IV

Yet in that facial mask I seem to read all the tale of the long years

of desperate waiting, only half sweetened by premature triumphs of pen

and person; all the rancorous energies of political strife.

And as I gaze, a sense of something shoddy oppresses me, of tinsel and

glitter and flamboyance: a feeling that here is no true greatness, no

sphinx-like sublimity. A shadow of the world and the flesh falls

across the brooding figure, a Napoleonic vulgarity coarsens the

features, there is a Mephistophelian wrinkle in the corner of the

lips.

I think of his books, of his grandiose style, gorgeous as his early

waistcoats and gold chains, the prose often made up of bad blank

verse, leavings from his long coxcombical strain to be a poet; of his

false-sublime and his false-romantic, of his rococo personages,

monotonously magnificent; of his pseudo-Jewish stories, and his

braggart assertions of blood, played off against the insulting pride

of the proudest aristocracy in the world, and combined with a politic

perseverance to be more English than the English; of his naïve delight

in fine clothes and fine dishes and fine company; of his nice conduct

of a morning and evening cane; of his morbid self-consciousness of his

gifts and his genius; of his unscrupulous chase of personal success

and of Fame--that shadow which great souls cast, and little souls

pursue as substance; of his scrupulous personal rejection of

Love--Love, the one touch of true romance in his novels--and his

pecuniary marriage for his career's sake, after the manner of his

tribe; of his romanesque conception of the British aristocracy, which

he yet dominates, because he is not really rooted in the social

conceptions which give it its prestige, and so is able to manoeuvre

it artistically from without, intellect detached from emotion: to play

English politics like a game of chess, moving proud peers like pawns,

with especial skill in handling his Queen; his very imperturbability

under attack, only the mediæval Jew's self-mastery before the

grosser-brained persecutor.

I think these things and the Sphinx yields up his secret--the open

secret of the Ghetto parvenu.

V

But as I look again upon his strange Eastern face, so deep-lined, so

haggard, something subtler and finer calls to me from the ruins of its

melancholy beauty.

Into this heavy English atmosphere he brings not only the shimmer of

ideas and wit, but--a Heine of action--the fantasy of personal

adventure, and--when audacity has been crowned by empery--of dramatic

surprises of policy. A successful Lassalle, he flutters the stagnant

castes of aristocracy by the supremacy of the individual Will.

To a country that lumbers on from precedent to precedent, and owes its

very constitution to the pinch of practical exigencies, he brings the

Jew's unifying sweep of idea. First, he is the encourager of the Young

England party, for, conceiving himself child of a race of aristocrats

whose mission is to civilize the world, he feels the duty of guidance

to which these young English squires and nobles are born. The

bourgeois he hates--only the pomp of sovereignty and the pathos of

poverty move his soul; his lifelong dream is of a Tory democracy,

wherein the nobles shall make happy the People that is exploited by

the middle classes. Product of a theocratic state, where the rich and

the poor are united in God, he is shocked by "the Two Nations" into

which, by the gradual break-up of the feudal world, this England is

split. The cry of the Chartists does not leave him cold. He is one in

revolt with Byron and Shelley against a Philistine world. And later,

to a mighty empire that has grown fortuitously, piecemeal, by the

individual struggles of independent pioneers or isolated filibusters,

he gives a unifying soul, a spirit, a mission. He perceives with Heine

that as Puritan Britain is already the heir of ancient Palestine, and

its State Church only the guardian of the Semitic principle,

popularized, so is it by its moral and physical energy, the destined

executant of the ideals of Zion; that it is planting the Law like a

great shady tree in the tropic deserts and arid wastes of barbarism.

That grandeur and romance of their empire, of which the English of his

day are only dimly aware, because like their constitution it has

evolved without a conscious principle, he, the outsider, sees. He is

caught by the fascination of its vastness, of its magnificent

possibilities. And in very deed he binds England closer to her

colonies, and restores her dwindled prestige in the Parliament of

Nations. He even proclaims her an Asiatic power.

For his heart is always with his own people--its past glories, its

persistent ubiquitous potency, despite ubiquitous persecution. He sees

himself the appointed scion of a Chosen Race, the only race to which

God has ever spoken, and perhaps the charm of acquired Cyprus is its

propinquity to Palestine, the only soil on which God has ever deigned

to reveal Himself.

And, like his race, he has links with all the human panorama.

He is in touch with the humors and graces of European courts and

cities, has rapport with the rich-dyed, unchanging, double-dealing

East, enjoys the picaresque life of the Spanish mountains: he feels

the tragedy of vanished Rome, the marble appeal of ancient Athens, the

mystery of the Pyramids, the futility of life; his books palpitate

with world-problems.

And, as I think these things, his face is transfigured and he

becomes--beneath all his dazzle of deed--a Dreamer of the Ghetto.

Dreamers of the Ghetto · 第 140 / 173 题