she had worked; and the question of

what Joshua had done seemed to have little relation to what Julius

Schwirtz was likely to do. The city had come between her and the Panama

belief that somehow, mysteriously, one acquired virtue by enduring dull

sermons.

She depended more on her own struggle to make a philosophy.

That philosophy, that determination not to sink into paralyzed despair,

often broke down when her husband was in town, but she never gave up

trying to make it vital to her.

So, through month on month, she read, rocking slowly in the small,

wooden rocker, or lying on the coarse-coverleted bed, while round her

the hotel room was still and stale-smelling and fixed, and outside the

window passed the procession of life--trucks laden with crates of

garments consigned to Kansas City and Bangor and Seattle and Bemidji;

taxicabs with passengers for the mammoth hotels; office-girls and

policemen and salesmen and all the lusty crew that had conquered the

city or were well content to be conquered by it.

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