He gives the following ludicrous definition of Congress:--

"But what is Congress? It is the echo of the country at home,--the

weathercock, that denotes and answers the shifting wind,--a thing of

tail, nearly all tail, moved by the tail and by the wind, with small

heading, and that corresponding implicitly in movement with the broad

sail-like stern, which widens out behind to catch the rum-fraught breath

of 'the Brotherhood.' As that turns, it turns; when that stops, it stops;

and in calmish weather looks as steadfast and firm as though it was

riveted to the centre. The wind blows, and the little popularity-hunting

head dodges this way and that, in endless fluctuation. Such is Congress,

or a great portion of it. It will point to the northwest heavens of

Liberty, whenever the breezes bear down irresistibly upon it, from the

regions of political fair weather. It will abolish slavery at the

Capitol, when it has already been doomed to abolition and death

everywhere else in the country. 'It will be in at the death.'"

Replying to the charge that the Abolitionists of the North were "secret"

in their movements and designs, he says:--

"'In secret!' Why, our movements have been as prominent and open as the

house-tops from the beginning. We have striven from the outset to write

the whole matter cloud-high in the heavens, that the utmost South might

read it. We have cast an arc upon the horizon, like the semicircle of

the polar lights, and upon it have bent our motto, 'Immediate

Emancipation,' glorious as the rainbow. We have engraven it there, on

the blue table of the cold vault, in letters tall enough for the reading

of the nations. And why has the far South not read and believed before

this? Because a steam has gone up--a fog--from New England's pulpit and

her degenerate press, and hidden the beaming revelation from its vision.

The Northern hierarchy and aristocracy have cheated the South."

He spoke at times with severity of slaveholders, but far oftener of those

who, without the excuse of education and habit, and prompted only by a

selfish consideration of political or sectarian advantage, apologized for

the wrong, and discountenanced the anti-slavery movement. "We have

nothing to say," said he, "to the slave. He is no party to his own

enslavement,--he is none to his disenthralment. We have nothing to say

to the South. The real holder of slaves is not there. He is in the

North, the free North. The South alone has not the power to hold the

slave. It is the character of the nation that binds and holds him. It

is the Republic that does it, the efficient force of which is north of

Mason and Dixon's line. By virtue of the majority of Northern hearts and

voices, slavery lives in the South!"

In 1840, he spent a few weeks in England, Ireland, and Scotland. He has

left behind a few beautiful memorials of his tour. His Ride over the

Border, Ride into Edinburgh, Wincobank hall, Ailsa Craig, gave his paper

an interest in the eyes of many who had no sympathy with his political

and religious views.

Scattered all over his editorials, like gems, are to be found beautiful

images, sweet touches of heartfelt pathos,--thoughts which the reader

pauses over with surprise and delight. We subjoin a few specimens, taken

almost at random from the book before us:--

"A thunder-storm,--what can match it for eloquence and poetry? That rush

from heaven of the big drops, in what multitude and succession, and how

they sound as they strike! How they play on the old home roof and the

thick tree-tops! What music to go to sleep by, to the tired boy, as he

lies under the naked roof! And the great, low bass thunder, as it rolls

off over the hills, and settles down behind them to the very centre, and

you can feel the old earth jar under your feet!"

"There was no oratory in the speech of the _Learned Blacksmith_, in the

ordinary sense of that word, no grace of elocution, but mighty thoughts

radiating off from his heated mind, like sparks from the glowing steel of

his own anvil."

"The hard hands of Irish labor, with nothing in them,--they ring like

slabs of marble together, in response to the wild appeals of O'Connell,

and the British stand conquered before them, with shouldered arms.

Ireland is on her feet, with nothing in her hands, impregnable,

unassailable, in utter defencelessness,--the first time that ever a

nation sprung to its feet unarmed. The veterans of England behold them,

and forbear to fire. They see no mark. It will not do to fire upon men;

it will do only to fire upon soldiers. They are the proper mark of the

murderous gun, but men cannot be shot."

"It is coming to that (abolition of war) the world over; and when it does

come to it, oh what a long breath of relief the tired world will draw, as

it stretches itself for the first time out upon earth's greensward, and

learns the meaning of repose and peaceful sleep!"

"He who vests his labor in the faithful ground is dealing directly with

God; human fraud or weakness do not intervene between him and his

requital. No mechanic has a set of customers so trustworthy as God and

the elements. No savings bank is so sure as the old earth."

"Literature is the luxury of words. It originates nothing, it does

nothing. It talks hard words about the labor of others, and is reckoned

more meritorious for it than genius and labor for doing what learning can

only descant upon. It trades on the capital of unlettered minds. It

struts in stolen plumage, and it is mere plumage. A learned man

resembles an owl in more respects than the matter of wisdom. Like that

solemn bird, he is about all feathers."

"Our Second Advent friends contemplate a grand conflagration about the

first of April next. I should be willing there should be one, if it

could be confined to the productions of the press, with which the earth

is absolutely smothered. Humanity wants precious few books to read, but

the great living, breathing, immortal volume of Providence. Life,--real

life,--how to live, how to treat one another, and how to trust God in

matters beyond our ken and occasion,--these are the lessons to learn, and

you find little of them in libraries."

