CHAPTER VIII.

THE REDDISH VALLEY AND ARDEN (OR HARDEN) HALL.

What exhibitions various hath the world

Witness'd of mutability in all

That we account most durable below!

Change is the diet on which all subsist,

Created changeable, and change at last

Destroys them.

COWPER.

It speaks not a little for the vigorous and buoyant life of the

immediate neighbourhood of our town that so few examples are to be met

with of decay and ruin. Turn whichever way we will, we find new houses,

new factories, new enterprises, but scarcely an instance of wasting

away and dilapidation. The nearest important relic of the feudal

times is Beeston Castle, just described; and the nearest memorial and

sepulchre of those brave, good men who, while the rulers of our country

were fighting and oppressing, conserved within the convent walls

learning, religion, charity, and a hundred other things that kept the

national civilisation moving until the aurora of the Reformation, is

Whalley Abbey, also more than thirty miles away. Excepting a few old

houses of little significance, everything about us is intact, occupied

usefully, and a fine testimony to the intelligence and the energy of

the province. Let a stranger visit any part of the country within the

radius indicated, and he will feel that he is in a place where life

is concentrated: everything bespeaks nerve; whatever has died seems

to have been succeeded on the instant by a more powerful thing. Like

a laurel-tree, we are dressed in this district in the foliage of

perennial and vehement vitality; while there is plenty of solid stem to

mark honourable antiquity, the leaves that have gone have but made way

for new and larger ones.

These reflections have been suggested by a visit to Arden Hall, the

solitary exception to the strong, unyielding life of the vicinity. Upon

this account alone it is a place of interest. The situation, also,

is one of the most delightful ever selected for a country residence.

The locality may be described, in general terms, as on the Cheshire

bank of the river Tame, about half-way between Stockport and Hyde.

The Tame separates Lancashire from that odd bit of Cheshire which,

running up in a kind of peninsula at its north-east corner, terminates

with Mossley and Tintwistle, the Etherowe forming its boundary on the

opposite side, and dividing it from Derbyshire. Few would suppose it

possible, but the county of Cheshire is at this point scarcely more

than two miles across! The ruin itself is easily found, the way to it

being by Levenshulme and Reddish,[16] inquiring there for the Reddish

paper-mills, which lie in the valley on the Lancashire side of the

river, and are approached by a steep descent, with beautiful views of

the surrounding country in front and upon the left. Crossing the river

by the mills, mounting the hill, going through a few fields and a grove

of trees, right before us, sooner than expected, stands the hall, a

large, tall square building of grey stone. At first sight, it appears

to be in tolerable preservation. The remains of the old sun-dial are

still visible, the diamonded casements of some of the windows are

perfect, and the exterior generally is undefaced. But the illusion

soon passes away. Penetrating to the inside, the great hall--a noble

apartment, some eleven yards by eight--is found heaped with rubbish

and fallen beams; the ceiling, once ornamented with pendent points,

is all gone, except a small portion in one corner; it seems a wonder

that the roof still cares to stay. A slender turret, rising above the

rest of the fabric, includes a circular staircase, leading to the

gallery of the upper floor. Here the diamonded casements reappear,

looking full into the western sky, and over the trees and river winding

at the foot of the steep; and here we discover the loveliness of the

site. Abundantly wooded, strewn with fertile meads, and opening out in

every direction pretty views of distant hills, with yet more distant

ones peeping over their shoulders, there is not a more picturesque

valley east of Manchester, that is to say, not until we are fairly

into Derbyshire, than is spread before the windows of forsaken Arden.

There is not a spot upon its slopes where we may not pause and admire,

and wish for our friends. As at Beeston, the mind quickly travels back

to the lang syne. Out of those windows, through the open casements,

how often have the eyes of fair girls gazed, in sweet summer evenings,

long and peacefully, upon the woods and winding water, and painted

sunset, one generation after another, all gone now, their ancient home

crumbling to dust--but the woods and winding water and sunset the same.

The poets talk of nature's sympathy with man; there is nothing so

marked as her lofty indifference to him.

