POPE NIGHT.

"Lay up the fagots neat and trim;

Pile 'em up higher;

Set 'em afire!

The Pope roasts us, and we 'll roast him!"

Old Song.

The recent attempt of the Romish Church to reestablish its hierarchy in

Great Britain, with the new cardinal, Dr. Wiseman, at its head, seems to

have revived an old popular custom, a grim piece of Protestant sport,

which, since the days of Lord George Gordon and the "No Popery" mob, had

very generally fallen into disuse. On the 5th of the eleventh month of

this present year all England was traversed by processions and lighted up

with bonfires, in commemoration of the detection of the "gunpowder plot"

of Guy Fawkes and the Papists in 1605. Popes, bishops, and cardinals, in

straw and pasteboard, were paraded through the streets and burned amid

the shouts of the populace, a great portion of whom would have doubtless

been quite as ready to do the same pleasant little office for the Bishop

of Exeter or his Grace of Canterbury, if they could have carted about and

burned in effigy a Protestant hierarchy as safely as a Catholic one.

In this country, where every sect takes its own way, undisturbed by legal

restrictions, each ecclesiastical tub balancing itself as it best may on

its own bottom, and where bishops Catholic and bishops Episcopal, bishops

Methodist and bishops Mormon, jostle each other in our thoroughfares, it

is not to be expected that we should trouble ourselves with the matter at

issue between the rival hierarchies on the other side of the water. It

is a very pretty quarrel, however, and good must come out of it, as it

cannot fail to attract popular attention to the shallowness of the

spiritual pretensions of both parties, and lead to the conclusion that a

hierarchy of any sort has very little in common with the fishermen and

tent-makers of the New Testament.

Pope Night--the anniversary of the discovery of the Papal incendiary Guy

Fawkes, booted and spurred, ready to touch fire to his powder-train under

the Parliament House--was celebrated by the early settlers of New

England, and doubtless afforded a good deal of relief to the younger

plants of grace in the Puritan vineyard. In those solemn old days, the

recurrence of the powder-plot anniversary, with its processions, hideous

images of the Pope and Guy Fawkes, its liberal potations of strong

waters, and its blazing bonfires reddening the wild November hills, must

have been looked forward to with no slight degree of pleasure. For one

night, at least, the cramped and smothered fun and mischief of the

younger generation were permitted to revel in the wild extravagance

of a Roman saturnalia or the Christmas holidays of a slave plantation.

Bigotry--frowning upon the May-pole, with its flower wreaths and sportive

revellers, and counting the steps of the dancers as so many steps towards

perdition--recognized in the grim farce of Guy Fawkes's anniversary

something of its own lineaments, smiled complacently upon the riotous

young actors, and opened its close purse to furnish tar-barrels to roast

the Pope, and strong water to moisten the throats of his noisy judges and

executioners.

Up to the time of the Revolution the powder plot was duly commemorated

throughout New England. At that period the celebration of it was

discountenanced, and in many places prohibited, on the ground that it was

insulting to our Catholic allies from France. In Coffin's History of

Newbury it is stated that, in 1774, the town authorities of Newburyport

ordered "that no effigies be carried about or exhibited only in the

daytime." The last public celebration in that town was in the following

year. Long before the close of the last century the exhibitions of Pope

Night had entirely ceased throughout the country, with, as far as we can

learn, a solitary exception. The stranger who chances to be travelling

on the road between Newburyport and Haverhill, on the night of the 5th of

November, may well fancy that an invasion is threatened from the sea, or

that an insurrection is going on inland; for from all the high hills

overlooking the river tall fires are seen blazing redly against the cold,

dark, autumnal sky, surrounded by groups of young men and boys busily

engaged in urging them with fresh fuel into intenser activity. To feed

these bonfires, everything combustible which could be begged or stolen

from the neighboring villages, farm-houses, and fences is put in

requisition. Old tar-tubs, purloined from the shipbuilders of the

river-side, and flour and lard barrels from the village-traders, are

stored away for days, and perhaps weeks, in the woods or in the rain-

gullies of the hills, in preparation for Pope Night. From the earliest

settlement of the towns of Amesbury and Salisbury, the night of the

powder plot has been thus celebrated, with unbroken regularity, down to

the present time. The event which it once commemorated is probably now

unknown to most of the juvenile actors. The symbol lives on from

generation to generation after the significance is lost; and we have seen

the children of our Catholic neighbors as busy as their Protestant

playmates in collecting, "by hook or by crook," the materials for Pope-

Night bonfires. We remember, on one occasion, walking out with a gifted

and learned Catholic friend to witness the fine effect of the

illumination on the hills, and his hearty appreciation of its picturesque

and wild beauty,--the busy groups in the strong relief of the fires, and

the play and corruscation of the changeful lights on the bare, brown

hills, naked trees, and autumn clouds.

In addition to the bonfires on the hills, there was formerly a procession

in the streets, bearing grotesque images of the Pope, his cardinals and

friars; and behind them Satan himself, a monster with huge ox-horns on

his head, and a long tail, brandishing his pitchfork and goading them

onward. The Pope was generally furnished with a movable head, which

could be turned round, thrown back, or made to bow, like that of a china-

ware mandarin. An aged inhabitant of the neighborhood has furnished us

with some fragments of the songs sung on such occasions, probably the

same which our British ancestors trolled forth around their bonfires two

centuries ago:--

"The fifth of November,

As you well remember,

Was gunpowder treason and plot;

And where is the reason

That gunpowder treason

Should ever be forgot?"

"When James the First the sceptre swayed,

This hellish powder plot was laid;

They placed the powder down below,

All for Old England's overthrow.

Lucky the man, and happy the day,

That caught Guy Fawkes in the middle of his play!"

"Hark! our bell goes jink, jink, jink;

Pray, madam, pray, sir, give us something to drink;

Pray, madam, pray, sir, if you'll something give,

We'll burn the dog, and not let him live.

We'll burn the dog without his head,

And then you'll say the dog is dead."

"Look here! from Rome The Pope has come,

That fiery serpent dire;

Here's the Pope that we have got,

The old promoter of the plot;

We'll stick a pitchfork in his back,

And throw him in the fire!"

There is a slight savor of a Smithfield roasting about these lines, such

as regaled the senses of the Virgin Queen or Bloody Mary, which entirely

reconciles us to their disuse at the present time.

It should be the fervent prayer of all good men that the evil spirit of

religious hatred and intolerance, which on the one hand prompted the

gunpowder plot, and which on the other has ever since made it the

occasion of reproach and persecution of an entire sect of professing

Christians, may be no longer perpetuated. In the matter of exclusiveness

and intolerance, none of the older sects can safely reproach each other;

and it becomes all to hope and labor for the coming of that day when the

hymns of Cowper and the Confessions of Augustine, the humane philosophy

of Channing and the devout meditations of Thomas a Kempis, the simple

essays of Woolman and the glowing periods of Bossuet, shall be regarded

as the offspring of one spirit and one faith,--lights of a common altar,

and precious stones in the temple of the one universal Church.

The Works of John Greenleaf Whittier, Volume VI. (Of VII) Old Portraits and Modern Sketches, Plus Personal Sketches and Tributes and Historical Papers · 第 41 / 47 题