"That accursed drum and fife! How they have maddened mankind! And the

deep bass boom of the cannon, chiming in in the chorus of battle, that

trumpet and wild charging bugle,--how they set the military devil in a

man, and make him into a soldier! Think of the human family falling upon

one another at the inspiration of music! How must God feel at it, to see

those harp-strings he meant should be waked to a love bordering on

divine, strung and swept to mortal hate and butchery!"

"Leave off being Jews," (he is addressing Major Noah with regard to his

appeal to his brethren to return to Judaea,) "and turn mankind. The

rocks and sands of Palestine have been worshipped long enough.

Connecticut River or the Merrimac are as good rivers as any Jordan that

ever run into a dead or live sea, and as holy, for that matter. In

Humanity, as in Christ Jesus, as Paul says, 'there is neither Jew nor

Greek.' And there ought to be none. Let Humanity be reverenced with the

tenderest devotion; suffering, discouraged, down-trodden, hard-handed,

haggard-eyed, care-worn mankind! Let these be regarded a little. Would

to God I could alleviate all their sorrows, and leave them a chance to

laugh! They are, miserable now. They might be as happy as the blackbird

on the spray, and as full of melody."

"I am sick as death at this miserable struggle among mankind for a

living. Poor devils! were they born to run such a gauntlet after the

means of life? Look about you, and see your squirming neighbors,

writhing and twisting like so many angleworms in a fisher's bait-box, or

the wriggling animalculae seen in the vinegar drop held to the sun. How

they look, how they feel, how base it makes them all!"

"Every human being is entitled to the means of life, as the trout is to

his brook or the lark to the blue sky. Is it well to put a human 'young

one' here to die of hunger, thirst, and nakedness, or else be preserved

as a pauper? Is this fair earth but a poor-house by creation and intent?

Was it made for that?--and these other round things we see dancing in

the firmament to the music of the spheres, are they all great shining

poor-houses?"

"The divines always admit things after the age has adopted them. They

are as careful of the age as the weathercock is of the wind. You might

as well catch an old experienced weathercock, on some ancient Orthodox

steeple, standing all day with its tail east in a strong out wind, as the

divines at odds with the age."

But we must cease quoting. The admirers of Jean Paul Richter might find

much of the charm and variety of the "Flower, Fruit, and Thorn Pieces" in

this newspaper collection. They may see, perhaps, as we do, some things

which they cannot approve of, the tendency of which, however intended, is

very questionable. But, with us, they will pardon something to the

spirit of liberty, much to that of love and humanity which breathes

through all.

Disgusted and heart-sick at the general indifference of Church and clergy

to the temporal condition of the people,--at their apologies for and

defences of slavery, war, and capital punishment,--Rogers turned

Protestant, in the full sense of the term. He spoke of priests and

"pulpit wizards" as freely as John Milton did two centuries ago,

although with far less bitterness and rasping satire. He could not

endure to see Christianity and Humanity divorced. He longed to see the

beautiful life of Jesus--his sweet humanities, his brotherly love, his

abounding sympathies--made the example of all men. Thoroughly

democratic, in his view all men were equal. Priests, stripped of their

sacerdotal tailoring, were in his view but men, after all. He pitied

them, he said, for they were in a wrong position,--above life's comforts

and sympathies,--"up in the unnatural cold, they had better come down

among men, and endure and enjoy with them." "Mankind," said he, "want

the healing influences of humanity. They must love one another more.

Disinterested good will make the world as it should be."

His last visit to his native valley was in the autumn of 1845. In a

familiar letter to a friend, he thus describes his farewell view of the

mountain glories of his childhood's home:--

"I went a jaunt, Thursday last, about twenty miles north of this valley,

into the mountain region, where what I beheld, if I could tell it as I

saw it, would make your outlawed sheet sought after wherever our Anglo-

Saxon tongue is spoken in the wide world. I have been many a time among

those Alps, and never without a kindling of wildest enthusiasm in my

woodland blood. But I never saw them till last Thursday. They never

loomed distinctly to my eye before, and the sun never shone on them from

heaven till then. They were so near me, I could seem to hear the voice

of their cataracts, as I could count their great slides, streaming adown

their lone and desolate sides,--old slides, some of them overgrown with

young woods, like half-healed scars on the breast of a giant. The great

rains had clothed the valleys of the upper Pemigewasset in the darkest

and deepest green. The meadows were richer and more glorious in their

thick 'fall feed' than Queen Anne's Garden, as I saw it from the windows

of Windsor Castle. And the dark hemlock and hackmatack woods were yet

darker after the wet season, as they lay, in a hundred wildernesses, in

the mighty recesses of the mountains. But the peaks,--the eternal, the

solitary, the beautiful, the glorious and dear mountain peaks, my own

Moosehillock and my native Haystacks,--these were the things on which eye

and heart gazed and lingered, and I seemed to see them for the last time.