Archæologically, Arden is interesting as a fine specimen of the

domestic architecture of the sixteenth century, and is remarkable

for its unusually large bay windows. The waterspouts are inscribed

1597. The history of the estate and its proprietors dates, however,

as far back as the time of King John, and though no direct evidence

is within reach, there is reason to believe that an earlier building

once stood near, and that the present ruin is the second hall. John

o' Gaunt is said to have been an inmate of the original. The family

history may be seen at length in Ormerod's "Cheshire," in the third

volume of which work, p. 399, is a drawing of the hall as it appeared

before relinquished to decay. Visitors to the Art-Treasures Exhibition

of 1857 will recollect Mr. C. H. Mitchell's pretty water-colour view

of the same place, and there are few, perhaps, of our local artists

who have not sketched it. It would appear from the date of Ormerod's

work (1819), where the hall is described as containing furniture and

paintings, that it has been deserted only since the death of George

III. Until recently one of its curiosities was a stone pulpit, in

which it is said Oliver Cromwell once preached. The rustic legend of

the place is that, once upon a time, long before powder and shot were

invented, there lived hereabouts a doughty baron. On the opposite side

of the valley was a similar castle, held by a rival baron, who returned

his neighbour's jealousy with interest. These two worthies used to

spend their time in shooting at one another with bows and arrows, till

at last, tired of long range, and such desultory warfare, the Baron of

Arden collected his dependents, dived down into the valley, scaled the

opposite heights, slaughtered his enemy, and so utterly demolished his

castle, that now not a vestige of it is discoverable.

There is generally some good foundation for such legends. Upon the

eastern side of the hall, some distance from the moat, traces of

ancient earthworks are discoverable, extending towards the present

"Castle-hill," and which probably protected some simple fortification.

Flint arrow-heads and other relics of primitive weapons found in the

soil of the adjacent fields sustain the conjecture, and in truth a

better seat for a manorial stronghold it would not be easy to select.

The appellation of the ancient fortress when superseded by a building

of more peaceful character, would naturally be transferred to the

latter, and after the lapse of a little time, nothing more than the

name would survive to tell the story. Originally it was Arderne, as

in the reference by Webb, in 1622, to another seat of the family, "A

fine house belonging to Henry Arderne, Esq." In any case, the prefix

of an _H_ appears to be erroneous, if nothing worse. The last of

this name was the Richard Pepper Arderne, born at the old hall, and

educated at the Manchester Grammar School, who in 1801, three years

before his death, was raised to the peerage, with the title of Baron

Alvanley. Arden Hall is not only remarkable in being built wholly of

stone, when so many other mansions of the period were timber, but in

the high-pitched roof of the tower--a feature rarely observable in such

edifices.

Leaving the hall, the road descends rapidly towards the river, here

crossed by a stone bridge, shortly before reaching which there are some

cottages upon the left. At one of these, with the name "Thomas Ingham"

over the door, a nice tea may be obtained. It is not a very attractive

place to look at, but the parlour (at the back) is as comfortable as

any lady could desire; the provision is excellent, the attendance

prompt and respectful, and the charge so moderate that it seems

wonderful how it can pay. Forget not that in visiting such places the

obligation is mutual. Excursionists have no sort of claim upon private

houses, and should be glad to recompense with liberality the kindly

willingness to accommodate, save for which they might have to plod for

miles hungry and tired. Tea disposed of, we have a walk homewards

even more pleasing than the first, by taking, that is, the contrary or

Lancashire side of the river, and thus passing through the very woods

admired an hour previously from the hall and the crest of the hill.

The way is first over the stone bridge, then for a little distance up

the hill, descending thence into the field-path, found by means of a

large circular brick structure in one of the meadows, seemingly the

ventilation mouth of a coal-mine. There is a path quite close to the

river, if preferred, entered almost immediately after crossing the

bridge, but the water after wet weather is apt to be disagreeable,

and in autumn there is a thick and laborious jungle of butter-bur

leaves. The hill-side at this point is decidedly the best place for

viewing the hall, which crowns the tall cliff immediately in front of

it. It is hard to think, as we contemplate its lovely adjuncts, how

so romantic a site could have been deserted. The woods hanging the

hill-sides with their beautiful tapestry, the river creeping quietly

in the bottom, but seen only in shining lakelets where the branches of

the trees disentangle themselves, and make a green lacework of light

twig and leaf, just dense enough to serve as a thin veil, and just open

enough to let the eye pierce it and be delighted; the perfect calm

of the whole scene, and the sweet allurement of the path with every

additional step, how came they to be ignored? Approaching Reddish the

woods are unfenced, and the path lies almost beneath the trees. At the

end of May these woods are suffused with the brightest blue in every

direction,--the bloom of the innumerable wild hyacinth, which clusters

here in great banks and masses, so close that the green of the foliage

is concealed. The ground being a slope, and viewed from below, the

effect is most singular and striking. Shakspeare speaks of "making the

green one red;" here we have literally the green made blue. In the same

woods grows the forget-me-not, in abundance only exceeded in the Morley

meadows. One might almost fancy that the nymphs of ancient poetry had

been transmigrated into these sweet turquoise-coloured flowers. Among

the specialities of the Reddish valley, mentioned before as eminently

rich in plants of interest, are the bird-cherry, _Prunus Padus_, and

that curious fern the _Lunaria_. The first is quite a different thing

from the ordinary wild cherry of Mobberley, Peover, Lymm, and the

Bollin valley, having long, pendulous clusters of white flowers, like

those of the laburnum, and with a smell of honey. It is seen not only

as a tree, but sometimes forms part of the hedges. The lunaria grows

in the meadows, and is in perfection about the end of May. In August

and September the river-banks here are gay also with the fine crimson

of the willow-herb, the young shoots of which, along with the flowers,

drawn through the half-closed hand, leave behind them a grateful smell

of baked apples and cream.