It was on my way back that I halted and turned to look at them from a

high point on the Thornton road. It was about four in the afternoon. It

had rained among the hills about the Notch, and cleared off. The sun,

there sombred at that early hour, as towards his setting, was pouring his

most glorious light upon the naked peaks, and they casting their mighty

shadows far down among the inaccessible woods that darken the hollows

that stretch between their bases. A cloud was creeping up to perch and

rest awhile on the highest top of Great Haystack. Vulgar folks have

called it Mount Lafayette, since the visit of that brave old Frenchman in

1825 or 1826. If they had asked his opinion, he would have told them the

names of mountains couldn't be altered, and especially names like that,

so appropriate, so descriptive, and so picturesque. A little hard white

cloud, that looked like a hundred fleeces of wool rolled into one, was

climbing rapidly along up the northwestern ridge, that ascended to the

lonely top of Great Haystack. All the others were bare. Four or five of

them,--as distinct and shapely as so many pyramids; some topped out with

naked cliff, on which the sun lay in melancholy glory; others clothed

thick all the way up with the old New Hampshire hemlock or the daring

hackmatack,--Pierpont's hackmatack. You could see their shadows

stretching many and many a mile, over Grant and Location, away beyond the

invading foot of Incorporation,--where the timber-hunter has scarcely

explored, and where the moose browses now, I suppose, as undisturbed as

he did before the settlement of the State. I wish our young friend and

genius, Harrison Eastman, had been with me, to see the sunlight as it

glared on the tops of those woods, and to see the purple of the

mountains. I looked at it myself almost with the eye of a painter. If a

painter looked with mine, though, he never could look off upon his canvas

long enough to make a picture; he would gaze forever at the original.

"But I had to leave it, and to say in my heart, Farewell! And as I

travelled on down, and the sun sunk lower and lower towards the summit of

the western ridge, the clouds came up and formed an Alpine range in the

evening heavens above it,--like other Haystacks and Moosehillocks,--so

dark and dense that fancy could easily mistake them for a higher Alps.

There were the peaks and the great passes; the Franconia Notches among

the cloudy cliffs, and the great White Mountain Gap."

His health, never robust, had been gradually failing for some time

previous to his death. He needed more repose and quiet than his duties

as an editor left him; and to this end he purchased a small and pleasant

farm in his loved Pennigewasset valley, in the hope that he might there

recruit his wasted energies. In the sixth month of the year of his

death, in a letter to us, he spoke of his prospects in language which

even then brought moisture to our eyes:--

"I am striving to get me an asylum of a farm. I have a wife and seven

children, every one of them with a whole spirit. I don't want to be

separated from any of them, only with a view to come together again. I

have a beautiful little retreat in prospect, forty odd miles north, where

I imagine I can get potatoes and repose,--a sort of haven or port. I am

among the breakers, and 'mad for land.' If I get this home,--it is a mile

or two in among the hills from the pretty domicil once visited by

yourself and glorious Thompson,--I am this moment indulging the fancy

that I may see you at it before we die. Why can't I have you come and

see me? You see, dear W., I don't want to send you anything short of a

full epistle. Let me end as I begun, with the proffer of my hand in

grasp of yours extended. My heart I do not proffer,--it was yours

before,--it shall be yours while I am N. P. ROGERS."

Alas! the haven of a deeper repose than he had dreamed of was close at

hand. He lingered until the middle of the tenth month, suffering much,

yet calm and sensible to the last. Just before his death, he desired his

children to sing at his bedside that touching song of Lover's, _The

Angel's Whisper_. Turning his eyes towards the open window, through

which the leafy glory of the season he most loved was visible, he

listened to the sweet melody. In the words of his friend Pierpont,--

"The angel's whisper stole in song upon his closing ear;

From his own daughter's lips it came, so musical and clear,

That scarcely knew the dying man what melody was there--

The last of earth's or first of heaven's pervading all the air."

He sleeps in the Concord burial-ground, under the shadow of oaks; the

very spot he would have chosen, for he looked upon trees with something

akin to human affection. "They are," he said, "the beautiful handiwork

and architecture of God, on which the eye never tires. Every one is

a feather in the earth's cap, a plume in her bonnet, a tress on her

forehead,--a comfort, a refreshing, and an ornament to her." Spring has

hung over him her buds, and opened beside him her violets. Summer has

laid her green oaken garland on his grave, and now the frost-blooms of

autumn drop upon it. Shall man cast a nettle on that mound? He loved

humanity,--shall it be less kind to him than Nature? Shall the bigotry

of sect, and creed, and profession, drive its condemnatory stake into his

grave? God forbid. The doubts which he sometimes unguardedly expressed

had relation, we are constrained to believe, to the glosses of

commentators and creed-makers and the inconsistency of professors, rather

than to those facts and precepts of Christianity to which he gave the

constant assent of his practice. He sought not his own. His heart

yearned with pity and brotherly affection for all the poor and suffering

in the universe. Of him, the angel of Leigh Hunt's beautiful allegory

might have written, in the golden book of remembrance, as he did of the

good Abou Ben Adhem, "He loved his fellow-men."

The Works of John Greenleaf Whittier, Volume VI. (Of VII) Old Portraits and Modern Sketches, Plus Personal Sketches and Tributes and Historical Papers · 第 17 / 47 题