The upper portion of the valley, nearer Hyde, was very diligently

and successfully explored in 1840-42 by Mr. Joseph Sidebotham, then

resident at Apethorne,--a townsman whom we have not more reason to be

proud of as a naturalist of the most varied and accurate information,

and as one of the most scientific and successful prosecutors of

microscopical research, than as a singularly skilful artist in

photography, and this without letting the colours grow dry upon the

palette from which he has been accustomed to transfer them to coveted

drawings. It was Mr. Sidebotham who first drew the attention of

Manchester naturalists to the fresh-water algæ of our district, and

who principally determined their forms and numbers. He also it was

who collected the principal portion known up to 1858 of the local

_Diatomaceæ_. During the five or six years he devoted to the botany

of Bredbury, Reddish, and the banks of the Tame generally, he added no

fewer than twenty-five species to the Manchester Flora, many of them

belonging to the difficult genera _Rubus_ and _Carex_. His walks were

not often solitary. What a broiling day was that on which we first

gathered in the Reddish valley the great white cardamine!--what a sweet

forenoon that vernal one when we stood contemplating the thousand

anemones! Nature seems to delight again in _upsetting_ everything

human! One cannot even bestow a name, but she tries to undermine it.

No epithet is more appropriate, as a rule, to this most modest of the

anemone race, the wild English one, than its specific name, nemorosa,

"inhabiting the groves;"--every reader of classical verse recalls,

as the eye glides over the word, the _nemus_ which grew greener

wherever Phyllis set her foot in it. Giving her the least chance, see,

nevertheless, how the wayward lady to whom we owe everything, laughs

alike at ourselves and our nomenclature. We call the flower nemorosa,

conclude that all is settled, and straightway, as in that sweet and

still forenoon in the Reddish valley (1840), she flings it by handfuls

over the sward, and leaves the grove as she then left the Arden woods,

without a blossom and without a leaf. Similar curious departure from

the accustomed habitat of the wood-anemone has since been observed at

Cheadle and at Alderley.

No slight pleasure is it in connection with botany that plants and

events thus link themselves together, recalling whole days of tranquil

happiness spent with valued friends in the green fields. Associations

with trees and flowers seem almost inevitably pleasant and graceful

ones; at all events, we never hear of the reverse. When orators and

poets want objects for elegant simile and comparison, they find

trees and flowers supply them most readily; and, on the other hand,

how rarely are these beautiful productions of nature used for the

illustration of what is vicious and degrading, or in any way mixed

up with what is vile and disgraceful. Trees and flowers lead us, by

virtue of their kindly influences on the heart and the imagination, to

a disrelish and forgetfulness of the uncomely, and to think better of

everything around us; so that a walk in the fields, over and above its

invigorating and refreshing value, acts as a kindly little preacher,

and shows us that we may at all events read, if not

_Honi soit qui mal y pense_, write,

In emerald tufts, flowers purple, blue, and white.

The lapse of twenty-four years has not tended to improve the aspect of

the Reddish valley. The main features are the same, but the brightness

is sadly dimmed. Everything now, in 1882, illustrates the operation

of town smoke and hurtful vapours, not to mention the devastating

influences which come of human travel. The wild-flowers have shared

the fate of those in other suburban localities; the old hall has

sunk further towards decay; the Inghams, happily, are extant. Mr.

Sidebotham, for his own part, practices, amid the refinements of his

Bowdon home, all that he cultivated originally upon the banks of the

little river, and with the added success that arises upon unbroken

assiduity. He tells me now of his researches into the entomology of

Dunham Park, where not long ago, for one or two successive seasons, in

July, a curious beetle occurred in plenty, a fact immensely remarkable,

since only one other of its kind has ever been noticed elsewhere in

England, this upon an oak in Windsor Forest as far back as 1829! The

insect was first detected by Mr. Joseph Chappell, a working mechanic at

Sir Joseph Whitworth's, and one of the most careful observers of nature

now in our midst.

* * * * *

The first photographs ever shown in Manchester were laid before a

meeting of the Literary and Philosophical Society by the late Mr. J.

E. Bowman, in November, 1838. I remember the occasion well, and the

interest taken in them by Dr. Dalton.

[Illustration]

[16: At which last-named place there is now also (1882) a

railway station.]

[Illustration]

Country Rambles, and Manchester Walks and Wild Flowers Being Rural Wanderings in Cheshire, Lancashire, Derbyshire, and Yorkshire · 第 8 / 19 章